MARVELOUS MOVIES: IRON MAN (2008)

We are on the cusp of a humongous weekend in the Marvel Universe. This Friday, The Avengers movie begins rolling in theatres all over the country. Pre-release buzz has been good, and of course Russ and I are totally psyched up to see it. In fact, not that we need to do anything to get even more psyched up (we’ve been anticipating this new movie at least as much as, if not more than, the new Dark Shadows movie that comes out a week later) but we’ve decided to usher in the new Marvel film with an at-home “Movie Marathon” of the five films feeding into this newest venture.

We started last night by watching the original Iron Man and will continue by watching another movie in this sector of the Marvel Universe, each evening until Friday’s premiere of The Avengers. My plan is to deviate a bit from my usual blogging format by coming here after each movie to say a few words about it. These are all great movies, and they deserve every bit of attention they can get!

So we start with Iron Man, which to me is the best of the bunch. I remember seeing this in the theatre back in 2008 and being totally blown away. And watching it again last night was no different. For me, Iron Man still works, on so many different levels.

Now here’s where I’m going to get really girly on you. Why does Iron Man work? Well… Robert Downey Jr. Right? C’mon! I mean, yes, I’m a fan, always have been. He has the most beautiful eyes I’ve ever seen on a man. But even moreso, I just don’t see how anyone else could have carried off the role of Tony Stark as well as he does. The look, the swagger, the understated humor…he’s got it all.

And I think Gwyneth Paltrow is equally as perfect as Pepper Potts. She has this sort of wholesome sex appeal, and yet also the required sharp edge (never sharper than when she is telling Tony’s one-night-stand, “I do anything and everything Mr. Stark requires of me, including, occasionally, taking out the trash.” ) Zing!

I haven’t met Obidiah Stane in the comics yet, but I have always enjoyed Jeff Bridges, and I think he does a fabulous job as the villain. Of course, until I just looked up the movie now on IMDB, I always thought the last name was spelled “Stain.” That’s how good of a villain he is! I just automatically assumed his name would have some kind of nasty connotation!

I love the way the movie starts, with the attack in the desert, but then it goes immediately to a cleverly handled bit of exposition at the award ceremony, where we get to learn through a short video presentation about Tony Stark (in case you didn’t already know), exactly what our main character is all about. Every piece of fiction faces the challenge of providing the characters’ backstory, and every time I see this one, with all those gorgeous pictures of Tony Stark on the cover of so many popular magazines, I just have to marvel at how perfectly and how ingeniously this gets the job done. Quick, and to the point, so we can get on with the action!

And action there is, plenty of it. I was going to say “non-stop,” but that’s not exactly true, because we do stop every now and then for a touching or heartfelt moment. Sometimes you may see a movie where the action is indeed non-stop, and you just keep going, scene after scene after scene, and frankly, it gets a bit tiring. But Iron Man, for all its action, does not fall prey.

The first really touching moment for me is when Tony and Yinsen are breaking out of their prison in the cave, and Yinsen is shot and dying. Tony tries to encourage him to go on, reminding, “C’mon! You’ve got to go see your family, remember?”

And Yinsen says, “My family is dead. I’m going to see them now. This is what I want.”

I have to say, when that happened, I didn’t expect it. But it made so much sense, and it made it okay that Yinsen was dying. And of course, his last words, after Tony thanks him for saving his life: “Don’t waste it.”

It’s a turning point for Tony Stark, which sets the scene for the rest of the movie. This is his epiphany, which begins to transform him from a self-absorbed billionaire playboy into a potential super-hero.

But as for this being a “super-hero,” I think that’s one of the things I like so much about Iron Man. Sure he’s got that arc reactor on his heart, but when it comes right down to it, Tony Stark’s REAL super hero qualities are that he is incredibly smart, incredibly resourceful, and shows absolutely no fear. There is no magic, there is only technology. There is no accident, there is only a determined sense of purpose that keeps him moving in the right direction. It’s mostly personality, and very little hocus-pocus.

Not that there’s anything wrong with magic and accidents! But Iron Man is a different kind of hero, one that rises much more from a purely human level than some of our other super heros. Despite his overwhelming wealth and intelligence, social skills and good looks, I think in some ways Tony Stark is the hero with whom we can best identify.

But getting back to those heartfelt moments, I find that another particularly emotional scene is the one in Tony’s lab, where he needs Pepper’s help to change out the arc reactor. It’s extremely personal, almost intimate, and ends with Tony admitting, “I don’t have anybody but you.” So! Here is the man who has everything…and yet…

I recently read somewhere that the underlying thread between all these Avengers super heroes is their LONELINESS. If you stop and consider, I think you’ll have to agree that’s true about all of them. In the case of Tony Stark, anyway, there’s no doubt. And I think it’s this juxtaposition of “the man who has everything” against the sad reality that the only person on whom he can depend is a salaried personal assistant, that makes him a truly compelling character.

Of course Pepper is more than just a salaried personal assistant, and as the movie goes on we see her relationship with Tony developing, and will see it further develop in Iron Man 2. I haven’t heard, but I certainly hope she is going to be in The Avengers!

I really only wanted to say a few things about the movie—if for no other reason than the sooner I get this written and posted, the sooner we can move on to the next movie in our marathon! Now, I don’t think I can get away without mentioning how much humor there is in this first Iron Man movie. And the humor comes at the most opportune times, and truly evolves out of the characters and the situations, so that it never feels forced or artificial. I know I’ve seen action and super hero movies that have next to no humor, and it’s just no fun when there’s no fun. But Iron Man manages to be fun and exciting and suspenseful and touching, all at the same time.

Now finally this: in my estimation, Iron Man is simply a good bit of storytelling. Even if you are not a fan of super heroes (and if you’re not, what are you doing here? Right?) But even if you know someone who is not a fan of super heroes, or action-adventure, or science fiction, I think you could still easily recommend this movie, because the human drama carries the film above and beyond any specific genre.

The only thing I think might prevent someone from enjoying this film would be if they were squeamish about violence. Some of the violence is strictly comic book style, but a lot of it, especially the scenes in the Middle East, might be too disturbing for sensitive souls and old ladies.

But I’m not that sensitive, and I’m not an old lady. At least not yet! And I’m ready for my next adventure in the Marvelous Zone, as Russ and I sit down to rewatch The Incredible Hulk!

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FANTASTIC FOUR #5: Yo Ho, Yo Ho, A Pirate’s Life for Me!

Published: July, 1962

“Prisoners of Doctor Doom!”
Script: Stan Lee
Art: Jack Kirby
Inks: Joe Sinnott
Letters: Art Simek

You don’t need to be much of a comic book fan to know that one of the mortal enemies of the FF is Doctor Doom. If you were paying any attention in 2005, when the Fantastic Four movie came out (you know, the one with that hunky Scottish actor, Ioan Gruffudd), then you would have at least some idea that there is in the world of super-villainy a character named Doctor Doom, and he and the FF don’t get along very well.

