Meanwhile…: May, 1963

FANTASTIC FOUR #14

ff14“Sub-Mariner and the Merciless Puppet Master”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

IN A NUTSHELL
Newly released from the sanitorium, the Puppet Master controls Sub-Mariner, who kidnaps Sue, causing the others to run to her aid. They battle in Namor’s underwater lair, but when the Puppet Master realizes Namor is not attempting to kill the FF, he ups the pressure. Still, Namor won’t comply. Namor’s octopus attacks the Puppet Master’s ship, and the mind control is broken. Namor dismisses the FF when Sue reveals that though Namor fascinates her, her loyalties remain with Reed.

WHAT’S HOT
• Reed Richards has a fan club of swooning girls! (“That voice! Those eyes! Those shoulders! He’s TOO much!”)

• Torch creates a “warm air funnel” to suck everyone back to the Baxter Building. Almost as good as teleportation!

• Namor has an even greater arsenal of live aquatic weapons than the last time we saw him: the hypno-fish, dagger-needle coral, the flame-eater (for battling Torch), a mysterious plant which emits poisonous fumes, and the mento-fish, which can sense human thoughts and transmit them to any point on earth through mental electro waves.

• Reed’s super-stretchiness is generally looked upon as the most unimpressive of the FF powers, yet here, Namor reveals that he believes Reed is “the most coldly dangerous.” Great phrase! But I wonder what he means by it…

WHAT’S NOT
• Sue cyber-cheats on Reed with his “roving eye” TV apparatus. (I wonder how the FF legacy might have turned out, if the internet had been around in 1963?)

• Thinking they might not come back from this most dangerous mission, Reed plans to leave the key to their secret files with the police commissioner. What?? Way to increase the drama, or way to disappoint the readers with the possibility that our SUPER heroes are not really as super as we think?

• Ben takes Alicia with him on this dangerous mission because he can’t stand to see her cry. Not only that, the others anticipate his move and go along with it! You’d think she would at least have changed out of her dress and pumps before heading out on a hazardous undersea adventure!

• When Thing comments, “Well, it ain’t Saturday night but a little bath never hurt anybody!” it really makes me hope that after all their strenuous battling evil and saving the world, our heroes bathe more than once a week…

• The Cover. Nice butt-shot, Namor!

SOAP OPERA DEVELOPMENTS
This tale escapes the annals of forgetability only because it is yet another chapter in the ongoing love triangle between Sue, Reed and Namor.

Early in the story, Sue is approached by two opportunists: one wants to sign her up for a lifetime Hollywood contract, the other tries to get her to hawk deodorant in TV commercials. Well, that would not be a hard decision to make (and happily, Sue chooses neither) but in the end, Sue is no closer to deciding between Reed and Namor. Yes, she leaves Namor with a heartfelt, “I pray that someday you will lose the bitterness from your heart, and that you might become—our friend!” (Aaargh! The dreaded “Let’s be friends!”) yet still, she will not commit her heart to Reed.

We get a brief glimpse into Reed’s emotional landscape and learn that he is distraught because despite all his wonderful scientific achievements, he is still unable to completely conquer the heart of the girl he loves. But you know what? It might not always be that way. One of those honeys in his fan club could someday prove too alluring, too appealing. Don’t wait this one out, Sue! Take my advice and grab a good thing, while you can!

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JOURNEY INTO MYSTERY #92

jim92“The Day Loki Stole Thor’s Magic Hammer”
Plot: Stan Lee
Script: Robert Bernstein
Art: Joe Sinnott
Letters: Martin Epp

IN A NUTSHELL
From his Asgardian imprisonment, Loki causes the uru metal in his chains to attract Thor’s hammer “with irresistible magnetism!” Then Loki causes Thor to summon Odin, who lifts Thor back to Asgard to search for Mjolnir. Loki battles Thor with enchanted trees and phantom dragons, but each time Thor constructs a hammer to defend himself. When Thor fashions a hammer from uru metal, it is irresistibly drawn to Mjolnir. Reunited with his hammer, Thor notifies Heimdall, and Loki is once again imprisoned.

WHAT’S HOT
• When Thor participates in the filming of a Viking movie, he donates his proceeds to charity. What a swell guy!

• Heimdall, the powerful guardian of the Rainbow Bridge, gives Queen Fricka’s hand-maiden the third degree when she tries to cross. Heimdall’s not taking any chances that she might be Loki in disguise. Loki burned him before with his sorcerous ways…not going to let that happen again!

WHAT’S NOT
• The title on the splash: “The Day Loki stole Thor’s magic hammer.” Yawn…has Thor never lost his hammer before? Oh yeah, he has. And doesn’t he always gets it back just in the nick of time? Oh yeah, he does. Like I said…yawn….

• Those self-centered Asgasrdian gods! They’re not going to help Thor find his hammer because they are “burdened with thousands of tasks of our own!” Geez! And I thought I was busy!

• “You used…Thor’s hammer…to smash your unshatterable chains…” Read it again, and you’ll see why I object.

• First, Blake stitches up a jewel thief, and Thor sends him and his buddies to the cops, which has nothing to do with anything. Next, Thor participates in filming a Viking picture. Again…nothing to do with anything. This story’s only 13 pages long. Do we really have time for all this?

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SGT. FURY AND HIS HOWLING COMMANDOS #1

sgtf1“Seven Against the Nazis!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

IN A NUTSHELL
When LeBrave of the French underground is captured by the Nazis, Sgt. Nick Fury and his Howling Commandos must rescue him before the details of D-Day are tortured out of him. Fury and company endure an endless barrage of attacks from guns and tanks and bombs, but continue on with their mission, aided by a young lady from the French Underground. Using firepower, sheer guts and a bit of trickery, the brigade rescues LeBrave and all live to fight another day.

