TALES OF SUSPENSE #43: Villainess!

Published: July, 1963

Published: July, 1963

“Iron Man Versus Kala, Queen of the Netherworld!”
Plot: Stan Lee
Script: Robert Bernstein
Pencils: Jack Kirby
Inks: Don Heck
Letters: Art Simek

When I saw this cover, I immediately recognized it as the background Russ is currently using on the Chronology Project forum. I’ve seen a lot of it recently as Russ and I have now started a forum connected to our other website, collinsport.net, which hosts the Drawing Room Podcast about the original Dark Shadows TV show. Starting up the Dark Shadows forum, the Chronology Project forum has been in my line of vision, so I instantly recognized the image from the cover and felt a warm sense of familiarity.

And on top of that, I was delighted to discover that I have finally run into the first Marvel villainess, Kala, Queen of the Netherworld!

As most Marvel stories do, this one begins with a crisis, which Iron Man easily snuffs out. Immediately after, Tony Stark decides to leave the iron suit behind because there is “little chance of another crisis arising right after that one.” Well, that alone is a sure sign that we’re in for more trouble! But what of Stark’s logic? Where does it say you can’t have two crises in one day? I know it should seem unlikely, but is it really?

The Law of Averages says that if you throw a coin, you have a 50/50 chance it will land heads up. But if you throw a coin 49 times and it lands littlechanceheads up every time, what are the odds it will land heads up again on your 50th throw? Still 50 /50! I know it seems odd, but those are the mathematical facts. Boggles my mind, that’s for sure. In the same way, the recent occurrence of one crisis does nothing to deter the possibility of a crisis in the immediate future. And frankly, I’m disappointed in Tony Stark, with all his smarts, not recognizing that.

In fact, what he SHOULD have realized is that by making the decision to leave the iron suit behind, he INCREASES the likelihood that another crisis will occur!

Okay, I’m being facetious, but doesn’t it sometimes seem that way? The one time you don’t wear your safety belt, you’ll be in an accident. The one day you don’t wash your hair, that cute guy or girl will finally look at you and say hello.

Personally, once, a long time ago, I lived in an apartment that had rats in the attic. So I purchased rat traps. This was over twenty years ago, but to this day I bring the single remaining rat trap with me every time I move because I know that if I should finally make the decision to get rid of the damn thing, that’s when I’ll get rats again! So, according to my way of thinking…that dormant rat trap has kept me safe from rodents for over twenty years.

In the same way, even though I know it’s not scientific, I believe that if Stark had brought along his armor, the second crisis would never have happened.

And what is it that happens? Suddenly, without warning, two of Stark’s employees disappear into thin air! Furthermore, Stark himself becomes encased in an absolutely impenetrable transparent cage. We know it’s impenetrable because one of the guards shoots the thing, and the bullets bounce right off. Which actually turns out to be a GOOD THING, because if the bullets had penetrated the invisible case, that guard would have shot kalaand probably killed his boss, which is never a good thing.

The clear prison sinks into the ground, and Stark arrives in the Netherworld, populated by a scientific, “brilliant ruthless race,” ruled by Queen Kala, who is as ambitious as she is beautiful.

Well, I guess the local residents are perhaps not as brilliant as we’re lead to believe, because Kala immediately admits that Stark’s two men, Jim and Evans, were transported to the Netherworld in error, while they were actually looking for Stark.

Kala reveals that her kingdom is the ancient Atlantis, aeons ago saved from the certain doom of tidal waves and earthquakes when scientists constructed a large dome around the city, protecting it as it sunk to the bottom of the ocean.

Next Kala reveals her plan to invade and conquer the surface world, admitting that they don’t have enough power to actually reach the surface, so that’s why they kidnapped Stark, recognizing him as “America’s greatest inventive genius.”

And if Stark refuses to assist in their diabolical plan to conquer the surface world? Well, of course, then she will KILL Stark and his two companions.

Unfazed by these threats, Stark immediately informs Kala that Iron Man alone could destroy their underground kingdom. Of course, Stark is sort of bluffing here, since he knows that he stupidly and inexplicably left his Iron Man armor behind.

