FANTASTIC FOUR #16: Bad Things Come in Small Packages, Too

Published: July, 1963

Published: July, 1963

“The Micro-World of Doctor Doom!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

I think it’s hysterical when Henry Pym gets really, really small so he can fight crime. I especially love the way he gets small first, then catapults himself across the city to the scene of the crime or danger. Like…why not just take a bus, wouldn’t it be faster? But no. With Ant-Man, every molehill has to be a mountain. These tiny dramas strike me as somewhat ridiculous, but oh, what fun!

And now the fun is increased fourfold, because our blue-clad heroes are forced into serving as diminutive do-gooders. I have no problem with the FF adapting to whatever circumstances they must, in order to meet the challenge of the day, but while their getting small is amusing, it’s not half as hilarious as the terrifyingly villainous Doctor Doom wreaking havoc once again…but at a size no bigger than an ant!

All of this getting small brings to mind Steve Martin’s 1980’s comedy routine, but I’m also reminded of Buffy the Vampire Slayer, when the gang encounters a horrible demon, only to hortondiscover he’s no taller than your average fountain pen, so they just step on him. Or how about Dr. Seuss’ Horton Hears a Who? And let’s not forget the great bit from Douglas Adams’ classic The Hitchhiker’s Guide to the Galaxy.

It’s a delightful stretch to imagine worlds outside our own, and while the Marvel Universe has so far given us beings from outer space and under the sea, we have only once or twice ventured into a kingdom based solely on size. In FF #7, the fab four assisted the population of Planet X by shrinking them so they all fit inside two spaceships to escape their exploding planet. And of course, Ant-Man and his new partner the Wasp also bring us a refreshingly unique view of the world.

While Ant-Man and Wasp make a conscious decision to get small, and Kurrgo and the people of Planet X agree to it in a crisis situation, Doctor Doom had smallness thrust upon him at the end of FF #10. Yet we have to assume that Doom made a conscious decision to remain in the Micro-World, since at the end of the story, when a quick escape is desirable, he is capable of returning to the normal-sized world. He could have returned at any time after developing the enlarging ray, but instead chose to stay and lord it over the little people. Doom is so in love with power, he’ll take it wherever he can find it.

In the Micro-World, Doom has dethroned the king and his princess daughter. He’s “large and in charge,” but of course, he’s never going to be happy until he gives the FF their comeuppance. He taunts them from Micro-World until, in utter bewilderment, they call upon Ant-Man, the authority on all things small.

When Princess Pearla calls from the tiny universe to warn the four of Doom’s evil plans, what can they do but rush to the aid of the mysterious dismembered little voice? Once in Micro-World, they find Doom on the throne, and the despotic Doctor immediately shrinks them even further. Yes, they become smaller than small.

Doom plans to sell the FF into slavery to the evil Toks, and we are treated to imaginative narratives of how the Tok will cruelly employ our heroes’ fantastic powers. Now, I understand that these comics are not rated “X” and not even “R,” but still…the Tok could employ a little more creativity in their sculleryplans for the Invisible Girl. At the very least, she could easily serve as a spy. But no, they would rather make her a scullery maid.

Really now. How insulting. But I must say this: if Stan wants readers to respect Sue’s superpower, he’ll have to give us villains who recognize that her value exceeds her ability to serve slop to lizard men.

Of course the four have no intention of being sold into slavery, and as soon as they escape, Doom panics and flees in terror. Boy, that was easy. Doom returns to the regular world, so we will certainly meet him again.

Are we never going to be rid of Dr. Doom? Didn’t he die twice already? First, in FF #6, he was catapulted into outer space, presumably lost in the cold dark emptiness of the cosmos. Then, in FF #10, after being instructed by the Ovids, he returned with the power of body-swapping, and almost succeeded in destroying the fellowship. But Reed’s shrinking gun reduced him to nothing…or so we assumed. We learn now he simply shrank into the Micro-World.