WHAT’S HOT
• Bravery without superpowers. Sgt. Fury won’t stop even when he’s wounded, and all his men keep going, no matter what the odds.

• Camaraderie. Even though they insult each other constantly (Fury’s favorite terms for his men are “Lunkheads” and “Meatheads”), there is obviously a lot of trust and mutual respect.

• Marie. The young blonde from the French underground arrives to assist and risks her life with the rest of them, valuing the ideals of freedom more than life itself. Men do not have a monopoly on heroism.

WHAT’S NOT
• Biologically inherent as a female, or simply a personal preference? Either way, war stories have never been my among my favorites.

• Starting the story with a full two-page spread of wordy character studies put me off at first. This exposition may be better appreciated after the reader has developed an affinity for the series and wants to know the characters better. But for a war story, it’s a slow start.

• All these early Marvel comics are wordy, but this one seems especially so. It’s hard to say which is the more outstanding feature: the non-stop action, or the non-stop exposition. In the time it takes to read “Suddenly, unexpectedly, totally without warning” three pages of action might take place!

FURY
As a fan of the Marvel movies, I was curious to meet Sgt. Nick Fury. The character I’m meeting here is nothing like Fury from the movies, and the fact that he’s white is last on my list of differences. Yeah, I get it: Fury is a tough guy. But I think the bravado we see from the Fury of this early comic is as much a reflection of his times (WWII) as the Fury we see in the movies is a reflection of his times. Samuel Jackson’s Fury is certainly tough, but in a quiet, authoritative, no-nonsense way. The Fury I see in the comic is loud, brash, crude. But considering his situation, he has to be.

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STRANGE TALES #108

st108“The Painter of a Thousand Perils!”
Plot: Stan Lee
Script: Robert Bernstein
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Terry Szenics

IN A NUTSHELL
Torch sends counterfeiter Wilhelm Van Vile to prison, where he discovers magical paints that cause whatever he paints to materialize and carry out his commands. Upon escaping prison, Van Vile seeks to establish a crime empire—but first to get even with Torch! He paints Torch into a number of difficult situations, but each time Torch escapes. Finally Torch uses the magic paints himself to trick Van Vile, destroying the paints and sending the criminal to prison.

WHAT’S HOT
• Johnny has a part time job in a bookstore. Ha! Really? Why? Going to school and being a superhero isn’t enough? How does he fit it all in? Does he need the money? (We know super-heroism doesn’t pay well, but with the company he keeps, money shouldn’t be a problem). I wonder if Sue and Reed insist Johnny have a part time job to learn “responsibility”? That sounds like something Reed would do…

• Painting something that actually comes to life. What a great superpower! But you know what? It kind of reminds me of Stan Lee’s superpower: fifty years ago he wrote simple stories for kids on cheap newsprint, and now a multi-million dollar entertainment empire flourishes for the enjoyment of the entire world. Well, okay…it’s not exactly the same, but I do see similarities in the ability to create something overpoweringly wonderful from practically nothing.

WHAT’S NOT
• Stupid criminals. Van Vile counterfeiting one dollar and five dollar bills. That’s a lot of work for a very small payoff.

• Stupid criminals. Van Vile is supposedly a great painter but he forgets to give the Mona Lisa a smile, he paints The Blue Boy GREEN, and counterfeits Abe Lincoln’s sideburns incorrectly.

• Stupid criminals. The power is in the paints and the brushes, not within Van Vile himself, yet none of the gangsters even try to get the stuff away from him. And Torch is able to sneak in and use the paints, so even though these are Van Vile’s most valuable possessions, he doesn’t guard them very well. Why didn’t he take the time to paint a safe around his painting materials? Or are we going back to that issue of not paying attention to details?

WHAT ARE THE ODDS?
What horrible bad luck to build, of all things, a prison on top of a cavern where magical paints have been left for a million years. What are the odds? Of the mural in the underground cavern, Van Vile says, “I can tell the age from its style.” The painting is reported to be one million years old! What period was that? The pre-prehistoric neo-nothingness artistic period?

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TALES OF SUSPENSE #41

tos41“The Stronghold of Doctor Strange!”
Plot: Stan Lee
Script: Robert Bernstein
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Martin Epp

IN A NUTSHELL
While Iron Man attends a charity ball, then amuses orphans by juggling cars, evil genius Dr. Strange creates a device that emits ultra-frequency waves. Hypnotized by these waves, Iron Man is compelled to break Strange out of prison. From his island stronghold, Dr. Strange issues an ultimatum to the world: surrender to me, or I will destroy all life on earth! Daughter Carla is not impressed. When Iron Man arrives, she sides with the hero against her father, who escapes…presumably to fight another day.

WHAT’S HOT
• In addition to everything else Tony Stark/Iron Man can do, add to the list: entertaining orphans. I mean…is this an all-around good guy, or what? Tony’s girlfriend (a sophisticated blonde identified only as “Baby” and “Doll”) drops heavy hints that she would like to marry him, and I don’t blame her at all.

• Juggling cars. Cool image, but…Don’t try this at home, kids!

• Snappy dialog. When Dr. Strange notices Carla giving him the silent treatment, he beseeches her and gets this reply: “If you must know, it’s your despotic ultimatum and your willingness to destroy mankind if the earth doesn’t surrender to you!! I never dreamt you were so evil!” Good stuff! Marcia Brady never got to say lines like this!

