I originally intended to do a “Mid-Month Marvel Movie Review” on a regular basis, which is a great idea, but like so many great ideas, smacked full-force into the wall of reality and got completely obliterated. Between working full time, housework, podcast, this blog, and just trying to find a bit of free time for myself, as the song goes, “Somethin’s gotta give.” Monthly movie reviews—only one of many things I wish I had the time to do, but don’t, so this idea has regretfully been deep-sixed in the trash can of “Someday Maybe.” Until I learn to exist on three hours of sleep a night, or reach the magical age of retirement, some things just aren’t going to happen. It’s a cold hard fact of life I often lament.
But I’m not here to talk cold hard facts, or to lament. I’m here to talk about Iron Man 3. Because there is NOTHING lamentable about this movie. Saw it over the weekend and was blown away. Better than Iron Man 2, perhaps as good as the original Iron Man, and running a close second to The Avengers. Actually, Iron Man 3 runs a close second to The Avengers, as far as box office, having the best opening weekend of any film in history, save one—that difficult-to-beat Avengers.
Still, if you’ve got to come in second place, this is the way to do it.
Before heading out to the theater, I read a few headlines about how well the movie was doing, but avoided reading more, not wanting to spoil myself. And I’m glad I didn’t spoil myself, because there were so many surprises in this movie, I would have hated to anticipate. So I’m not going to talk details here. Just trust me. You’ll enjoy this movie.
I will say that I immensely enjoyed that our hero spends so much time out of the armor. There’s a strong human element—it’s not all bang-bang, shoot ’em up, blow ’em up, kill the bad guys. Of course there’s PLENTY of that, but it’s tempered with a deeper look into the complex character of billionaire genius playboy Tony Stark.
Several times, a scene changes with a “wipe” from left to right, which reminded me very much of The Empire Strikes Back. In fact, the entire movie reminded me of my first experience seeing The Empire Strikes Back, because I was amazed at how readily I was drawn into the story, forgetting all about the weather outside, what I planned to eat at the restaurant after the movie, and how Gwyneth Paltrow’s natural diet sure does make her look bright and healthy. In fact, I was so absorbed in the movie, I even forgot to look for Stan’s cameo, and regrettably it went by so fast, I didn’t know it had happened until I realized there had been a old man in the previous scene, and everyone in the theater was now laughing.
Iron Man 3 is peppered (pun intended) with a multitude of humorous moments, which for my money, makes it a superior product to the dreadfully dark Batman films. I hear there will be a new Superman movie in a month or so, and I’m wondering which superhero’s footsteps the director of that one has chosen to walk in. I hope we’ll have at least a chuckle or two.
Not that Iron Man 3 is all fun and games. Some dreadfully serious stuff goes on here—bigger than life issues and plot developments for our bigger than life characters. Continuity references to incidents in The Avengers make this film feel more like a sequel to THAT movie, rather than to Iron Man 2. Somehow, you almost feel you’re seeing another episode in an arc storyline of a favorite TV show, rather than a stand-alone feature film. One thing is certain: the cinematic Marvel Universe is healthy, expanding, and poised for further excitement.
Iron Man 3 pulls you in and doesn’t let go until the roller coaster ride is over. And it isn’t over when the credits start rolling. Oh no! Don’t make that mistake, like 75-80% of the people in our theater did, causing Russ and I to look at each other and ask, “Have these people never seen a Marvel movie? Do they not know what’s coming?” And if they have seen Marvel movies before, and they do know what’s coming, and they STILL prefer a hasty retreat and a good spot in traffic to that final bit of movie magic, well then, let them. But it’s hard to believe some people, after 125 minutes of pure entertainment, cannot be bothered to sit still for FIVE MORE MINUTES of heart-thumping rock and roll to see the “bit” at the end.
I won’t tell you what it is. But like all the other “bits,” from all the other Marvel movies, it’s worth waiting for. Some are monumental, some are just amusing. Don’t want to spoil you. Just take my advice: sit through the awesomely retro-stylized end credits and have yourself the full Iron Man 3 experience.
“Thor and Loki Attack the Human Race!”
Plot: Stan Lee
Script: Robert Berns
Art: Joe Sinnott
Letters: Sam Rosen
This month, Thor once again meets up with his mischievous brother, and once again, there’s a kind of “hypnosis” explanation for Thor’s bad behavior. More of the same. Sigh…. Russ advised I might find nothing new to talk about in this issue, but that’s precisely why I decided to review this book.