This turn of events, however, does not dampen Doom’s spirits, which goes a long way in demonstrating his resourcefulness and resiliency. Upon arriving in Micro-World, Doom notes, “The fools! They live in peace! They are contented and happy! But I’ll soon put a stop to that!” Earlier I evoked the name of Dr. Seuss, and I’ll do it again: Doom is like the Grinch, who can’t stand to see anybody enjoying themselves.

But he certainly does know how to take care of himself. In any situation, he’ll not only survive, but absolutely flourish. He immediately sets about impressing the king with his scientific knowledge and gains the position of Court Scientist. With all the resources of Micro-World at his command, Doom devises the shrinking and enlarging rays that will once again put him face-to-face with his mortal enemies, the Fantastic Four.

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I must stop here and ask: why does Doom so despise the FF? Merely because they have twice insulted his honor? Or do we need to go all the way back to his college days, when Reed was the only other student able to outshine him?

I think it’s both, and more: Doom is destined to walk alone. In this story, he seeks the hand of the beautiful princess Pearla, but she despises him. I wondered briefly if he only wants to marry Pearla because she’s a Princess, and marrying her would gain him the trust and goodwill of the citizens of Micro-World. But then I realized Doom is probably the last person in the world to give a hoot about trust and goodwill. In fact, Doom would rather rule with an iron hand, and be feared by his subjects, than gain their goodwill through agreeable actions. He’s already got absolute power, what more does he need? Bah! Doctor Doom despises weak concepts like trust and goodwill! And he certainly doesn’t need any woman to help him rule the land!

No, he doesn’t need a woman…but perhaps…he wants one? Perhaps he looks at Reed Richards and his lovely girfriend Sue Storm, and secretly yearns for the same kind of relationship. If he wanted Pearla, all he would have to do is take her; he could force her to be his wife. But he can’t force her to love him. And maybe that’s what he’s most after—unconditional love.

doomgloatsGoing out on a limb here? I don’t know. I’ve said before that Doctor Doom has a plethora of angsty personality issues, and in this story we begin to glimpse a side of super-villains, the likes of which the readers of the day had never seen before.

Of course, we only learn that Doom wants to marry the princess from the princess herself, so it’s entirely possible that, as a princess, she makes the assumption that every man must want to marry her, so this whole issue could exist entirely inside her tiny little royal brain.

With that in mind, I’m putting myself on Doom Alert, on the lookout for any further evidence to support my outrageous hypothesis that this most detestable super villain is deep down, just a poor boy, yearning for affection and acceptance.

ATTRACTIONS
On the other hand, the FF have no problems expressing their affections and attraction to the opposite sex.

In addition to the main action between our villain and heroes, there’s a silly little bit about Johnny flirting with the tiny princess Pearla, and Sue’s attraction to Ant-Man (“He’s much too cute! I’ll bet if he were normal-sized…sigh…”). These are amusing distractions, but within the pages of this story, I found one distraction that was not amusing at all, and in fact, most disturbing.

Reed has just spoon-fed Thing a new magic potion that causes him to revert to handsome Ben Grimm, but girlfriend Alicia is not on board with the transformation. However, I think she would be even less on board, if she had been paying attention to this colossal Freudian Slip. Behold:

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Did you catch the “Sue, baby”? Wha—? Wha—? What’s going on here? Could it be that Ben is secretly attracted to his best friend’s girl? Of course in the very next panel, Ben assures Reed, “I love Alicia and she loves me,” but is he telling the truth…or simply trying to cover up his faux paus? My gut tells me this was simply a case of inadequate proofreading, but I wonder if Sub-Mariner needs to be told there’s a new rival for Sue’s affections. I’m going to keep my eyes and ears open for further hints of yet another love triangle involving Sue and Reed. I don’t think I’ll really find it, but it will be fun to look for.

TINY WORLD
While reading and writing about this issue, I happened to run across internet images of beach sand magnified 250 times. It’s amazing how something as common and unassuming as sand can be so awesome and beautiful, when we take a very, very close look at it.