WHAT’S NOT
• A villain named Dr. Strange. Yes, it’s a good name for a villain, but down the road we’re going to meet Dr. Strange, a superhero. Having a villain and hero with the same name causes no end of confusion for me. My best guess: Dr. Strange the villain didn’t resonate as strongly as Stan had hoped, so there were no plans to bring him back, but realizing the name was just too good to give up, a different approach was used when assigning the moniker “Dr. Strange” to the medical master of the mystic arts.

• But let’s visit this idea of Dr. Strange the villain not resonating strongly enough to bring him back. On the splash, we are told this Dr. Strange is “the most evil villain in history.” THE most evil villain in history. The MOST evil villain in history. The most EVIL villain in history. No matter how you slice it, he should come out as an incredibly badass character. And yet, The Marvel Chronology Project tells me we never see him again. Not only that, but his name is given to a superhero! Personally, if I was a super-villain whose name was reassigned to a superhero, I would also be ashamed to ever show my face in public again.

• Stupid criminals. sigh… This seems to be a recurring theme in these early comics. Here, Strange proclaims, “If you don’t surrender to me, I’ll blow up the whole world!” To which I say…okay, smartypants. If you blow up the whole world, where does that leave you, and your stronghold of evil? Where are you going to live? And who are you going to lord it over? It’s no fun being the master of…nothing.

• Dr. Strange’s parenting skills. He claims to want nothing more than his daughter’s love and admiration, yet calls her “Foolish child!” and “You little fool!” Worse than that, he thinks “cunning scientists” and “power-mad military men” are appropriate companions for an impressionable girl. Given her upbringing, it defies reason that this young lady retains any semblance of sanity and morality. One can only imagine that Mrs. Strange has primary custody, and Carla only visits her father on the occasional weekend or holiday.

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Posted in Fantastic Four, Human Torch, Iron Man, Meanwhile, Sgt. Fury, Strange Tales, Tales of Suspense, Thor | Leave a comment

TALES TO ASTONISH #43: Age Rage

Published: May, 1963

Published: May, 1963

“The Mad Master of Time!”
Plot: Stan Lee
Script: Larry Lieber
Art: Don Heck
Letters: Ray Holloway

AGE DISCRIMINATION
Scientist Elias Weems gets fired simply because he is too old. One day, unexpectedly, his boss declares, “It’s our new company policy to discharge all employees over sixty-five years of age.” I read this and right away I’m thinking, “What the—??!!”

Of course I’m approaching this with a 2012 sensibility. It’s flabbergasting to realize there was no real protection for older workers until the 1967 Age Discrimination in Employment Act. In the same vein, it was also not that long ago that blacks, women, homosexuals, or any other minority group, faced discrimination on so many different levels. In some ways, of course, many of these groups still do, though it’s almost certainly nowhere near as blatant as what we read here.

Considering the social climate of the early sixties, it doesn’t read like fiction that someone could be let go from their job so unceremoniously, simply on the basis of their age.

POETIC REVENGE
And it’s not beyond the realm of possibility that an aged ex-employee would become so disgruntled by this discrimination they would want to get even with the society that wronged them. But it’s highly unlikely they would do what Weems does: with his scientific expertise, he creates a ray gun that instantly ages anything it hits.

Weems calls this “poetic revenge.” I think he means “poetic justice,” but yeah—poetic revenge gets the job done. However, at this point, one must ask the obvious question: if Weems is capable of inventing an aging ray, why not put that expertise and energy into making living things young again? Then, not only could he get his job back, and avoid disappointing his grandson, but he would also have the opportunity to live a good portion of his life all over again.

Think how wonderful it would be if you were magically granted the ability to do it all over again! It boggles the mind! If I were Weems, I would concentrate on trying to create a “Youth Gun,” rather than an aging apparatus. If it didn’t work, maybe then I’d consider the revengeful aging scheme. But I certainly wouldn’t start my scientific exploration there.

I would have liked to read a panel like this:

weemswishes

That would have gone a long way to explaining why our (supposedly) kind-hearted villain didn’t consider the most obvious solution before settling on his dastardly plan.

Anyway, after creating the ray gun, Weems tests it on plants, then animals, and finally human beings, before issuing his ultimatum to the police—unless the city is surrendered to him, he’ll make everyone old before their time!

Now here’s where the story starts to fall apart for me. When we first meet Weems, he is a kind grandfatherly type, misty-eyed over an upcoming visit from grandson Tommy. But after being fired, he’s so upset that not only does he want to make everyone else in the city old like he is, but his primary demand is to be crowned “boss of the city.” This guy has completely lost it! And if you don’t believe me, check out these excellent before-and-after pics from artist Don Heck:

beforeafter

Pushed over the edge, Weems is now 100% mad scientist. He’s not simply interested is applying a little “poetic revenge,” he’s a power-hungry maniac, along the lines of the Puppet Master, Mole Man, or even Doctor Doom!

ONLOOKER
clouseauNow…I wish I could say our hero Ant-Man steps in to save the day (remember, this is a review of an Ant-Man comic) but as a matter of fact, Ant-Man is more or less furniture. Scenery. He doesn’t do much. True, Pym uses his Sherlock Holmes brain to do some detective work and figure out who’s threatening to cripple the city with geriatric gusto, but even Inspector Clouseau could have done that!

Once Pym appears as Ant-Man, Weems simply makes him old and sticks him in a flower pot. But that doesn’t keep Ant-Man down for long! He takes a swig of his enlarging serum to get out of the flower pot, but in order to reverse his age, he must track down Weems.

