TALES OF SUSPENSE #48: Iron Man Gets a Makeover

Published: January, 1964

Published: December, 1963

“The Mysterious Mr. Doll!”
Script: Stan Lee
Pencils: Steve Ditko
Inks: Dick Ayers
Letters: Sam Rosen

First the big news: Iron Man gets a makeover! And boy oh boy, does he look refreshed! If Tyra Banks of America’s Next Top Model could get her pretty little mitts on Iron Man, she’d have one heck of a blockbuster show!

Remember how Iron Man started out in that awful gray tin can of a costume? After that, he looked shinier in gold (well yellow, actually, but use your imagination). But now we see him in gold and red, looking much more like the Iron Man we’re familiar with. There may be further developments down the road for Iron Man, but at this point, we have at last arrived at the “modern” Iron Man. Those of you who know what lies ahead for this character may be laughing yourselves silly at my simplistic comments, but still, you have to admit: Iron Man looks good.

That’s the big news, but there’s something else going on in this issue that really strikes me as both ridiculous and entertaining at the same time. Speaking of costumes, is it just me, or does anyone else find a delicious sense of irony in the whole idea of Iron Man taking exception to the physical appearance of this outing’s villain, Mr. Doll?

I especially like this sequence on page 2. Read carefully:
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Huh? What? “A get up like that”? Isn’t this what your mother used to say about the pot calling the kettle black? I guess when Stark decides to don his “powerful guise,” somehow that’s not the same as what Mr. Doll is doing. Well, true. Iron Man does look powerful. Mr. Doll just looks…ridiculous.

But really, what can you say about this guy? He dresses like a Jester Academy drop out, and his superpower seems suspiciously like that of Alicia Masters’ stepfather, the Puppet Master. Doll has been using a…doll…which is really a “figurine” of some indeterminate substance, on which he alters the facial features to resemble anyone he wishes to victimize.

After his first run-in with Doll, Stark questions his commitment to his Iron Man activities, but eventually decides, “I prefer death to admitting defeat at the hands of a menace like Mr. Doll!” Yeah, that would be pretty embarrassing, wouldn’t it? There might be some honor in being conquered by Doctor Doom, Loki, or Magneto…but defeat at the hands of Mr. Doll? Don’t want that on your superhero resumé!

So, my question: Why not call him Mr. VooDoo? Or Dr. VooDoo? Wouldn’t that feel stronger, more menacing? Or was the word “VooDoo” taboo under the Comics Code, along with words like vampire, werewolf and zombie? I understand it’s difficult to create villains of mettle when huge portions of the English language are unavailable, but with Mr. Doll, it just seems Stan simply gave up and said, “Enough! I’m going to the house.” When wealthy businessman Carter relays his story to the police, and they acknowledge that Mr. Doll is a “whacky [sic] name,” this must be Stan’s way of saying, Yeah, yeah, I know…I’ll do better next time, I promise.

tos48dolldilemmaMr. Doll uses his doll to manipulate the richest men in town by causing them unbearable pain, until they agree to sign over their fortunes to him, “everything in writing, nice and legal.” Of course, when Doll sets his sights on Tony Stark, he must first deal with Iron Man.

So Mr. Doll paralyzes Iron Man, then takes a moment to refashion the doll’s face to resemble Tony Stark. He warns Iron Man not to move, since “I can alter my doll to resemble you in seconds, and bring you back on your knees!”

So here’s my problem: We understand that because Iron Man and Tony Stark are one and the same, there will never be a moment in this scenario when Mr. Doll is in danger, BUT…Mr. Doll isn’t in on the big secret! How bold (or how stupid) is he, that he feels comfortable releasing Iron Man from his spell, even momentarily?

Doll should realize that Iron Man could jump him and secure the figurine in less time than it would take to rework the face. He can only threaten one person at a time, and he doesn’t have super strength or super speed. He just has…a doll. So why does he take the chance?

I’m disappointed in the logistics of this story. Not impressed by this villain, and not really impressed with Iron Man’s solution to the problem. A transistor-powered force beam that can remold matter from a distance? Ha! Should have seen that one coming—or at least something like that. It’s just too predictable.

