JOURNEY INTO MYSTERY #86: Tomorrow is…Thor’s-Day!

Published: November, 1962

“On the Trail of the Tomorrow Man!”
Plot: Stan Lee
Script: Larry Lieber
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

Last time I wandered in the Marvelous Zone, I met up with a double dose of large, green and mean–though he was not as mean as you would expect, just sort of talkative and aggravated. But this time, I’m following Thor, and I’m happy to see this story is a mere 13 pages in the November ’62 issue of Journey into Mystery. Whew! That should make things a little easier! Will I get 3,000 words out of this story? Won’t know till I’m done. So let’s get started.

On the cover of JIM #86 we see Thor in fine form, wielding Mjolnir for all he’s worth, but meeting with a good deal of frustration because his foe, the Tomorrow Man, is apparently a time traveler who “can fade into a different year” before Thor can reach him. With Hulk, it was all about the very realistic threat of the Commies, but this will be a tale with mystical and science fiction elements.

The Plotter outlines the events, and the Scripter writes the narration and dialog from that outline. The Artist, or Penciller, translates the writer’s words into visuals. The penciller determines the layout of the page, and the “camera angles” of each panel. The Inker “finishes” the pencilled art, laying down dark strokes that lend depth and motion. The Letterer “draws” the words as they appear in the narration and dialog. The writers, artists and letterer form a symbiotic unit known as Storytellers.

–Russ

CREDIT WHERE CREDIT IS DUE
Now here’s something interesting: on the splash, we see that the “Plot” is by Stan Lee, but the “Script” is the product of Larry Lieber. To the best of my knowledge, this is the first time we’re making a distinction between plot and script. Also, Jack Kirby once again provides “Art,” but Dick Ayers is given credit for “Inks.”

It’s worth noting at this point that Larry Lieber is Stan Lee’s younger brother, a writer and artist who was extremely involved in all aspects of Marvel Comics from the 1950’s (before Marvel Comics was even known as Marvel Comics), right up to the present day. At one point, Larry remarked, “Stan made up the plot, then he’d give it to me, and I’d write the script.” But he actually did a lot more than that. It’s amazing how much work he did for Marvel, and if you can keep up with the pace of his prolific professional life, you might like to take a side-trip in the Marvelous Zone and read about it here.

HAIL! THE FUTURE!
We begin three centuries into the future, with the optimistic proclamation that “mankind has abolished war and scrapped its weapons! Peace and contentment prevail…” Hey! Are we sure Gene Roddenberry doesn’t need some kind of credit on the splash? This sounds suspiciously like the Utopia depicted in the Star Trek universe (or perhaps Gene Roddenberry should give a little tip of the hat to Marvel Comics!). And like the Star Trek universe, even though peace and contentment prevail, for some reason everyone is still dressing like it’s the 1960’s.

Of course here, just as in Star Trek, Utopia is disrupted by a single ornery individual who just can’t seem to get with the program. Zarrko has invented a time machine and decides to travel back to the twentieth century in search of weapons.

In the twentieth century, Thor is helping the military test anti-missiles. Zarrko materializes in the middle of the tests, steals the cobalt bomb and gets away before Thor can stop him. From a small piece of unrecognizable metal left behind, the conclusion is drawn that the thief is from the future, and Thor calls on Odin for help. Odin advises him to strap the metal fragment to Mjolnir, since “thy hammer has the power to spin faster than light–to enter the fourth dimension of–time!”

Taking dad’s advice, Thor arrives in the year 2262, where in addition to learning that Zarrko arrived a month earlier with the cobalt bomb and is using it as a threat to establish his dictatorship, we also find that the women of the future still consider Thor quite handsome. (I know that’s probably not germane, but I found it interesting and amusing, thus this quick mention of Thor’s universal appeal.)

Zarrko and Thor face off, but at every turn, Thor outsmarts him. Zarrko flees in a spaceship, reasoning, “If I can’t use the cobalt bomb to enslave the world–then I’ll use it to destroy the world!” Thor thumps Mjolnir to create a storm, and Zarrko’s ship crashes. Thor retrieves the bomb and returns it to 1962.

Zarrko survives the crash, but loses his memory. Amnesia! Yep. And since in the future we are all such peace-loving hippies, it’s a good bet there’s no death penalty, not even for a tyrant who attempts to destroy the entirety of civilization. I predict Zarrko will live long enough to regain his memory (despite the medic’s proclamation that this will never happen) and someday, somehow, we’ll run into him again, up to his old tricks. And once again the handsome, resourceful Thor will have to step in to save the future.

