Meanwhile…: June, 1964

AMAZING SPIDER-MAN #13

asm13“The Menace of…Mysterio!”
Script: Stan Lee
Art: Steve Ditko
Letters: Art Simek

IN A NUTSHELL
Spider-Man is seen committing crimes, and Peter worries he’s doing it in his sleep. With public opinion against Spider-Man, JJJ jubilantly calls in the heavily-disguised Mysterio to get rid of him. They fight on the Brooklyn Bridge, in a plethora of Mysterio’s smoke, with Spidey losing, until he jumps off the bridge. Later, he tracks down Mysterio and gets him to confess on tape that he is a special effects expert who has created Mysterio specifically to destroy Spider-Man. This time Spidey wins the fight, and Peter gets pics to sell to Jameson!

WHAT’S HOT
YOUR MISSION, IF YOU CHOOSE TO ACCEPT IT… When Mysterio sends Spidey a message, the moment he’s read it, the letter disappears in a puff of smoke. And this, a full two years before Mission: Impossible! Hmmm…where do you think that show got the idea of the self-destructing tape?

NOT YOUR GIRL. After Liz Allan flirts with him, Peter meets Flash’s jealous rage with a hearty, “You can have her!” Wow! Nice moment for Peter. Ever since he lost those glasses, his testosterone is through the roof, both with the chicks and the jocks!

YOUR ADVOCATE. Over the last several issues, we’ve seen Flash taking Spidey’s side, even when everyone else is against him. The irony is delicious, and we wonder, along with Spider-Man, how Flash might enjoy the news that puny Parker and the mighty Spidey are one and the same.

YOUR FUTURE. Well, we may not have to wonder for long! The last panel promises that someday Peter will tell Flash that he’s Spider-Man. That alone will be worth the 12-cent price of admission, but how long will we have to wait? In the meantime, the promise of “an unexpected guest star” in the next issue has me counting my pennies already!

WHAT’S NOT
MYSTERY MAN. The cover says Mysterio is “the greatest villain of all,” but once again, I think Stan’s boast exceeds his bite. Mysterio is pretty good while he remains mysterious, but as soon as he starts explaining himself (stunt man, special effects…) all his charisma wears off as quickly as a puff of smoke. Any villain that ends the issue sitting in the police station confessing everything is hardly “the greatest villain of all.”

MISTAKE MAN. There are many reasons why Mysterio doesn’t live up to his hype, chief among them his inclination to commit The Classic Villain Mistake. In an unabashed surge of cockiness, he reveals all his secrets to his victim before killing him. (“I might as well tell you the whole story…”) And then of course, he fails to pull off the kill! How many times have we seen this? Why don’t these villains just SHUT UP and pull the trigger? If they did, it would be a very different world out there in Storyland…different, but perhaps not as interesting and enjoyable.

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DAREDEVIL #2

dd2“The Evil Menace of Electro!”
Script: Stan Lee
Pencils: Joe Orlando
Inks: Vince Colletta
Letters: Sam Rosen

IN A NUTSHELL
Electro breaks into Fantastic Four headquarters at the same time lawyer Matt Murdock arrives to inspect the premises for their lease. Murdock transforms to Daredevil, fights Electro and is knocked out. Electro launches him into space, but Daredevil changes course, lands the spacecraft safely, steals a horse, then hitches a ride on a passing helicopter back to the Baxter Building, where he and Electro fight again. The shenanigans conclude at a NYC stage review, when Daredevil brings the curtain down on Electro.

WHAT’S HOT
CROSSOVER. Thing is pictured on the cover as a guest star, but within the pages, the entire Fantastic Four show up, and their concerns propel the plot. Good use of an existing property to generate interest in a new one.

CITYSCAPE. Page 16 brings us the rare treat of a full-page panel, depicting the courageous Daredevil swinging from the bottom of a helicopter over the NYC rooftops. When the action gets big, so do the pictures.

I’D RATHER BE BLIND. When lovely secretary Karen Page raises the possibility of an operation that could reverse Murdock’s blindness, he gently puts her off, thinking he would “rather be blind and be Daredevil, than be an average normal man.” That’s commendable, but what’s his inner reasoning? I wonder at this point if he’s that committed to crime-fighting, or is it simply an ego trip, a personal desire to be better than the average man?

YOUR STRENGTH IS YOUR DOWNFALL. Electro’s superpower is command of electricity. However, Daredevil can sense and follow those “powerful electric emanations from his body.” Will every villain Daredevil faces be similarly “handicapped” in their fight against the man with heightened senses?

ANNOUNCEMENT. I love the tradition of the “announcement” in Marvel Comics. It usually happens when a character (superhero, villain or ordinary citizen) is standing around, completely clueless that someone stupendous is about to arrive on the scene. And then that stupendous someone arrives with a splash, and the unsuspecting one yells out their name. In this case, it’s Electro who does the honors, shouting “DAREDEVIL!!!” with three exclamation points as the costumed hero crashes through the skylight.

THE VILLAIN’S TEXTBOOK. When Electro is captured and exclaims, “I’ll GET you for this, Daredevil! You haven’t heard the LAST of me!” Daredevil quips, “You professional bad-guys must all study your speeches out of the same textbooks!” Yeah, it’s corny, but admitting it’s corny makes the corn easier to digest.

WHAT’S NOT
SEXIST REMARKS YOU COULDN’T GET AWAY WITH TODAY. Foggy Nelson tells his secretary, “And don’t ever change that craaazy perfume you’re wearing!”

DIPPITY DON’T. Sue Storm admires Karen’s hairstyle and says she ought to try it sometime. Oh, I hope not.

IS IT HALLOWEEN YET? Now that I’ve seen The Amazing Spider-Man 2, this early Electro, with his jagged yellow gloves and inside-out underwear just seems ridiculous. I mentioned it the first time I ran into him, and this second appearance isn’t making me feel any better about his choice of costume.