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It made me realize anew that “not only is the universe stranger than we imagine, it’s stranger than we CAN imagine” (Arthur Eddington). Above us, below us, within us, and within the very world we inhabit are other wonderful worlds, there for the exploring. Science is one way to explore these worlds, fiction another. But perhaps one of the best ways to open our minds to all the wonders of the universe is through science fiction, and fantasy, such as we find here in Marvel Comics, and in the Marvelous Zone.

st110avatarJoin me next time, when science fiction and fantasy meander into mysticism and magic, and the Marvel Universe truly does become stranger than we at first imagined.

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AMAZING SPIDER-MAN #3: Eight is More Than Enough!

Published: July, 1963

Published: July, 1963

“Spider-Man Versus Doctor Octopus”
Script: Stan Lee
Art: Steve Ditko
Letters: John Duffy

ALL OR NOTHING AT ALL
Spidey is bored! It’s all too easy, and he wishes for a worthy opponent. Enter Dr. Octopus, a brilliant scientist so named because he wears a specially designed contraption with multiple arms that allows him to perform experiments behind lead walls, shielding him from radiation.

Of course, in the Marvel Universe, any time you combine a brilliant scientist with radiation, you know what’s going to happen. That’s right! In the ensuing nuclear accident, the mechanical device becomes fused to the Doctor’s body, but what’s more, the arms now obey his mental commands. He’s also a tad more paranoid than what could be considered entirely healthy, and megalomaniacally convinced he is “the supreme being on earth!”

DEFEAT
Octopus’ accident is big news, but no one can get into the private hospital to snap a pic. No one, that is, except the amazing Spider-Man! However, when Spidey arrives, he finds despairOctopus threatening the hospital personnel. Well, we can’t have that! But when Spider-Man steps in, Octopus easily defeats him.

What???

While Doc Ock heads out to commandeer the brain center of the atomic lab, we find Peter despondent, seriously considering hanging up the webs for good. resolveHowever, just in the nick of time, Torch hosts a motivational assembly at Midtown High, encouraging all the young folk to stick to their school work, don’t be discouraged, and NEVER GIVE UP!! Infused with new purpose, Peter dons his costume once again and pits his brilliant scientific skills against Octopus by concocting a potion to fuse the mechanical arms to each other.

High jinks ensue, but with Octopus crippled, this time, Spidey emerges triumphant!

Only one more thing to do. No, he’s not after that elusive photo. Instead, Spider-Man heads to Torch’s hotel room to thank him for all he’s done. To which Torch replies… “Huh?”

Torch may be confused, but I’m not, and I have to say, many many kudos to Stan for such an accurate and enjoyable portrayal of teenage angst.

IDENTITY CRISIS
Any time you have a high-schooler in the throes of an identity crisis, you’re bound to get a boatload of melodrama. Adding superpowers to the mix only makes the emotional cocktail that much more volatile and explosive.

Sure, this is a tale about SPIDER-Man, a superhero, but it’s the very human elements of this saga that most interest me. The villains, the crimes, the superpowers and the stories are all adequately interesting, but it’s the boy Peter that has most captured my attention. He’s just your average dorky kid with all sorts of personal, financial and social issues, who must come to grips with the fact that even superpowers can’t solve every problem. Oh, the highs and the lows! Last time we saw Peter he was happily buying Aunt Mae a kitchenful of new appliances, but here he is now, after a single disheartening incident, ready to hang up the figurative cape, and the literal mask, forever.

PERFECTIONISM
Would you say Peter Parker is a perfectionist? (Go ahead…say it! And if you CAN say it, add it to your tongue twister list!) Even before Peter became Spider-Man, it bothered him immensely that he did not possess the “social graces” of someone like Flash teasedThompson. Peter was not popular, and he knew it, but he threw himself into his schoolwork and reveled in his smarts. That was his claim to fame, what made him feel exceptional. He might not be able to get the girls, like Flash, but he sees himself as the smartest kid in school. Not just A smart kid. The SMARTEST. And now, he has superpowers! So now not only is he smart, but he’s also super. As far as Peter is concerned, Spider-Man not only makes him better than he was, but also makes him better than everyone else (and most importantly, better than Flash Thompson).
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But what if Spider-Man can’t be the very best at everything every single time? What if he can’t live up to Peter’s high expectations? What if there’s someone out there who can actually beat Spider-Man? Well, as a person who lives life by superlatives, Peter has no idea how to deal with that possibility. He’s crushed, and resorts to that old standard in a crisis: if you can’t be the absolute best, then give up completely and say, “Screw it!”