No, the real star of this story is Iron Man’s new suit. Stark makes the decision to lighten and brighten when he realizes that his current suit is too heavy, weighs him down and “saps too much energy.” Locking himself in his private lab, Stark works “as few men have ever worked before!” to fashion the new suit. And when it is fashioned, we are treated to a fashion show:
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I love the attention to detail in this spread. I love the way the pieces of Iron Man’s new suit “click” into place. The best part of all this, however, is when Stark explains on the next page that his new mask allows his expression to psychologically instill fear in the hearts of his enemies. LOL! Because facing off against a man in an iron suit is only SEMI-terrifying, if you can’t see his eyes.

And of course, I love the colors. What a feast of red and yellow! Coming up in my Meanwhile… post for December, 1963, I’ll make fun of the Hate Monger for wearing a big yellow H on his chest. So why is it okay for Iron Man to sport a lot of yellow in his costume? Well, first of all, Iron Man doesn’t wear a big I on his chest, just in case he forgets his superhero codename. Also, we know it’s not really yellow, it’s gold. Perhaps it would have served Steve Ditko well, if the color gold had been available on his pallet back in 1963. I guess it took a bit of imagination for the comic readers to envision the details of what Iron Man must have looked like, and how easily this new suit form-fitted Stark’s body.

Yes, back in the day, imagination was essential. Today, all we need is our eyes:

In addition to all this, as we know from past issues, Pepper Potts has a crush on the boss. When Tony needs to slip out the back door, he convinces his guard to leave him alone with Pepper for a few moments, because he wants to ask her out on a date. Hearing this, Pepper gets all googly. Happy, of course, does not look happy. But then again, he never does.

Alas! It’s all a ruse, a “powerful guise,” if you will, so Stark can gain the privacy he needs—not to romance Pepper, but to slip into his Iron Man persona. Now, I understand he had to do something to get away from the guard, but isn’t that exceptionally cruel of Stark? Isn’t he aware that Pepper has feelings for him? Well, if he wasn’t aware before, he is now.

And so, in addition to a new and improved superhero, we also have another episode in the Stark Industries Love Triangle soap opera. I’m sure there’ll be lots more fun in store for Iron Man, now that he can assemble more quickly, move with greater agility, and last longer without poor Tony Stark’s heart giving out.

I’m just not sure the same can be said for Pepper.

tta50avatarSo this has been a time of monumental change for Iron Man, but the fun doesn’t stop here! Another hero will experience a bout of growing pains, as events spin wildly out of control, next time we venture into the topsy-turvy Marvelous Zone!! Be sure to join me!

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STRANGE TALES #115: Where No Comic Has Gone Before

Published: January, 1964

Published: December, 1963

“The Origin of Dr. Strange”
Script: Stan Lee
Art: Steve Ditko
Letters: Sam Rosen

I love a good origin story, don’t you? Origin stories are the solid foundation upon which the rest is built. This is where we meet the principle players, and become acquainted with the most rudimentary elements of the new mythos. Sometimes origin stories are so popular, we keep hearing them over and over. Only rarely does that annoy me (I’m looking at you, 2013 Spider-Man reboot…). Most of the time, I love to hear those good old stories, no matter how often they’re repeated.

In the back of Strange Tales #115, we at last have an origin story for Dr. Strange, after we’ve already seen him in three adventures. On the splash, Stan acknowledges the oversight, adding, “Never let it be said that we don’t try to correct our nutty mistakes!” I wonder…was this truly a mistake, or were the decision-makers in the Marvel bullpen simply taking time to gauge how popular this new character might become?

Marvel Comics began as stories for little boys. By this time, however, the audience is maturing, though not through the passage of time–after all, it’s only been two years since the Fantastic Four ushered in Marvel’s Silver Age. Instead, older readers are attracted to Marvel because the characters and stories appeal to a more mature audience. With the advent of Dr. Strange, we have a completely new type of “superhero,” unlike any we’ve seen before—one that would prove immensely popular with college kids.

What? College kids reading comics? Surely, you jest! No, not at all.