Doctor Doom. Isn’t that a great name for a villain? I love the alliteration. In fact, this might be a good time to mention that in the Marvel Universe, a lot of characters’ names are the product of alliteration: Reed Richards, Bruce Banner, Peter Parker, and on the villainous side, in addition to Doctor Doom, we have Mole Man, Green Goblin, and of course, one of my favorites, Paste Pot Pete. It’s good use of language, it makes for melodious monikers, but Russ tells me it also serves another, more practical purpose. Apparently Stan created so many characters, that he sometimes had a hard time keeping track of them all. Using double consonants was one mnemonic device he used to help him remember who’s who in his galaxy of stars.

As we begin our story, we witness another “Stan-ism” that frequently appears in Marvel Comics, and which always gives me a chuckle. Johnny is reading “a great new comic mag,” which is, in fact, The Incredible Hulk! Stan was never above a little bit of self-promotion. And why not? It’s free advertising!

Not only that, though, when Johnny mentions that Hulk reminds him of Thing, it creates an opportunity for all four of them to go into their routine: Johnny and Thing squabble, then fight, Sue reprimands her brother by cooling him off with a spray of water, and Reed steps in as the “Dad” to break it up and lecture the two misbehaving boys.

Okay, enough of that. A nice little reminder of how these four interact with each other, then our story begins. The lights go out! Turns out somebody has dropped a net over their building, and it is conveniently made out of asbestos, the only material capable of foiling the Human Torch. (In FF stories, we will find an unusual number of objects and locations are composed of asbestos.)

From the helicopter hovering above the building, Doctor Doom announces his presence. Reed recognizes his voice, and immediately launches into storytelling.

Two things I want to bring up at this point: one, this is a shortened version of the Doctor Doom origin story. A more detailed account will follow in Fantastic Four Annual #2. Secondly, I want to make mention of the artist device used to separate the “narrative within the narrative” from the original narrative.

You’ll notice that whenever a character begins to tell a story, the first thing we see is a “head shot” next to their spoken words. In addition, the edges of the “story within a story” panels are, for lack of a better word, scalloped. (Well, that’s what I call it, and as Russ points out, that’s what a girl would call it. Is there a more official term? If anyone knows, please clue me in!) These visual clues let the reader know that they are seeing what the speaker is saying. So in some sense, the reader is in a better position than the “actual” audience, the other characters in the story, who can only hear the story.

Reed explains that Victor von Doom was a brilliant college student who dabbled in the Black Arts, attempting to contact the netherworld. After an accident in his scientific laboratory, not only was his face badly disfigured, but he was also expelled from school. Reed knows that “when last heard of, he was prowling the wastelands of Tibet, still seeking forbidden secrets of black magic and sorcery.” Reed also predicts that a run-in with von Doom could be “the most dangerous adventure of our career!”

Of course. But that’s pretty much what he said when they met up with the Miracle Man. I think we’ll find we very often have this proclamation of “What we are about to face is bigger and badder than anything we have ever faced before!” It’s part of that hyperactive hyperbole that is so prevalent, (and I might add, so very effective) in Marvel Comics.

To start things off, Doom demands that Sue be sent to him as a hostage. There is initial reluctance, but in the end it is agreed that this is the only way to bring the villain out into the open.

After he has Sue, Doom demands the others board his “ship” (which is actually a helicopter), and he sucks them up in a dome and takes them to his castle, where he reveals that he has invented a time travel device, and wants them to go back and retrieve Blackbeard’s treasure. (He can’t go, of course, because he has to stay behind to operate the time machine).

Doom sends the three men (well, one man, one boy and one “Thing”) back to pirate times, where they immediately realize they’ll need a change of clothes. Fortunately they find two pirates arguing over a “booty” of laundry. Now, I just have to ask, what kind of pirate steals CLOTHES? This struck me as not only way too convenient, but completely silly.

Nevertheless, Thing scares away the pirates, leaving them with “a whole bundle of suits and boots.” (Thus providing the reader not only with alliteration, but rhyming as well!) They dress up, and even Thing is passable as a pirate.

They go to a pub, where some pirates at another table decide they would like these three to join their crew, and have the waitress —uh, barwench—slip them a mickey. They wake up aboard the pirate ship, and when the scalawags try to give them trouble, our three heroes use their superpowers to win the fight.

This ship comes immediately under attack by another pirate ship, and once again our guys use their powers to win the fight.

To tell the truth, I was kind of disappointed that they didn’t find Blackbeard on the first pirate ship, but as soon as the second ship showed up, I knew they would be meeting Blackbeard soon enough. And of course they do. No surprise there. Storytelling as expected.

But what I never expected was this:

Once the treasure chest is secured, the pirates hail Thing’s power, calling him “the mighty bearded one” and proclaiming “Hooray for Blackbeard!” So. Thing IS Blackbeard. How wild is that? Completely out of left field, totally unexpected. Now, seasoned comic book readers may have seen this one coming. And aficionados of time travel stories may not be as blown away by this development as I was. But for me, that was totally unexpected, and completely cool.

So, since Thing IS Blackbeard, Blackbeard’s treasure actually BELONGS to the Fantastic Four. Which means they are not actually stealing anything…are they? This little plot twist, in addition to being cool, permits our heroes to maintain their law-abiding integrity. Because we couldn’t actually have the FF committing acts of thievery, could we, even if it is for a good cause.

Next, Reed gets a clever idea. He decides that if Doom wants the items in this chest, there must be “some dangerous power” within, which they should never let him have. So, let’s empty the treasure from the chest, split it among the pirates, and fill the chest with chains to bring back to Dr. Doom. “For we never promised to bring the treasure itself,” he says. “We kept our word. We are bringing him Blackbeard’s treasure CHEST.”

Once again, this keeps our heroes’ virtue intact. They fulfill their contract as per the letter of the law, and are NOT providing a dangerous villain with artifacts of evil power. When you look back at their original conversation with Doom, however, he does in fact twice say that he wants “the treasure” but just before he pushes the button to send them into the past, he concludes with “You will have forty eight hours to bring me Blackbeard’s treasure chest.” So which is it…the treasure…or the chest? This whole “letter of the law” thing is a bit weasley, if you ask me.

But we’ll forgive a bit of weaseliness, because we’re about to come up on another fantastic plot twist. Thing decides he LIKES being Blackbeard, and has no intention of going back to the 20th century! Here he is more than just a freak, he’s a leader of men! He has the pirates wrap Reed in a sail, and Johnny is still wet, so neither is a threat to Thing’s dream of pirate domination. He’s ready to send off his two former comrades in a rowboat, when…

A twister comes out of nowhere and destroys the ship!! The three meet up on a deserted island, where Thing apologizes profusely for his recent activities. “I musta got carried away by being accepted—as a normal man—even if it was only by a band of cut-throat pirates!”

As it happens, the chest has washed ashore with them, and at the precise moment they are wondering how Dr. Doom is going to get them back to the present, Doom is pressing the button.

Returned to Doom, they present the treasure chest, and Doom reveals that yes, indeed, the jewels in the chest belonged to “Merlin” and have the power to make their owner invincible. (Of course the name “Merlin” is loaded with magical connotations, no need to explain further.) Doom opens the chest, realizes he’s been duped, and Thing springs into action, meaning to destroy him. But we have another plot twist! Yes, Thing wallops Doom, but it turns out… it is only a robot!