Hmmm…Not a very mature reaction to adversity, is it? But who ever said teenage boys are mature? Remember, underneath it all, Spider-Man is just a teenager, prone to extreme emotions.

THE EXPERIENCED SUPERHERO
Of course, that doesn’t quite explain how Johnny Storm so confidently steps in to give his little pep talk. Can we simply put it down to, “Well, Johnny’s been at this superhero gig a lot longer than Peter”? Yes, he has, and those experiences have indeed given him a perspective young Peter lacks at this point in his superhero career. Johnny even alludes to those experiences. But we know from our reading that Johnny has also had his moments of teenage angst and self-doubt, just as Peter is having now.

derelictCorrect me if I’m wrong, but in Fantastic Four #3-4, didn’t Johnny get so mad at Reed and Sue and Thing that he, basically, ran away from home, and they all had to go out looking for him? And more recently, in Strange Tales #107, he was so annoyed by the others excluding him from the superhero shenanigans that he decided to take on Sub-Mariner all by himself?

So the Johnny Storm we see here, encouraging young people to “Never give up!” is, at least to some degree, a student in the school of hard knocks. And let’s not forget, here we are seeing the very public face of a very public teenager, putting on a good show. I’m sure Johnny still has many moments of self-doubt, and I’m sure we’ll run into them the next time we pick up Strange Tales to read about the Human Torch. As for Peter, though, let’s not forget that we’ve only known him for three issues so far, and he’s still very young in his development, both as a superhero, and as a young man.

It’s often said that we experience our greatest strides in personal growth not in periods of prosperity, but in times of adversity. In this story, Peter faces adversity and emerges from the crisis not only a better superhero, but also a more mature young man. I’m hoping that as the Spider-Man saga continues, our hero will find himself in many more predicaments that severely test his mettle. Even if he does not emerge perfectly victorious in every situation, the overall direction will surely be to give us a better, more developed and interesting costumed character.

VILLAIN
Personally I don’t know if I find Dr. Octopus the most fearsome villain ever (check out where I’ve placed him in my Villain Valuation). Sure, he’s brilliant, and has lots of arms, but do supernatural evil forces tremble in his presence? Does he command an army of minions? Can he fly? Or become invisible? Could he beat Thing in a fair fight? Or even in arm-wrestling?

I thought it rather amusing when “the foremost brains of the nation’s armed forces and security agencies” meet to discuss the Octopus threat, and one of them says, “We’ve never been up against anything like this before! A brilliant scientist with superhuman powers on a mad rampage!” Oh really? Correct me if I’m wrong, but isn’t that pretty much the formula for every other tentaclesMarvel Comic up to this time? What of Dr. Doom? Radio-Active Man? Mole Man? The Voice?

The official who lets this exclamation pass his lips…where has he been all this time? Obviously, he just transferred in from some alternate universe. Get a clue, buddy! This is how things are going to be, from now on.

So, despite what some inexperienced government officials would have us believe, in some ways, Doctor Octopus is “par for the course.” But in the end, Spider-Man does indeed subdue him. Still, we know this villain will be back. And why shouldn’t he be? He’s proven himself the worthy opponent Peter was hoping for, so surely we can look forward to many more tanglings of webs and tentacles.

ff16avatarSo Spidey has met his match…or, at least, what was very nearly his match. But next time we venture into the Marvelous Zone, our villain will be a tiny little bit different than what we’re used to.