BRAGGART. Daredevil sure does TALK a lot about what he’s doing, and how he’s able to do it. I understand the title is still young, and Stan may feel a need to keep reminding his readers of this new superhero’s powers. Or, he may simply feel a need to fill so many word balloons. I hope as time goes on, Daredevil will become less chatty. Right now, his persistent use of words like exact, precise, unerringly and unmistakable sounds suspiciously akin to the super-villain’s boast of “See how EASY it is for me to…”

PRIORITIES. When Daredevil lands the spaceship in Central Park and faces the possibility of being arrested for “endangering people and property,” he reasons that he has to move fast to avoid cap—uh, to avoid “booking,” where no doubt, they will try to learn his real identity. So. In case there was any confusion about the issue, Daredevil is coming down squarely on the side of “Secret Identity=Top Priority.” Even it means this lawyer needs to circumvent the law.

IF ALL GOES AS PLANNED… When swinging from the helicopter, Daredevil reflects that he knows the schedule of these sightseeing helicopters, and exactly two minutes and fifty seconds after take-off, it should be directly over the Baxter Building. Okay, I know he’s a wonderful guy, but not only is he blind, he’s also memorized the schedule of sightseeing helicopters? Of course, there’s this: has he considered how the weight of a fully grown superhero swinging from the bottom of a helicopter is likely to affect the speed of said helicopter? Where’s your two minutes and fifty seconds now, smarty pants? Oh, wait. Not a problem. At precisely the right moment, Daredevil feels a surge of electrical power directly beneath him and crashes through the skylight. Exactly as planned.

UNRULY GUESTS. When the FF drop in at the end of the story to find Murdock hasn’t had a chance yet to look over their lease, they decide to take their business elsewhere, to lawyers “who work a bit faster!” Yes, it’s all for laughs and irony, but it sure does make the FF look like a bunch of demanding prima donnas.

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TALES TO ASTONISH #56

tta56“The Coming of the Magician!”
Script: Stan Lee
Art: Dick Ayers

IN A NUTSHELL
Hank buys Jan an engagement ring, but due to a foolish misunderstanding, doesn’t give it to her. The Magician performs at a party given by Jan’s faux love interest, robbing the rich folk and capturing Wasp. Pym organizes a faux society party to lure the Magician, then battles him as both Ant-Man and Giant-Man, rescuing Wasp. The Magician plans his escape, but Wasp deflates his getaway blimp, and not even the Magician’s highly trained rabbit can save the Magician from the police. Though Jan professes undying love for Henry, no further mention is made of the engagement ring.

WHAT’S HOT
PERSPECTIVE. I’ve previously noted the difficulties in depicting teeny tiny Wasp, over-sized Giant-Man, and regular people, all in the same frame. But here is a good example of getting it right. If you look closely, you’ll notice a tiny red circle on the floor beneath Giant-Man’s legs—the ghost-image of the spot where Ant-Man was standing only a moment before.
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GOOFY VILLAIN. You have to admit, some of these early Marvel villains are good for laughs, and the Magician fits the bill.

  • Though he himself is a master of illusion, he is easily duped by cut-out silhouettes on a record player. Like Mastermind, he can dish it out, but he can’t take it.
  • Next, the Magician claims that because Giant-Man’s eyes are so large, he can hypnotize him in HALF the time. Oh? Is that how hypnotism works?
  • Best of all, however, is this great villain line: “Nothing can outrun a highly trained rabbit!” I’ll have to pass that one on to Nick Saban, next time he’s recruiting running backs.

WHAT’S NOT
UP UP AND AWAY. Part of our villain’s magic is that he can quickly appear and disappear by shimmying up and down a rope attached to an enormous blimp he drags along to his magical robberies. As much as I love the idea of a blimp (being partial to dirigibles, a fascinating aspect of steampunk literature), I’m simply not buying that painting a blimp blue will cause it to be invisible in the sky. Not only that, but don’t those things make a lot of noise, with motors and the constant releasing of gas and air? On occasion, I think Marvel demands just a little too much suspension of disbelief.

I DO…DO YOU? Okay, let’s talk about the elephant in the room. Hank buys Jan an engagement ring. An engagement ring! As in…will you marry me? As much as our serious scientist has denied and disguised his feelings for the feisty female up to this point, it seems he’s at last getting in touch with his emotions, and taking that realization to the next level: action! This is a big soap opera moment…but I’m afraid that by the next issue, it will be reduced to a mere blip on the radar screen.

COLD FEET. First, we get sidetracked by an episode of “The Games People Play,” in which Jan picks the worst possible moment to make Hank jealous, and brilliant brain that he is, Pym can’t see through the ruse. But the universe is on the side of their love, and our story ends with Jan wrapping her arms around Hank, declaring, “Now I know there can never be anyone else for me!” Pym readily agrees…but doesn’t take advantage of this ideal opportunity to actually pop the question. C’mon, Hank! Will there ever be a better time than this? Or…are you chickening out?

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tta56thumb“Beware the Bog Beast!”
Plot: Stan Lee
Script/Pencils: Larry Lieber
Inks: Paul Reinman
Letters: Art Simek

Wasp tells the story of a beautiful princess who loves a lazy guy, so her dad devises a test to weed him out of the suitor pool. The king places his daughter on an island with a devoted bog beast, who will fight anyone that crosses the bridge to rescue her. The he-man and the warrior take up the challenge but fail miserably. Then the lazy lover stands at the end of the bridge and calls, “Hey, honey! Come on over!” And she does, but the bog beast can’t cross the flimsy bridge, so all’s well that ends well.

A simply story, and the conclusion was way too obvious, even before we get anywhere near the last page. So why does brilliant scientist Hank Pym struggle with the answer? Maybe his childhood was filled with too many test tubes and microscopes, not enough fairy tales? Or perhaps he simply didn’t have the benefit of this telling illustration as a clue?


JOURNEY INTO MYSTERY #105

jim105“The Cobra and Mr. Hyde!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Chic Stone
Letters: Art Simek

IN A NUTSHELL
Cobra and Mr. Hyde conspire against their common enemy: Thor! Using Hyde’s Time Reversal Ray, they trace Thor to Blake’s office, where, jealous over Jane’s date with another man, Blake has locked up his cane to see if he can resist summoning Thor. Cobra and Hyde appear and seize Blake and Jane. Blake has them retrieve and tap the cane. As Thor once again, he follows the villains to a machinery show, where Cobra snatches Mjolnir with an atomic-powered hoist. As the villains approach, Thor sees no way to retrieve his hammer in 60 seconds…

WHAT’S HOT
TIME REVERSAL RAY. Calvin Zabo is a genius. He’s invented a Time Reversal Ray. It lets you retrace a person’s steps. If such a thing were possible, wouldn’t the military be hot on its trail? Or how about the Commies? Surely they could find a use for such a device. But never mind them! I want to use it to find out where I left my car keys!!

