FANTASTIC FOUR #13: Monkeying Around on the Moon

Published: April, 1963

“The Red Ghost and His Indescribable Super-Apes!”
Script: Stan Lee
Art: Jack Kirby
Inks: Steve Ditko
Letters: Art Simek

As our story opens, Reed experiments with meteor energy in hopes of creating a booster fuel powerful enough to help the United States catch up with the Reds in the race to the moon. Sue marvels, “This means America may win the space race!”

This jumped out at me right away, and made me say, “Now wait just one cotton-pickin’ minute there!” I know I was only a kid in the 1960’s, but to the best of my recollection, there was never any doubt that America would beat the Commies to the moon. At least that’s the way it was portrayed by my patriotic teachers, propagandist textbooks, and all the brainwashed grownups I knew. It rattled me to read here that the FF would even consider the possibility that the Commies could outshine the US in anything—never mind something as important as the race to the Moon.

This is not the same world I grew up in.

And of course, the Marvel Universe is NOT the same world I grew up in. So I comfort myself with the the idea that the Commies beating us to the moon might be nothing more than Stan’s attempt to generate a bit of drama for his 12-cent tale. Yeah, that must be it. Right? Sounds like a good explanation to me. I’m going with that.

In hindsight, we know what actually happened in the race to the Moon, but in this story, the FF get to the moon at pretty much the same time as their antagonist, Communist scientist Ivan Kragoff, and his trio of trained apes. Kragoff, a Fantastic-Four-wannabe, has designed his spaceship of “transparent ceramic plastic,” so he and his ape followers can easily absorb the same cosmic rays that imbued the FF with their superpowers. powerWell, it works, because as their ship passes through the cosmic belt, Kragoff and the apes are imbued.

Only, not with the same powers. Kragoff acquires the ability to walk through walls, thus earning him the code name “Red Ghost.” (Red…get it? Ghost….get it?), which is pretty cool, but if you ask me, still one of the lesser superpowers. As for his motley crew, the baboon becomes a shape-shifter, the gorilla super-strong, and the orangutan magnetized.

An aside: in several stories so far, magnetic power has been hailed as a mighty force. But speaking of lesser superpowers, so far I haven’t been that impressed with magnetism in Marvel Comics. I think I’ll wait till Magneto shows up before waxing eloquent on this particular “superpower.”

uatuAnyway, they all get to the moon at the same time, and the two parties find not only each other, but an ancient ruined city…and…something stranger still…

Enter the Watcher! “The most dramatic being of all time!” (It says so on the cover). The Watcher is from a planet that is “one vast gigantic computer,” a member of a race so evolved they have ceased to strive in all matters of existence and their sole remaining activity is to take notes on other civilizations: thus the name, “Watcher.”

Sensing that the Commies and the good guys are about to devastate planet Earth with acts of savagery, the Watcher decides to break the silence of the centuries to intervene in their conflict. That, and I think he’s also pissed that they’ve brought their quarrel to the Moon, which he considers his domain. (The Watcher has a broad sense of “personal space.”)

But you might never suspect the Watcher’s high level of annoyance because when he speaks, it’s always slowly…quietly…emotionlessly. I guess that’s to show us how detached he is from his surroundings, a being who thrives on cold objectivity. This early Marvel tale comes to us years before Spock of Star Trek, but I sense the same vibe going on here with the Watcher.

To avoid all-out war, the Watcher decides that the FF will have to fight Kragoff and his apes for the fate of the entire Earth. He whisks them off to a secluded combat area on the moon (secluded, because like, we wouldn’t want to disturb anyone else who happened to be moseying scarinabout on the moon), where Thing gets the chance to square off against the apes and their elusive leader.

I guess little boys (and maybe bigger boys?) like this kind of thing, but I’m going to skip right to the obvious theme of the piece:

COMMIES BAD. “FREE PEOPLE” GOOD.

COMMIES STUPID. “FREE PEOPLE” SMART.