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Meanwhile…: June, 1963

JOURNEY INTO MYSTERY #93

jim93“The Mysterious Radio-Active Man!”
Plot: Stan Lee
Script: Robert Berns
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Ray Holloway

IN A NUTSHELL
When Thor thwarts the Chinese Communists, scientist Chen Lu becomes Radioactive Man, a mighty opponent for the Thunder God. In NYC, Radioactive Man hypnotizes Thor and separates him from his hammer. Dr. Blake creates an X-ray monitor which locates Mjolnir at the bottom of the Hudson River, and bravely plunges into 80 feet of water to reunite with the hammer. As Thor, he sends Radioactive Man back to the Commies in an international tornado that culminates in an atomic explosion.

WHAT’S HOT
PUBLIC SERVICE. Dr. Blake helps the war effort in India. I had no idea until I looked it up, that India was, in fact, at war with China in November, 1962, just months before this story was published. Kudos on the current events reference!

ROBOTS. Chen Lu uses only robots as assistants to avoid betrayal of his scientific secrets. Smart move!

RED LETTERS. When Radioactive Man is surprised to see Thor, he exclaims his opponent’s name in large red letters. Have we seen characters talking in oversized colored letters before…or is this kind of speech the result of too much radioactivity?

BAR ROOM. Once again at the end of the story we see a version of “Bar Room“ rumbling across the sky. Who’s ready for a break? Thor…or Stan and Jack?

WHAT’S NOT
RE-RUNS. Didn’t Loki hypnotize Thor in Journey Into Mystery #85? Didn’t the Commies do the same in issue #87? Obviously, the best way to defeat Thor is to put him out of his right mind, but it’s going to get really old really fast, if we keep seeing the same villainous techniques over and over again.

IDENTITY CRISIS. When Thor changes back to Dr, Blake, Blake thinks, “Holy hypos! I – I’ve become DR. BLAKE again!” Does Blake really think of HIMSELF as Dr. Blake?? Not Don?

ANDROGYNOUS PATIENTS. Dr. Blake does surgery on a “man” but in recovery, that man looks an awful lot like a woman. Was it a sex change operation?

LEAPS OF LOGIC. When the Chinese Commies see the atomic explosion coming out of the tornado, one says, “There is only one answer…even the Radio-Active man could not defeat Thor!” Really? What made them think a tornado and atomic explosion in the hills of China has anything to do with Radio-Active Man’s mission in NYC?

VILLAIN
The idea of a radioactive villain, especially one whose sentiments hover between Commie and Mad Scientist, is filled with so much promise. In the “Barrrroooomm” panel at the end of story, an atomic explosion would indicate the end of most other villains, but I’m hoping Radio-Active Man feeds on this kind of energy, and will be back, bigger and stronger than ever. It’s entirely possible. After all, we didn’t see a body

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STRANGE TALES #109

st109“The Sorcerer and Pandora’s Box”
Plot: Stan Lee
Script: Robert Berns
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Marty Epp

IN A NUTSHELL
The Sorcerer uses evil spirits in Pandora’s Box not only to gain riches and power, but also to get back at the meddlesome teenager, Torch! He commits various crimes, stumping the police, but Torch figures it out and confronts him. The Sorcerer douses Torch in a giant wave, but as he’s drying out, Torch tricks the Box away from the Sorcerer. Just before Torch dumps the Box in the ocean, the evil spirit of Fear attaches itself to the Sorcerer, immobilizing him against further wrongdoing.

WHAT’S HOT
A SORCERER. Are we laying the groundwork for Dr. Strange? (The real Dr. Strange, I mean—not that cheesy villain we met back in Tales of Suspense #41.)

“NATCH.” Thing says “natch,” for naturally. Wow! That brought me back to my childhood in the 1960’s!

JOHNNY. And I don’t mean just because he’s the Torch. In addition to his part-time job at the bookstore and being a superhero, he does five hours of homework a night and shoots 75 points a game on the high school basketball team. Kobe, move over! Johnny Storm in the house!