But Kala meets Stark’s Iron Man challenge and raises him one “Bah!” saying that if Stark will not assist, not only will she kill him and his friends, but will also use a machine to reverse the earth’s axis, causing death and destruction to all surface dwellers.

Wow…this Kala is one tough chick.

However, I think perhaps she’s bluffing, as well. Let’s think this through: If she doesn’t have enough power to even reach the surface, what’s to make us believe she has enough power to reverse the earth’s axis? And maybe Stark’s thinking the same thing, and is calling her bluff, when he agrees to help.

production
Another thing: Apparently she hasn’t been paying very close attention to the spying TV monitors that supplied information about the great scientific inventor, Tony Stark. She appears completely unfamiliar with his backstory, trusting him when he says he will help; he just needs “a laboratory, total privacy, certain materials and absolutely no interference!” These, of course, are the very conditions under which Stark first created Iron Man. But even if Netherworld TV had never been tuned to that particular channel, Kala should at least recognize that anyone who demands “total privacy” and “absolutely no interference” in the same breath cannot possibly be planning anything good.

Jim and Evans, the two Stark employees whose lives he has just saved, come down mighty hard on the boss, accusing him of being “yellow” and not caring “two pins” for mankind. Stark takes the abuse, claiming he’s all about saving his own skin, but of course we know anyone as noble and clever as Tony Stark has got to have something up his sleeve.

Stark finds an unexpected ally in General Baxu, who is not entirely convinced Kala’s invasion plans can succeed. Oh, and by the way, Baxu also hates taking orders from a woman. Stark perceptively suggests the general is in love with the beautiful Kala, which Baxu admits, yet completely ignores Stark’s suggestion that he, Baxu, could overthrow Kala and seize absolute power of the Netherworld.

Well, as handily predicted, Stark fashions an Iron Man suit and breaks out, convincing Baxu that Stark escaped and sent him, Iron Man, to deal with the Netherworld menace. Kala plans to destroy Iron Man with a disintegrator cannon, but Iron Man uses an electronic reverse-energy beam to disintegrate the disintegrator. Kala continues her attempts to defeat Iron Man, but at every turn the brilliant oldkalasurfaceman outmaneuvers her. Confusing Kala with multiple mirror images of himself, Iron Man grabs the evil queen and transports her to the surface, where she immediately ages into a hideous old hag.

Of course, this will never do, and Kala begs to return to the Netherworld. Back in her own realm, she abandons the invasion plans and implores Iron Man to stay and rule with her. But Iron Man has a better idea and instructs Baxu to marry Kala so they can rule together.

What?? As if who Kala marries will be decided by anyone other than Kala herself! She may be evil and vain, but she is, after all, a QUEEN. Nobody’s going to tell the Queen who to marry…not even Iron Man!

Shortly after all this is resolved, with Iron Man receiving an open invitation to drop in on the Netherworld any time he happens to be in the neighborhood, we see Tony Stark at a cocktail party, fawned over by a gaggle of gorgeous babes. So! The universe has been put back in proper order—at least on the surface world. But clearly, the Netherworld will never be the same again.

For one thing, there’s that pesky problem of the Netherworlders aging horribly, should they ever become exposed to the atmosphere of the surface world. With all thoughts of invasion permanently scrapped, Kala, our first Marvel villainess, is instantly defused.

But there’s more than that going on here, and personally I find it incredibly sexist of these 1960’s comic book writers. When Kala meets Iron Man, she is so dazzled by his charms that she wants him to stay and rule the kingdom with her. As a result of her encounter with the fabulous Iron MAN, she is a changed person—perhaps still vain, but no longer ambitiously evil.

I’ve only just begun my journey through the Marvelous Zone, but so far recall very few instances where the villain’s encounter with the hero is so completely life-changing. In Hulk #1, the Gargoyle makes a complete turn-around, preferring a socially acceptable physical appearance to world domination. Weak, weak villain. And in Tales to Astonish #43, Professor Weems changes his ways, but only after he accidentally shoots his own beloved grandson with the Aging Ray-gun. This was the wake-up call that made him realize it’s not right to do evil and age people. But of course, Weems was never really a villain in the first place, he was just an average guy wronged by society who happened to have enough resources at his command to cause widespread panic.

butterBut the female Kala is so softened after her encounter with Iron Man, she’s almost a different person. As Iron Man softens the Netherwold’s protective glass dome “as if it were butter,” likewise, he softens Kala. And is it lost on anyone that Kala’s epic adventure involves both the act of penetration and “a nice, wide shaft”? Did Stan know what he was doing here, or is this simply a fortunately Freudian turn of phrase?