As I’ve been reading and reviewing, there’s so much going on in each issue that sometimes I feel I’m only scratching the surface. And the longer I read, the more I see certain trends that have me thinking, “Well, that happens so often, a time will come to mention it in the blog.”
There are so many good examples of recurring motifs in this story that I’ve decided to talk about a few of them now. See if you don’t agree, and get a chuckle, over these comic book traditions.
THERE CAN BE ONLY ONE??
On page two, as the story begins to rev up and the people of Earth realize they’re going to need help above and beyond the police and military, we find a two-star general frantically exclaiming that there is “only one person” who can help them now: Thor!
Well, of course this is Thor’s story, but is the general public not aware that the world is positively swarming with superheroes? Why can’t they call on the Fantastic Four, or Iron Man, or Ant-Man, or Spider-Man? I talked with Russ about this, and he offered a plausible explanation. Perhaps all the other superheroes are busy at the moment. This month, The Fantastic Four are in Microworld and Spider-Man has his hands full with Doctor Octopus. And as we’ll see in my upcoming posts, Tony Stark and Iron Man deal with Kala, the Queen of the Underground, and tiny adventurers Ant-Man and Wasp have a big adventure with criminal mastermind Egghead. So perhaps Thor IS the only superhero with an opening on his calendar.
Okay, I buy this explanation. But it still strikes me as funny, whenever someone exclaims there is only one person who can help them now.
“LOOK!!!” And now, what I call the “Grand Announcement.” Very often, when a new character appears on the scene, someone will shout out their name, frequently with multiple exclamation points. It strikes me as funny, because there’s no particular reason why this needs to be verbalized. Is Thor so shocked by the sudden appearance of “A flame-breathing dragon—behind me!” that the natural inclination is to shout about it? I doubt it. Instead, I think the natural reaction to a shocking appearance would be to exclaim, “Crap!” or something not so polite. Or maybe “Hey!” or “Wow!” or “Great!” But generally, in moments of great excitement, most people don’t become overly verbal. One explanation: superheros are not like “most people.”
And Marvel characters do this all the time. If I had so much time on my hands that I didn’t know what to do with it, I would go through every comic I’ve read so far and catalog every time this happens. Unfortunately, I don’t have leisure time in copious amounts. But trust me. This happens. A LOT.
Another, and perhaps better, explanation: the announcement is made to provide information. It almost reminds me of a radio drama. To some degree, you could read these comics to a blind person, and they would still have a good idea of what was happening, without even seeing the pictures.
CHATTY CHARACTERS
In a similar vein, we know we are not in the real world, so to a great degree, we don’t expect Marvel characters to talk the way real people do. For one thing, it appears no one can utter a single phrase that does not end in an exclamation point! It’s true! Every single phrase and sentence ends with at least one exclamation point!! When I mentioned this to Russ, he explained that periods “disappeared” in the printing process they used in the sixties, so exclamation points were used to avoid the appearance of characters speaking unintelligibly or in tremendously long run-on sentences, sort of like this one!
However, the panel on the left goes a bit deeper than that. Here, Thor reminds Heimdall, in extensive detail, of the intricacies of his job duties. He couldn’t have just said, “You’re the gatekeeper” or “You’re just the Guardian”? Why does he go into this long explanation of what Bifrost is? As if Heimdall doesn’t know? Of course, Heimdall knows! But the readers may have forgotten, or there may be new readers who are getting this information for the first time. So, I understand why this is done, but still…it takes you out of the story for a moment and makes you remember that this is just a story, with narrative details that may bear repeating.
TERRIFIED HUMANITY
If there was no evil in the Marvel Universe, there would be no need for superheroes. But, lucky for us, the Marvel Universe is a place plagued with troublesome villains, causing frequent occasions of the populace breaking out in terrified expressions. I wonder how many of these faces I have run into already…and I’ve only just begun my marvelous journey! On the splash of this comic we have an excellent example of the terrified faces of humanity, badly in need of rescuing by the resident superhero. Never fear, people! Help is on the way!