WHAT’S NOT
“NOT THIS TIME.” Why do the others in the FF plan a superhero gig and tell Johnny “not this time”? Is there another title I don’t know about…The Fantastic THREE?

STUPID CRIMINALS. The sorcerer brings ONE shopping bag to rob a bank.

VILLAIN
Don’t know if I can really get behind the Sorcerer as the kind of villain that causes grown men to quake in their boots. When we first meet him, he appears nothing more than that curmudgeon in your neighborhood who gets all bent out of shape when kids happen to chase a ball onto his property.

He has this fabulous resource, a Pandora’s Box, which he plans to use to make himself “rich and powerful and my name will go down in history as the most feared man who ever lived!” Okay, good villain vibes there, but before he gets started on any of that: “Above all, I’ll get even with that teen-age meddler, the Torch!”

Way to prioritize, Sorcerer.

Torch tells the Sorcerer “Black Magic went out with mustache wax.” Anticipating the arrival of a real sorcerer in the next Strange Tales, I doubt that’s exactly true.

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TALES OF SUSPENSE #42

tos42“Trapped by the Red Barbarian”
Plot: Stan Lee
Script: Robert Berns
Art: Don Heck
Letters: E. Thomas

IN A NUTSHELL
The Red Barbarian discovers Anthony Stark has invented a “new weapon to make America invincible!” and cohort “The Actor” impersonates Stark to gain access to his well-guarded plant. The Actor confiscates the secret plans, and Stark avoids assassination by the Actor’s henchmen. He hops a rocket to go behind the Iron Curtain and steals back his plans. By pretending to be the Actor, he sets the two villains at each other’s throat. The Actor is killed. Supposedly.

WHAT’S HOT
LETTERING. There’s a new letterer for this story, E. Thomas, and his work is pretty and readable.

SECURITY. Stark’s plant is well guarded. As it should be!

INSULTING SOVIET AUTOMOBILES. When Iron Man crunches up the Actor’s car, he comments, “Say! They don’t build em so strong behind the Iron Curtain, do they?”

TRICKERY. Nice storytelling use of trickery in the beginning, and again at the end of the story. Iron Man doesn’t use physical strength or technical prowess to overcome the Commies—just his brain. Of course, you don’t have to use too much brain when your enemies are as dense as these villains. But I’ll get to that in a moment.

WHAT’S NOT
RED BARBARIAN. He’s cruel and demanding, but has no superpowers. The Actor is the true villain in this story. But I guess “Red Barbarian” looked more menacing on the cover than “The Actor.” However, the Red Barbarian excels at throwing food at messengers bearing bad news. Yeah, we get it: Commies are thugs and pigs.

ROCKET TRAVEL. Sounds like this should be in the plus column, but not when it pertains to Iron Man. You’d think he could fly at least as fast as a rocket, and have more control over his landing. Well, anyway, that’s what I think, having seen Robert Downey Jr.’s Iron Man…

AWKWARD DIALOG. Why isn’t Iron Man affected by magnetism? “My metal clothing contains alloys which reject magnetic attraction,” he patiently explains to the thug dangling dangerously above solid ground. Why? Because the thug asked. Because when you’re one wrong move away from death, your primary concern is always going to be solving inconsequential mysteries, right?

STUPID CRIMINALS
In the last several stories, I’ve run into more than a handful of stupid criminals, and frankly, it’s getting annoying. In this story alone:

• The Actor’s henchmen cave like a soufflé within seconds of Iron Man grabbing them. How could men with that little backbone actually be henchmen?

• When Iron Man impersonates “The Actor,” why does the Red Barbarian let him walk off with the attaché case containing the secret plans? Why does he not demand the plans be left with him? Concerned about the supposed bomb? Knowing he was dealing with “The Actor,” a master of deceit, he should have been more concerned with the possibility of treachery.