SAVE THE FUTURE?
Now, having said all that, here’s my question: Why? Why do we need to save the future? If something goes wrong in the past, sure, let’s get right on it, let’s put history back in its proper place, or we may wake up tomorrow and find there IS no tomorrow. But if the people of the future have problems, what’s it to us? Why should we meddle?

Well, I guess I’m showing my self-centered nature here. I wouldn’t meddle. But then again, I’m not Thor. I don’t have the heart of a superhero, a demi-god. If I did, I would care about all people in all places at all times. Maybe that’s part of what makes Thor who he is, this overwhelming desire to protect everyone. I hearken back to the Spider-Man sentiment that with great power comes great responsibility. I don’t have the power, so I don’t feel the responsibility. But obviously Thor does, and I’m glad he does, otherwise we wouldn’t have much of a story.

BUILDING THE MYTHOS
Two significant events happen in this story to recommend it as an important moment in Marvel history. First, this tale marks the first appearance of Odin.

Along with this imposing image of Odin, an Editor’s note informs us that “Odin is monarch of the Norse gods! The citadel in which they dwell is called Asgard!” Odin is a god and monarch of the first degree, his speech liberally peppered with “thee’s” and “thou’s.” For the moment, he is merely a fount of important information, but we shall see much more of him in the future.

The information Odin provides is the other significant development. Apparently Thor has the power to transcend time, simply by spinning “faster than light.” Wow! You mean, in addition to everything else, Thor can also travel through time? And he doesn’t even need a time machine? Well, he needs the hammer of course, but then he needs the hammer for everything he does, or else he turns back into Blake. But learning this, I have just gained an increased appreciation for Thor. And I can’t wait to see how this superpower might be utilized in future stories.

Other than that, there’s not a whole lot going on here. Thor uses his powers to save the day, and at the end, Jane Foster laments that Dr. Blake is “colorless” and she wishes she could work for Thor instead.

Really?

Work for Thor? What would she do? Type his letters? Answer his phones? Does Thor really need an assistant? And how does she think he’s going to pay her, anyway? Not a very realistic daydream. That Jane, she’s one crazy romantic, isn’t she?

GENERAL ROSS?
Now, since Russ is the administrator of the Marvel Chronology Project and he has begun calling on me to help him determine matters of Marvel Comics chronology (as if he would ever really need my help with that!), I should mention one thing that jumped out at me. On the bottom of page 3, several military officials at the missile testing site are singing the praises of Thor.

Mustachioed gentleman on the right…is that General Ross? Foe of the Incredible Hulk? And if it is, what is he doing in a Thor story? Well, testing missiles, of course! But if so… When? Before or after the last Hulk story? And more importantly… Why? Why is he using Thor to help test missiles?

We’re told that Thor is assisting so the scientists can observe “a human’s physiological reaction” to the cobalt bomb explosion. We’re told they’re using Thor because he is one of few people in the world who could potentially survive such an explosion. Yes, well, but…if “an ordinary man would be killed, standing that close to a cobalt bomb explosion,” but Thor will not be killed–because he is not, in fact, an ordinary man–then what good are the results of this test?

The only valuable information they will get from this test is whether or not a being with SUPERPOWERS can survive the blast of a cobalt bomb. And if that’s the case and Thor does survive, then General Ross will no doubt roar, “Fiddlesticks!” (though he would probably use a word more emphatic than “Fiddlesticks!”). He would exclaim, “$#!+! If Thor can survive the cobalt bomb, what the £>¢|< good will it be against HULK?”

I’m being facetious, of course, but the logic here defies reason, so a little facetiousness is not beyond reason. I don’t know if there’s anything else in the Marvel mythology to support my thesis that Ross is using Thor to perfect weapons to use against Hulk, but think about it: What is Ross’ one defining characteristic? He’s hell-bent on destroying the Hulk! Would he go to any lengths to achieve that goal? Would he even go so far as to endanger the life of the always good-natured and helpful demi-god Thor? If so, General Ross demands a cold hard look, and possible inclusion on my Villain Valuation chart.

But I digress. We don’t know any of this for certain about Ross, and besides, I’m here to talk about Thor and the Tomorrow Man. The moniker “Tomorrow Man” does indeed sound fantastic and supernatural, and frankly I was a bit disappointed when he turned out to be nothing more than a power-hungry creep from the future who just happens to have a time machine. Sure, he gives Thor a bit of trouble with his hidden room of magnetic mirrors, Delta-Electron gun and army of giant robots, but Thor handily defeats Zarrko at every turn. Thor even uses a decoy when first approaching Zarrko, proving he is not only strong, but also clever. Thor is a hero of many talents, and the Tomorrow Man is no match.