NOT NOW, DEAR, I HAVE A HEADACHE. Poor Jane. She’s trying so hard to forget about Don Blake, but simply can’t. On her dancing date with another fella, she’s so worried about her true love that she uses the classic “splitting headache” excuse to cut the date short and return to the office to check on her darling doctor.

CAN WALK AND CHEW GUM. When Thor concocts the story that Blake slipped out to call the police, Jane is amazed that the doctor would risk his life to save little ol’ HER. “Blake’s love for you must be greater than you dream!” replies the gallant Thor, effectively multi-tasking both business and personal matters, all in the same word balloon.

SURE SIGN OF VILLAINY. Do normal people ever refer to their place of residence as a “Lair”?

PARANOID MUCH? Says scientist Calvin Zabo, upon sensing the Cobra slithering into his apartment: “Someone behind me. It can only be an enemy.” He doesn’t even stop to consider that it could be Ed McMahon with balloons and a Publisher’s Clearing House million-dollar check.

WHAT’S NOT
GO, TEAM… As we begin this story, the Avengers are unenthusiastically concluding their weekly meeting, each more intent on gossip, food and judo moves than on perfecting their crime-fighting skills. Somehow I always imagined a meeting of superheroes wouldn’t end with a sigh and the words, “There’s nothing more for us to do here…” Is anyone else disappointed in the way this entire scene deflates the whole superhero mystique?

THE GAMES PEOPLE PLAY. Is this the third time this month we’ve had a misunderstanding between the sexes motivating the soap opera?

  • In Fantastic Four, Reed misinterprets Sue’s reluctance to talk about her kidnapping drama as proof that she’s still in love with Sub-Mariner.
  • In Tales to Astonish, Jan tries to make Hank jealous, and effectively cheats herself out of a marriage proposal.
  • Now, Blake wishes Jane a good time on her date with another man, eliciting an inner sob of “My love means NOTHING to him!”

There are two dramas taking place in all these comics: the superficial stories in the straight-edged word balloons, and the real stories inside the cloudy thought balloons.

SECRETS? In a pinch, Blake reveals the secret of the cane to not only Cobra and Hyde, but also to Jane. He transforms into Thor with all three in the room, hoping they will continue looking out the window for Thor’s arrival, rather than watching the lame doctor in the back of the room.

That’s exactly what happens, and Thor quickly explains away Blake’s disappearance as “He ran to call the police.” No one questions how Blake can run so fast without his cane, nor do they question how Blake is able to summon the mighty Thor with a simple tap of his cane.

A lot of important information has been revealed—information that should not be easily forgotten. I can’t wait to hear the conversation next time Blake and Jane get together. After the usual, “Oh, Don! You should have been here! Thor was wonderful!” the girl should have some serious questions for her employer.

DANGEROUS WEAPON. So….it seems anyone can stomp the cane to make Thor appear. Really? And what might happen if Blake accidentally forgets his cane in the supermarket and the bag boy takes it out back to play stickball with rotten cantaloupes? One shudders to think.

MISSPELT. Nitpicking. The Heavy Machinery Show is being held in a coliseum—which is misspelled in bold lettering as “colosseum.”

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jim105thumb“When Heimdall Failed!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: George Bell
Letters: Art Simek

In the accompanying Tale of Asgard, Heimdall does not, in fact, fail to detect a “Vanna,” an enchanted air creature on a top secret mission for the the evil storm giants. As the Vanna sneaks past the Rainbow Bridge, Heimdall feels uneasy, and reports his suspicions of impending danger to Odin. When Odin has everybody in Asgard hold their breath, he is able to capture the mischievous Vanna with more ease than Grasshopper snatching the pebble from the Master’s hand. Though Heimdall is distraught over being unable to see the unseeable, Odin heaps on the praise, declaring that Heimdall “holds a place in the heart of Odin second only to Thor himself!”

Bet Loki is none to pleased to hear that.

jim105bifrostSo even when Heimdall “fails,” he still does good. Where this tale fails for me is in Jack Kirby’s interpretation of the unseeable air creature, who appears “a part of the silent breeze,” but is drawn more like an albino snake, a silkworm, or a sperm from your 5th grade sex ed text book.

I’m also still having a problem with the Rainbow Bridge, seen here in springtime pastels.

Posted in Daredevil, Giant-Man, Meanwhile, Spider-Man, Tales to Astonish, Thor, Wasp | 2 Comments

TALES OF SUSPENSE 54: Excuses, Excuses…

Published: June, 1964

Published: June, 1964

“The Mandarin’s Revenge!”
Script: Stan Lee
Art: Don Heck
Letters: Art Simek

Stark travels to Viet Nam and discovers the Mandarin is responsible for Stark Industries missiles being mysteriously destroyed. Stark has himself taken prisoner by the Mandarin, then goes into his Iron Man routine. They fight, and Mandarin is impressed enough to offer Iron Man a position as Vice-Villain, second in command of his Evil Empire. Of course Iron Man refuses, and in the end, Mandarin captures him with steel bands. Thinking the end is near, Iron Man vows to face death like a freedom-fighting American!

Tune in next time, folks…

LOVE AND DANGER
That’s the basic action in this story, but it’s merely the backdrop for what’s really happening, in the topsy-turvy soap opera. On page three, I ran into something that was so monumental, it absolutely blew me away. When Stark is called to Washington, Pepper wants to travel with him, “to take notes,” but Tony refuses. It didn’t blow me away that Tony refuses Pepper’s thinly veiled advances, but his word balloon is so utterly shocking, it deserves our full attention:

tos54darenot

WHAT?? Are you kidding me? This is news! Big news!! Is our favorite millionaire industrialist playboy actually considering settling down? Because “be with her always,” can only be a euphemism for marriage. Especially in the 1960’s.