This he does, as the villain is easily spotted atop a tall building, attacking the crowd below with his aging gun. But it’s not Ant-Man that saves the day, oh no! More exactly, Weems comes to his senses when he accidentally shoots and ages grandson Tommy, newly arrived for his visit with Grandpa.

Mortified that he’s aged his beloved relative, Weems hardly needs Ant-Man to instruct him to reverse the controls on the gun and turn everybody back to their original ages. I feel certain Weems would have done that on his own, because when he’s thinking clearly, he remembers that what matters most to him is the love of his grandson.

FORGIVE AND FORGET?
testimonyI say “when Weems is thinking clearly,” because this story is obviously a morality tale about someone who has been so wronged by society that he temporarily goes off the deep end. Ant-Man steps in as his advocate, telling the judge that society is to blame.

Now, Ant-Man must be a mighty fine orator, because apparently that’s all the judge needs to hear to say, “You know, you’re right, little man. Weems is just a poor fella who was down on his luck. We can’t really blame him for trying to take over the city. I’m sure he didn’t mean any harm.” [Bangs Gavel.] “Dismissed! Get him out of here! Oh, and Weems…just don’t do it again, okay?”

Earlier I was flabbergasted by the blatant display of age discrimination, but was able to put it down to a sign of the times. However, I don’t know if I can so easily dismiss this lax doling out of justice. Not only does Weems suffer no consequences for his illegal acts, but he also gets his job back—though I think his smarmy employer is wisely operating under the maxim “Keep your friends close…and your enemies closer.” The last we see of Weems, he’s proudly showing Tommy all around the laboratory, as if nothing had ever happened.

parismugshotWhat’s that all about? In the 60’s, were despotic criminals set free because society had treated them badly? I don’t think so. The nearest we have to this today is the “celebrity justice” that allows young starlets to suffer a few days in jail rather than the extended prison incarceration visited upon wrongdoers with the misfortune to be not as rich, famous, or pretty.

But Weems is none of those things, so the only way I can wrap my head around this injustice is to remind myself that I’m reading a comic book, aimed at kids, and the writers are simply trying to make a point. And that point is…is…

Actually, I’m not sure what the point is. In the next to the last panel, Weem’s employer says, “I’ve learned my lesson! Never again will I judge a man’s worth solely on the basis of his age!” A good clean thought, worth drumming into young minds.

I kind of thought that was the moral of the story, but then in the last panel, Ant-Man adds, “In a way, we’ve all learned something! We’ve learned to appreciate our youth, and strength, and to make the most of them while we can, the better to serve humanity!”

Wait…WHAT? I didn’t see that anywhere in the story, did you? I mean, it’s a nice sentiment and all, but it just isn’t there. So the last panel has me saying “HUH?” even moreso than everything that came before.

I haven’t reviewed a lot of Ant-Man stories, but after this one, I feel the series needs help. It’s odd enough having a hero that gets really, really small, but then to show him pontificating from among the ants as his strongest act of heroism…well, it’s time to pump some new blood into the mythos! And that’s coming up in the next issue, with the introduction of Ant-Man’s fiery female sidekick…the Wasp!

ff15avatarI love the Wasp, and can’t wait to write about her. But I think I’ll have to wait a while, because I think the next story I cover here will generate a lot of thought, and I don’t think I want to miss that!

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Posted in Ant-Man, Tales to Astonish | Leave a comment

AMAZING SPIDER-MAN #2: Old, Bold, Bald Baddies

Published: May, 1963

Published: May, 1963

“Duel to the Death With the Vulture!”
Script: Stan Lee
Art: Steve Ditko
Letters: John Duffy

“The Uncanny Threat of the Terrible Tinkerer!”
Script: Stan Lee
Art: Steve Ditko
Letters: Art Simek

We’re back to Spider-Man, and this time our hero tangles with two villains who are less than super, but nonetheless entertaining. More important than the foes we face, there’s further development in the Spider-Man mythology. Peter Parker finds a solution to a major life obstacle and poor Aunt May finally stops drooling. What? Well, let’s start at the beginning…

There’s a new villain in town: the Vulture, who is so fast and clever that nobody can even snap a picture of him, including all the ace photographers on the staff of J. Jonah Jameson’s NOW magazine. This is probably a good thing (at least for the Vulture) because if anyone could get a picture, it would be revealed that he is nothing more than a skinny old bald man in a bird suit, and the public would more likely think him a retiree from a fried chicken joint than a master criminal.

But Jameson sets his mind on getting a photograph of this character, just about the same time that Aunt May presents Peter with Uncle Ben’s old camera. Peter realizes that Spider-Man is just the guy to outsmart the wily vulture, and snap those elusive photos. He figures there’s big money to be made, and what’s more, he relishes the battleirony of selling these photos to Spider-Man’s #1 opponent, crotchety old J. Jonah Jameson.

As a “young science major,” Peter has a hunch how the Vulture flies, and creates a device to test his theory. But poor Peter is so involved with the camera and the secret device that he forgets to replenish his web-shooters, and when the Vulture attacks and throws him into a water tank, it momentarily looks like this might be the end of Spider-Man!

Not really. We know he’ll figure a way out, and when he does, he uses this episode of careless stupidity to increase his arsenal with the creation of not only extra web-filled cartridges, but also a nifty secret belt for keeping them handy.

So the next time Spider-Man goes out to face and photograph the Vulture, he’s ready for anything!