SHADOWED FIGURES
There are two shadowed figures in this story. One is the decoy I just alluded to, and is quickly unveiled as such. But the other, much more mysterious, appears on the missile testing site, thinking, “We are certainly lucky to have the services of the mighty Thor!”

Who is this shadowy figure? Why does he merely think his gratitude to Thor, and not express it aloud? Is this someone who may appear in a later tale, fully revealed, but for the moment must remain hidden? Does General Ross, in his all-consuming plan to make mincemeat of Hulk, perhaps have a secret ally? Oh, how I wish I had never seen Ross in this story! Now I am looking for danger and conspiracy where, most probably, none exists. Once upon a time I considered Marvel Comics mere entertainment for children, but now I feel like I’m watching The X-Files and the Smoking Man is just behind the door, about to throw the plot into even further turmoil and confusion.

Russ has explained to me there’s a very good chance this figure is in shadow simply because Jack Kirby decided he’d done enough work for one day, and it was a lot easier to draw shadows than to flesh out the details. Yes, yes. That’s probably it. He probably needed to catch the train and get home to his wife’s meatloaf dinner, or if he was late again, there would be hell to pay.

Okay. That’s my story, and I’m sticking with it. But if at any time in the future, I run into a mysterious shadowed figure in the background, I’m going to remember this, and see if I can make these puzzle pieces fit.

Next time we wander through the Marvelous Zone, it’s a Riches to Rags, then Rags to Riches story. Lights! Camera! Action! and lots of it when we travel to the “stars”!

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INCREDIBLE HULK #4: Masterpiece Theatre Meets the Tasmanian Devil

Published: November, 1962

“The Monster and the Machine!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: John Duffy

“The Gladiator From Outer Space!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: John Duffy

Last time I reviewed a Hulk, I didn’t realize there were two stories in one book. I remember thinking, “Geez, it sure took a long time for the villain to show up!” But in fact, there was no villain in the first story, then a short review of the origin, and then we started the next story. It was kind of confusing, and not made any less so by the fact that the cover of Hulk #3 shows only one image. One image = one story…right? Apparently not.

But the cover of Hulk #4 shows a split screen, alerting us that there will be two distinct stories within this issue. In fact, in addition to promising that this is “Fantasy as you like it!” the cover also proclaims “2 feature-length Hulk Thrillers in this issue!” So not only are they “feature-length,” but they are also “Thrillers.” With all this intense marketing, how could any kid with twelve cents possibly resist?

We’ve got a lot of ground to cover. So let’s get started!

THE MONSTER AND THE MACHINE
In the first feature, “The Monster and the Machine!” Hulk is obviously the monster, and immediately we see him strapped into a machine. While Banner was Banner, he built a hidden lab in a cave, and a machine to “bombard” Hulk with gamma rays, in hopes of turning him back into Banner. And vice versa, one would presume. Only trouble is, with Banner all hulked up, only “tense teenager” Rick Jones is left to run the machine. Fortunately, even though he “can’t even understand half of the jazz” that Banner wrote in the instruction manual, he flips the switch and, lo and behold, it works! Hulk is now Banner once again.

However, Banner is weakened by the experience, and uses the machine to bombard himself with gamma rays again in hopes of maintaining his intellect while infusing himself with Hulk’s strength. And guess what? It works again!

Now Hulk is strong AND smart. What could possibly go wrong?

Well, plenty, actually. For smarty-hulk’s first trick, he rescues a family from a burning house. You’d think they’d be grateful, right? But no…

The local deputy races to the scene and begins shooting at Hulk–once again, the classic “Shoot first, ask questions later” mentality that so pervades both life and literature.

Hulk grabs Rick and they escape. Using the marvelous machine, Hulk morphs back to mild-mannered super-scientist Bruce Banner, and everyone is safe for the moment, but the reader is left with a lot of unanswered questions.

HUH?
1. Whatever happened to the idea that Banner would transform into Hulk when the sun went down? In this story, Banner is apparently considered “missing,” and it seems Hulk has not turned back to Banner for some time. Are we no longer bound by night and day? That seems a thing of the past, maybe something we’re not even supposed to remember, question or think about.

Now, a machine controls the transformation process. And when Banner subjects himself to the machine’s gamma-rays, he is weakened to the point that he laments, “…can’t keep changing too often…not too quickly…rays are too strong.” This is a new piece of the puzzle, a new development in the mythos. How long will we continue changing the mythos until it is established enough to BE a mythos?