TIMING IS EVERYTHING
I always have to smile, if not outright chuckle, when I read a reference to how something must be accomplished in a “split-second.” In this story, Loki’s plan requires that Thor turn his head “at the crucial split-second before the hammer returns to him!” It strikes me as funny because, on the page, it takes longer to read the words “split-second” than it would take for something to happen in that split-second. It makes you realize how inadequate print media is for these kinds of quick-moving stories. Thank goodness, Marvel has survived all these years in the print medium to emerge fully into the wonderful world of film, where we can appreciate the nuances of the split-second.
PSEUDOSCIENCE
In this story, “at the exact split second” he needs to, Loki wallops Thor’s chromosomatic gland, which immediately changes the noble do-gooder to a no-good-nik. Yep. All that is possible with a direct hit to the chromosomatic gland.
“The…what???” you may well ask, and you would not be wrong to ask, as there is, in fact, no such thing as a chromosomatic gland. Just another golden nugget of pseudoscience brought to you by the good folks at Marvel Comics.
Now, I was not gullible enough to even dream that a direct hit to a particular GLAND could instantaneously change someone’s personality, but I did look it up online to see if perhaps there is such a gland that performs more mundane functions. Turns out there’s not. What I did find out, though, during my Google search of “Chromosomatic Gland” is that I’m not the only one out there that thinks this is hysterical. Next time you’re bored, google “Chromosomatic Gland” and you’ll see what I mean.
So, we can add this one to the long list of Marvel’s pseudoscientific inventions and phenomena that include items such as:
Henry Pym’s amazing ants that understand human speech and communicate with electronic impulses sent through their antennae (TTA#36)*
Doctor Doom’s electrically charged asbestos net (FF#5) or magnetic “grabber” (FF#6) for capturing and carrying away entire skyscrapers
Bruce Banner’s “Project 34” which emits electro-magnetic waves that blanket a city, making it invulnerable to enemy missiles (FF#12)**
Spider-Man’s foe, the Vulture, who can fly simply by strapping on a pair of wings and flapping his arms
Tony Stark’s foldable suit of iron that fits in an attaché case
General Ross’ giant specially-constructed neuron-magnet designed to attract and hold living beings (Hulk #5)
Spider-Man’s STRONG liquid cement that allows him to shoot a web that can hold and propel him anywhere he wants
Super-powerful magnets and transistors of all kinds, in all titles, not to mention, PASTE so powerful it’s “the ultimate weapon”
*No, I’m not talking about the cybernetic helmet. Ants hear and understand police speaking ENGLISH and take cognitive action as a result.
**Wait! Isn’t this the blueprint for President Reagan’s Star Wars?
These are just a few examples I’ve run into thus far! I can’t wait to see what other wonders await me as I continue my journey through the Marvel Universe!
In compiling this list, I’ve found there’s a thin line between pseudoscience and science fiction. There’s also a gap between what appears to be science fiction in the 1960’s when these comics were written, and today’s concepts, which, if not yet actually realized, may exist on the cusp of possibility.
One more observation before I leave this topic: as for the chromosomatic gland, I may have been unfair in calling it “pseudoscience.” Human beings do not have a chromosomatic gland, but who’s to say it’s not part of Asgardian physiology? When you create your own universe, you can fill it with any details you choose.
ALL THE WORLD’S A STAGE
From the beginning, the Marvel Universe has always existed as a sub-universe of the real world. Marvel stories take place in New York City, California, the deserts of Arizona and New Mexico. Not in Gotham City and Smallville.
In this story, not only is Thor’s assistance requested in every language on planet earth (presumably), but we also take a trip around the world, visiting historic monuments such as the Taj Mahal and Eiffel Tower. Of course Loki, and Thor, as his brother’s duped partner in evil, wreak havoc and destroy so many important landmarks of earthly civilization. But don’t worry, once Thor is released from his pseudoscientific enchantment, he and the people of Asgard promise to put everything back where they found it.
It’s such a lovely touch to have all this taking place in the real world. I especially enjoyed the shot of the Egyptian Sphynx taking a stroll down Main Street. To some degree, these stories probably supplemented their readers’ history and geography lessons; some youngsters may have even been inspired to crack open their Encyclopedia Britannica to get a better idea about what the heck was happening in their favorite comic.