I’m disappointed that our villainess is so easily turned from her evil ways. Perhaps the idea of an evil woman was a hard sell back in the 1960’s, when all little girls were expected to be good little girls. Would the readers have balked if the mighty Iron Man had not been able to turn Kala?

Despite his many setbacks and failures, Sub-Mariner continues to threaten the surface world. So why does the solution to the Kala problem have to be so complete? Why can’t she remain a villain, to appear again in future adventures? I would like to see that.

But no, she is neutralized as a threat to humanity, and not only that, but she ends up making googly eyes over Iron Man, the same way earth women fawn over Tony Stark. Well, I guess that has to happen. After all, what good are superheroes if they cannot conquer the female heart? That should be the easiest of their superhero tasks, and in this story, indeed it is.

padmeI don’t know if we will see Kala or her Netherworld again, and if we don’t, I’ll be disappointed, because I saw potential in this scientifically advanced society that also has strong mythical ties to the lost city of Atlantis. And I especially liked the idea of a strong, beautiful woman leader.

But if this is not to be, how much longer will I have to trudge through the Marvelous Zone before finding a new woman character who has more on her mind than nice kitchen appliances (Aunt May), her burly boyfriend (Alicia Masters), or a fantasy of taming a superhero from another dimension (Jane Foster)?

The Avengers movie was so chock full of tasty testosterone that I initially found it difficult to take my eyes off the muscles and superhero suits. But now when I think of it, Scarlett Johannsson’s Black Widow was one tough lady. Kala, Queen of the Netherworld, is also powerful and commanding—at least at the beginning of this Iron Man story. I only regret her unfortunate neutralization.

But now, as I travel through the female wasteland of Marvel in the early 1960’s, I begin to hope for the day when the villainesses will remain as compelling as their male counterparts, and even more, for the day when all female characters will become less cookie-cutter and more cutting edge.

tta45avatarNext time in the Marvelous Zone, we’ll switch back from villainess to villain, but is that any guarantee the evil our heroes face will be of earth-shattering proportions? Well… not eggsactly…

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MARVELOUS MOVIES: IRON MAN THREE (2013)

ironman3poster 2I originally intended to do a “Mid-Month Marvel Movie Review” on a regular basis, which is a great idea, but like so many great ideas, smacked full-force into the wall of reality and got completely obliterated. Between working full time, housework, podcast, this blog, and just trying to find a bit of free time for myself, as the song goes, “Somethin’s gotta give.” Monthly movie reviews—only one of many things I wish I had the time to do, but don’t, so this idea has regretfully been deep-sixed in the trash can of “Someday Maybe.” Until I learn to exist on three hours of sleep a night, or reach the magical age of retirement, some things just aren’t going to happen. It’s a cold hard fact of life I often lament.

But I’m not here to talk cold hard facts, or to lament. I’m here to talk about Iron Man 3. Because there is NOTHING lamentable about this movie. Saw it over the weekend and was blown away. Better than Iron Man 2, perhaps as good as the original Iron Man, and running a close second to The Avengers. Actually, Iron Man 3 runs a close second to The Avengers, as far as box office, having the best opening weekend of any film in history, save one—that difficult-to-beat Avengers.

Still, if you’ve got to come in second place, this is the way to do it.

Before heading out to the theater, I read a few headlines about how well the movie was doing, but avoided reading more, not wanting to spoil myself. And I’m glad I didn’t spoil myself, because there were so many surprises in this movie, I would have hated to anticipate. So I’m not going to talk details here. Just trust me. You’ll enjoy this movie.

necklaceI will say that I immensely enjoyed that our hero spends so much time out of the armor. There’s a strong human element—it’s not all bang-bang, shoot ’em up, blow ’em up, kill the bad guys. Of course there’s PLENTY of that, but it’s tempered with a deeper look into the complex character of billionaire genius playboy Tony Stark.