I guess it’s a useful device in that Stan can have Hulk whenever he needs him, but at the same time, it also reduces a lot of the drama that was inherent in Banner not having control over the monster. I’m not sure I’m on board with this new development. I know it won’t last long (at least I don’t think it will), but while it does, it’s just a little too convenient, if you ask me.

2. Whatever happened to the idea developed in the last couple of stories, where Rick Jones is able to control Hulk? I thought that was kind of cool. What happens when you put a “tense teenager” in charge of a mega-strong rage monster? There were so many possibilities in that set-up. I’m disappointed that apparently we’re not going to explore that further.

In this story, Hulk is propelled far enough away that he can no longer receive mental commands from Jones. In the previous story, Jones was able to contact Hulk over a great distance. So this distance must be even further. But the point is moot, because Jones is no longer controlling Hulk, just communicating with him.

3. And what’s this new idea of Banner being able to maintain his intellect while hulking up to super-strength? Yes, it makes him a formidable foe, but again, the drama is diminished. The scary thing about Hulk is that you never know what he’s going to do because he is, as Tony Stark puts it in The Avengers, “an enormous green rage monster,” with the emphasis on “rage.”

With Banner in control of Hulk’s brain, we get a lot of talky-talky and too much making sense. It’s kind of like Masterpiece Theatre meets the Tasmanian Devil. Actually, it’s kind of…jarring, and unsettling, to see so many words coming out of Hulk’s word balloon. Once again…just doesn’t work for me.

In fact, there are a lot of things that don’t work for me in this story. Most are minor, yet still jarring. In the retelling of the origin story, Betty Ross is wearing a yellow dress, instead of the pink dress and pillbox hat she wore in the original scene. No biggie. I won’t dwell.

On the missile testing field, General Ross warns his daughter, “Stay back, Betty, this is the weapon…” which leads to the question: what is a civilian doing running out into the middle of a weapons test? However, we’ve already seen that in this world, the military is extremely lax about their procedures involving dangerous weapons. (If they weren’t, we wouldn’t be here!) So even though this is not realistic, at least it’s consistent.

After Hulk rescues the family from the burning house, we see someone on the phone exclaiming that no one will be safe until the Hulk is found. But the rescued family is seen in the background. Are they not going to tell anyone, “Hey, wait! It was the HULK that saved us! He’s not the bad guy you think he is!”

Okay. I can look past that, I guess, because they are probably in shock after everything that’s happened to them. I mean, would you be thinking coherently if a huge green man in purple pants pulled you from a burning building? I think not.

However, there are some MAJOR developments that just don’t sit right with me. At the end of this story, Banner thinks, “even though the Hulk now has my brain, he is still a raging goliath! Still hard to control. I pray he never turns on me…or on mankind…” To which I have to ask…where is this coming from? Does it even make sense? How or why would Hulk turn on Banner? And if he did, how would that work?

At one point, after Hulk turns back to Banner, Rick Jones says, “It’s a relief to have you back, that Hulk was beginning to scare even me.” And in the last panel he worries, “I know the Hulk is still a problem.” But I didn’t see any of that in this story. Why is Rick scared? Where’s the problem? Hulk did good! He was coherent and reasonable. In this story he’s much more “tame” than we’ve seen him thus far. Very little to be afraid of or concerned about.

To some degree I feel that since the real drama of Hulk being unpredictable and uncontrollable has been watered down by the use of this new machine, Stan is grasping for something to infuse a little drama back into the situation, whether or not it actually makes a whole lot of sense.

One of the main themes that is firmly retained from the original stories is the idea of poor Hulk being persecuted simply because he is a monster. When he says, “I’m sick of bein’ shot at and hounded!” I think, “Ah! Yes! Here is the Hulk I know and love!”

BETTY
And we also still have Betty Ross, though she appears only marginally. Betty is the only one who’s been paying enough attention to begin to figure out that there’s some connection between Banner, Jones and the Hulk. It’s her romantic interest in Bruce Banner and concern for his safety that leads her to share those suspicions with her father. That of course precipitates further complications, but complications are good. They move the story forward.

And now we have moved forward enough that we are ready for the next story in this issue of Incredible Hulk.