Now, when I see these references to the real world, I enjoy the nostalgia of a US President who has to tuck daughter Caroline into bed, or Bing and Bob on a Hollywood set. The illusion of reality in a story that is decidedly NOT real creates a delightful dichotomy!
HOW CONVENIENT!
When Thor’s personality is changed by a bump to his chromosomatic gland, he conveniently doesn’t remember that Loki is his arch enemy, but he does remember Loki is his brother. He also remembers that Odin is his father, but prefers loyalty to brother over father. How convenient for Loki, and for the story.
Of course this begs the question: When Thor hits Loki on the head with the hammer, why did he not aim for the volatile chromosomatic gland in an attempt to change his evil brother into an upstanding citizen? Boy, if he could accomplish that (and we have seen that such a feat can be accomplished, “in a split-second”), it sure would make things easier for everyone. But it seems Thor has conveniently forgotten all about the offending gland. Either that, or he’s just having too much fun facing off against Loki time after time, and doesn’t want to take the chance that any attempt to transform Loki could actually work.
Or maybe Thor is looking out for us, his readers, aware that without Loki perpetuating his endless stream of mischief, Marvel won’t be selling quite as many comic books.
SOME OF THE LANGUAGE IN HERE JUST SLAYS ME
When I was in college, I had a teacher who once said, “Some of the language in here just slays me,” and I’ve always remembered that phrase, and use it as often as I can. Well, here is an excellent opportunity to celebrate language.
How many times have we seen the word “puny,” and how often is it paired with “planet” for the alliterative “puny planet”? I love the use of the word “puny” in Marvel Comics!
There have been at least two occasions so far when an explosive noise has manifested as some variation of “Bar Room.” I’m really starting to think the creators may have been putting the finishing touches on some of these panels at the end of a long day, looking forward to some refreshment before heading home.
How appropriate that someone of Odin’s station would wonder how Loki has WROUGHT such a terrible change, and then need time to PONDER. Lord Odin really does tend to express himself in grand Shakespearean style.
And now, even after having made all these observations, I still feel I have only scratched the surface. In truth, I feel I will never have the opportunity to say enough about the Marvel universe, but I shall continue to try to hit as many high points as I can, here in the Marvelous Zone.
So join me next time, right here in the Marvelous Zone, when we at last find the creators putting an end to all that “Sugar & Spice” nonsense. You won’t want to miss this groundbreaking tale!
“The Human Torch vs. the Wizard and Paste-Pot Pete!”
Plot: Stan Lee
Script: H.E. Huntley
Art: Dick Ayers
Letters: John Duffy
“Dr. Strange Master of Black Magic!”
Script: Stan Lee
Art: Steve Ditko
Letters: Terry Szenics
There are two villains in the leading Torch story. Who can forget Paste Pot Pete? But I didn’t remember the Wizard when I met him here. I started to worry about my brain, but when I asked Russ, he assured me that the story where we first met the Wizard (Strange Tales #102) is not one of the most compelling tales in the Marvel Universe, so I had skipped over it. Way back, after my first Human Torch review, I realized that the Human Torch stories in Strange Tales were probably not going to be among my favorites, so I decided not to read and review any more.
Of course, having said all that, since then I’ve actually reviewed one or two. I guess there are always exceptions to the rule! And now, the obvious exception is the reappearance of Paste-Pot Pete! He’s such a ridiculous villain, I get such a kick out of him. In this story, I was kind of hoping I would once again hear him boldly proclaim, “Paste is the ultimate weapon!” but alas, in that I was disappointed.
And truthfully, I was fairly disappointed in this Torch story overall. Reading it cemented my decision to forego reading a whole lot of these Torch stories. Actually, there are only two comments I care to make about this story, and then I’ll move on to the real reason why I’m reviewing this book at all.