Several times, a scene changes with a “wipe” from left to right, which reminded me very much of The Empire Strikes Back. In fact, the entire movie reminded me of my first experience seeing The Empire Strikes Back, because I was amazed at how readily I was drawn into the story, forgetting all about the weather outside, what I planned to eat at the restaurant after the movie, and how Gwyneth Paltrow’s natural diet sure does make her look bright and healthy. In fact, I was so absorbed in the movie, I even forgot to look for Stan’s cameo, and regrettably it went by so fast, I didn’t know it had happened until I realized there had been a old man in the previous scene, and everyone in the theater was now laughing.

Iron Man 3 is peppered (pun intended) with a multitude of humorous moments, which for my money, makes it a superior product to the dreadfully dark Batman films. I hear there will be a new Superman movie in a month or so, and I’m wondering which superhero’s footsteps the director of that one has chosen to walk in. I hope we’ll have at least a chuckle or two.

ironman3crop

Not that Iron Man 3 is all fun and games. Some dreadfully serious stuff goes on here—bigger than life issues and plot developments for our bigger than life characters. Continuity references to incidents in The Avengers make this film feel more like a sequel to THAT movie, rather than to Iron Man 2. Somehow, you almost feel you’re seeing another episode in an arc storyline of a favorite TV show, rather than a stand-alone feature film. One thing is certain: the cinematic Marvel Universe is healthy, expanding, and poised for further excitement.

Iron Man 3 pulls you in and doesn’t let go until the roller coaster ride is over. And it isn’t over when the credits start rolling. Oh no! Don’t make that mistake, like 75-80% of the people in our theater did, causing Russ and I to look at each other and ask, “Have these people never seen a Marvel movie? Do they not know what’s coming?” And if they have seen Marvel movies before, and they do know what’s coming, marvelendcredit2and they STILL prefer a hasty retreat and a good spot in traffic to that final bit of movie magic, well then, let them. But it’s hard to believe some people, after 125 minutes of pure entertainment, cannot be bothered to sit still for FIVE MORE MINUTES of heart-thumping rock and roll to see the “bit” at the end.

I won’t tell you what it is. But like all the other “bits,” from all the other Marvel movies, it’s worth waiting for. Some are monumental, some are just amusing. Don’t want to spoil you. Just take my advice: sit through the awesomely retro-stylized end credits and have yourself the full Iron Man 3 experience.

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JOURNEY INTO MYSTERY #94: Here We Go Again!

Published: July, 1963

Published: July, 1963

“Thor and Loki Attack the Human Race!”
Plot: Stan Lee
Script: Robert Berns
Art: Joe Sinnott
Letters: Sam Rosen

This month, Thor once again meets up with his mischievous brother, and once again, there’s a kind of “hypnosis” explanation for Thor’s bad behavior. More of the same. Sigh…. Russ advised I might find nothing new to talk about in this issue, but that’s precisely why I decided to review this book.

As I’ve been reading and reviewing, there’s so much going on in each issue that sometimes I feel I’m only scratching the surface. And the longer I read, the more I see certain trends that have me thinking, “Well, that happens so often, a time will come to mention it in the blog.”

There are so many good examples of recurring motifs in this story that I’ve decided to talk about a few of them now. See if you don’t agree, and get a chuckle, over these comic book traditions.

THERE CAN BE ONLY ONE??
On page two, as the story begins to rev up and the people of Earth realize they’re going to need help above and beyond the police and military, we find a two-star general frantically exclaiming that there is “only one person” who can help them now: Thor!

Well, of course this is Thor’s story, but is the general public not aware that the world is positively swarming with superheroes? Why can’t they call on the Fantastic Four, or Iron Man, or Ant-Man, or Spider-Man? I talked with Russ about this, and he offered a plausible explanation. Perhaps all the other superheroes are busy at the moment. This month, The Fantastic Four are in Microworld and Spider-Man has his hands full with Doctor Octopus. And as we’ll see in my upcoming posts, Tony Stark and Iron Man deal with Kala, the Queen of the Underground, and tiny adventurers Ant-Man and Wasp have a big adventure with criminal mastermind Egghead. So perhaps Thor IS the only superhero with an opening on his calendar.