While all the fighting is going on, Kragoff temporarily immobilizes Reed with the stun of a freeze-gun. But once Reed thaws out, he suggests to his teammates that the way to beat the enemy is to “outsmart” them, and from that point on, at every turn, Reed leads the good guys to glory with cleverly devised strategies and devices.

In fact, the story goes out of its way to show us that while Reed employs his American ingenuity to invent things to aid the cause of the “free people,” Kragoff is only capable of discovering and using the leftovers from the ancient jetengineMoon city. While Kragoff fires up a “pneumatic-powered car” he finds laying around, Reed invents a mode of transportation, using Torch as the fuel source.

Later, Kragoff attacks with a disintegrator gun he discovers on a junkheap, but in the end, it’s the paralysis ray Reed designs that leads to the ultimate defeat of the Red Ghost.

Reed’s resourcefulness is so impressive that at one point, Thing exclaims, “Hey that gizmo you put together really works, chum!” The apes, however, offer no such praise or encouragement to Kragoff. Of course, Kragoff is not deserving of praise or encouragement, because, even though he is a brilliant scientist, among the best the Communist nation has to offer, he is only capable of stealing and using other people’s inventions.

Which leads me to ask: Is Kragoff lazy, or stupid…or both?

FATAL MISTAKE
But worse than that, Kragoff makes a fatal mistake when he assumes that if he keeps the apes hungry and imprisoned, their obedience will increase. Of course, “free people” know this is not true, and when Sue is captured by Kragoff, she reasons that if she can free the apes, she would rather take her chances with them, because they are not intrinsically evil: “They are like the communist masses, innocently enslaved by their evil leaders.”

Wow! That was a significant moment in this story. Once again going back to 1960’s international politics, I remember an overwhelming agreement that ALL Commies are BAD. In grade school, as our thoughts would sometimes wander to the poor little Russian children in their cold, barren schoolrooms, reading their propagandist textbooks, we were encouraged to feel sorry for these children as victims of their own society. Once they got past a certain age, though (we were taught), the menace of Communism would take root in their souls, and no salvation would be possible. So I thought it was pretty big of Stan to separate for his young readers the reality of the communist people from the ideology of the communist party.

The apes are in a cell behind a force field (which Kragoff discovered in the ancient ruined city), and Sue is left on the other side. Kragoff makes yet another fatal mistake when he assumes that the “helpless female” is not going to be resourceful enough to throw a monkeywrench into his plans (pun intended). But of course she does, quickly discovering a control panel in the wall that breaks the force field. YOU GO, GIRL!

eyehatredNow that the apes are “no longer under the Red Ghost’s mental control, they want their FREEDOM!” So they bust down the door and grab all the food, and we don’t see Moe, Larry and Curly again until the end of the story, when they attack Kragoff with Reed’s paralysis ray gun and their eyes “gleaming with hatred.”

In addition to underestimating the power of a “free woman,” it is Commie Kragoff’s lazy stupid ways that ultimately cause his downfall. He doesn’t fully understand the technology he swipes, so he doesn’t recognize the weak spots. Because he uses a force field he discovered (not created), he’s not aware how easy it is for Sue to disable it. Because he uses a disintegrator gun he discovered (not invented), he doesn’t realize it will have no effect on Sue when she is invisible. And because of this, Sue is able to rescue the others so they can deal with Kragoff.

It’s not surpising that when Kragoff sneaks into the Watcher’s house, everything there is beyond his understanding (“It’s too alien—too different! I—I don’t even know what I’m looking at!”). Funny, but somehow I bet Reed would know what he was looking at, and be fascinated.

THE WATCHER
But what of the Watcher? He’s an oddity in the Marvel Universe, not a superhero, not a villain, just an entity that is there, passively observing. Can we say, perhaps, he is the “voice of reason”?