The authorities, however…not so much. Despite the Vulture sending notification (note wrapped around a rock thrown through a window) that he plans to steal a shipment of diamonds, and despite the fact that there are policemen and armored tanks everywhere to prevent this criminal act, the Vulture manages to pull it off. I say “despite,” but perhaps I should say “BECAUSE.” He’s actually quite clever. While everyone is looking up, expecting the Vulture to swoop down from the sky, he unexpectedly pops out of a manholemanhole, grabs the diamonds, and escapes through the sewer and subway tunnels.

But the Vulture cannot escape Spider-Man! And during the expected scuffle, Peter activates his secret scientific device, and sure enough, the Vulture drops to the ground like an emu. Now at last the police are of some use, easily able to capture the fallen bird and send him to jail.

Jameson pays so much for the Vulture photos that Peter’s able to pay the rent for a year, and also promises Aunt May “the newest kitchen appliances you ever drooled over.”

So that’s the answer to the mystery of Aunt May drooling, but what about the other mysteries? How did a skinny old bald man manage the wonder of flight, and how did Peter knock him out of the sky? If you don’t know the answer to this one, you haven’t been paying attention! Why, magnetism, of course! Now, don’t ask me exactly how magnetism can make you fly, but in the Marvel Universe the power of magnetism is responsible for a myriad of wonders, and I guess young Parker didn’t have to jump far to come up with the idea of an “anti-magnetic inverter” to knock the Vulture out of commission.

Ah! Science is a wonderful thing. It enables our hero to capture the villain, but it also increases the level of storytelling suspense. At first I balked at Peter forgetting to fill his web-shooters before heading out to battle the Vulture. How could he be so careless? Isn’t being a spider what Spider-Man is all about? Did Joe Namath ever step onto the football field without his helmet? Did Billy Joel ever forget to take his piano to a concert? It seems suspiciously convenient for the sake of storytelling drama that Spider-Man would neglect to ready his weapons right before a battle.

toolstrade

But then again…maybe not. Let’s think this through. Peter is a teenage boy. Is there a more distractible and scatterbrained segment of the population? And add into this the anticipation of making big bucks by snapping photos of the city’s latest super-villain (if we can call him a super-villain…). Poor Peter did have a lot on his mind.

If we stretch, we can make it make sense, but what’s more important, this unfortunate incident serendipitously leads to further significant developments in the Spider-Man mythology. Also, we are reminded here that Peter’s powers are based on science, not magic, and as such, are subject to human error. With unpredictable limits comes the potential for drama. And drama is what we’re here for! So in this case, I think I’ll let the error slip.

However, I do have a problem with Aunt May. Granted, the old relative is blown away by Peter’s promise of “the newest kitchen appliances you ever drooled over,” petersmoneybut once she stops drooling, the obvious question should arise: “Peter! Where in the world did you get all that money?” If I were Aunt May, I would certainly suspect Peter of stealing those diamonds. But I’m not Aunt May. Maybe I’m far too cynical. Instead, Aunt May simply gushes, “It’s just like Uncle Ben always said, you’re the most wonderful boy in the world!”

Yeah, yeah, I know Aunt May is the classic “good aunt” (unlike Bertie Wooster’s Aunt Agatha in all those Jeeves and Wooster novels), but…c’mon! The question of Peter’s sudden windfall would have to occur to her, sooner or later.

And maybe it will, and that’s a scene we’ll eventually get to see. From the outside looking in, we may view her unconditional acceptance of Peter as naïve, possibly based on her advanced age, but more likely it’s a survival skill. After all, who does she have in the world, except Peter? I don’t get the sense from these stories that Uncle Ben amply provided for his loved ones with a huge pension plan, and Social Security seems to be minimal or even non-existent in the Marvel Universe. Perhaps shrewdly, Aunt May senses that it’s in her own best interest not to ask too many questions, and so we find the old gal clinging to the old adage, “Don’t look a gift horse in the mouth!”

Three more observations, then I’ve got to move on. First, it strikes me as odd that when Peter takes up as freelance photographer for Jameson, he is so insistent that his name be kept out of print. What harm would it do for him to get credit for these amazing photos? Wouldn’t it increase his social standing at Midtown High if the gang knew that timid wallflower Peter Parker was excelling at something as sexy as paparazzi to the super-villains? Does he not know that…or does he not care?

I’m sure Peter would enjoy the notoriety, but I suspect there are stronger forces at work here. Secrecy is so much a part of his life at this point that perhaps, even subconsciously, he makes the decision to shy away from any possible connection between the two roles. As a smart and (usually) conscientious kid, he may not want to take the chance that some clever onlooker could eventually put the pieces together and come to the conclusion that he…is…Spider-Man!

This makes sense, and yet, I’ll propose still another explanation: perhaps Stan felt he could get the greatest dramatic mileage out of another secret in Peter’s life. Maybe Stan was not quite ready for Peter to crawl out of his social cocoon, and he relished the storytelling possibilities inherent in his main character trying to keep so many secrets. Not only that, but when those storytelling possibilities are exhausted, then comes the drama of finally choosing to reveal those secrets. There can be secrets, and then there can be the revealing of secrets, but once the toothpaste is out of the tube, you can’t put it back in. I’m sure Stan knew this, and was simply prolonging the suspense, and adding to his file of future story possibilities.

peterspriceNow, secondly: I noticed something perhaps a little disturbing, about Peter. I say “Peter,” because even though he is donning his Spider-Man costume, preparing to take on the Vulture, he’s thinking, “If I can get some new pictures of him now, I’ll be able to name my own price!”

At this point, Peter should be primarily concerned with stopping the criminal, restoring order and justice to the beleaguered city. But instead, he’s thinking about personal finances.