Okay, I buy this explanation. But it still strikes me as funny, whenever someone exclaims there is only one person who can help them now.

“LOOK!!!”
announceAnd now, what I call the “Grand Announcement.” Very often, when a new character appears on the scene, someone will shout out their name, frequently with multiple exclamation points. It strikes me as funny, because there’s no particular reason why this needs to be verbalized. Is Thor so shocked by the sudden appearance of “A flame-breathing dragon—behind me!” that the natural inclination is to shout about it? I doubt it. Instead, I think the natural reaction to a shocking appearance would be to exclaim, “Crap!” or something not so polite. Or maybe “Hey!” or “Wow!” or “Great!” But generally, in moments of great excitement, most people don’t become overly verbal. One explanation: superheros are not like “most people.”

And Marvel characters do this all the time. If I had so much time on my hands that I didn’t know what to do with it, I would go through every comic I’ve read so far and catalog every time this happens. Unfortunately, I don’t have leisure time in copious amounts. But trust me. This happens. A LOT.

Another, and perhaps better, explanation: the announcement is made to provide information. It almost reminds me of a radio drama. To some degree, you could read these comics to a blind person, and they would still have a good idea of what was happening, without even seeing the pictures.

CHATTY CHARACTERS
In a similar vein, we know we are not in the real world, so to a great degree, we don’t expect Marvel characters to talk the way real people do. For one thing, it appears no one can utter a single phrase that does not end in an exclamation point! It’s true! Every single phrase and sentence ends with at least one exclamation point!! When I mentioned this to Russ, beeswaxhe explained that periods “disappeared” in the printing process they used in the sixties, so exclamation points were used to avoid the appearance of characters speaking unintelligibly or in tremendously long run-on sentences, sort of like this one!

However, the panel on the left goes a bit deeper than that. Here, Thor reminds Heimdall, in extensive detail, of the intricacies of his job duties. He couldn’t have just said, “You’re the gatekeeper” or “You’re just the Guardian”? Why does he go into this long explanation of what Bifrost is? As if Heimdall doesn’t know? Of course, Heimdall knows! But the readers may have forgotten, or there may be new readers who are getting this information for the first time. So, I understand why this is done, but still…it takes you out of the story for a moment and makes you remember that this is just a story, with narrative details that may bear repeating.

panicTERRIFIED HUMANITY
If there was no evil in the Marvel Universe, there would be no need for superheroes. But, lucky for us, the Marvel Universe is a place plagued with troublesome villains, causing frequent occasions of the populace breaking out in terrified expressions. I wonder how many of these faces I have run into already…and I’ve only just begun my marvelous journey! On the splash of this comic we have an excellent example of the terrified faces of humanity, badly in need of rescuing by the resident superhero. Never fear, people! Help is on the way!

TIMING IS EVERYTHING
I always have to smile, if not outright chuckle, when I read a reference to how something must be accomplished in a “split-second.” In this story, Loki’s plan requires that Thor turn his head “at the crucial split-second before the hammer returns to him!” It strikes me as funny because, on the page, it takes longer to read the words “split-second” than it would take for something to happen in that split-second. It makes you realize how inadequate print media is for these kinds of quick-moving stories. Thank goodness, Marvel has survived all these years in the print medium to emerge fully into the wonderful world of film, where we can appreciate the nuances of the split-second.

PSEUDOSCIENCE
In this story, “at the exact split second” he needs to, Loki wallops Thor’s chromosomatic gland, which immediately changes the noble do-gooder to a no-good-nik. Yep. All that is possible with a direct hit to the chromosomatic gland.

“The…what???” you may well ask, and you would not be wrong to ask, as there is, in fact, no such thing as a chromosomatic gland. Just another golden nugget of pseudoscience brought to you by the good folks at Marvel Comics.