Russ assures me we will see the Watcher again. Right now, I’m not sure what use he is, if all he’s going to do is WATCH. Kind of reminds me of those annoying Star Trek episodes where Kirk kirkspock(or Picard) is constantly moaning about the Prime Directive and how it would be wrong to interfere and help all those needy people on some underdeveloped planet. Sorry, but I don’t have any patience with the Prime Directive—which, btw, the Enterprise crew probably ignored more often than not. But don’t get me started on THAT!!

Anyway, all’s well that ends well, as Kragoff is attacked by his disgruntled apes and the Watcher declares the Four the winner of the contest, proclaiming, “Space is your heritage! See that you prove worthy of such a glorious heritage!” Well, we know the “free people” will prove worthy, and thus we are bound to have many more adventures on the moon, and other planets, as we continue to explore new frontiers here in the Marvelous Zone.

tos40avatarIn fact, next time, we’ll explore several frontiers, on land and sea, even touching mythical kingdoms, as my usually bland Meanwhile… post expands to examine the adventures of superheroes who remain vital, despite the fact that they don’t even have their own title!

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Meanwhile… : March, 1963

Here are the other “Marvel Universe” books published in March, 1963:

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TALES OF SUSPENSE #39: Enter Iron Man

Published: March, 1963

“Iron Man Is Born!”
Plot: Stan Lee
Script: Larry Lieber
Art: Don Heck
Letters: Art Simek

In the Marvel Universe, mythological Norse god Thor is the anomaly, but the other heroes we’ve met thus far owe their existence to “Science gone mad.” Gamma rays, cosmic rays, radioactivity—biological and scientific accidents. Only Henry Pym’s Ant-Man can make the claim “I meant to do that.” But even so, you must admit, the idea of taking a serum that makes you really, really small does sound somewhat…mad, more like magic than science. Ant-Man is an oddity, a hero despite himself.

Not so Iron Man. Not only did Tony Stark mean to do that, but once he puts on the armor, he is large and in charge, a marvel of modern technology. The explosion that almost takes Stark’s life forces him to use his smarts to devise a way to stay alive. Iron Man is thus a hero by necessity, not accident. In some ways, you could say Iron Man is our first “proactive” hero. This is new, and exciting.

His superpower is not something that happened to him that he now has to live with. Rather, something happened to him, and in response, he gives himself a superpower.

But probably best of all, a delicious twist is incorporated into the Iron Man origin story. Because if not for the greed and stupidity of the evil Commie, Wong Chu, Iron Man would not exist. After Stark is injured, Wong Chu decides that rather than kill his captive, or simply let him die, he will “TRICK him into spending his last days on earth working for US!” Not only does Wong Chu fail to understand the patriotic passion of any red-blooded American in the Marvel Universe (you think they would’ve learned by now, right?) but very specifically, he completely underestimates the resourcefulness and ingenuity of Mr. Tony Stark, scientist/engineer/inventor extraordinaire.

If Wong Chu had just said, “Let him die,” we would have no Tony Stark, no Iron Man, and no story. But because the Commie got greedy, he unknowingly participates in the creation of one of Marvel’s greatest threats to the Red empire—Iron Man, who lives not only to defeat Wong Chu personally, but also fight all manner of evil, well into the future.

I love this about the Iron Man origin story. It’s so…IRONIC. Pun intended.

TONY STARK
But it all starts with Tony Stark, and honestly, I’m hard pressed to decide who is the real star of this story: Stark, or his creation, Iron Man. Of course, you can’t have one without the other, but I contend: who would want to? To me, Stark is the most interesting protagonist we’ve met so far, even more interesting than Iron Man.

Yes, of course, Tony Stark is a brilliant scientist, but oh! He’s so much more than that! After meeting him in the laboratory, perfecting transistor weapons for the military, we quickly fly to an exotic beach, where beautiful women swoon for the handsome bachelor (“The Riviera was a real drag till you showed up, darling!”) The narrator informs us that Stark is “both a sophisticate and a scientist! A millionaire bachelor, as much at home in a laboratory as in high society!”