Now, I may not always be the best at remembering all the little details in these stories (did Thing wallop Doctor Doom with the crowbar before or after throwing a bus at him?) but if Tony Stark was seriously considering domestication, I would have remembered THAT. But honestly, folks, until this moment…it just wasn’t there.

So what’s triggered this drastic change in attitude? If you’ll recall, Pepper recently glammed herself up for the boss, covered her freckles with makeup, poufed her hair, put on a tight-fitting dress—and Tony finally showed some interest. But he barely skipped a beat before going right back to dating Veronica Vogue, followed by an ill-fated fling with Black Widow.

So where are these new thoughts coming from? Could this be a fortunate side effect of getting drawn into the web of the Black Widow? Has facing death at the hands of the Russian femme fatale finally made Tony realize there’s more to a woman than a pretty face and tight-fitting dress? Maybe it’s suddenly occurred to him that he needs to implement more selective criteria, when it comes to choosing the women in his life.

But he doesn’t need to choose Pepper. She’s already in his life. And she’s a good woman, right? Loyal, efficient, feisty. Tony knows he can depend on her. Crazy as his life is, with his government contracts, globe-trotting, and secret identity, deep down he knows he’s yearning for the kind of stability a no-nonsense gal like Pepper Potts could provide.

tos54lastmomentIronically, while he yearns for stability, at the same time, it also terrifies him.

But have no fear, Stark! Don’t be terrified. There’s an easy out, and it’s right here in the middle of your thought bubble. You can always fall back on the old reliable superhero excuse: I “dare not expose her to the dangers that IRON MAN must face!”

Ahhh…suddenly, this all makes sense. Stark thinks he can have it both ways, the proverbial having your cake and eating it too. Or in his case, it’s more like wanting to eat the delicious cake that you know will turn your handsome physique to pudge, but guess what? You’re allergic to eggs, so you never actually have to eat cake and get fat, but all the while, you can keep enjoying the idea of cake.

Well…it makes sense to me.

And here’s something else to consider: later, Iron Man hitches a ride on the bottom of a long range missile, thinking, “My built-in oxygen mask and my flexile armor should enable me to endure the shock of blast-off!” To which I say: Should? Should?? Is that really the sort of thing you want to leave in the hands of “should”? But then again, Iron Man lives with the constant threat of shrapnel stopping his heart at any moment, so “should,” is probably good enough for him.

But I say, even though “should” works on that level, it also serves a deeper purpose. As Stark reminds himself how precarious and dangerous his life is, he further convinces himself that as much as he would like to marry Pepper, it’s really not a good idea for either of them.

tos54smallvillePeople come up with all kinds of excuses for avoiding relationships and intimacy, but Tony Stark can legitimately say, “I dare not expose her to the dangers I face.” We saw Smallville’s Clark Kent struggle with this issue right up to almost the very end of the ten-year series, and we know that many a Marvel superhero also chooses to keep their identity secret, specifically to protect their loved ones from a villain’s wrath. It’s a legitimate concern, but at some point, it may also becomes a crutch, an excuse for not getting on with a normal life. Is that what Stark is doing here? Does he let himself believe, “Oh, if only I didn’t face so much danger as IRON MAN, then surely I would like to settle down!” while at the same time secretly thinking, “Thank goodness Iron Man makes my life too dangerous to actually have any real and meaningful relationships!”

When Spider-Man keeps his identity secret, we feel for him. Peter has found Betty Brant and wants to get close to her, but so many of his Spider-Man issues keep making that difficult. But I suspect Stark sees Iron Man as permission to go on being a playboy while he merely flirts with the idea of a serious relationship with Pepper.

At this point, I’m seeing Stark as the emotional equivalent of a spoiled two year old, who wants to have it all. Because at the same time that he’s so busy convincing himself that his life is too dangerous to let Pepper get truly close to him, he’s also jealous of Happy, who gets to spend way too much time with Pepper! Stark broods that there may be a romance brewing beneath all that bickering, then snaps at Happy for no reason other than his unreasonable jealousy.

Stark would probably like it best if Pepper were to go on pining for him, ignoring Happy’s obvious attentions, while he, Stark, continues to hold her at arm’s length, sighing, Oh! If only I COULD have Pepper as my own, but alas…alas…

What a drama queen.

Recently on this blog, Chris Tolworthy commented that Reed Richards “finds relationships confusing and exhausting,” which I have to agree with. But how about Tony Stark? I think he also finds relationships confusing and exhausting.

When are these guys going to grow up?

THE MANDARIN-FLAVORED CORNBALL
I could go on, but I think you get my point. Let’s switch gears for a moment and talk about the villain. This is the second time we’re running into the Mandarin, Marvel’s new “most talked-about villain” (as per the cover). tos54battleI have to wonder if he really was most talked-about, or is that just hyperbole to convince readers that everyone else thinks Mandarin is really cool, so they should too? Because he’s back, and we need to convince you, so we can sell lots of comic mags.

The first time I met the Mandarin, I was only mildly impressed. This time I’m a wee bit more impressed. Not so much because of the power of his rings, but more because of the way his mind works. In the middle of battling Iron Man, Mandarin forsakes the poo-pooing of his opponent’s abilities, and instead openly acknowledges that a power like Iron Man’s could be useful, and invites his formidable foe to join his evil empire.

In the world of superheroes and super-villains, there can be no higher compliment. Iron Man should feel flattered.

But, while this is a grand gesture, it’s obvious to everyone involved that there’s no chance of this going anywhere. Any superhero worthy of his cape or jet-powered boots is not going to switch sides simply because his opponent asks him to. In fact, if Iron Man were to suddenly stop fighting and ponder the offer, with “Huh! Really? Hmmm… What’s your Retirement Plan? Do you offer Dental?” that would automatically disqualify him for the job. The only way a superhero might work for a super villain is if he was setting a trap, engaging in subterfuge. Mandarin knows this, and Iron Man knows it too. It’s never going to happen, but it’s a respectful nicety of super-being society—sort of like our human custom of complimenting the cook, even as you’re reaching into your pocket for some Tums.