Now, I was not gullible enough to even dream that a direct hit to a particular GLAND could instantaneously change someone’s personality, but I did look it up online to see if perhaps there is such a gland that performs more mundane functions. Turns out there’s not. What I did find out, though, during my Google search of “Chromosomatic Gland” is that I’m not the only one out there that thinks this is hysterical. Next time you’re bored, google “Chromosomatic Gland” and you’ll see what I mean.

So, we can add this one to the long list of Marvel’s pseudoscientific inventions and phenomena that include items such as:

  • Henry Pym’s amazing ants that understand human speech and communicate with electronic impulses sent through their antennae (TTA#36)*
  • Doctor Doom’s electrically charged asbestos net (FF#5) or magnetic “grabber” (FF#6) for capturing and carrying away entire skyscrapers
  • Bruce Banner’s “Project 34” which emits electro-magnetic waves that blanket a city, making it invulnerable to enemy missiles (FF#12)**
  • Spider-Man’s foe, the Vulture, who can fly simply by strapping on a pair of wings and flapping his arms
  • Tony Stark’s foldable suit of iron that fits in an attaché case
  • General Ross’ giant specially-constructed neuron-magnet designed to attract and hold living beings (Hulk #5)
  • Spider-Man’s STRONG liquid cement that allows him to shoot a web that can hold and propel him anywhere he wants
  • Super-powerful magnets and transistors of all kinds, in all titles, not to mention, PASTE so powerful it’s “the ultimate weapon”

*No, I’m not talking about the cybernetic helmet. Ants hear and understand police speaking ENGLISH and take cognitive action as a result.
**Wait! Isn’t this the blueprint for President Reagan’s Star Wars?

These are just a few examples I’ve run into thus far! I can’t wait to see what other wonders await me as I continue my journey through the Marvel Universe!

chromoglandIn compiling this list, I’ve found there’s a thin line between pseudoscience and science fiction. There’s also a gap between what appears to be science fiction in the 1960’s when these comics were written, and today’s concepts, which, if not yet actually realized, may exist on the cusp of possibility.

One more observation before I leave this topic: as for the chromosomatic gland, I may have been unfair in calling it “pseudoscience.” Human beings do not have a chromosomatic gland, but who’s to say it’s not part of Asgardian physiology? When you create your own universe, you can fill it with any details you choose.

ALL THE WORLD’S A STAGE
From the beginning, the Marvel Universe has always existed as a sub-universe of the real world. Marvel stories take place in New York City, California, the deserts of Arizona and New Mexico. Not in Gotham City and Smallville.

In this story, not only is Thor’s assistance requested in every language on planet earth (presumably), but we also take a trip around the world, visiting historic monuments such as the Taj Mahal and Eiffel Tower. Of course Loki, and Thor, as his brother’s duped partner in evil, wreak havoc and destroy so many important landmarks of earthly civilization. But don’t worry, once Thor is released from his pseudoscientific enchantment, he and the people of Asgard promise to put everything back where they found it.

sphynxIt’s such a lovely touch to have all this taking place in the real world. I especially enjoyed the shot of the Egyptian Sphynx taking a stroll down Main Street. To some degree, these stories probably supplemented their readers’ history and geography lessons; some youngsters may have even been inspired to crack open their Encyclopedia Britannica to get a better idea about what the heck was happening in their favorite comic.

Now, when I see these references to the real world, I enjoy the nostalgia of a US President who has to tuck daughter Caroline into bed, or Bing and Bob on a Hollywood set. The illusion of reality in a story that is decidedly NOT real creates a delightful dichotomy!

HOW CONVENIENT!
When Thor’s personality is changed by a bump to his chromosomatic gland, he conveniently doesn’t remember that Loki is his arch enemy, but he does remember Loki is his brother. He also remembers that Odin is his father, but prefers loyalty to brother over father. How convenient for Loki, and for the story.

Of course this begs the question: When Thor hits Loki on the head with the hammer, why did he not aim for the volatile chromosomatic gland in an attempt to change his evil brother into an upstanding citizen? Boy, if he could accomplish that (and we have seen that such a feat can be accomplished, “in a split-second”), it sure would make things easier for everyone. But it seems Thor has conveniently forgotten all about the offending gland. Either that, or he’s just having too much fun facing off against Loki time after time, and doesn’t want to take the chance that any attempt to transform Loki could actually work.