GLADIATOR FROM OUTER SPACE
We ended the previous story with the impression that Banner only plans on hulking up when the need arises. Now, in “Gladiator From Outer Space,” the need arises and Hulk is forced out of retirement when “Mongu” lands in his “alien spaceship” and issues a challenge to any opponent able to handle a “two ton ax” in hand to hand combat, or “the warriors of my world will attack this puny planet and conquer it without mercy.”

I’ve purposely used a lot of quotes in that sentence, because once Banner hears the challenge and transforms to Hulk, and he and Rick Jones travel to the the Grand Canyon to meet that challenge, we discover that there is no alien Mongu, and this whole thing is a hoax dreamed up by…you guessed it…the dreaded Commies!

Yes, folks, it’s the Commies again. This time, it’s a Boris Monguski who informs Hulk that they plan to capture him and take him behind the Iron Curtain so their scientists can study him in an attempt to develop an army of Hulks.

So Hulk and Rick Jones are surrounded by a platoon of gun-wielding Commies in the middle of the lonesome Grand Canyon, and if you think this means the end of Hulk and his tense teenage sidekick, then you haven’t been paying attention. All Hulk has to do is jump in the air, and when he lands, it causes an explosion that causes all the Commie soldiers to drop their guns.

Well, not all their guns, because one Commie is hidden in the “alien spaceship” (which is actually a disguised Mig) and is now using a gun that emits ultra-sonic sound waves that prove torturous to Hulk’s super-sensitive ears.

But that doesn’t stop him either! Because “Banner’s brilliant brain” works in concert with Hulk’s incredible strength to dig a hole in the ground to escape the piercing noise. He burrows under the aircraft and throws aside the soldier.

But is that the end of it? No, not yet. The Commies threaten to kill Rick Jones unless Hulk cooperates. Rick, of course, very bravely yells to Hulk, “Don’t worry about me!PULVERIZE THESE CREEPS!” because every good red-blooded American boy hates the Commies more than he loves life itself.

But Hulk has no intentions of sacrificing his sidekick. He throws a huge piece of shrapnel at their helicopter. Now, there’s nothing left for the Commies to do but surrender, because “There is a limit to the frustrations which any men can endure—even communists.”

Personally, I think they gave up way too easily…even for communists…but at least the crisis has been averted. Hulk, still utilizing Banner’s brilliant brain, ties all the Commies together with their belts and connects them to the bottom of their disabled helicopter.

But we’re not done yet! After Hulk and Rick Jones leave (presumably in the chartered “twin engine” plane that brought them there?), a military squad arrives, surveys the scene, with the discarded Mongu “shell” and some footprints and fingerprints that could only belong to Hulk, and ASSUMES that Hulk must have rigged the entire scenario in order to appear a hero.

Okay. Now it’s bad enough that the military comes to this erroneous conclusion, but then the press takes the story and runs with it, plastering it all over the front page. No one seems to care that the facts just don’t add up. If Hulk wanted to appear as a hero, why would he stage this confrontation in the remote location of the Grand Canyon? And why would he leave behind evidence that the entire incident was a hoax?

I can almost forgive the military for jumping to this conclusion, because it’s their job to look for threats, so it’s believable that they would find one where no real threat exists. But I’m extremely disappointed in the press. Is it not the job of the press to seek out and publish the truth? The newspaper headline we see is in the Metropolitan Herald, not the National Enquirer.

Or am I bringing a post-Watergate mentality to the table? The press of the early 1960’s did not question authority. If the military gives us this story, then that’s what we publish. It was a different world back then, much less cynical. Is that what’s going on here, or is it just too easy a plot device to help perpetuate the feeling among the general population that Hulk is evil and manipulative? Of course, that’s where a lot of the drama in the Hulk stories is coming from right now, so we have to do whatever we can to advance the plight of the misunderstood anti-hero…but even at the expense of making the U.S. military and the “free press” look incredibly prejudiced and stupid?

I’m looking at this panel from when the military comes in and finds the “evidence” that Hulk must have set the whole thing up as a self-promotion gig, and I have to wonder…do they not see the huge Mig in the background? Wouldn’t they recognize a Commie aircraft? Does it never occur to them that the Commies might somehow be involved? Or do they hate Hulk even more than they hate Commies? If so, that’s a pretty pervasive hate, because back in the 60’s, no one was more hated than the Commies.

GOT ME!
With that in mind, I wish I could say that when I began reading, I suspected the Commies. But I didn’t. In these early Marvel comics, so far I’ve probably seen the alien threat just about as much as I’ve seen the Commies. But Mongu presented as a very real alien threat at first. There was no reason to suspect that–well…yes, there was, actually. His “spaceship” had landing gear.