Frankly, I was a little disappointed in my superhero. But then I have to remind myself, he is, after all, just a boy, with far too many responsibilities in his everyday life. And now at last, petersvirtuehe’s come up with a plan for dealing with some of those responsibilities, and he’s excited to put that plan into action. I guess it wouldn’t exactly ring true if here, we found Peter thinking, “And now to stop the accursed Vulture and restore order and justice to the beleaguered city!”

Okay. I’ve talked myself out of it. It may be jarring to see the superhero dreaming about big bucks immediately before he enters into super-battle, but yeah, I’ve got to admit…in this case, it totally rings true.

Now, one more thing, and this will lead me right into the second story. I wonder if anyone else feels that sometimes these Marvel stories deliver significantly less than they promise? The covers and splashes sometimes read like The National Enquirer, enticing us to come inside, then leaving us feeling like we’ve been the victim of a bait and switch! For instance, on the splash for this first story, we are tantalized with “Duel to the Death with the Vulture!” Then…well…guess what? Actually, nobody dies.

But before we can get over that disappointment, we turn the page to find Spider-Man saying of his next opponent, “The Tinkerer is one of the greatest menaces I’ve ever faced!”

Sounds good, right? Dangerous and ominous. Makes us want to read more, and find out how in the world Spidey is ever going to overcome this accursed super-villain!

THE TINKERER
But before we turn that page, let’s slow down a moment and evaluate the claims on the splash. First, we begin with the weasel words “ONE OF the greatest.” Now, sometimes, we are indeed promised “THE greatest” or “THE biggest, THE best,” or “THE most dangerous!!!” But at least in this case Spidey only considers the Tinkerer to be ONE OF the greatest menaces. So that softens the blow, brings his statement back down to earth a notch.

But next, let’s consider the phrase “I’ve ever faced!” At this point, as superheroes go, Spider-Man is still a baby. This is only the fifth time we’re seeing him in action, and prior to this he’s only faced the Chameleon, the Vulture and some garden-variety thugs. Of course, it’s possible he’s already faced more dangerous criminals and villains and those encounters have not been documented, but if that’s the case, I want my money back! Why am I paying 12¢ to see Spidey battle measly villains like the Chameleon and the Tinkerer, if Stan is holding back on a confrontation with….oh, let’s say, the dreaded Doctor Doom? It’s possible, but I don’t think it’s probable.

No, I’m trusting that Stan is giving full disclosure on the most exciting adventures of Spider-Man. And that being the case, we know there are bigger, better and more dangerous criminals coming down the pike, so now when he says, “The Tinkerer is one of the greatest menaces I’ve ever faced!” …he’s not actually saying a whole lot, is he?

And actually, that’s a good thing, because in this story, we don’t get a whole lot.

grimtinkerFirst, to be perfectly honest, the word “Tinkerer” does not strike terror in my soul. (But then, do you remember…the Puppet Master?) And once again, it appears our villain is little more than a crusty old man!

To be fair though, on the splash, Spidey informs us he is aware the Tinkerer “looks so harmless,” and later describes him as “about as dangerous as a second-hand creampuff.” Well, I beg to differ, Pete! A second hand cream puff could give you a good case of food poisoning. I think Peter comes closest when he observes that the Tinkerer could be mistaken for a character straight out of Grimm’s fairy tales.

Of course the Tinkerer’s outward appearance is of no consequence, for by the end of this short story we discover he is in fact, a little green man from outer space, sinisterly assuming his disguise in order to gain access to the electronics of a select group of earthlings.

Among this select group: Professor Cobwell, “the most famous electronics expert in town.” For me, the amusing inclusion of Professor Cobwell is ONE OF the most compelling reasons to bother with this story at all. He’s your classic absent-minded professor, full of book smarts, but very little in the way of street smarts, or even common sense. He leaves Peter, a high school kid he’s just met, alone in his lab with all his scientific inventions and discoveries, with no thought that the boy might break or steal or mess up anything. (“Hey…I wonder what happens if I press THIS button…”)

Even more incredible, he sends his radio to be repaired by the Tinkerer because the prices are “ridiculously cheap,” never suspecting that if something seems too good to be true, it probably is. I guess Cobwell has never taken his car in for one of those $5.95 oil changes, only to be informed by the mechanic that numerous hoses “just happen” to be damaged, and the radiator is about to blow. And surely he has not taken advantage of that “free maintenance on your vacuum cleaner!” coupon that will ultimately put a $25 hole in your pocket. Been there, done that…sorry to say, I learned the hard way.

But then again, I’m not a smarty-pants scientist.

But neither is Cobwell, perhaps, if as “the most famous electronics expert in town,” he is not able to repair his own radio. What? I mean…what??? The most famous electronics expert in town must send his radio out to a shop to be repaired? Huh?

Okay. Maybe I’m not being fair. Perhaps Cobwell COULD repair his own radio, but he has so many other more important things on his mind that he does not deem it a good use of his time and superior intellect to be tinkering around with a simple radio. Therefore he einsteintonguegives the job to the Tinkerer, and sends a high school kid to pick up the repaired item. I remember reading about Albert Einstein once that when asked for his phone number, he went to the phone book to look it up, explaining that there were so many other more important pieces of information he needed to keep in his brain, that he didn’t bother to create mental clutter with information he could easily find elsewhere.