Or maybe Thor is looking out for us, his readers, aware that without Loki perpetuating his endless stream of mischief, Marvel won’t be selling quite as many comic books.

SOME OF THE LANGUAGE IN HERE JUST SLAYS ME
When I was in college, I had a teacher who once said, “Some of the language in here just slays me,” and I’ve always remembered that phrase, and use it as often as I can. Well, here is an excellent opportunity to celebrate language.

language

  • How many times have we seen the word “puny,” and how often is it paired with “planet” for the alliterative “puny planet”? I love the use of the word “puny” in Marvel Comics!
  • There have been at least two occasions so far when an explosive noise has manifested as some variation of “Bar Room.” I’m really starting to think the creators may have been putting the finishing touches on some of these panels at the end of a long day, looking forward to some refreshment before heading home.
  • How appropriate that someone of Odin’s station would wonder how Loki has WROUGHT such a terrible change, and then need time to PONDER. Lord Odin really does tend to express himself in grand Shakespearean style.

And now, even after having made all these observations, I still feel I have only scratched the surface. In truth, I feel I will never have the opportunity to say enough about the Marvel universe, but I shall continue to try to hit as many high points as I can, here in the Marvelous Zone.

tos43avatarSo join me next time, right here in the Marvelous Zone, when we at last find the creators putting an end to all that “Sugar & Spice” nonsense. You won’t want to miss this groundbreaking tale!

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STRANGE TALES #110: From the Ridiculous to the Sublime

Published: July, 1963

Published: July, 1963

“The Human Torch vs. the Wizard and Paste-Pot Pete!”
Plot: Stan Lee
Script: H.E. Huntley
Art: Dick Ayers
Letters: John Duffy

“Dr. Strange Master of Black Magic!”
Script: Stan Lee
Art: Steve Ditko
Letters: Terry Szenics

There are two villains in the leading Torch story. Who can forget Paste Pot Pete? But I didn’t remember the Wizard when I met him here. I started to worry about my brain, but when I asked Russ, he assured me that the story where we first met the Wizard (Strange Tales #102) is not one of the most compelling tales in the Marvel Universe, so I had skipped over it. Way back, after my first Human Torch review, I realized that the Human Torch stories in Strange Tales were probably not going to be among my favorites, so I decided not to read and review any more.

Of course, having said all that, since then I’ve actually reviewed one or two. I guess there are always exceptions to the rule! And now, the obvious exception is the reappearance of Paste-Pot Pete! He’s such a ridiculous villain, I get such a kick out of him. In this story, I was kind of hoping I would once again hear him boldly proclaim, “Paste is the ultimate weapon!” but alas, in that I was disappointed.

And truthfully, I was fairly disappointed in this Torch story overall. Reading it cemented my decision to forego reading a whole lot of these Torch stories. Actually, there are only two comments I care to make about this story, and then I’ll move on to the real reason why I’m reviewing this book at all.

bickering1. Bickering villains. The Wizard is your standard egotistical egghead, and treats Paste-Pot Pete like a servant, to which Pete strongly objects. I kept waiting for the two of them to break out in full-fledged fisticuffs, but it didn’t happen. Still, we do manage a few amusing moments, such as when the Wizard is rattling on about their plan and Pete whines, “Do you always have to make a SPEECH when you do something?” Oh?? Like Pete himself has never made a speech? All good villains make speeches about what terrifically smart and awesome bad guys they are. And…it seems…so do some of the not-so-good villains…

2. Johnny the Wonder Teen. Once again, we see young Johnny Storm going for the gusto, not only engaging in good-deed doing as the Human Torch, but also hitting the books to study for a history exam, all the while enduring the scorn of fellow classmates who believe he is an enemy spy, because they read it in the newspaper, and as we all know, “Newspapers don’t print such accusations without evidence.” I thought that was pretty funny, but the punchline comes at the end of the story, when everyone thinks Johnny is such a lucky guy, while Johnny himself laments that having to deal with Paste-Pot Pete and the Wizard has left him very little time to study for his history exam. Superheroing, school, basketball, part-time job, I’m telling ya…that Johnny Storm had better stop burning the candle at both ends or he’s likely to BURN OUT.

strangeNow. Getting back to business…did I happen to mention what I was really here for? The second half of this book premieres, “quietly and without fanfare,” a new series, introducing a “different kind of super-hero,” the unparalleled mysticism of Dr. Strange, Master of Black Magic!