It’s this quality that has caused Marvel Comics to endure to this day, spawning a multi-media entertainment empire worth billions of dollars. But remember, it all started with some simple stories and pictures, on newsprint, selling for twelve cents a copy.

Dr. Strange was given a TV treatment in the 1970’s, but so far, no one has tackled him on the big screen. I hope that won’t be an oversight for long. I hope someone in charge will eventually get it into their heads to correct this nutty mistake! And when they do, I hope we are treated to this mythic, poetic, almost surreal gem of an origin story:

ORIGINS
st115vainDr. Stephen Strange is a famous surgeon with no real concern for his patients. He is “proud, haughty,” consumed by his own success, and only cares about money.

One fateful day, the nerves in his hands are severely damaged in an auto accident, and he receives the devastating news that he will never again be able to operate.

Despondent, he drops out of society, insisting, “I must be the best…the greatest!!!! Or else…nothing!”

Depressed and drifting, Strange hears some sailors talking about the Ancient One, who possesses miraculous healing powers. Now at last, with a glimmer of hope, Strange makes the long journey to India.

The Ancient One refuses to cure Strange instantly, because his motives are selfish. Instead, he offers to tutor the despondent doctor in the mystic arts. Strange says, “Thanks but no st115ancientthanks.” The Ancient One doesn’t give up that easily. He conjures a blizzard which forces Strange to remain with him, and with his other pupil, the creepy Mordo.

One day Strange sees the evil vapors of Valtorr attacking the Ancient One, and discovers that Mordo is summoning the evil powers of Dormammu, in an attempt to usurp the Ancient One and secure absolute power for himself.

st115mordoWhen Strange threatens to reveal this treachery to the Ancient One, Mordo makes several magical attempts to stop him, but the unintended result of Mordo’s spells is that Strange finally becomes a believer in Magic! Now having a clear sense of the bigger picture, Strange decides to stay and be taught by the Ancient One, so that someday he may be able to beat Mordo at his own game.

Immediately upon releasing Strange from Mordo’s spells, the Master admits that he has known all along that Mordo is trying to defeat him. Wise beyond his years, the Ancient One reveals his strategy concerning Mordo: “Although he is evil, I prefer to keep Mordo HERE where I can control him.” As the saying goes: Keep your friends close, keep your enemies closer.

Dr. Strange remains with the Ancient One, and with Mordo, perfecting his skills in the long-dead mystic arts. Soon, he will be ready for further adventures with Marvelous Magic!

IMPRESSIONS
I only know a little Marvel history, but this much has made an impression on me: Dr. Strange is like no other Marvel character we’ve met so far. He’s much more mature and cerebral than even Tony Stark. He’s not a god, like Thor, and unlike Hulk, Ant-Man and the Fantastic Four, his powers don’t spring from science. Spider-Man and the X-Men get their powers from genetics and nature, but Dr. Strange is the st115shroudfirst of our superheroes to dip into the well of the SUPERnatural.

The dark air of the classic battle of Good vs. Evil hangs about him like a shroud. Bank robbers and thugs will not be the concern of Dr. Strange. For one such as he, even beings from other galaxies are too mundane! Dr. Strange will fight evil at its core, in the dark and mystical world of the paranormal.

Hold on to your hats! This title is about to go where no other Marvel comic has gone before!

tos48avatarThis time, we documented some strange changes in Strange Tales. Next, we’ll check in with a hero who undertakes modifications that will have his enemies seeing red! Who is it? If you can’t stand the Suspense, come along with me next time I travel through the Marvelous Zone!

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Meanwhile…: November, 1963

AMAZING SPIDER-MAN #6

asm6“Face-to-Face With…the Lizard!”
Script: Stan Lee
Art: Steve Ditko
Letters: Art Simek

IN A NUTSHELL
Scientist Curtis Connors self-administers a serum that restores his lost limb, but also turns him into a power-hungry lizard. In the Everglades, Spider-Man confronts the Lizard and develops an antidote. As they battle, Spidey forces the antidote down the Lizard’s throat before the crazed scientist can taint the water supply, thus preventing the transformation of local reptiles into a monstrously powerful army. Due to an earlier encounter with Spider-Man, Liz is now infatuated with the superhero and wants nothing to do with Peter.