When I first saw that, I did think for a moment… “How odd…” but then as soon as Mongu appeared, I was completely immersed in the alien threat storyline. Got me, Stan! Got me good. Nice work.

When Mongu was revealed to be a fake, though, after my first thought of “Doh!” the next thing that occurred to me was: General Ross! This is all part of Ross’ evil plan to get Hulk! That would have made sense, right?

But it wasn’t even Ross. So again I say: Good work! It was a nice surprise to be fooled twice.

And speaking of surprises, imagine my surprise when Rick Jones and Hulk charter a “twin jet” to take them to the Grand Canyon. There are so many things wrong with this picture. First of all, who would be willing to accept a charter flight for the Hulk? Again, I reference a line from the recent Avengers movie, when Banner, believing the ship is about to submerge, wonders “Really? They want me submerged in a pressurized metal container?” Submerged or airborne, it’s the same thing, right? But even if they found a pilot who was just crazy enough to do anything for money, how would the plane lift off the ground with that enormous weight inside?

MYSTERY DATE

This whole idea of Hulk in a chartered plane really gave me a chuckle. And I also got a chuckle when Hulk proclaims, “And now…Mongu has a date with…the Hulk!” For me, this panel evoked memories of the Mystery Date board game which I played as a child in the 1960’s. I remember that most of the dates behind the door were “dreamboats” ready to take you to the prom, a beach picnic, skiing, bowling. But there was one “dud” with sloppy clothes and dirty face. I’ve got to say, though, that guy’s got nothin’ on Hulk! Hulk brings a new and disturbing dimension to the concept of a dud date!

VILLAIN VALUATION
Well, Hulk may be a dud date, but that’s not as bad as being a Marvel villain, and I think it’s time I added “The Commies” to the villain chart. I’ve resisted so far, because from my 2012 perspective, I don’t really think of Commies as villains so much as simply an international annoyance. But they’re showing up enough that I ought to make at least some general comments about the threat they pose.

In Marvel comics, we have four types of villains: most significantly, the super villains, who have superpowers, and pose a real threat for our superheroes. Next, aliens, who wish to conquer earth. Then, on occasion, we may run into a “thug” or common criminal. I think so far I’ve only encountered this class of villain in the Spider-Man origin story. The police could take care of these guys, if no superheroes were available at the moment. And last of all, the Commies.

I’ve run into Commies a few times now, and I’m starting to notice a pattern: Commies come on strong, but are vanquished way too easily. (Remember in the last Ant-Man story, all it took was a few ant bites to throw the Commies off their game.) In this story, the Commies have a few tricks up their sleeve, but apparently they have very short sleeves, because one “Whoom!” “E-E-E-E-E-E!” live grenade and disabled helicopter later, they are ready to give up. They surrender Rick, then Hulk uses their belts to tie them to the bottom of their helicopter to send them back to “vodka-land.” With this “vodka-land” jibe, we’ve added insult to injury. Icing on the cake. And this is exactly as it should be in 1960’s America.

So far, our journeys into the Marvelous Zone have taken us from the edge of Atlantis to a far-flung planet, from the other-worldly dimension of Asgard to the dangers of the 17th century. But next time, we’ll visit a land where Yesterday meets Tomorrow.

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FANTASTIC FOUR #8: Love is Blind

Published: November, 1962

“Prisoners of the Puppet Master!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

The Puppet Master is the creepiest looking Marvel villain I have met thus far. I mean…just look at him! He’s got “creepy” written all over him. He’s got a lot of what you think would make someone look attractive–long eyelashes, small nose and finely shaped eyebrows, a good set of teeth–but when you actually see it all put together, you’re like…gehhhh…never mind, maybe not.

Of course his power, the ability to make others do his will, is excessively creepy all by itself. That’s a serious super-power that can go badly in the wrong hands. So, let’s get to our story, and see how badly it goes (or not) for our heroes, the FF.

MEET THE PUPPET MASTER
As Reed is working on a secret project in his lab, Sue and Johnny attempt to keep Thing from entering. Angry, Thing leaves, and Sue follows, invisibly. When they see someone about to jump off a bridge, Sue sets off the “4” flare, and Johnny flames on to rescue the jumper. At the same time, we see the Puppet Master attempt to push a doll of a “nameless nobody” from a toy bridge. A flame bursts from his finger, and he realizes that the Human Torch has intervened in his “test.”

Alicia runs into the room, concerned because her “father” has cried out, but the Puppet Master sternly reminds her that he is not her father, only her stepfather.