1. Bickering villains. The Wizard is your standard egotistical egghead, and treats Paste-Pot Pete like a servant, to which Pete strongly objects. I kept waiting for the two of them to break out in full-fledged fisticuffs, but it didn’t happen. Still, we do manage a few amusing moments, such as when the Wizard is rattling on about their plan and Pete whines, “Do you always have to make a SPEECH when you do something?” Oh?? Like Pete himself has never made a speech? All good villains make speeches about what terrifically smart and awesome bad guys they are. And…it seems…so do some of the not-so-good villains…
2. Johnny the Wonder Teen. Once again, we see young Johnny Storm going for the gusto, not only engaging in good-deed doing as the Human Torch, but also hitting the books to study for a history exam, all the while enduring the scorn of fellow classmates who believe he is an enemy spy, because they read it in the newspaper, and as we all know, “Newspapers don’t print such accusations without evidence.” I thought that was pretty funny, but the punchline comes at the end of the story, when everyone thinks Johnny is such a lucky guy, while Johnny himself laments that having to deal with Paste-Pot Pete and the Wizard has left him very little time to study for his history exam. Superheroing, school, basketball, part-time job, I’m telling ya…that Johnny Storm had better stop burning the candle at both ends or he’s likely to BURN OUT.
Now. Getting back to business…did I happen to mention what I was really here for? The second half of this book premieres, “quietly and without fanfare,” a new series, introducing a “different kind of super-hero,” the unparalleled mysticism of Dr. Strange, Master of Black Magic!
And what is so strange about Dr. Strange (besides his name, I mean)? Well, let me offer this brief synopsis, after which you can judge for yourself:
A mysterious man plagued by nightmares desperately seeks the help of one whose name is only “spoken in whispers—Dr. Strange!” Strange agrees to take his case, and enters his client’s dream as a “metaphysical spirit.” Here he meets a cloaked figure draped in chains, who reveals that the dreamer is an EVIL MAN.
In the evil man’s dream, Strange also meets his ancient foe, Nightmare, a shadowy figure atop a wild stallion. Threatened by Nightmare, as well as the dreamer, who has awakened and is now threatening the sleeping Strange with a gun, our hero calls out to his Master, an ancient Asian with powers that transcend time and space. By concentrating very, very hard, the Master activates the huge amulet hanging from Dr. Strange’s neck, and the hypnotic ray stops the shooter in his tracks.
In that split-second, Strange slips out of the dream, leaving Nightmare frustrated and threatening, as any good villain would, “You’ve eluded me THIS time, but I’ll get you YET!”
Back in the real world, the bad guy confesses to his crimes, and also to his stupidity in calling upon Dr. Strange in the first place. I mean, really! What did he think was going to happen by inviting a master of black magic into his dreams? This was strictly a case of “you get what you pay for.”
My theory: the evil dreamer wanted to be found out, forced into confession, so that he could at last get some rest. Well, if so, then Dr. Strange helped him, as any good superhero would.
But beyond that, as Stan warned us on the splash, Strange is indeed a very different kind of superhero. And I actually find it odd that he’s introduced in the same book where the Human Torch has an encounter with Paste-Pot Pete. How likely is it that readers who get a kick out of Paste-Pot Pete are going to latch on to a superhero like Dr. Strange?
Who’s reading these comics in 1963, anyway? Still little boys with 12 cents? Do they really care if a magician with gray streaked hair and oversized jewelry metaphysically visits someone who looks like their grandpa, then conquers “all of time and space in its silent flight” to enter the world of nightmares?
Well…yeah…
Okay. Gotta admit. Dr. Strange’s powers are kinda cool. Whether it’s little boys, or high school and college kids reading by this time, this new and very “different kind of super-hero” surely emerges as a breath of exotically fresh air in this world of thugs proclaiming nonsense like “Paste is the ultimate weapon!”
I’m not yet a student of Marvel Comics history, but if I had to guess, I would say the introduction of a hero the caliber of Dr. Strange indicates a maturing of the readership. This might also be one of the first indications that someday, Marvel Comics will be considered worthy of scholarly study.
Of course, if nothing else, it was probably a good sign at the time that the Marvel organization was willing to step out in faith with a new product, trusting that Dr. Strange’s audience would find him, either in the existing readership, or by word of mouth, or perhaps by…the working of Black Magic!!
I’ve read a few Dr. Strange stories after this first one. If you’ve been with me from the beginning, you know that when I started this blog, I had already made it to a certain point in my reading (somewhere around the summer of 1964), so right now, I’m still backtracking. Someday soon I hope to catch up with myself! And when I do, I wonder how my opinion of Dr. Strange will eventually settle down.
Because currently, my opinion is unsettled. From what I’ve read thus far, Dr. Strange stories have not been among my favorites. But in another way, because Strange is, indeed, so strange, and so different, I sometimes find myself enjoying the side trip to this unique province of the Marvelous Zone in which we encounter the wonders of the mystic arts.