The real Doctor Doom is in a hidden room above them. And he’s pissed. More pissed than usual. He begins to drain the air out of their room. Soon they will be dead. Right? No, wrong. Because while Doom is focused on destroying Reed, Johnny and Thing, he’s forgotten all about Sue. I mean, she’s just some dumb girl, right? Why would he need to pay any attention to her? What danger could she possibly be to his dastardly plan?

Well…lots, actually.

Sue becomes invisible and short-circuits the control panel, which causes an explosion and opens an escape hatch. She saves the others, just before they run out of oxygen. Yea, Sue!

But it’s not over yet! Now they have to get out of Doom’s castle. Reed knots himself around some window bars and pulls down the wall. As they approach the moat, Johnny “boils a section of water away, and fuses it to the ground, turning it into a glass-like substance,” which they can then walk across, much to the dismay of the hungry crocodiles, who were hoping for a hearty mid-afternoon snack (though I doubt they would have found Thing very tasty).

Next, Johnny paints rings of fire around Doom’s castle, in an attempt to smoke him out, but Doom is ready for that. Not only does he welcome the flames (“I hope he burns my fortress to the ground, so none will ever learn my many secrets!”) but he also has a way of escape:

Taking a moment to extol his own virtues, even in this moment of utter defeat, Doom blasts off in his “rocket-powered flying harness.” Johnny pursues, but Doom gets away. Better luck next time, Johnny. And Reed. And Thing. And Sue. Because Dr. Doom lives, to fight another day, in another tale!!

VILLAIN VALUATION
So! Have we finally met a villain worthy of the Fantastic Four’s powers? Someone who can give them a run for their money without wimping out (“We hate being Skrulls!”) or resorting to smoke and mirrors? One thing for sure: by the end of this story, our heroes have not defeated the villain, but he has cleverly escaped them. For that alone, Doom zooms to the top of my list.

Here is an opponent who might be able to cause some problems for them in the future. For one thing, he has a time machine! Or rather, he HAD a Time Machine, because we must assume it was destroyed in the fire. But one of Doom’s attributes is that he is smart, in fact, super-smart, very likely as smart as Reed Richards, and if he built that time machine once, he will probably be able to do it again. In fact, he will probably be able to do that, and a lot more, and a lot worse.

Another one of Doom’s attributes is that he is angry, and desperate. Well, okay, that’s two attributes, but they are two that, when combined, I think we will find the whole is greater than the sum of its parts. Now, I happen to know a little bit more about Doctor Doom than what we get in this story here, because I have gone ahead to Fantastic Four Annual #2, where we get a fuller history of this character. If you are a newcomer to the Marvelous Zone, for the moment just take my word for it that we are going to discover a plethora of angsty personality issues as we get to know Doctor Doom better in the issues that lie ahead. Our introduction to this super-villain is merely the tip of the iceberg!

But you know what? I think I just summed up Doctor Doom in my last sentence when I called him a SUPER villain. So far, I think we have only met “villains,” bad guys whose propensity for evil is limited. So far, perhaps, we have only met villains who engage in villainous acts. But in the case of Doctor Doom, I think we would have to say, he doesn’t just DO evil, he IS evil.

But enough about Doom! There is so much going on with our heroes in this story. I think it would behoove us to take a moment to consider what character developments Stan concocts in this latest tale.

THING
Even before we got to this fantastic story of time travel, of our four heroes, I think I would have to say that I find Thing to be the most interesting. He has, by far, the most compelling personal story. We’ve stopped several times now to hear him lament his situation. The others can carry on normal lives, whip out their superpowers when needed, then put them away as if nothing ever happened. But not so for Thing. He’s got to live day in and day out with a superpower that on the face of it, makes him just plain ugly, a social outcast. It’s a sad situation.

So I think his reaction to dressing up like a pirate is entirely believable. Pirates are generally a gnarly looking bunch, and in his disguise, Thing really does fit right in. You’ll notice that the first thing he does as a pirate, when they are in the tavern, is to suggest, “Ahoy matey, let’s see if we can date one of these pretty barmaids.” Think about it. As Thing, I don’t think Ben Grimm has been going out on too many dates. He’s probably lonely. He was not a bad looking guy before, and as a test pilot, he probably had lots of dates, lots of women interested in him. It totally makes sense that as soon as he feels he is acceptable to the society in which he finds himself, he’s looking for attention from the opposite sex.

And then later, after he’s become Blackbeard, he is not only accepted, but also revered by the pirate crew! Sure he wants to stay! As Thing in the 20th century he is a freak. Lots of power over his physical world, but no power in running his personal life. I’m reminded of the scene from the first FF movie, where Thing tries to pick up a cup, and some utensils. He can’t even manage a meal, never mind personal relationships! But here, as the captain of a pirate ship, with men under his command, this is REAL power, much more significant than the power to clobber and smash heads. And it’s also acceptance, on a wide scale.

It’s interesting that it takes an “act of God” (the twister) to shake him up and bring him back to his senses. It’s also interesting that as soon as Thing apologizes, Reed and Johnny immediately forgive and forget. I guess they do understand, on some level at least, what it must be like for him. I thought that was a great moment, the way there really was no moment, in resolving Thing’s temporary lapse.

SUE
Of the four, Sue is next on my list of characters with interesting personal issues. It’s only vaguely stated here, but in future stories I know there will be moments when Sue feels that her contributions to the group are largely under-appreciated. Sometimes, I think, she feels invisible in more than the most obvious way.

As Doom is carrying out his plan, Sue says “He’s forgotten all about me.” Sue doesn’t have the “fun” of going back to pirate times, but of course it would be a bit problematic to have a girl in pirate times. Unless she remained invisible the whole time. But the story didn’t need her there, it needed her in Doom’s castle, where she could be “forgotten.”

And once she’s forgotten, she is empowered to do the things that need to get done, to save the day. Sue’s power may not be big and showy, but when push comes to shove, being invisible and forgotten and not taken seriously end up being the biggest threat of all to our super-villain.

THE TREASURE CHEST
One more thing, and then I’ve got to move on. I’m wondering about gems of Merlin that were in the chest, which the FF distributed among the pirates, only to have a twister sink the ship. One must assume these magical gems are now lying on the ocean floor. In fact, Johnny makes a point of saying that he hopes Sub-Mariner will not get them. But what if Sub-Mariner DID get them at some point, and that accounts, at least in part, for his powers? Is it possible that elements from these two stories could ultimately be woven together in the fabric of the Marvel Universe?

And what about this: okay, we know that the jewels in that chest have the power to make their owner invincible and Thing is Blackbeard and he is the owner. Therefore…he is invincible. Right? I mean, in many ways, Thing IS invincible. How did he get that way? Does the fact that he was Blackbeard in the past and owned these jewels have anything to do with WHY the accident in space happened in the first place? Were the jewels looking to fulfill their destiny by making their owner invincible, and they settled upon bombardments with gamma rays as a way to achieve that end? Is it all part of one giant cosmic puzzle? Talk about stories being tied together! Maybe I’m stretching here (like Reed), but I once you get into the fantastical aspects of the marvelous zone, I think all possibilities are worth considering.