At one point, Iron Man calls Mandarin a “Cornball.” Thus sayeth the man in the red and yellow suit of armor. Iron Man also notes that Mandarin “sounds like a hold-over from the late late show.” Actually, come to think of it, a lot of Marvel villains resemble late-show cornballs. But the saving grace here is that recognizing and admitting this makes it that much less cornballish…if that’s a word. This is a comic book world. The villains wear masks and capes. Heck, the heroes wear masks and capes! It’s ALL cornball. But that’s okay.

SUPEPHERO FASHION
Speaking of masks, Stark has fashioned a new helmet for Iron Man. It’s stronger, lighter and more comfortable than the old helmet, and all that definitely goes down in the plus column, but it doesn’t really look that much different. In fact, if Stan hadn’t made a big fuss about it at the beginning of the story, I probably wouldn’t have noticed.

But since he did make a fuss, I took notice, and I’m here to report two main differences. First, the new helmet has dotted lines where the pieces are held together. Not my favorite design. It may BE stronger and lighter, but the dots give the impression it’s not yet finished. (As someone somewhere once said—and if you know, please share, because I can’t remember where this comes from—“Connect the dots, man! Connect the dots!!”)

oldhelmetnewhelmetYears ago, when I used to sew a bit, I remember something called a “slip stitch,” which is a wide quick stitch you make just to hold two pieces of material together until you can do the real sewing. To me, that’s what Iron Man’s new helmet looks like—a work in progress, that could be torn apart at any moment.

I understand that all the little black dots are supposed to be rivets, holding the entire thing together. Well, if that’s the case, how could it possibly be lighter and more comfortable than the previous helmet, which appeared to be welded? And isn’t this just opening up more opportunities for rust?

More importantly, perhaps, it appears the eye holes are smaller than before. That’s good for protection, but I wonder if the new design impedes his vision. Also, larger eye holes have previously allowed his enemies to see the fierce determination in his gaze. Is he now losing this crucial psychological advantage?

tos54gab

Makes me wonder if that’s what’s behind this sudden Spider-Man-esque chattiness. As Tony engages in battle with the Mandarin, he just can’t seem to shut up! Is this verbal overcompensation due to a subconscious awareness that though his new mask makes him more of a technological terror, the human element is swallowed up by that technology? If Iron Man is simply a fighting machine with no soul, perhaps Stark fears he could be manipulated and defeated as easily as the missiles the Mandarin has been able to control. Perhaps on some deeper level, Stark knows that the Man is more important than the Iron.

I’m not a big fan of this new helmet, and hope it won’t be around for long. However, in the short time I’ve been reading the Iron Man title, I’ve already noted that Iron Man seems to change his armor (I can’t bring myself to call it a “costume”) just about as often as Sue Storm changes her hairstyle. In foe-fighting, as in fashion, if you’re not moving forward, you’re falling behind. And Tony Stark is not one to be left behind! Unless we’re talking about missing out on a lifetime of happiness with the girl of his dreams because he stupidly refuses to apply that gigantic brain of his to figuring out a way he can have it all. No more excuses, Tony! If you can store an entire suit of armor in a slim attache case, and oh…by the way…FLY…surely you can make it work with Pepper Potts!

My advice: go for it!

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Posted in Iron Man, Tales of Suspense | 2 Comments

FANTASTIC FOUR #27: What We Have Here Is a Failure to Communicate

Published: June, 1964

Published: June, 1964

“The Search for Sub-Mariner!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: George Bell
Letters: Sam Rosen

Since this blog approaches Marvel comics from a female point of view, it’s likely this post will make observations about this highly explosive episode in the ongoing saga between the Fantastic Four and Sub-Mariner that have never been made before. This is a great story! But the underlying theme is that, sometimes, when it’s most important, men do not know how to communicate. If they did, we wouldn’t have all this ongoing drama. They say women are drama queens? Huh! This time, guys, it’s all on you.

We start our tale with Reed testing his new Thought Projector Helmet, which displays, for all to see, the helmet-wearer’s innermost visions. I’m sure Marvel readers down through the ages have gotten a kick out of this device. The first thing we see is Reed thinking about Sue…in a bathing suit…a one-piece bathing suit…wearing shoes. Yeah, not only does he censor his thoughts enough to think of her in a one-piece bathing suit, but he also puts her in shoes. I know this is a family-friendly title, so she has to be wearing some sort of clothing…but shoes? Really?

ff27sueimageThough, come to think of it, I don’t know if I’ve yet seen bare feet in Marvel comics—normal, human feet, that is, not superhuman mutated monstrosities of feet. Maybe the same Comics Code that insists Sue be in a one-piece bathing suit also puts shoes on her feet?

How obliging of Reed to confine his innermost thoughts to Comic Code approved images.

Anyway, the real point here is Thing’s immediate comment: “Whataya know?! So his brain AIN’T just a mess of test-tubes and six-syllable words!” That phrase pretty much sets the stage for the rest of the story. Our mild-mannered scientist, who almost never reveals his true feelings, is about to go nuclear!

And it will be fun to watch. But also frustrating.

After some playing around with the Thought Projector, Sue leaves, and Reed announces to Thing and Torch that he’s going shopping…for an ENGAGEMENT RING! I guess in Fantastic Four #1, when Sue describes herself as Reed’s fiancée, it was only wishful thinking on her part. Or maybe it was a carefully crafted plan to fluster him into allowing her to join that fateful space flight into the cosmic rays.

Or, maybe there’s another explanation. We already know Reed is much more comfortable using six-syllable words to talk about test tubes than he is in making declarations of love. Perhaps in his failure to communicate, Sue has gotten a completely erroneous idea about the state of their relationship.

But Reed’s seeing much clearer now. Who knows what he imagined Sue wearing before? A turtleneck sweater, overalls…and galoshes? So perhaps he’s now more in touch with his true feelings about the blonde beauty, Sue Storm. And at last, he is ready to “pop the question.” He goes shopping, comes back with the engagement ring, ff27franticand bubbles over with jubilation about his proposed proposal…until he discovers that Sub-Mariner has kidnapped Sue!