Well, Stan sure did give us something new and strange and different this time around, but don’t be surprised if all your old favorite tropes return for a bit of mischief next time we meet, here in the Marvelous Zone!
“The Micro-World of Doctor Doom!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek
I think it’s hysterical when Henry Pym gets really, really small so he can fight crime. I especially love the way he gets small first, then catapults himself across the city to the scene of the crime or danger. Like…why not just take a bus, wouldn’t it be faster? But no. With Ant-Man, every molehill has to be a mountain. These tiny dramas strike me as somewhat ridiculous, but oh, what fun!
And now the fun is increased fourfold, because our blue-clad heroes are forced into serving as diminutive do-gooders. I have no problem with the FF adapting to whatever circumstances they must, in order to meet the challenge of the day, but while their getting small is amusing, it’s not half as hilarious as the terrifyingly villainous Doctor Doom wreaking havoc once again…but at a size no bigger than an ant!
All of this getting small brings to mind Steve Martin’s 1980’s comedy routine, but I’m also reminded of Buffy the Vampire Slayer, when the gang encounters a horrible demon, only to discover he’s no taller than your average fountain pen, so they just step on him. Or how about Dr. Seuss’ Horton Hears a Who? And let’s not forget the great bit from Douglas Adams’ classic The Hitchhiker’s Guide to the Galaxy.
It’s a delightful stretch to imagine worlds outside our own, and while the Marvel Universe has so far given us beings from outer space and under the sea, we have only once or twice ventured into a kingdom based solely on size. In FF #7, the fab four assisted the population of Planet X by shrinking them so they all fit inside two spaceships to escape their exploding planet. And of course, Ant-Man and his new partner the Wasp also bring us a refreshingly unique view of the world.
While Ant-Man and Wasp make a conscious decision to get small, and Kurrgo and the people of Planet X agree to it in a crisis situation, Doctor Doom had smallness thrust upon him at the end of FF #10. Yet we have to assume that Doom made a conscious decision to remain in the Micro-World, since at the end of the story, when a quick escape is desirable, he is capable of returning to the normal-sized world. He could have returned at any time after developing the enlarging ray, but instead chose to stay and lord it over the little people. Doom is so in love with power, he’ll take it wherever he can find it.
In the Micro-World, Doom has dethroned the king and his princess daughter. He’s “large and in charge,” but of course, he’s never going to be happy until he gives the FF their comeuppance. He taunts them from Micro-World until, in utter bewilderment, they call upon Ant-Man, the authority on all things small.
When Princess Pearla calls from the tiny universe to warn the four of Doom’s evil plans, what can they do but rush to the aid of the mysterious dismembered little voice? Once in Micro-World, they find Doom on the throne, and the despotic Doctor immediately shrinks them even further. Yes, they become smaller than small.
Doom plans to sell the FF into slavery to the evil Toks, and we are treated to imaginative narratives of how the Tok will cruelly employ our heroes’ fantastic powers. Now, I understand that these comics are not rated “X” and not even “R,” but still…the Tok could employ a little more creativity in their plans for the Invisible Girl. At the very least, she could easily serve as a spy. But no, they would rather make her a scullery maid.
Really now. How insulting. But I must say this: if Stan wants readers to respect Sue’s superpower, he’ll have to give us villains who recognize that her value exceeds her ability to serve slop to lizard men.
Of course the four have no intention of being sold into slavery, and as soon as they escape, Doom panics and flees in terror. Boy, that was easy. Doom returns to the regular world, so we will certainly meet him again.
Are we never going to be rid of Dr. Doom? Didn’t he die twice already? First, in FF #6, he was catapulted into outer space, presumably lost in the cold dark emptiness of the cosmos. Then, in FF #10, after being instructed by the Ovids, he returned with the power of body-swapping, and almost succeeded in destroying the fellowship. But Reed’s shrinking gun reduced him to nothing…or so we assumed. We learn now he simply shrank into the Micro-World.
This turn of events, however, does not dampen Doom’s spirits, which goes a long way in demonstrating his resourcefulness and resiliency. Upon arriving in Micro-World, Doom notes, “The fools! They live in peace! They are contented and happy! But I’ll soon put a stop to that!” Earlier I evoked the name of Dr. Seuss, and I’ll do it again: Doom is like the Grinch, who can’t stand to see anybody enjoying themselves.