A FEW QUESTIONS
I know I said one more thing, then wrote about two, and I ask you to indulge me just a few moments longer. In a more practical consideration, I have to wonder why the letterer chose to write out words like “forty eight hours” and “twentieth century” rather than using the numerical equivalents, which would have saved space in some already very busy comic panels. Or, is it in fact the letterer who makes these decisions, or Stan, or someone even above Stan? I don’t know, I just know that some panels are already so busy with lettering, that any way to shorten a phrase should be a welcome alternative. I mean, we’re not writing a dissertation here, folks!

At one point, as a pirate, Johnny mentions that he feels like Errol Flynn. What! Errol Flynn? Is this supposed to be a reference to pop culture? Didn’t Errol Flynn do pirate movies in the 40’s and 50’s? If Johnny’s a teenager in 1962, what does he know about Errol Flynn? He would have been in diapers when Errol Flynn movies were all the rage. I think perhaps the writers are showing their age a bit, not Johnny’s, with this reference to Errol Flynn.

I have one more question about time, and again it comes from something Johnny says. At the end of the story, when he boils the water and fuses it to the ground, turning it into a glass-like substance they can walk on, he comments “Here’s something I’ve been wanting to try for months.” This is our fifth FF adventure, and already, apparently, our heroes have had their powers “for months.”

How much time has passed? Have they only had these five adventures so far, or has other stuff been happening between the stories Stan has chosen to chronicle? If there have been other adventures during these “months,” why don’t we get to see them? Or can we assume that these five adventures have kept them more than busy during this time? And if so, what are they doing when they’re NOT having fantastic adventures? Getting haircuts? Going shopping? Watching TV?

I guess we don’t really need to see that stuff. I guess it would behoove us to wait for their next true adventure, before we rush out with our twelve cents to buy the next fantastic issue of the Fantastic Four. But before we do that…we’re going to go back to The Hulk, and find out what happens when he grapples with The Terror of the Toad Men!

Toad Men? It’s actually more exciting than it sounds, so please join me again next week, when I once again travel into The Marvelous Zone of Marvel Comics.

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INCREDIBLE HULK #1: He’s Not Evil, He’s Just Drawn That Way

Published: May, 1962

Script: Stan Lee
Art: Jack Kirby
Inks: Paul Reinman
Letters: Art Simek

I’ve got to tell you right up front that Hulk has never been one of my favorite characters. To start off with…he ain’t pretty. And he’s motivated by anger, not an attractive personality trait. I think mostly I just don’t understand him. But maybe reviewing his books will help me to understand and appreciate Hulk more than I have in the past.

In this first issue of The Incredible Hulk, we see on the cover that he is “the strangest man of all time!!” but then are also offered the question: “Is he man or monster, or…is he both???” There’s one more proclamation on the cover, which I’d like to mention. Stan assures us that this is “Fantasy as you like it!” That statement speaks volumes. It’s my understanding that during the Silver Age of Marvel Comics, the readers actually had a lot of input. In fact, by the end of this first issue of The Hulk, Stan signs off with a note that starting in the next issue, they will have a “Letters to the Editor” page, where readers are encouraged to write in their “Knocks” or “Boosts.” It must have been very encouraging to young readers to know that their opinions were valued, and to imagine they could actually help shape future stories. I’m sure it made them feel they were more involved in the process than simply being some dumb kid who just happened to have twelve cents.

As we begin, once again, we have this anomaly of a main character being portrayed differently on the cover than in the book. We see who we must assume is Dr. Bruce Banner, but he’s got blonde hair. In the book, he has dark hair. Why? Is it the same artist, Jack Kirby? If so, did he not remember the work he had previously done? Is this anomaly by mistake, or perhaps by design? Did someone think the books would sell better if Banner was portrayed as a blonde? After all, back in the ‘60’s, blondes had more fun. Though I would hardly describe what happens to Bruce Banner as “fun”!

On the first page, we meet Banner, a genius scientist who has created the incredible G-Bomb. G stands for “gamma,” and Banner seems to be keenly aware of the danger posed by this force, as he is taking every precaution. His experiments are apparently funded by the military, because General Ross comes in to check his progress and gets mighty testy about Banner’s “infernal delays.” But Banner assures the General that the precautions are necessary because “we are tampering with powerful forces!”

I like his use of the word “tampering.” It almost sounds as if he KNOWS he shouldn’t be messing around with this stuff. But at least he’s being careful.

But General Ross doesn’t want to know about “careful.” His response is: BAH!! Literally, he says…”BAH!!” I love that about Marvel. Characters are always saying “BAH!!” when they are upset or impatient. It’s a good word, don’t you think? Of course, there are those connotations to the Scrooge character from “A Christmas Carol,” and I’m sure Stan was fully aware of that when he started using the word “BAH!!” It’s powerful.

BETTY!
Now, we are not even off the first page yet, and here comes a pretty girl! It’s Betty Ross (really, that’s her name, and don’t confuse her with the one who sewed the American flag). She’s the General’s daughter, and if you ask me, she’s being a bit flirty with Dr. Bruce. At least she’s trying to be, assuring her father that “Dr. Bruce Banner is one of our most famous scientists,” and “I’m sure he knows what he’s doing.” So what’s going on here? Why the big vote of confidence? I’m guessing she likes him. Or maybe she’s just a rocket-scientist groupie, and she likes that he’s so famous. (If so, I’d suggest we keep her away from Reed Richards, or she and Sue are bound to get in a cat fight!)

Now one more thing and I’ll be able to move off the first page. When Betty tries to put in her two cents, her father tells her, “You keep out of this, Betty! This is MAN TALK.” Okay. It’s the 1960’s. The early 1960’s. Women’s Lib hasn’t been invented yet. Betty’s wearing a pillbox hat, so in a lot of ways, I think it’s still the 1950’s. This whole business about “man talk” shows you not only a bit of General Ross’s tough no-nonsense military personality, but it’s also a comment on the social mores of the era. I mean…what is Betty even doing there, in a military scientific laboratory? I guess this is a case where women are supposed to be “seen and not heard.”

IGOR
On page two, we learn more about Banner’s assistant Igor. Apparently Banner is the only one who knows “the secret of harnessing the gamma rays,” and Igor is concerned that if Banner’s made a mistake, it could be disastrous. Well, that’s a reasonable concern, isn’t it? But Banner says he doesn’t make mistakes. Be that as it may, I still have a hard time believing that a military scientific experiment has gotten to this point with only ONE person knowing exactly what’s going on. That’s just plain dangerous. And highly unlikely.

I also have a hard time believing that in the 1960’s the military would have allowed anyone named “Igor” to participate in a top secret experiment.

In fact, Igor gets so agitated about being left out of the secret that I have to believe he’s got some sinister motivation of his own for wanting to know those secrets, beyond just wanting to be careful. In fact, he gets so agitated that he grabs Banner by the collar, saying (a la The Three Stooges) “I oughtta–” But Banner shakes him off, saying “You know how I detest men who think with their fists!”