Two…two…two mints in one! I ask you: could there be any more complete man than Tony Stark?

But the perfect Tony Stark would surely get boring to read about, if not downright annoying, so Stan inflicts on him a “tragedy” of epic proportions.

The tragedy, of course, is his newly acquired medical condition, where he is kept alive only by the tiny transistors in his iron chest plate. Stark must deal with the prospect of spending the rest of his life “in this iron prison,” if his heart is to keep beating. Certainly, he can continue his work as a military industrialist in this get-up, but I doubt the honeys on the Riviera will be swooning for him now.

So then…is that the tragedy?

At this early stage of the game, Stark is not yet aware of how many modifications he can make to his “iron prison,” or that his Iron Man persona will fight crime and evil as few before him ever could. At this point, Stark is simply interested in staying alive for a “moment of reckoning” with Wong Chu in retaliation for the murder of his friend, the most helpful and kind Professor Yinsen.

As Iron Man, Stark has that moment with Wong Chu. He employs a number of technological marvels incorporated into his iron suit to defeat and presumably kill the evil Chinese warlord. In the end, Iron Man stands alone declaring, “It’s all over! Now, Profeesor Yinsen, rest easy! You who sacrificed your life so save mine, have been avenged!”

Avenged? Already are we thinking of the Avengers? I wonder if the word “avenge” this early in the Iron Man story was a deliberate attempt to plant the idea of “The Avengers” in the readers’ minds. Or did Stan come back to this panel later and say “Hey! Avenge…Avengers…yeah, that’s the ticket!” Does one lead to the other…or perhaps there’s no connection at all?

I guess it doesn’t matter. All that matters at this point is that the Marvel Universe has now been made stronger by one superhero, who brings to the table the amazing powers of science and technology beyond even that which has been supplied by our resident super-scientists, Henry Pym, Reed Richards and Bruce Banner.

Reading this issue, I get a real sense that Marvel Comics is evolving, growing up. The 1960’s saw the advent of the Silver Age of comics, just as advancements in technology were becoming a more important part of people’s everyday lives. It comes as no surprise that at this point in history, Marvel introduces the super-modern, technology-based Iron Man. Just as significantly, though, Marvel also gives us Tony Stark who, with his amazing conglomeration of money, power, brains and sex appeal, has just raised the bar for what a superhero ought to be, both on and off the field.

This time, our story was straightforward, a simple narrative of epic proportions. Next time, we have an epic narrative of interplanetary proportions, involving the race to space, monkeys on the moon, commies, and a cosmic couch potato.

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JOURNEY INTO MYSTERY #90: Topsy Turvy!

Published: March, 1963

“Trapped by the Carbon-Copy Man!”
Plot: Stan Lee
Script: Larry Lieber
Art: Al Hartley
Letters: Terry Szenics

Here is a quick and easy Thor story that has a few chuckle factors, so I’ll say a few words, but only a few, and then let’s move on to something meatier. The first thing we notice is new credits: Art by Al Hartley and lettering by Terry Szenics. I don’t know about you, but I can’t tell one guy’s lettering from another. Maybe you have to be a real comic book connoseiuer…conossouer…conna…nerd, to see those minute differences. It’s like, to me, wine is wine. I don’t get all this swishing it in the glass, sniffing the “bouquet,” holding it up to the light. Will it give me a buzz, and how much does it cost? That’s all I need to know.

But as for the artist, yes, I can see a difference. Almost immediately the art slaps you in the face, when Don Blake laments that he can never get up enough courage to tell Jane his true feelings. “Why don’t I just up and tell Jane that I love her? What am I afraid of?”

When I look at this picture, I can’t help thinking, “Well, Don, maybe you’re afraid Jane is going to laugh you off the face of the planet because in relation to the rest of your body, your head is the size of a BUICK!” I think the artist is trying to emphasize Blake’s frailness and lameness while at the same time depicting Thor’s manliness in the large, square head and jaw. Nice try, Al…but it just doesn’t work.