Maybe with Cobwell, it’s something like that? See. I’m trying to make this work…

As the resident science nerd at Midtown High, Peter is invited to assist Professor Cobwell with his latest experiments. Not only does Peter jump at the opportunity, but he heartily defends his decision when Flash Thompson mocks him. Actually, I was quite proud of Peter in this scene, as he manages to get in a few good verbal jabs, calling Flash a “dumbhead.” Who knew the little wallflower had it in him?

Anyway, as I mentioned, the Tinkerer is actually an alien, working with a group of aliens, “using some sort of eerie spy devices which they place in our radios in order to learn our military and scientific secrets!”

tinkererfoilI don’t have the time or energy to again question why advanced alien races who have perfected space travel need to come to little ol’ earth to glean our secrets, but as soon as Spidey figures out their plan, he is captured and put in a “resisto-glass prison.” However, with his now amply supplied webshooters, he escapes, and his display of strength causes the green men to flee in terror.

All’s well that ends well, except for Professor Cobwell, who is left scratching his head in bafflement over what he felt sure was “a space ship of some sort fading into the atmosphere.” Peter, wisely, offers no comment.

A goofball like this Professor would be nice to have around for comic relief, but Russ tells me we will not see him again. Russ surmises the Professor gets run over in traffic while looking skyward for further space ship sightings. I surmise that in the Marvel Universe, that would not be a bad way to go.

tta43avatarBut wait! In our next story, dying of old age could be a very real possibility for our hero! Join us next time when the really, really small meet the really, really old!

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Meanwhile… : April, 1963

JOURNEY INTO MYSTERY #91

jim91“Sandu, Master of the Supernatural!”
Plot: Stan Lee
Script: Larry Lieber
Art: Joe Sinnott
Letters: Terry Szenics

IN A NUTSHELL
From his Asgardian imprisonment, Loki imbues earthly magician Sandu with incredible power, in hopes that Sandu will defeat Thor. And he almost does, but Odin sends the Valkyries with Thor’s magical belt in his moment of need. Later, Sandu separates Thor from his hammer, and as he greedily strains his mental powers to lift the darn thing, he gives himself a “mental short circuit.” With Sandu’s link to Loki broken, Thor easily beats him, and Sandu is sent away for “a long stretch in prison.”

WHAT’S HOT
• In the 1960’s, doctors still made house calls. What’s even hotter: they brought their nurses along! At least in the Marvel Universe.
• We get another “Holy Hannah!” I don’t know why, but that phrase always gives me a chuckle.
• And speaking of chuckles, when Thor finally breaks free from his imprisonment, the sky is filled with a giant “BAR ROOM!” Time for a drink, Thor, after a long day of fighting evil?

WHAT’S REALLY HOT
• Though I have previously lamented the poor artistic depiction of women in these early comics, here the Valkyries—two gorgeous Asgardian babes—are very…ahem…well-drawn.
• And speaking of well-drawn, both Jane and Blake look much more attractive.

WHAT’S NOT
• Loki…not so attractive. Is he getting uglier as we move through the issues?
• What good is it to lock up Loki if he can still exert power from prison? I’m beginning to think Odin doesn’t have any real control over this mischief maker.

And now a few thoughts which I call…

WELL, THAT EXPLAINS A LOT
Thor calls to Odin, identifying himself as “thy eldest son.” If Thor refers to himself as the eldest, there must be others, and perhaps the other “son of Odin” we saw in Journey Into Mystery #90 is indeed Thor’s brother.

In that same book, I didn’t understand why Odin’s insistence that Thor not reveal his true identity served as Blake’s excuse for not confessing his love to Jane. But now, Blake muses, “If she knew I loved her, I’d be able to keep no secrets from her.” So it seems that Thor/Blake, being an honorable sort of guy/guys, would never consider keeping secrets from his significant other. I guess with honorable guys, it’s all or nothing.

Last time, I joked about how the Watcher moved the FF and Kragoff to a “secluded” location because we wouldn’t want to run into anyone else moseying about on the moon. Well…depending on the chronology, those moon-battle participants might have run into the bank, jewelry store and other remnants of Sandu’s crimes. If that happened, someone would have a lotta splainin’ to do!

VILLAIN
The real villain is Loki, and not even imprisonment can put an end to his hijinks. The only thing Sandu has going for him is a bit of ESP and an incredible lack of ethics. Now that Loki knows that this Earthly magician is incapable of subduing Thor, it’s unlikely they’ll team up again.

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STRANGE TALES #107

st107“Face to Face with Prince Namor, the Mighty Sub-Mariner”
Plot: Stan Lee
Script: Larry Lieber
Inks: Dick Ayers
Letters: Art Simek

IN A NUTSHELL
When Johnny is left out of Fantastic Four business, he decides to prove his worth by fighting Sub-Mariner alone. The expected skirmishes between fire and water ensue, with each gaining, then losing the advantage. They fight above and below the water’s surface, until both are exhausted, and the epic battle concludes, unresolved. The Sub-Mariner develops a new respect for the Human Torch, and Johnny is just glad to get home and lie down in his bed.

WHAT’S HOT
• Sue can type! And what’s more, she has a new, relatively attractive hair-do.
• Namor and Torch call each other fun nicknames like “Match-Head” and “Fish-Face.”
• Johnny is kind to animals: he takes care not to harm the porpoise when burning the bonds Namor has placed upon him.
• Namor displays a variety of superpowers, taking on the characteristics of various aquatic lifeforms.

WHAT’S NOT
• As much as I enjoy the fact that Namor can “make like a fish,” I didn’t enjoy seeing him as a puffer, looking all bloated and fat like an old man on the verge of some serious health issues.
• Reed, Sue and Thing have a FF meeting, and leave Johnny out of it. I don’t blame him for being pissed! Of course, he had to go to school. Perhaps Stan is attempting to clobber his young readers over the head with the importance of education. If so, I doubt the audience was thrilled with the lesson.