Look up “irony” in the dictionary, and you’ll find this picture right next to it. And by the way, look up symbolism in the dictionary, and you may find this picture, as well, because Igor is shadowed in what color? Red!

So we’re almost ready to go with the gamma ray experiment, but here’s another thing that’s hard to believe: some teenage kid comes driving his car into the test area! What??? Are there no security personnel? Apparently not, or they’re asleep, or they’re stupid, or they’re only getting paid minimum wage and can’t be bothered to do their job right, because Banner decides HE’S got to rush out to save the boy. There’s nobody else to do it, I guess.

He leaves Igor in charge of delaying the countdown until he gets back, and we immediately learn that our suspicions about a lab assistant named Igor are well-founded. Igor decides to ignore Banner’s instructions, in hopes of destroying him! Earlier, Banner told Igor earlier that the formulas are locked in his room, so Igor doesn’t really need him anymore. If Banner dies, I guess all Igor needs to do is go ransack Banner’s place and find the formulas for himself.

Okay. Now we can move on to page four. We’ve only gone three pages so far, can you believe how much is happening already? One thing you gotta hand to comics…they move the story right along. Plot heavy, always something happening. Drama. Excitement. That’s what we’re here for, right??

On page four, Banner runs up to the young man who is casually playing a harmonica in his car (though I think the proper word here would be “jalopy”) and starts to drag him away. He manages to throw the kid into a ditch just before the bomb goes off, but he is not so lucky…

I haven’t really talked too much about art yet (except to note when details on the cover differ from details in the story) but in the above panels, note the expert use of color to show the explosion going from bad to worse….yellow, orange, then red. The intensity of the color increases even as Banner’s predicament goes from bad to worse to horrible. I think that in all these comics, there are probably plenty of times when the use of color subliminally enhances the storyline. Now, because it’s subliminal, we may not always pick it up at first, unless we are a trained artist. Which I’m not. But as I go on reviewing these comics, if I happen to notice any particularly clever use of color, I’ll try to point it out.

But this is no time to stop and discuss art, is it? We’re in the middle of a gamma bomb explosion!! Let’s get right back to our story…

The kid brings Dr. Banner back to the base, where the doctor says it’s amazing he’s still alive. How did he get there? The kid brought him. And now we meet Rick Jones, who Russ assures me will be around for quite a while. In fact, I think he starts off in The Hulk, and later crosses over to Captain America stories. But for now, all we know about him is that he’s an orphan, and no one ever did anything nice for him before. So it seems he’s had a tough life.

They are keeping both Banner and Jones for observation after the accident, and in no time at all, Hulk makes his first appearance. He breaks down the wall, attacks some men in a jeep, takes off into the night. But Rick Jones has seen Banner change into The Hulk, and remembers that this is the only person who ever did anything nice for him, so he runs after Hulk, saying “You need me now—Wait!! I’m goin’ with you!”

Touching.

Or stupid. You decide.

As Part 2 of our story begins, Stan tells us that Hulk is like “a silent dreadnaught.” Now, I have to tell you, I had to go to my online dictionary to find out just exactly what a dreadnaught is. (For the record: A fearless person. A garment made of very thick cloth that can defend against storm and cold. I think Hulk must be the first.) I often find that reading Marvel comics can be a vocabulary enhancing experience. In these early days, the main audience was little boys, but Stan did not talk down to them, he did not look for one syllable alternatives. And I admire that. I imagine that some parents at that time may not have really been on board with their kids reading about monsters and villains, but as far as vocabulary goes, I think a case could really be made for the comics being just as good reading material as many of the books kids were encouraged to read. (And of course, the comics were probably a lot more interesting.)

A random soldier says “We’ve got to find that HULK,” and thus the name is given. The Hulk wanders around, knowing on some level that he is Bruce Banner and has to get back to his house in order to find the formula that will change him back. Rick Jones is following him.

They arrive at Banner’s cabin, and of course Igor is already there, searching for the formula, and he shoots Hulk with a .38, but to no avail, and Hulk wallops him. The “Top Secret Report on Gamma Ray Bomb” is found taped to the bottom of a beaker and Rick Jones says this is what we need. But when Hulk sees a framed photograph of Banner (how weird is it that Banner keeps a framed photograph of himself in his cabin?) he recoils, saying “But it is weak—soft!! I hate it!” Hulk has decided he would rather be Hulk than wimpy little Bruce Banner.

In this early story, Hulk changes back to Banner when the sun rises. The military police come in, and of course, they can’t find Hulk. But they do find Igor, knocked out, and at last it is confirmed that he is “the spy we’ve been searching for.”

Okay, stop. When did they figure out that he was a spy? Before or after he allowed the gamma bomb to go off? Before or after he ransacked Banner’s cottage, looking for the secret formulas? Not a lot of time has passed since we first met Igor. If they had known from the beginning he was a spy, what was he doing as an assistant to the experiment? And if they only found out he was a spy after the accident…how did they find out? Or maybe it was the accident itself that clued them in? Was that all it took? That and…oh yeah, his name is IGOR. (My apologies to any readers named Igor. Again, I mention, it’s the Cold War of the 1960’s…)

The top police guy is trying to find out what happened, and one solider describes The Hulk as a gorilla, another sees him as a bear, “probably escaped from the circus.” The police guy takes the secret formula.

TRIANGLE
I forgot to mention, Betty shows up with all the soldiers and police, wearing her pink dress and while gloves and patent leather pumps. She attempts to comfort Bruce by telling him he needs medical attention. He says no, he just needs to rest. But by the time he sees her to the door, they’re calling each other Betty and Bruce instead of Miss Ross and Dr. Banner. (Rick Jones in the corner lets out another one of those “Bah!”s)

I haven’t read a lot of Hulk stories yet, but in the little bit I’ve seen here with Bruce and Betty and Rick Jones, I’m seeing a sort of “triangle” forming. Romantic on two sides, but I suspect that Rick Jones has at this point so attached himself to Dr. Banner that he doesn’t want anyone else interfering with their relationship. Maybe he sees him as the dad he never had, or a fun older brother. (Because, you know, it’s fun to have an older brother that periodically morphs into a Hulk. At least no bullies at school will be picking on Rick Jones, right?)

Yes, it’s certain that Rick Jones thinks hanging out with Banner is going to be tons of fun. As soon as everyone leaves, he says “Boy! I thought they’d never leave!” and gets right to the questions, the first one being “What did it feel like, Doc, bein’ the Hulk? I’ll bet it was A GAS!” Because if you’re a teenager in the 1960’s, it’s groovy when things are a gas.

But Banner doesn’t think it’s a gas, or groovy, to be The Hulk. He describes Hulk as “that creature that despises reason and worships power.” And he dreads becoming the Hulk once again, as the sun sets.