And what is so strange about Dr. Strange (besides his name, I mean)? Well, let me offer this brief synopsis, after which you can judge for yourself:

A mysterious man plagued by nightmares desperately seeks the help of one whose name is only “spoken in whispers—Dr. Strange!” Strange agrees to take his case, and enters his client’s dream as a “metaphysical spirit.” Here he meets a cloaked figure draped in chains, who reveals that the dreamer is an EVIL MAN.
dream
In the evil man’s dream, Strange also meets his ancient foe, Nightmare, a shadowy figure atop a wild stallion. Threatened by Nightmare, as well as the dreamer, who has awakened and is now threatening the sleeping Strange with a gun, our hero calls out to his Master, an ancient Asian with powers that transcend time and space. By concentrating very, very hard, the Master activates the huge amulet hanging from Dr. Strange’s neck, and the hypnotic ray stops the shooter in his tracks.

In that split-second, Strange slips out of the dream, leaving Nightmare frustrated and threatening, as any good villain would, “You’ve eluded me THIS time, but I’ll get you YET!”

Back in the real world, the bad guy confesses to his crimes, and also to his stupidity in calling upon Dr. Strange in the first place. I mean, really! What did he think was going to happen by inviting a master of black magic into his dreams? This was strictly a case of “you get what you pay for.”

My theory: the evil dreamer wanted to be found out, forced into confession, so that he could at last get some rest. Well, if so, then Dr. Strange helped him, as any good superhero would.

But beyond that, as Stan warned us on the splash, Strange is indeed a very different kind of superhero. And I actually find it odd that he’s introduced in the same book where the Human Torch has an encounter with Paste-Pot Pete. How likely is it that readers who get a kick out of Paste-Pot Pete are going to latch on to a superhero like Dr. Strange?

meditatehecallsWho’s reading these comics in 1963, anyway? Still little boys with 12 cents? Do they really care if a magician with gray streaked hair and oversized jewelry metaphysically visits someone who looks like their grandpa, then conquers “all of time and space in its silent flight” to enter the world of nightmares?

Well…yeah…

Okay. Gotta admit. Dr. Strange’s powers are kinda cool. Whether it’s little boys, or high school and college kids reading by this time, this new and very “different kind of super-hero” surely emerges as a breath of exotically fresh air in this world of thugs proclaiming nonsense like “Paste is the ultimate weapon!”

I’m not yet a student of Marvel Comics history, but if I had to guess, I would say the introduction of a hero the caliber of Dr. Strange indicates a maturing of the readership. This might also be one of the first indications that someday, Marvel Comics will be considered worthy of scholarly study.

Of course, if nothing else, it was probably a good sign at the time that the Marvel organization was willing to step out in faith with a new product, trusting that Dr. Strange’s audience would find him, either in the existing readership, or by word of mouth, or perhaps by…the working of Black Magic!!

I’ve read a few Dr. Strange stories after this first one. If you’ve been with me from the beginning, you know that when I started this blog, I had already made it to a certain point in my reading (somewhere around the summer of 1964), so right now, I’m still backtracking. Someday soon I hope to catch up with myself! And when I do, I wonder how my opinion of Dr. Strange will eventually settle down.

Because currently, my opinion is unsettled. From what I’ve read thus far, Dr. Strange stories have not been among my favorites. But in another way, because Strange is, indeed, so strange, and so different, I sometimes find myself enjoying the side trip to this unique province of the Marvelous Zone in which we encounter the wonders of the mystic arts.

jim94avatarWell, Stan sure did give us something new and strange and different this time around, but don’t be surprised if all your old favorite tropes return for a bit of mischief next time we meet, here in the Marvelous Zone!

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Want to own the Doctor Strange story? Buy the Masterworks!
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