Now Reed is in a rage. And such a rage we have never seen before! Yes, I guess our stoic scientist does have emotions, and he gives a good display of them now, flinging his elongated limbs all over the lab, as he vows to make Namor “PAY for this…with his LIFE!” Even Johnny and Thing are surprised by Reed’s outburst, reminding him to simmer down because “it’s shamefully undignified!”

When Reed gets hold of himself, he searches for Namor on his Radar-Sweep-Ray, which covers the surface of the entire planet like a fine-tooth comb. Which leads to my first question: how does that work, exactly? Does the Sweep-Ray know exactly what to look for, and hones in on it with scientific precision? Or is it only providing an image of every frickin’ detail of the entire surface of the planet, like some giant Where’s Waldo game? If Reed has to look at EVERYTHING on the planet in order to find Namor and Sue, he may not recognize them when he finally succeeds—because by that time, they’ll be gray and wrinkled!

Though Torch and Thing have been forbidden by Reed to assist, they call in Dr. Strange, to help on the “hocus-pocus” front. Neither seems entirely convinced Dr. Strange actually exists, and show surprise when he finally makes an appearance, walking through the wall.

cgable4ff27strangeBy the way, Dr. Strange looks exceptionally handsome here in his ectoplasmic form! Russ says he thinks Strange is channeling Clark Gable, but frankly, my dear, I have to wonder if the air in upper Manhattan agrees with him more than the air of Greenwich Village? Or, perhaps he’s benefiting from a Jack Kirby beauty treatment?

Strange uses his own version of a Radar-Sweep-Ray, his ever-powerful amulet, to track down Namor in his underwater castle, at about the same time Reed enters through the castle’s unlocked back door.

Now, here’s where things really get interesting.

Strange observes, as we do, Namor making his plea to Sue. The King of Atlantis only desires 24 hours to plead his case, to make the surface woman see that she should choose him over Reed. After all, Namor notes, he has never had the “chance to date” her, the way Reed Richards has. See? He’s not really a bad guy kidnapper. He just wants one thing: a DATE.

Okay, I have to admit, at this point, Sue is not communicating, either. When Namor says he wants 24 hours “to tell you how I love you…to ask you to be mine!!” Sue responds with “But Reed will find you! And when he does…nothing can save you!”

It probably would have been better if she chose this moment to deliver her wonderful “Let’s be friends” speech from page 22, but give the girl a break. She’s been knocked out, kidnapped, held prisoner in a glass bubble at the bottom of the ocean. Certainly, she does not consider Namor a rational being who can be reasoned with, so it’s not surprising that all her thoughts are focused on what Reed will do when he finds her.

Namor’s reaction to Sue’s threatening predictions? “So!! STILL you torment me! Am I NEVER to know…is it Reed Richards…Or is it me you love?”

That’s a pretty straightforward question, and one that deserves an answer. But so quickly, Reed arrives on the scene, or at least his elastic arm enters, stage left, entrapping Namor like a boa constrictor. (And by the way, I thought it was pretty funny when Sue sees the long blue arm and exclaims, “Reed! It’s YOU!” No, honey, it’s that OTHER guy in a blue costume who can stretch his limbs like a boa constrictor. )

ff27submarinersAnd now begins page upon page of obligatory fight scenes. Reed and Namor challenge each other in every way possible, each exhibiting his strength in turn, until reinforcements show up, and the battle grows even more intense. Namor’s small army of warriors, who deserted him earlier because they felt their leader was wacko for wanting to marry a surface woman, returns now, declaring, “We realized we could NOT desert our Prince and still be worthy of the name Sub-Mariners!!!” Yes, three exclamation points, but this also raises another question: are all the Atlantean warriors “sub-mariners”? I thought Namor was THE Sub-Mariner. His men seem to think they’re Sub-Mariners too. Perhaps someone in the know could clear this up for me?

At the same time, the forbidden-to-appear Torch and Thing also appear, courtesy of some Dr. Strange hocus-pocus, and while Thing fights the warriors, Torch frees his sister. There’s further commotion involving a Remote-Controlled Spy Camera the size of Michigan, as well as Electro-Stun Guns, and later, an Undersea Blast Gun. This story’s got all the toys!

But in the end, it comes down to this: two fellas fightin’ over a gal.

They both fight nobly, for they’re both noble fellas, and the prize is worth fighting for. But beyond that, it’s a fascinating fight, full of insightful moments.

ff27fightNamor, like us, is not used to seeing Reed Richards let his emotions get the better of him, and when he observes that “Mr. Fantastic can explode in a fit of rage like anyone else,” he gains new respect for his rival. “Perhaps now,” Namor taunts him, “you can understand MY feelings,” citing his distress when the accursed humans caused him to lose his kingdom, his people, everything he holds dear.

Are these two finally connecting on some deeper emotional level? Might they finally be coming to the realization that the other is not “the bad guy,” but that he’s also fighting, with equal conviction, for that which he holds most dear?

Namor goes on to ponder what a pity it is that he and Reed are mortal enemies, because “together, we would be unconquerable!!” Could you imagine? The regal strength of Sub-Mariner teaming up with the unstoppable smarts of Mr. Fantastic? To even THINK such a thing blows your mind!

Of course, this moment of understanding is all too brief, for it’s quickly followed by Namor’s realization: “But, that can never be!” Yeah, we know. And why? Because, as Namor later figures out: “We live by different codes!”

That’s the crux of it all, isn’t it? They live by different codes. One on land, the other by sea. One a king, the other a citizen of a democracy. It’s sort of amazing that it took Namor so long to figure this out. But it’s encouraging that at least now he recognizes Reed is not being stupid, cruel, or obstinate. He recognizes that he and Reed are brothers in their search for what is most edifyingly noble…brothers, yes…but brothers of different mothers.

ff27kidnapAnd all of this could have so easily been avoided. Right? If Namor had taken a few moments to acquaint himself with human customs and think about how his actions were likely to be perceived before enacting his crazy plan to kidnap Sue and drag her down to the bottom of the ocean for 24 hours of brainwash-dating, he could have avoided a lot of complications. Maybe he should have started out by putting on a suit and tie and “accidentally” running into Sue at the coffee shop? From there, he might loan her a book about Jacques Cousteau. That would surely lead to some pleasant conversation. Maybe in his world a monarch grabs a woman by the hair and drags her down to his undersea castle, but a human woman in this liberal age… not so keen on that treatment.