COMMIES
We leave our hero (if you can call him a hero) to visit with Igor, in jail, who is using a transistor on his thumbnail to send a secret message behind the Iron Curtain. (See! I told you you can’t trust a scientist named “Igor”!) It seems the leader of the Commies is a horribly disfigured creature with a misshapen head that refers to himself in the third person as “The Gargoyle.” It’s a fitting description. And at last we have a true “villain” in this story! Because all this time, I have not really been able to believe that Hulk is the villain. Yes, it’s true, he’s not your typical hero, but despite his propensity for violence, he is not exactly a villain either. But The Gargoyle, in addition to the above mentioned traits of being ugly and referring to himself in the third person (a common practice among super villains) is also angry, conceited, drunk with power and seeking world domination.

But more on The Gargoyle later. For right now, what you need to know is that he decides he must either kill The Hulk, or imprison him. So he uses a submarine to launch himself on a missile in search of The Hulk, and finds him in a deserted area just outside General Ross’ house, where Banner has just morphed into Hulk while driving a jeep, causing a crash which mildly injures the ever-present Rick Jones. (I just used the words submarine, missile, jeep, crash and injure all in one sentence.)

Inside the Ross house, Betty is mooning about Bruce, then goes outside for some fresh air. Where she immediately runs into…The Hulk! And immediately swoons, falling into Hulk’s arms. But The Gargoyle is quickly on the scene, and shoots both The Hulk and Rick Jones with a pellet that saps them of their will, so that they follow him.

General Ross finds his daughter unconscious, and when she tells him she saw The Hulk, he vows to find the monster and destroy him. But The Gargoyle is rushing his prisoners to the shore, where he puts them on a rowboat, which takes them to a freighter, where they take off in a rocket into outer space. (Whew!) By this time it’s close to dawn, and when they land, The Hulk has morphed back into Bruce Banner.

When The Gargoyle realizes that Banner and The Hulk are one and the same, he breaks down crying, lamenting that he wishes he himself did not have to be “a freak” and wailing that he would do anything to be normal again. Banner says he’s seen cases like The Gargoyle’s, and that he can cure him with radiation. He would lose all his scientific brilliance, but he would look like a normal man.

Well, that sounds like a good trade-off to The Gargoyle, so Banner performs the experiment and restores him to the appearance of a normal man. He’s still just as angry as he was before, but now all his anger is directed towards Khrushchev:

The former Gargoyle arranges for Banner and Rick Jones to escape in his rocket, then blows up himself as well as a bunch of his Commie buddies. (Better to be dead than Red.)

Rick Jones exclaims, “You did it, Doc! You made him normal again—and turned him against the Reds!” Well, you can’t do a better day’s work than that, can you? Though I think perhaps Banner is a bit too optimistic when in the final panel he says “It’s the end of The Gargoyle! And perhaps…the beginning of the end of the Red tyranny too!”

I don’t think it’s really going to be quite that easy to erase the threat of Communism from 1960’s America. But this makes me wonder…do you think the Communists had their own comic books, where their own superheroes were hard at work knocking out the American Threat? If they didn’t, they should have, because this is a fine propaganda tool for young minds.

VILLAIN VALUATION
This is the first story I’ve read where the villain is a Commie. I guess I’ll probably see a lot more of that as we go along. But how does The Gargoyle rate as a villain? Well, once he breaks down crying about being “a freak,” it’s sort of all over for me. I’ll still put him above the Skrulls, because I simply can’t take the Skrulls seriously, but I think even Mole Man is a better villain than The Gargoyle. They are both ugly, and that seems to be the motivating factor for their villainy, but Mole Man has learned to embrace his ugliness and uses his anger to fuel his evil plans for world domination. The Gargoyle doesn’t embrace his lot in life, doesn’t know how to make the ugly mojo work for him. He would give up everything he believes in, simply to look “normal” once again. And then he kills himself. So Banner and Jones can escape! That’s not an act of villainy! That’s heroic. Maybe I should put him above the Skrulls? Well…nah. While The Gargoyle was engaged in his villainy, he was indeed villainous, merciless, and he had a lot of cool toys at his command. I enjoyed that about him. And he was a brilliant scientist. The Skrulls were rather stupid and gullible. I can’t forgive them for that. They stay on the bottom of my list.

Yes, this first Hulk story is heavy on the anti-Commie propaganda, but it is also a good adventure story. As first stories go, it really crams in a lot of ideas and information. Having reviewed the story, I think I can say I’ll probably learn to like this series more than I have previously. But still, I think we all have to agree that Hulk is not your typical hero.

HERO?
In fact, I would say Bruce Banner is far more of a hero than Hulk. I definitely like Banner much more than Hulk. I can understand where Banner is coming from, his ideas, his ideals, his concerns. After this first story, my main impression of Hulk is that he’s confused. He doesn’t know where he fits in the grand scheme of things. He doesn’t really have any motivations at this point, beyond “Don’t let them kill me!!” He’s not fighting for anything but self-preservation. That’s obviously a good foundation, but a true hero needs to get beyond that, needs to exist for some grander reason. And perhaps in future issues of The Hulk, we’ll see more development in that area.

The characters I like most after this first story are Bruce Banner, Betty Ross, and Rick Jones. What I most like about them, I think, is the potential for drama and conflict in their relationships. There is obviously this big secret that Banner and Jones are going to be keeping from Betty. And then of course I’m sure we’ll have more on the budding romance between Bruce and Betty. But perhaps the most interesting character to me right now is Rick Jones. I’ve seen him in a few other books, and mostly thought of him as this pesty teenager just hanging around, but apparently I had forgotten his backstory:

No, Rick Jones is not just some dumb kid. He’s an orphan, who has never known any kindness from anyone…until Banner pushes him in that ditch to protect him from the gamma rays. From that point on, he is completely devoted to the one person who has ever shown him any kindness whatsoever. That kind of devotion can be very powerful. Basically, what we’re getting here is that Rick Jones has nobody…and now he is completely devoted to Banner. Well, someone with a secret like Banner has is going to need a friend, and there could be no better friend than Rick Jones.

Unless he gets jealous of Betty Ross. And that could happen. Already we’ve had a hint of it. I think the stage is set for high personal drama. That’s what I’m looking forward to in future issues.

I’m also looking forward to Stan getting a better grip on The Hulk’s character, his motivations, and what sets him into motion. Right now, we are told that Banner morphs into Hulk when the sun goes down. What is he…a werewolf? I don’t know why this was originally set as the catalyst that changes Banner into a monster, but I think Stan must have very quickly seen this was going to limit his story possibilities. If you know exactly when your monster is going to appear, you can try to take steps to minimize the danger. In fact, that’s what Banner and Rick Jones were doing when they drove the jeep into the deserted area. However, if you can control the beast to some degree, then to some degree he’s not as beastly anymore. No, for the most exciting storylines, you need a monster that appears at the most inopportune moments. You need a catalyst that is as volatile as your monster: “Don’t get me mad. You wouldn’t like me when I’m mad.” That’s a better monster than the one that appears simply because the sun has gone below the horizon.

But mostly I think we need to find a way to believe that the monster can be the hero. I haven’t read enough Hulk stories yet to see how that’s going to happen. I mentioned earlier that I don’t understand Hulk. After only this first story, I don’t think he understands himself yet. I guess the future issues will document his journey of self-discovery. And hopefully we (and by we, I mean “I”) can learn to understand and appreciate him better as well.