The Puppet Master sends Alicia to her room, then reveals to us that Alicia is blind, and his dolls are composed of “radioactive clay.” (Oh! I see! So that’s what causes a person to lose their free will… Whew! Glad that’s cleared up! For a minute there, I was afraid this wasn’t going to make SENSE!)

The Puppet Master carves a doll in the image of Thing, who in real life is drawn to his house. As Thing comes in, with Invisible Sue behind, blind Alicia alerts her fath–uh, stepfather, that two people have entered, not one.

The Puppet Master uses ether to cause Sue to fall asleep, and she becomes visible again. Seeing that Sue and Alicia look alike, the Puppet Master disguises Alicia as Sue, and has her accompany Thing back to FF HQ. Still under the Puppet Master’s control, Thing attacks, but in the lab, he crashes into the vial of potion Reed has been working on…and changes back to Ben Grimm! (This, of course, is the “secret” they were trying to keep from Thing earlier; just in case it turned out to be a bust, they didn’t want him to get his hopes up.)

Before they have a chance to marvel over the transformation from Thing to Grimm, the others realize that Sue isn’t really Sue, and quickly after that, Ben turns back to Thing. But whether Grimm or Thing, Alicia likes “the strong, kindly one.”

Meanwhile, the Puppet Master has used a clay doll of the prison warden to set free all the prisoners. As the Puppet Master plays with his dolls, orchestrating the prison break, Sue wakes up and attempts to escape, but the Puppet Master stops her by holding the ankles of a Sue Storm doll.

Sue manages to set off her flare gun, and when the others arrive, they must fight the Puppet Master’s robot. This is only a temporary distraction, however, as the Puppet Master soon escapes on a winged horse, taking Sue as hostage.

Which proves to be another temporary distraction, as Reed easily rescues Sue with one long arm.

Next, the FF head over to the prison riot, where Torch rescues the warden, and Thing wraps a bunch of iron cell doors together as a cage, capturing a whole kaboodle of escaped prisoners.

Other prisoners are firing guns, but the bullets bounce off Mr. Fantastic, and he “shoots” them right back “like a sling-shot.” Reed disarms the prisoners, and Torch wraps them in a ring of fire as the warden, returned to his right mind, gets the guards to round up the prisoners.

Meanwhile, Alicia sits tearfully by a window, now aware what a “menace” her stepfather is. The Puppet Master comes in and tells her his plan for world domination, how he will use a puppet of himself dressed like a king to “control armies, nations” and get kings and dictators to do his bidding. He will tear down the UN, demote the current world leaders to his personal wait staff, and as for the FF:

Alicia decides this is just too much, and as she objects and reaches for the doll, there is a struggle. Alicia slips, and the Puppet Master trips over her arm and tumbles through the window.

The Fantastic Four burst in and Thing comforts Alicia.

End of story.

And end of the Puppet-Master…. Or is it?

DEAD?
I feel certain we have not yet seen the last of the Puppet Master. I remember that horrible face, and I don’t think I’m remembering it from only this story. At the bottom of the last page, Alicia reports that her stepfather fell through the window–which, by the way, how does she know, since she is blind and didn’t actually see it happen? But Reed says, “We saw him down below.” Notice that Reed does not say, “We saw him down below and he was a bloody mess of broken bones, no way he could have survived that fall, he’s dead for sure.” Nope. We have no actual report on his injuries, or his fate.

There is a truism in comics that if you don’t see a body, they ain’t dead. And this is surely one of those times. This issue is left open-ended, ripe territory for revisiting this particular villain.

VILLAIN VALUATION
Since my short experience with Marvel comics tells me we are probably not yet through with the Puppet Master, in evaluating him as a villain, I will not list “defeated by the FF” as one of his failings. In fact, there are not too many things I would list as failings. He’s got that all-consuming desire for world domination that seems so much more villainous than “Haha! I’ll hypnotize them and steal their wallets!”

So: craves world domination, in the Plus Column. Manipulates people against their wills—also in the Plus Column. However, his means of manipulation, a radioactive clay, works against him. How much of this stuff does he have? Will it ever run out? What if someone else gets their hands on it? His source of power is not without issues.

Also, I have this against the Puppet Master: I don’t think his name is appropriate for his superpowers. True, he manipulates people AS IF they are puppets, but this manipulation involves dolls more than puppets. Of course, “puppet” sounds much more manipulative than “doll.” If we say he uses “dolls” to achieve his evil schemes, that sounds just plain goofy. And in fact, if memory serves me correctly, there will be some sort of “Doll” villain in the near future, and he will be rather goofy. “The Puppet Master” sounds menacing. But the fact remains: he plays with dolls.