SO CONVENIENT
Johnny has no way to know how long his flame will last. This is inconvenient for him, but I can’t help noticing it’s extremely convenient for putting the teenage superhero into precarious situations.

We know that asbestos is just about the only thing that can stop the Human Torch. I’ve never actually seen asbestos, but there seems to be an endless supply in the Marvel Universe.

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TALES OF SUSPENSE #40

tos40“Iron Man Versus Gargantus!”
Plot: Stan Lee
Script: Robert Bernstein
Pencils: Jack Kirby
Inks: Don Heck
Letters: Jo Duffy

IN A NUTSHELL
Realizing his Iron Man costume frightens women and children, Stark paints it gold. As a knight in shining armor, he investigates a wall that the citizens of Granville have built around their city and finds everyone under the hypnotic spell of a giant Neanderthal, Gargantus! With his superior intellect, Stark deduces that Gargantus is actually a robot, then uses magnets and transistors to blow the robot apart. The people are released from their spell, and the aliens controlling Gargantus flee in terror.

WHAT’S HOT
• It’s only the second Iron Man story, but already Stark has moved from his head-in-hands lamenting of the first story (“In order to remain alive I must spend the rest of my life in this iron prison!”) to merely having to wear a chestplate. I guess Stan saw pretty quickly that trapping Stark in the iron suit was going to severely limit the billionaire playboy aspect of our hero.
• Not only is the Iron Man suit now a much more attractive gold, but it also collapses for easy portability in an X-ray proof attaché case.
• Oh yes! And Stark has invented 60MPH roller skates for the military. Woo hoo! That’s pretty hot.

WHAT’S NOT
• Stupid aliens. Before traveling halfway across the galaxy to conquer Earth, these little green men didn’t do enough research to realize that Gargantus is no longer the man of the moment. They assume that nothing has changed…in 80,000 years! And you know what happens when you assume…well, at least it happens to these aliens.
• They also fear “those iron men,” assuming that because they saw one iron man, there must be more. This alien race is not identified as Skrulls, but they seem suspiciously similar, both in appearance and intellect. It’s always amazing to me when, in Marvel Comics, we run into alien races that have perfected interplanetary travel, yet might have trouble tying their own shoes.

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TALES TO ASTONISH #42

tta42“The Voice of Doom!”
Plot: Stan Lee
Script: Larry Lieber
Art: Don Heck
Letters: Art Simek

IN A NUTSHELL
A stream of electrified particles gives radio announcer Jason Cragg’s voice the power of persuasion. When Cragg sees that Ant-Man is respected by the police and loved by the people, he uses his golden voice to turn everyone against the tiny superhero and hunt him down as a criminal. In the end, Ant-Man tricks “the Voice” into retracting his anti-Ant-Man propaganda, just before a gaggle of cleverly placed laryngitis-producing microbes kicks in, robbing Cragg of his amazing power.

WHAT’S HOT
• Cool superpower! Being able to command people with your voice is probably one of the most useful superpowers imaginable. However, Cragg grandly underestimates his gift by employing it for little more than obtaining free train tickets and hot meals.
• Super-stretchy fabric. Pym has designed his Ant-Man costume from “unstable molecules,” so they can shrink and enlarge as he does. How convenient!
• Henry Pym with his yellow-blonde wavy hair, wearing a black shirt and smoking a pipe. I may have to take back my previous comment that Tony Stark is our first SEXY superhero!

WHAT’S NOT
• Stupid Criminals. So many details of Cragg’s plans simply don’t make sense. When he finally gets Ant-Man on his hand, why does he command him to walk a mile to the pier and drown himself? Why not just crush him like a bug? Later, after the ants rescue their leader from a watery death, why doesn’t Cragg use his voice once again to force Ant-Man to show himself? And this time, don’t come up with these elaborate plans, just step on him. I mean, I’m glad Cragg was stupid enough to keep messing up so that Ant-Man can go on living, but it makes the story less enjoyable when it’s so contrived.
• Inexplicable Superhero. Cragg is not the only one making mistakes. Why does Ant-Man discard his shrinking and enlarging gases, just when he needs them most? There’s no narrative reason for him to jettison his most important assets when he does.
• The Yuck Factor. When Cragg’s voice is empowered for radio advertisements, people are so convinced they need to buy the Peppo dog food he’s hawking, they exclaim, “We don’t even have a dog, but we can eat it ourselves!” As I mentioned…YUCK!!

SEMANTICS
Our story begins with the proclamation that Cragg is “the most dangerous mortal on Earth.” Really? Better be careful with those superlatives, Stan! What comes after “MOST dangerous”? And if Cragg is the most dangerous we’re going to see, I’m gonna start putting my twelve cents in my retirement fund!

Cragg’s power emanates from a near-accident at an “atomic experimental laboratory.” Somehow those three words just don’t sound right together. If you’re going to have an Atomic Laboratory, don’t announce to the world that it’s “experimental.” Experimental suggests that what you’re doing may or may not work. If you’re messing around with atomic energy, you’d better know what the heck you’re doing, or if you don’t, at least keep quiet about it.

But then…if scientists in the Marvel Universe didn’t engage in these wild experiments, we wouldn’t be having half as much fun as we do!

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Posted in Ant-Man, Human Torch, Iron Man, Meanwhile, Strange Tales, Tales of Suspense, Tales to Astonish, Thor | 2 Comments