So now I’ve met the Hulk. He’s not your typical hero, yet he’s certainly not a villain. However, in our next story, the Fantastic Four battle a foe who is supremely villainous! Stay tuned…

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FANTASTIC FOUR #4: Meet Namor, the Sub-Mariner – A Villain of Heroic Proportions!

Published: May, 1962

“The Coming of Sub-Mariner!”
Script: Stan Lee
Art: Jack Kirby
Inks: Sol Brodsky
Letters: Art Simek

Russ has been setting up the comics in the order I should review them, and I see that we are once again looking at The Fantastic Four. And this time, they have a formidable foe…the Sub-Mariner!! (Pardon me for using the double exclamation point, I guess I’ve been reading too many comics lately!!) Since I’ve already read ahead a bit, I’ve met with Sub-Mariner a few times now, and I’ve got to say I really enjoy his character. Now THIS is what a villian should be! (Not like those pitiful Skrulls, whining “We hate being Skrulls…”) But ironically, the thing I most like about Sub-Mariner is that he’so noble, and mostly, his intentions are good. Sure, he’s a powerful being who spends a good deal of time and energy threatening to obliterate humanity, but in some ways, you really can’t blame him. He’s a powerful leader who’s had some bad breaks. Any good king would do the same.

But I’m getting ahead of myself, and this story is a long one, 24 pages, with LOTS going on, so let’s get started. We find the group has been splintered by a disagreement. Johnny and Thing were fighting (as we will see they often do) and Johnny has gone off in a huff, saying he’s through with all of them. I thought it was touching that Sue, his sister, was concerned, hoping he might be hurt or in trouble. Hey! Sis! Your brother is The Human Torch! I don’t really think you need to be worried about his safety.

They decide to look for Torch, and I found it interesting that even though this is only the fourth issue of this title, so they could not have had many adventures yet, still everyone they meet seems to know who they are. Reed stretches out his arm to pick a guy off a motorcycle, and when the guy realizes who he’s talking to, he says “Wait till I tell the gang! Will I be a big man!” Later on, someone else says “Holy smoke! I read about you guys, but I never dreamt you really existed!”

The Fantastic Four are the first superheroes of the Silver Age. There were superheroes back in the 1940’s, during WWII, but since then, apparently, it’s been pretty quiet, and I guess the people in this comic book have gotten used to living in a world that is relatively void of “the fantastic.” But now, things are changing! I guess that kind of explains why while one person is thrilled to meet Mr. Fantastic, another says “I never dreamt you really existed!” For some people, there may be doubt that this could really be happening again, but others are ready to embrace the new world order.

I think it’s also especially important to note the phrase “I read about you guys.” Apparently the exploits of the Fantastic Four are making the newspapers. They are very PUBLIC superheroes. Later, when we get into Spider-Man, X-Men, the Avengers, we will find that every one of them has a SECRET identity, known to only a select few. But the FF are out there for all the world to see. This makes for a different kind of story. It’s pretty interesting to see how they interact with their world.

REHASH

But before we get into this story, Stan rehashes what happened in the previous issue, why Johnny has gone off in a huff. I guess in case some of the readers had not SEEN the previous issue, it would give them a chance to catch up. I’m thinking: here is a new title, only out a few months, word of mouth is just now getting around, the readership is building. I guess Stan had to assume that not everybody would be caught up on current events. Thus, the rehash.

I think that might also be part of the reason for something else that happens, when Thing finally finds Johnny. For no apparent reason, Thing begins to morph back into Ben Grimm. For a few panels we get to see who Thing “really” is. Personally, I think there are three things going on here: 1. When Thing/Ben is temporarily distracted by his morphing, this gives Johnny a chance to get away. 2. This lets the new readers see who Thing really is, that he wasn’t always a rockman, that deep down inside there is a human being, and 3. That this human being is absolutely distressed by having to live life as “A…thing!”

Johnny goes to “the Bowery” where he thinks nobody will be able to find him, and stays in a “Men’s Hotel” which is a sort of YMCA, with lots of derelict guys sleeping on cots. He reads an old beat-up “comic mag” from the 1940’s. It’s about Sub-Mariner. Johnny thinks “I remember Sis talking about him once! He used to be the world’s most unusual character!”

Now that’s all I personally would know about Sub-Mariner at this point, except that I happen to have a wonderful husband who knows lots about comics and is able to fill me in on his background. It seems that in the 1940’s the Sub-Mariner did indeed appear in Marvel Comics, but at that time, he was more of a hero, rather than a villain. He is the King of the underwater Atlanteans, has super-strength, can breathe air as well as water, and can fly. Also, his skin is somewhat impervious to things like bullets and knives. Well, we’ll learn more about him as we go on, but I thought it was most fascinating that originally he was not one of the bad guys. But now he will be. And we’ll see why. But I’m getting a little ahead of myself.

There is a certain derelict guy at the “Men’s Hotel” that the others mention is really strong. They try to engage him, but he just gets annoyed and ends up punching everyone and throwing furniture. Johnny says “Hey wait! Let’s find out what’s going on here!” We see the irate bum lamenting that he has no idea who he is, but when Johnny gives him a shave and a haircut (with his flaming finger—I kid you not), who is revealed but…Sub-Mariner himself!!!

Johnny flies him out over the ocean and drops him in, figuring that if he really IS Sub-Mariner, being back in the ocean will return his memory, and return him to his former glory. And that’s exactly what happens. Ahh…but there’s a complication. When Sub-Mariner returns to his undersea kingdom, he discovers that it has been destroyed by “the HUMANS…with their accursed atomic tests!” Now he’s mad. And you don’t want someone like Sub-Mariner mad at you. He vows to take revenge on the entire human race.

I have to pause here for a moment to say…so! Everything that happens from this point on, in this story and in all the other stories where the Sub-Mariner poses a threat to humanity…it’s all Johnny’s fault! Right? He had to go and put him back in the ocean! Of course, he didn’t know when he did it that complications would ensue. But they do. And they will continue to ensue. But it just goes to show you how one innocent act of kindness can be turned on its head to create all sorts of trouble.

So, as Sub-Mariner vows his revenge on the human race, we begin to get a pretty good picture of his personality.

Humility is not one of Namor’s strong points. (Oh, I guess I should mention that Sub-Mariner’s actual name is “Namor.” And by the way, Russ explained to me that in an effort to create a name that sounded as regal as possible, “Namor” was chosen, because it’s actually “Roman,” spelled backwards.)

Anyway, Namor is rather full of himself, overflowing with self-confidence and bravado. He is the antithesis of “wishy-washy.” Everything he does is large and dramatic. He is, after all, a king. With superpowers. No room for “wishy-washy” here.

I guess Johnny figures this out, because he decides to come out of hiding and paints a huge fiery “4” in the sky to alert the others that there is trouble afoot. Stan describes this as “the most dramatic, most exciting secret symbol of all!!” I agree with dramatic and exciting, but I hardly think it’s secret. A huge fiery number in the sky? I think the general population is looking up at this and thinking…”Hmmm… just a stab in the dark here, but … I think SOMETHNG must be up…”

GIGANTOR!