On the other hand, Jane Foster is nicely drawn. Russ often laments that in these earliest comics you’re just not going to see attractive depictions of women. I agree with him, but this Jane Foster is almost cute. So here I say: Good going, Al!

Anyway, Blake decides to be “a man, not a mouse,” and reveal his love for Jane, but before he can take a breath, Odin ominously appears to remind him that he’s bound to never reveal his true identity. Well, yeah, we know that. But Blake wasn’t planning to reveal his secret identity to Jane. So… not really sure what all that was about. But with his confidence now handily deflated by Odin, Blake chickens out.

*Sigh*… Unspoken and unrequited love must continue as such.

In other news, we meet the Xartans from planet Xarta, where battles are won by the trickery of shape-shifting. The clever and ruthless warlord Ugarth contemplates retirement (“After this conquest, I retire!”), and son Zano is eager to prove he can walk a mile in Dad’s shoes.

Next thing we know, the whole city is in a tizzy as workers paint polka dots on bridges, cars are allowed to drive on sidewalks and people are commanded to walk in the gutter! Oh, what a topsy turvy world we live in! When Jane Foster berates Dr. Blake for treating the indigent without demanding payment…well, this is just too much! Blake stomps his cane, transforms to Thor, and flies off to meet his good friend Mayor Harris, to find out what in blazes is going on.

But Harris is acting just as wacky as everyone else, and Thor retreats to contemplate the mystery. He recalls a time when Odin “counseled his sons” with this philosophical gem: “When something puzzles you, always seek the simplest, most obvious explanation…no matter how impossible it might seem.” This maxim is commonly known as Occam’s Razor—though it’s unlikely Odin would admit to borrowing from earthly philosophy. No, I’m quite sure Odin would claim it was he, mighty King of the Asgardians, who invented this bit of wisdom. And who knows? Maybe he did, and Occam borrowed from him!

I found myself momentarily distracted by the appearance of Odin’s “sons.” We think of Thor and Loki as Odin’s sons, but in this picture, it appears Thor has a twin! What!? Why have we not heard of this sibling? Is he truly Thor’s twin, or perhaps just an Asgardian warrior in similar attire? Why did the writer and illustrator even go here, showing two “sons” of Odin, unless there was a plan to make something of this at a later time?

But getting back to Odin’s advice, in addition to Occam’s Razor, these words also remind me of Sherlock Holmes’ truism: “Once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth.” Well, Occam and Odin are not even bothering to do the work of eliminating other possibilities. They simply start with the obvious and say, “Yeah, that’s it. Problem solved. Let’s go home.”

So, grasping Odin’s wisdom, Thor concludes that the crazy people must be imposters! Setting off to search the city (not sure for what, exactly), when he spies some downed trees, he surmises, “The trees below have been felled as though by a huge scythe…or a large aircraft…perhaps…a SPACESHIP!”

Huh?

Didn’t Thor just get through embracing the acumen that the simplest explanation must necessarily be the correct one? So then, how does he come up with “Trees down = spaceship”? Wielding a little Occam’s Razor of my own, I surmise that perhaps on Asgard the simplest solution is a far cry from what makes sense on earth; perhaps on Asgard, “Trees down=spaceship” is a common occurrence.

That makes sense…doesn’t it?

Well…perhaps, but in this instance, Thor happens to be right! Almost immediately, he discovers the partially hidden Xartanian spaceship, which pulls him in with magnetic force, separating him from Mjolnir, and causing him to revert to Blake.

Immediately, we are faced with another difficulty, as we encounter a monumental logic puzzle along the lines of “Can God make a rock He can’t lift?” When Thor is pulled in by the spaceship, we are informed that “the strange magnetic force is too powerful for even the mighty Thor.” Yet, on page two, the narrator informed us that Thor is “the mightiest creature in all this universe.” Well… is he or isn’t he?? Is he mightier than a magnetic force, or not? And if he’s not, then he’s not really the “mightiest,” is he? You can’t have it both ways, unless there is NO “creature” in the universe able to overcome magnetic force. It wasn’t that long ago that Hulk defeated the Toad Mean from outer space, and they claimed to be the masters of magnetic force!