But he certainly does know how to take care of himself. In any situation, he’ll not only survive, but absolutely flourish. He immediately sets about impressing the king with his scientific knowledge and gains the position of Court Scientist. With all the resources of Micro-World at his command, Doom devises the shrinking and enlarging rays that will once again put him face-to-face with his mortal enemies, the Fantastic Four.
I must stop here and ask: why does Doom so despise the FF? Merely because they have twice insulted his honor? Or do we need to go all the way back to his college days, when Reed was the only other student able to outshine him?
I think it’s both, and more: Doom is destined to walk alone. In this story, he seeks the hand of the beautiful princess Pearla, but she despises him. I wondered briefly if he only wants to marry Pearla because she’s a Princess, and marrying her would gain him the trust and goodwill of the citizens of Micro-World. But then I realized Doom is probably the last person in the world to give a hoot about trust and goodwill. In fact, Doom would rather rule with an iron hand, and be feared by his subjects, than gain their goodwill through agreeable actions. He’s already got absolute power, what more does he need? Bah! Doctor Doom despises weak concepts like trust and goodwill! And he certainly doesn’t need any woman to help him rule the land!
No, he doesn’t need a woman…but perhaps…he wants one? Perhaps he looks at Reed Richards and his lovely girfriend Sue Storm, and secretly yearns for the same kind of relationship. If he wanted Pearla, all he would have to do is take her; he could force her to be his wife. But he can’t force her to love him. And maybe that’s what he’s most after—unconditional love.
Going out on a limb here? I don’t know. I’ve said before that Doctor Doom has a plethora of angsty personality issues, and in this story we begin to glimpse a side of super-villains, the likes of which the readers of the day had never seen before.
Of course, we only learn that Doom wants to marry the princess from the princess herself, so it’s entirely possible that, as a princess, she makes the assumption that every man must want to marry her, so this whole issue could exist entirely inside her tiny little royal brain.
With that in mind, I’m putting myself on Doom Alert, on the lookout for any further evidence to support my outrageous hypothesis that this most detestable super villain is deep down, just a poor boy, yearning for affection and acceptance.
ATTRACTIONS
On the other hand, the FF have no problems expressing their affections and attraction to the opposite sex.
In addition to the main action between our villain and heroes, there’s a silly little bit about Johnny flirting with the tiny princess Pearla, and Sue’s attraction to Ant-Man (“He’s much too cute! I’ll bet if he were normal-sized…sigh…”). These are amusing distractions, but within the pages of this story, I found one distraction that was not amusing at all, and in fact, most disturbing.
Reed has just spoon-fed Thing a new magic potion that causes him to revert to handsome Ben Grimm, but girlfriend Alicia is not on board with the transformation. However, I think she would be even less on board, if she had been paying attention to this colossal Freudian Slip. Behold:
Did you catch the “Sue, baby”? Wha—? Wha—? What’s going on here? Could it be that Ben is secretly attracted to his best friend’s girl? Of course in the very next panel, Ben assures Reed, “I love Alicia and she loves me,” but is he telling the truth…or simply trying to cover up his faux paus? My gut tells me this was simply a case of inadequate proofreading, but I wonder if Sub-Mariner needs to be told there’s a new rival for Sue’s affections. I’m going to keep my eyes and ears open for further hints of yet another love triangle involving Sue and Reed. I don’t think I’ll really find it, but it will be fun to look for.
TINY WORLD
While reading and writing about this issue, I happened to run across internet images of beach sand magnified 250 times. It’s amazing how something as common and unassuming as sand can be so awesome and beautiful, when we take a very, very close look at it.
It made me realize anew that “not only is the universe stranger than we imagine, it’s stranger than we CAN imagine” (Arthur Eddington). Above us, below us, within us, and within the very world we inhabit are other wonderful worlds, there for the exploring. Science is one way to explore these worlds, fiction another. But perhaps one of the best ways to open our minds to all the wonders of the universe is through science fiction, and fantasy, such as we find here in Marvel Comics, and in the Marvelous Zone.
Join me next time, when science fiction and fantasy meander into mysticism and magic, and the Marvel Universe truly does become stranger than we at first imagined.