• After Iron Man tricks the Red Barbarian, he returns to the Actor, imprisoned in his twisted-up car, and says “Okay, you can leave now.” At this point, the Actor should have realized there was no good reason for Iron Man to set him free, unless he had a secret plan up his iron sleeve. At the very least, the Actor should have proceeded with caution. But no, he traipses right over to the Red Barbarian and easily falls into Iron Man’s plan for his demise.

I realize that to a certain extent, villains must be less intelligent than superheroes in order for the superheroes to succeed. But it takes the fun out, when the villains are so dense even teenager Rick Jones with no superpowers and no high school diploma could handily defeat them.

So why are the criminals in these early stories so stupid? Was it simply a case of not having enough time to work out details for a story where smart people square off against each other? Stupid is quick and easy. But I’m hoping as I travel through time in the Marvel Universe I’ll find that the villains become bigger and badder till at last our heroes are fighting foes on a threat level at least equal to those we see in the recent rash of Marvel movies.

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GONE?
“The Actor is gone,” says one of the Barbarian’s men at the end of the story. We see a fireburst from a gun, and hear “The Actor is gone,” but don’t see a dead body. “Gone” could mean he took a quick leap out the window. Or perhaps, the Actor disguised himself as the guard, and shot the real guard in the face, all before the angry, drunken Barbarian could catch on to what was happening. For my money, it’s entirely possible the Actor continues to live on for future appearances!

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Posted in Human Torch, Iron Man, Meanwhile, Strange Tales, Tales of Suspense, Thor | 2 Comments

TALES TO ASTONISH #44: Good Things Come in Small Packages

Published: June, 1963

Published: June, 1963

“The Creature from Kosmos!”
Plot: Stan Lee
Script: H.E. Huntley
Pencils: Jack Kirby
Inks: Don Heck
Letters: Art Simek

I’ve been waiting for this moment! The Wasp is one of my favorite Marvel characters, partly because she’s that rare female in a sea of testosterone, but also because she’s so much darn fun. She’s got a spunky sparkly personality that provides the much needed contrast to super-serious scientist Henry Pym.

In fact, to illustrate my point, just take a look at the cover. Where Ant-Man wears red, the Wasp is in black, and where Ant-Man wears black, the Wasp is in red. They are like yin and yang, chocolate and peanut butter. Sure, the ants have been efficient helpers and good buddies for crime-fighting Ant-Man, but ants are no substitute for human companionship. Especially when that human is a feisty female. So at this point, I must say…Woo hoo! Now we’re cooking with gas!

The story starts with a slightly different view of Pym than we’ve seen before. The despondent scientist languishes in his ultra-modern apartment, reminiscing about his lost love Maria, killed by Commies on their honeymoon. He wonders if he is doomed to a solitary life of crime fighting. He decides he wants a partner, he needs a partner, but who can he trust with his secret identity?

Enter fellow scientist, Vernon Van Dyne. No, this Van Dyne is not to be Robin to Ant-Man’s Batman. But he does have a beautiful young daughter Janet, whom Pym at first writes off as a “child,” and a “bored society playgirl,” though he is intrigued by her resemblance to his beloved Maria.

waspvowYet, soon enough, Pym and Janet meet again, when her father is murdered by the creature from Kosmos, a gelatinous glob of green flesh, first cousin to Star Wars’ Jabba the Hut. Pym appears to Janet as Ant Man and gains her trust, while she declares that she will avenge her father’s death, even if it takes the rest of her life.

Just as quickly as Pym judged Janet a frivolous child, now he changes his opinion of the beautiful young socialite. She is “so like Maria,” he muses, not only in appearance, but also in spirit. When she confesses her desire to “help track down ALL the criminals, the human wolves who prey on honest people,” Pym instantly rips off his lab coat to reveal that HE is Ant-Man and asks if she will assist in his fight against crime as a miniaturized Wasp woman, complete with wings to fly and super-sensitive antennae to hear “the voices of the insect world.”