When Blake is brought inside the spaceship, he finds the other humans that have been captured—Jane, and Mayor Harris. Which makes me wonder…where is everyone else? Or have the Xartans been able to cause such monumental chaos by simply replacing one old mayor and one cute little nurse? No, that doesn’t make sense. They must have other prisoners; they must be on the other spaceships. Right? That would make sense, to split up your prisoners into multiple holding areas, so they could not conspire and revolt. That would be an intelligent strategy for an invading force.

But from what we’ve seen so far in the Marvel Universe, being from outer space does not automatically guarantee a high level of intelligence, so there’s really no telling if there are other prisoners, and where they might be. But, we do know this: between Blake, Harris and Jane Foster, the three earthlings should be able to devise a plan for overcoming their captors.

This seems especially certain when the Xartans almost immediately reveal how incredibly dull-witted they really are. They start by making the classic movie mistake of revealing the extent of their powers, quickly followed by bragging about their strategy for conquering earth. Is this stupidity, or simple pride? How many times have we seen this in the movies? So often, it’s become a cliché.

But perhaps it was in comic mags like this that the cliché got started?

Next, when Blake offers to lead the Xartans directly to Thor in exchange for his own freedom, Ugarth heartily agrees. You know, for someone who’s been on the job of Ruthless Warlord to the point that he’s now considering retirement, he hasn’t quite gotten the hang of it yet, has he?

I love this panel, because there’s so much going on. First, we see that Blake is smart enough to dream up a scheme for defeating the enemy, and we hear the ruthless warlord agreeably complying with his captive’s suggestion. But the ever-faithful Jane Foster exclaims, “No, Dr. Blake! Don’t do it!” Even though earlier, she had all but written him off as a timid, poor soul who could never be as brave as her idol Thor, apparently she hasn’t stopped caring about him. And finally, there’s Mayor Harris, the completely ineffective leader criticizing the actions of others while he stands idly by.

When Blake gets outside with the Xartans, he finds Mjolnir and transforms to Thor, in which form he is compelled to fight the Xartans in three different incarnations. Son Zano is easily defeated, but Ugarth inflicts a bit of confusion, before Thor realizes he can create a rainstorm to reveal the location of his invisible enemy.

Outsmarted, the ruthless warlord crumbles like bacon. Thor flings him into outer space, and his people follow (presumably, after ejecting any earthly prisoners they might have been holding). A few Xartans remain, however, and Thor instructs them to turn into trees, knowing that as trees, they will not have the ability to think themselves back into their original form. Oh, that Thor! He’s pretty smart, huh? The Mayor heartily approves, and Jane fawns over her hero. In the end, Dr. Blake gives the audience a wink-wink nudge-nudge, saying “We can’t ALL be as brave as Thor!”

Well yeah, that’s really cute and all, but these sentiments and this story have done nothing to advance the overall storyline. Jane is still pining for both Blake and Thor, and Blake is no closer to revealing his love. So, overall, this was, mostly, a throwaway tale.

Sure, this was a lot of fun, but it raises more questions than it answers. Chief among these questions: who is Odin’s other son, and should we be on the lookout for future appearances? And: after seeing Thor battle the invisible Ugarth, can we assume that a rain shower would reveal Sue Storm to her enemies in the same way?

For those of you who have been reading comics for years, these questions might seem silly. I think I know the answers, but since I haven’t read very far, I can’t be sure. And Russ won’t tell me. He wants me to encounter the wonders of the Marvel Universe on my own as much as possible. And I want that too, so I look forward to the discovery.

My future is full of further adventures and mysteries as I continue along the meandering path here in the Marvelous Zone! There’s been a gaping pothole in this meandering path, but not to worry! Next time we meet, we’ll fill that pothole…with Iron!

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