Johnny meets with the others and fills them in on what’s happening. Meanwhile, Namor finds the “trumpet-horn” buried by his ancestors centuries ago which can wake the mighty sleeping Gigantor!! ( I don’t feel compelled to give a description, I think the name says it all.) This creature heads towards New York, and the order is given to evacuate the city, as the army brings their weapons into place.

But it’s not the army that saves the day. It’s…Thing! He gets the idea to strap a nuclear device on to his back, and walks right into the monster’s mouth, like Jonah going into the belly of the whale. (It’s amusing, by the way, that it appears he has strapped the nuclear device to his back with a couple of bed sheets.)

Thing escapes just before Gigantor is destroyed. Now Sub-Mariner is more pissed than ever!

It’s worth noting that this happens to be one of those times when the villain messes things up for himself by spending too much time talking and gloating. Because while he’s extolling the virtues of the horn, invisible Sue is nearby and says “Oh! It is the Horn that does it!! That’s what I was waiting to hear!” And she grabs the horn and begins to run off.

AT LAST, A LITTLE ROMANCE!

That could be the end of our story…but of course it’s not. Namor pursues, and grabs Sue, and she gets visible again. Immediately, Namor is struck by her beauty.

I happen to know, from having read ahead a bit in the Fantastic Four series, that the Sue/Namor issue is not going to live and die in this one issue. We will have many more meetings between these two, and their relationship is one of the things I really enjoy about the FF series. So I want to spend a few moments reviewing what happens here.

After Namor declares that Sue is a prize worth catching, he continues to compliment her, and makes an offer: if she agrees to become his bride, he might show mercy and not destroy the human race. Well, first of all, note that Namor says he MIGHT spare the human race. Even if she marries him, he still might destroy humanity. He’s holding tight to the power, as a King should, which puts Sue in an awful predicament. Decisions, decisions…right? And Sue rightly says, “How can I make such a choice?”

Russ thinks, and rightly so I’m sure, that her hesitation is based on the fact that she’s weighing her own happiness against the survival of the human race. “Well…this is an AWFUL predicament I’m in, but if I don’t agree to marry him, all of humanity will most certainly be destroyed!” Not to be taken lightly. But I think it’s that…AND something more. Remember, earlier, Johnny clued us in that Sue knows a bit about the Sub-Mariner. So she must know that he is a KING, and before he appears in this issue, he’s been a HERO. Not a bad guy, overall. If she’s read about him and talked about him….maybe there’s some attraction there on her part as well.

What does Sue mean when she says “How can I make such a choice?” is she actually considering marrying Namor? Is she attracted to him? Is she attracted to his power? Or perhaps she’s attracted by the ATTENTION he is showing her, the compliments. Yes, she’s Reed’s fiancée, but does Reed ever compliment her like this? Reed is so very no-nonsense and scientific, and in fact it will come out in future issues that Sue is not really sure how he feels about her. But with Namor there’s no doubt. He’s just told her: you’re gorgeous, I want to marry you and make you my princess!

It’s enough to make a girl think…

But before Sue has a chance to think for very long, the others arrive, saying “Sue, you don’t have to do anything he says!” But this makes Namor even MORE pissed off than before. “You fools! “ he declares. “Now I’ll have the girl AND my revenge!!”

Seeing how serious he is, Sue says “No, Prince Namor, you mustn’t! I’ll do anything—I’ll become your bride!” Namor is, of course, insulted that she agrees to marry him only so that she can save the human race. “Don’t you realize what an honor I offer you?”

Reed says “This has gone FAR ENOUGH!” (I was wondering when he was going to get around to that…) And they all begin to attack Namor. Torch creates a tornado, which sucks up Namor and deposits him in deepest part of the ocean. He loses the magic horn in the process, but vows, a la the Arnold Schwarzenegger Terminator… “I’ll be back!”

In the last panel, Stan says…”Yes, perhaps he WILL be back.” And I’m thinking…What??? Perhaps?? Are you kidding me? Do you really expect me to believe for one second that a character as strong and dramatic as Prince Namor, the Sub-Mariner, is not going to be back for further adventures? Please…if that would be the case, then somebody has NO IDEA how to run a comic book.

But of course, Stan and crew do have some excellent ideas about how to run a comic book, so Sub-Mariner will be back. But before we go forward to those next adventures, there is one question I must ask: I’m trying to wrap my mind around how Sub-Mariner is both a real being in the real world, AND the topic of a “comic-mag” within that world. In our world, yes, we have fantastic and non-fantastic characters who inhabit our “comic-mags,” but they are just that, “characters,” not “real,” not flesh and blood. In general, we don’t have narrative “stories” about real people, either in comics, novels, movies, etc.

But in the Marvel Universe, it is accepted that Namor is a real being in the real world, and yet there are “comic mags” written about him. And later I believe we’ll find that the exploits of Spider-Man and others will be chronicled in “comic-mags” even as these individuals are roaming the city, fighting crime and pulling off heroic feats that are ALSO mentioned on the front page of the newspaper. That’s what I find so intriguing: this blending of fact and fiction that has less to do with superpowers than it has to do with storytelling!

Yes, in the Marvel Universe, there are flesh and blood individuals who have powers that do not exist in our world. I get that, I don’t have a problem with that. In fact, I’m glad there are fantastical characters, or comic books would be very boring, wouldn’t they? I mean….if we were stuck with stories about characters who had superpowers like mine (“the uncanny aptitude to determine the exact size container for the dinner leftovers”) or Russ’ (“the unerring ability to turn a traffic light from red to green simply by staring at it”) I don’t think those books would sell very well.

I’m just amazed that that Stan and crew have elected to create a world where…no, wait, I take that back. I was about to write “create a world where comics and newspapers have equal importance” but then I thought about it…Nah. I’m not amazed at all. In fact, it makes perfect sense that the writer of comic books would elevate “comic-mags” to such a high position. It makes perfect sense, and what’s more, it’s a ton of fun.

VILLAIN VALUATION

I should go on to compare Namor to the villains I have met so far. I’ve already dismissed The Miracle Man as a mere magician in need of a good pair of sunglasses. But is Sub-mariner more fearsome than Mole Man? You betcha! Sure, they both command the monsters of their particular kingdom, but with the flying and the breathing both air and water, and the super strength, Namor wins this one hands down. And I hate to say it, but he is certainly a lot more attractive than Mole Man. Even with those eyebrows.

Which brings up another point. Namor remind me quite a lot of Spock on Star Trek. Of course Sub-Mariner existed for decades before the thought of Spock ever crossed Gene Roddenberry’s imaginative mind. But I wonder if in some way, Sub-Mariner was a consideration, either consciously or subconsciously, when Spock was dreamed into existence.

Well, that’s all I’ve got for now! This has been a long one, but lots of fun. Join me next time when a Comic Novice looks at the origin of another classic Marvel character…The Incredible Hulk!!

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