And that woman’s human boyfriend, even less so.

Namor’s problem is that he thinks he’s the center of the universe. He thinks everyone has to conform to his way of thinking. And I hate to say it, but that’s Reed’s problem, also. As a rule, Reed functions from a place of science and logic, and when that’s your foundation, why would you look any further for explanation and meaning about how the world works? Reed thinks he has all the answers, and he doesn’t have patience for any mindsets that are not as enlightened as his.

So, that’s my point about men not communicating. But wait, there’s more. I mentioned earlier that Sue has a wonderful moment on page 22 when she finally comes right out with it, in no uncertain terms. Let’s listen in:

ff27apology

So, even though in the past, Sue’s spent some valuable time hemming and hawing, trying to eeny-meeny-miney-moe her decision between Reed and Namor, all that’s behind her now. She makes a bold declaration of her feelings…in front of everyone! Namor, Reed, Johnny, Thing, even Dr. Strange, who’s been observing the dramatic undersea tableau via what appears to be a crystal ball.

Namor said he would be willing to accept Sue’s decision, but he hasn’t yet had his entire 24 hours with her (and unfortunately he wasted the first hour or two of their special time together beating up her boyfriend), so as Dr. Strange notes that Namor’s “rage is mounting,” and “He is capable of ANYTHING!” the benevolent doctor mystically whisks the Fantastic Four out of danger.

Now they’re back in the sub, heading home. And this is when we get one last-minute kink in the story. Listen closely.

“Sue, darling,” Reed begins, “about what you said back in Namor’s palace…”

Dot dot dot. He’s handing her the ball. And what does she do with it?

“Please, Reed! I-I’d prefer not to discuss it now! I’m still so shaken!”

Understandably. But….

She’s not saying I don’t ever want to talk about it again. She’s just saying, hey, can we hold off until I’ve had a chance to put on my jammies and pour myself a glass of wine? In case you haven’t noticed, it’s been a tough day.

How does Reed feel about that? We may never know. Because the lunkheaded Thing decides to butt into something that’s none of his business, asking Sue, “Hey! You didn’t just say what you did in order to prevent any more fighting, did you?”

Huh? What? Why?? WHY? Why couldn’t he just keep his big mouth shut!

Now, Reed’s a pretty smart guy, and he may have eventually come up with that EXCUSE himself for avoiding further intimacy. But Thing hands it to him on a silver platter. And he TAKES it!!

Barely skipping a beat, Reed exclaims, “NO! Don’t answer that, Sue! I think I’d rather not KNOW your answer!”

Thing is not the only lunkhead in this scene.

ff27sadreedWHAT is going on here in the less-than-fantastic thought processes of Mr. Fantastic? Earlier in the story, he felt confident enough to buy Sue an engagement ring. He was ready to give it to her before the interruption of this little fiasco…which, by the way, ends with Sue confessing her love for him in front of EVERYONE. Now, he should feel more confident than ever, but instead, he develops feet of clay and retreats back into a place of “uncertainty and anguish,” gripping the wheel of the submarine with knitted brow.

Okay. I started out saying this was all about men’s inability to communicate, but my girl Sue, in the next to the last panel, establishes herself as the third lunkhead in this scene. “Oh, Reed, you blind fool!” she thinks, “Of course it’s you l love!! But how can I ever CONVINCE you?”

Well, I can think of one way. Sue’s words are encased in a thought bubble, not a word balloon. I understand she’s feeling stressed after everything that’s just happened, but what she needs to do right now is straighten out the curvy edges of that thought bubble and turn it into a word balloon.

Talk. Communicate. Don’t keep it all inside, honey. Tell your man how you feel. Again. And again, if need be. And you might have to tell him again and yet again, but at some point he’s bound to HEAR you and BELIEVE you, and jump out of his self-protective shell of uncertainty and anguish.

There’s a shiny little bauble he bought you, way back on page six, but you can’t enjoy it, unless somebody in this group starts figuring out when to shut up, and when to speak out.

I wouldn’t hold out too much hope for the menfolk, Suzy. It might have to be you.

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STRANGE TALES #121: Clips and Quips and Sinking Ships

Published: June, 1964

Published: June, 1964

“Prisoner of the Plantman!”
Script: Stan Lee
Art: Dick Ayers
Letters: Art Simek

In honor of our newly revamped Plantman, I’ve decided to approach this story in a “Clips and Quips” format. Imagine this story is a rose bush, and I’m clipping a few of the most beautiful flowers for a bouquet of outstanding moments. Some of these roses honor the artist, others the writer. Some are silly, others sublime, but it’s all working together in an exquisite arrangement of fun and fancy.

FOLIAGE MAKES THE MAN
In Strange Tales #113, Plantman was attacked by “vengeful plants,” and yet now he’s creating another ray-gun. My first thought is, “Will he never learn?” But this time, the plants do not turn on their master. No explanation is given, but I have a theory: Maybe the plants have developed a deeper respect for Plantman, due to his new costume?

LETTUCE ENTERTAIN YOU
st121carIn his second incarnation as Plantman, Sam Smithers devises a more dramatic, more organic, costume. Well, really, he has to, if he wants anyone to take him seriously. The green coat and hat simply weren’t screaming “Super-Villain!” Now he truly looks the part. However, the image of a giant head of lettuce cruising along in a blue convertible is also sort of hard to take seriously.

SO, WE MEET AGAIN!
st121plantmanWhen Plantman appears in Johnny’s room, in the grand Marvel tradition, Johnny announces him, with “PLANTMAN!!!” (three exclamation points) and then adds the ever-popular, “I should have guessed!!” I’m not sure why Johnny thinks he should have guessed. Last time they met, Plantman was shabbily dressed in a green coat and hat. But I guess when a giant head of lettuce flies through your bedroom window, Plantman is a good assumption.

THE FACE OF EVIL
st121smithersst121acornsDick Ayers gives us a villain who, with a gleam in his eyes and a sneer on his lips, looks truly demented. As Johnny quips when the cops show up: “He looked better with the mask ON!” Agreed.