ALICIA
Yes, the Puppet Master is creepy, with a powerfully creepy power, and I’ll put him pretty high up on my villain list. But the real excitement in this story is the introduction of Alicia, who will become a love interest for Thing. WHAT?! You might well exclaim. A LOVE interest for Thing? Well, of course, she would have to be blind. Right? She doesn’t see him, but can sense that he is strong and powerful…yet gentle. Whether as Ben Grimm or Thing, Alicia is attracted to his inner qualities. Although a bit heavy-handed, there’s a wonderful lesson here about not judging a book by its cover.

I haven’t seen much of Alicia yet in my readings, but I think it’s clear she’s a “good person,” a noble character. And very quickly, we see her loyalties shift. She starts out calling the Puppet Master “Father,” though he is only her stepfather, so we have a sense that she is devoted to him. But when she learns what a terrible louse he is, she is distraught, and wonders what she will do if he should require her to once again participate in his evil plans.

Well, we know what she will do, because she does it right away. She says “No way, Jose!” and makes an attempt to stop him (“It is wrong! It is madness! You have no right!”). And she does, indeed, stop him. She may be physically blind, but now that she sees the true nature of this man she has called “Father,” she decides to put concern for all mankind before her daughterly duty.

ALSO OF INTEREST…
My main interest in this story is the introduction of Alicia, but we also discover a few facts about the Fantastic Four that might be worth noting for future reference.

For instance, did you know that Sue cannot maintain her invisibility when she is asleep? The Puppet Master gas-masks himself, Alicia and Thing, then releases ether, which puts invisible Sue to sleep, and causes her to become visible. Hmmm…. Interesting…. But the bigger question is…how did the Puppet Master know that would happen? Did he read it in Villains Weekly magazine?

Also, have you ever wondered if Mr. Fantastic’s stretching ability is limitless? Apparently not, because when the need arises to rescue the bridge-jumper, Reed stretches as far as he can, but it’s not enough. Another “Hmmm…”

And Torch? Well, we find here that he can’t “flame on” if he’s recently overexerted his flaming abilities. On occasion he can’t participate in heroics with the others, because he is literally “burned out.”

As for Thing, the story starts with him getting all bent out of shape because he thinks the others are keeping secrets from him (“Whenever something important comes along, I ain’t GOOD enough to be told about it!”). He’s hot-headed, impatient, prone to violence and/or sulking whenever he feels disrespected. For someone made of rock, he’s incredibly sensitive.

So each of our heroes has a weakness, but fortunately, whether it’s a gaping hole in their superpowers or an outright personality flaw, the others are always there to pick up the slack. If Sue becomes dangerously visible, Thing will protect her. If Johnny can’t flame on, Reed will stretch out to save the day. And no matter how many times Thing pitches a hissy-fit, his teammates will always take him back into the fold.

Because they are family, and that’s what family does.

And now Alicia is about to become an “honorary” member of this family. The circle widens. The villain list grows. And there’s more where all this comes from, when old and new enemies threaten in upcoming issues of The Fantastic Four.

But before that happens, our next venture into the Marvelous Zone will involve a double dose of large, mean and green! You know who I’m talkin’ about. So don’t miss it!

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Meanwhile… : October, 1962

So far I have been reviewing a great deal of the Marvel comics that came out way back in 1962, but I haven’t hit all of them, and as time goes on, I will continue to miss a few here and there. I would love nothing better than to be independently wealthy so I wouldn’t have to go to work every day and could hire someone to do my housework and shopping. If that were the case, I would spend oodles more time reading and reviewing Marvel comics, and post these reviews on a more frequent schedule so that perhaps someday I might catch up with my comic-lovin’ honey. But alas…not wealthy…not enough time…and will probably never catch up with Russ. 🙁

With all this in mind, my reviews will concentrate upon the seminal moments in the Marvel Universe — origin stories, introduction of important new characters, and the very best (or very worst) villains. As I move from month to month in the Marvel Universe, I will periodically post this “Meanwhile…” entry, to simply mention the books I have regrettably had to pass over, due to time constraints.

This entry should fill in the blanks, give you the full picture of everything that was going on in the Marvel Universe at the time, in case you were wondering, and would like to further your own marvelous education.

All that having been said, here are the other “Marvel Universe” books published in October, 1962 (and this month, there was only one):

Posted in Ant-Man, Meanwhile, Tales to Astonish | 1 Comment