And what does young Janet have to say to all this? Without hesitation, she answers, “YES!”

wasploveFrom here it’s only a small jump to romance. At least for Janet. Well, what do you expect? Not only is Pym providing a platform from which she can avenge her father’s death, but he’s also given her the ability to fly, and dressed her in a groovy new outfit of unstable molecules that really accentuates her curves. And besides all this, Pym’s not a bad looking guy, as scientists go. He’s smart, and decent, and full of honor. What girl wouldn’t fall for him under these circumstances?

Pym however, proceeds more cautiously. He is, after all, a no-nonsense man of science, and also still grieves for the lovely Maria. “I never want to love again!” he declares to Janet as they fly into the face of danger. “I—I couldn’t bear it if I had to lose a loved one—twice!”

Besides that, he reminds her, she’s only a CHILD.

Well! Janet takes offense to that evaluation and gives it her all to prove she is not afraid, and is willing to do anything to see justice triumph. When she flies into danger, Ant-Man must rescue her. There’s some scolding as he drags her off under his arm, but I think secretly he was worried, afraid something might happen to his impulsive new partner.

antmangunWith the help of his new friend the Wasp, and his old friends, the ants, Pym devises an antidote to the odious creature from Kosmos, and while in miniature form, he and his sidekick destroy the loathsome thing.

Danger past, the Wasp gives Ant-Man a congratulatory hug, but the little man admonishes her, “From now on you must not display such emotion! It—it isn’t proper!”

Good luck with that, Ant Man. You invited this woman into your life. Ever hear the saying, “You get what you pay for?” I mean, really! What were you expecting!?

Yes, in creating the Wasp, Ant-Man has opened the proverbial can of worms. But these are gummy worms, gooey sweet and delicious. And it’s only now that the Ant-Man title is really starting to get interesting.

All this, of course, begs the question: Why did Marvel feel it necessary to give Ant-Man a partner, and why a FEMALE partner? I’m not a big student of Marvel history, but from what I’ve read in the Fantastic Four series so far, it seems that in the early 1960’s there 8699was a problem getting readers to accept and appreciate a female superhero. Poor Sue Storm! Reed always has to jump to her defense, wagging his finger at the readers and evoking the name of Abraham Lincoln’s mother. More than once, we’ve seen the others go out of their way to say, “Thank goodness Sue was here with her special powers! If not for her, we’d all be goners!”

So why the Wasp? And why now? Were Stan and company hellbent on creating a female super-heroine the readers could get excited about seeing on the cover? Did they judge a small flying woman to be intrinsically more interesting and acceptable than an invisible woman? After all, with an invisible woman, you can never be quite sure where she is or what she’s up to, but if a miniature woman gives you trouble, just drop her in your pocket.

Before she flies away, of course…

Was the Invisible Girl, as their first attempt, perhaps considered a less than perfect heroine, but from this experience, the creators thought they had learned enough to try again?

Perhaps they took their readers’ reluctance to cozy up to a female superhero as a challenge to their creativity. “By golly, we’ll MAKE them accept a girl hero if it’s the last thing we do!”

Maybe someone told Jack Kirby his artistic depictions of women characters left much to be desired, so he decided he needed more practice. Or maybe Stan sensed they were running out of stories for Ant-Man and needed something to spice up the title.

notaloneI don’t know. I can only speculate. If the Wasp had not been introduced at this time, how many more issues were left in the Ant-Man saga? Was our diminutive mad scientist destined to soon join the Hulk in superhero Limbo?

Russ has a book, Marvel Comics: The Untold Story, and someday, when I’m a little further along in my reading, I may take a look at the earliest chapters to gain the answers to these and so many other questions I have about how all these serendipitous events came about in the Marvel Universe. But for right now, I’m going to stop asking questions and just be glad that the Wasp is here, poised to give proper and prim Pym no end of trouble and embarrassment as he continues to fight his growing feelings for his spirited sidekick.

asm3avatarHere in the Marvelous Zone, ants and wasps aren’t the only ones seeing action. Next time, our hero tangles with a new, multi-faceted villain in hand-to-hand-to-hand-to-hand-to-hand-to-hand-to-hand-to-hand combat.

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