FROM TINY ACORNS…
We know Torch’s kryptonite is everyday H2O, but see how easily Plantman is able to put him out of commission with MOIST ACORNS. Really? Not cool. I hope Doctor Doom and Paste-Pot Pete don’t discover this secret weapon.

HOW COULD YOU FORGET?
And now for some quips! This story was truly amusing in parts, especially when Torch and Plantman exchange boasts. First, we have a back and forth bit I like to call, “You forget…”

Johnny: Too bad you forgot I can FLY!

Plantman: I didn’t forget! I was PREPARED for that!

And later:

Plantman: You forget—I’m still master of plants—and I have many more powerful allies…such as the CACTUS!

Johnny: YOU forgot something, too! I can STILL generate enough body heat to MELT their quills!

At this point, I’ve totally forgotten that once upon a time, Strange Tales was my least favorite of the Marvel comics. I’m having a blast!

SURPIRSE, SURPRISE!
Next, we get this delightful exchange of one-upsmanship:

Plantman: I’m too clever not to have left myself an OUT!

Johnny: You’re bluffing and you know it!

Plantman: Think so?? (and goes on to explain how he’s keeping Doris Evans captive)

Johnny: Plantman, have I got a surprise for YOU! I expected something like this, so… (and goes on to explain how Thing is guarding Doris)

MORE, PLEASE
This is great stuff! Last time we visited Plantman, I remarked that a villain who controls all the foliage on the planet could be a formidable force. I’ve gained a lot more respect for Plantman in this outing. Even though he’s arrested in the end, the last time we see him, he’s uttering that classic super villain promise, “You haven’t heard the last of me! This is only the beginning for Plantman!”

Oh, let’s hope.

st121banner


st121thumb“Witchcraft in the Wax Museum!”
Script: Stan Lee
Art: Steve Ditko
Letters: Art Simek

In our accompanying Doctor Strange story, there’s entirely too much ectoplasm flying around. It all begins when Strange gets a telephone call. I don’t know why, but the image of Dr. Strange, with his high collar, gloved hands, and severe widow’s peak, talking on a telephone strikes me as…dare I say it?…strange. People who regularly wear magical amulets should not be talking on telephones. I mean…whatever happened to good old-fashioned telepathy?

st121phoneStrange decides to travel via his ectoplasmic self, so he can more quickly answer the telephoned summons for help. But arriving at the source of the call, he finds he’s been duped, lured into danger by a recording device.

So he returns home, only to find his old enemy Mordo has stolen his body! Seems if ectoplasmic and physical bodies remain separated for more than 24 hours, both will perish. Strange searches for his carefully hidden body, but Mordo slows him down with a series of ectoplasmic enemies, until only one hour remains. Talk about a sinking ship!

As the clock ticks down to disaster, Strange suddenly remembers that he can use his amulet to recreate the light waves of past events. I guess those ectoplasmic battles kept him so busy for so long, this vital piece of information escaped him…for 23 hours!!

But anyway…now that he’s got his wits about him, Strange aims the amulet, and follows the shadows of the past to the wax museum. With only ten minutes left to live, he finally finds his body. But Mordo has placed an impenetrable spell over it!

Now that Strange is thinking clearly (I guess he works best under pressure), he tricks Mordo into believing he has given up, and is going off to die quietly in a corner somewhere. But, as Strange leaves the premises…surprise! A wax figure warrior comes to life and captures Mordo. Physically bound and gagged, Mordo’s ectoplasmic self escapes.

Now here’s where it gets tricky.

st121clockThe ectoplasmic rival forms of Strange and Mordo battle, and Mordo seems to win, but we quickly discover that was not REALLY ectoplasmic Strange fighting ectoplasmic Mordo. It was only “a figure image” of Strange’s ectoplasmic self. The REAL ectoplasmic Strange binds the ectoplasmic Mordo in what looks like a wad of foul chewing gum, so that he (ectoplasmic Strange) can return to his physical body.

Then Strange does that Noble Hero Thing. Though Mordo tried to kill him, and he now has his arch-rival in a position where he can put an end to all his dastardly deeds forever, he refuses, citing “for I have vowed never to take a life, no matter how deserving it may be of death!” Still, Strange makes another vow: he will keep ectoplasmic and physical Mordo separated for 23 hours, just to torment him.

That tormenting part is actually not so Noble. But I guess he’s trying to Teach Him a Lesson.

And, at last, as Strange disappears into the night with his cloak dramatically billowing around him, he boldly proclaims that “evil can never triumph over the force of good!”

What a show of bravado! But, I have to wonder: is it false bravado, or has Strange completely forgotten that he was within ten minutes of death? Does that mean nothing to him? Is Strange, like Daredevil, a man without fear? Or is he perhaps, only, a man without BRAINS?

If I were Strange, at this point I wouldn’t be walking away into the dead of night with my cape billowing dramatically around me, declaring that evil can never triumph over good. I would be taking a long, hard look at everything that just happened, just in case there might be a Lesson To Be Learned.

May I suggest: Do unto others before they do unto you?

When Strange had Mordo trapped in the chewing gum and allowed him to live, Mordo quickly predicted, “Your refusal to finish me will prove to be your undoing!” Well…it might. Or it might not. In the real world—yes, it would. But, being that we’re in a comic book world, and Strange is our hero, my money’s on “might not.”

Now, one of two things is going on here. Either, Strange is, in fact, a Noble Fool, correctly labeled by his arch-enemy Mordo, or…he’s keenly aware that he’s living in a comic book world, and so he decides to keep Mordo around, so he can toy with him, in further battles, which st121cloakwill be dramatically documented within the back pages of Strange Tales, allowing him further opportunities to walk off into the dead of night, spouting grandiose platitudes from behind his high collar and billowing cape.

Works for me.

ff27tease2But wait! Doctor Strange can’t head home and hang up his cape quite yet! One more adventure awaits him this month. So join me next time, when the good doctor’s mysticism mingles with the majesty of the sea and the finery of the four, in yet another star-studded adventure…right here in the Marvelous Zone!

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Posted in Doctor Strange, Human Torch, Strange Tales | 7 Comments