WHAT’S HOT
LOCATION LOCATION LOCATION! Getting Spidey out of the city and into the Florida swamp is a nice move, a refreshing change of pace.

PARKER THE PLAYER, PART I. In the last issue, Peter began to develop an interest in Betty Brant, and it doesn’t take long for him to make his first move. He’s about to ask Betty for a date, when Jameson rudely interrupts. Bold move for Peter. It appears his Spider-Man persona is doing wonders for his self-confidence.

PARKER THE PLAYER, PART II. In other news, the always glib Spider-Man, while rescuing Liz from jewel-stealing thugs at the museum, tosses off a “Blue eyes,” remark that sets the high school girl’s heart aflutter. Now she’s no longer interested in Peter, or Flash, or anyone other than the elusive and mysterious Spider-Man! Does my spider-sense tell me we’re working up to a complicated web of love triangles? As Peter notes when Liz turns him down for a date, “Only a guy with MY nutty luck could end up being his OWN competition!”

WHAT’S NOT
CAPTAIN OF THE OBVIOUS. I’m afraid Spidey’s not as smooth as he thinks, when he confronts Jameson saying he’s going to accept the Lizard’s challenge, pointedly adding, “So you’d better send a photographer to Florida to cover the story!”

DULL-WITTED? Frankly, I’m amazed a newspaper man of Jameson’s experience doesn’t immediately suspect something fishy about Parker and Spider-Man making the exact suggestion within mere days of each other. Jameson may not have “spider-sense,” but you’d at least think he’s developed some level of journalistic intuition. Then again, his intuition was probably a wee bit topsy-turvy at the moment, hanging from his office ceiling by a spider web!

They don’t like the way that kid’s looking at them. Maybe it’s because he looks like…Spider-Man?!

REANIMATION?
Connors the Lizard has created a serum to turn all reptiles against humanity, and we are potentially looking at the biggest Japanese monster movie ever. But in the end, Spider-Man forces the antidote into the scaly scientist. Restored to his rightful form, Connors burns his research, promising never to dabble in such experiments again. So…is that a promise he keeps, or will we see the Lizard again?

The fact that the latest Spider-Man movie features the villainous Lizard makes me suspect this character is more than a one-hit wonder. But I wonder how we’ll get him back. I’d put my money on the brilliant Connors recreating the destroyed research, reasoning, “Oh, if I just do this one thing a little bit differently, surely this time it will work!” And of course it won’t. I’m not peeking ahead, but I’ll be looking forward to a next appearance by the Lizard.

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AVENGERS #2

a2“The Avengers Battle the Space Phantom”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Paul Reinman
Letters: Art Simek

IN A NUTSHELL
In an effort to conquer Earth, the Space Phantom first sets out to destroy the Avengers. He shape shifts into each member of the super team, behaving badly and setting them against each other. Through their combined ingenuity, the gang discovers his trick, and in the end, the Space Phantom’s attempt to send Thor to limbo backfires, and the Phantom himself becomes trapped in limbo. However, Hulk has been deeply offended by the other Avengers, and sets out on his own once again.

WHAT’S HOT
REPUTATION. The Avengers’ reputation has developed quickly to the point that beings from outer space are willing to travel weeks at light speed simply for the opportunity to destroy them. They’ve rapidly achieved status on a par with the FF!

SHAPE SHIFTING. The Space Phantom’s ability to shape shift causes multiple opportunities for us to see the Avengers fighting each other. Why is it we’re so fascinated by the idea of the good guys fighting each other? Is it just because we want to find out which superpower will trump the others? The Phantom’s super power of impersonation is impressive and dangerous—until everyone figures out what he’s doing.

NON-STOP. The more I read comics, the more I realize how much having multiple heroes in a title creates non-stop action. If the Space Phantom had faced off against any one of them, and not the whole bunch, the story would have been a lot less exciting, and over much sooner.

BUILT-IN CHEST PLATE ACCESSORY COMPARTMENT. In the heat of battle with the Hulk, Iron Man retrieves additional hardware from a built-in chest plate accessory compartment. Somewhat like a well-equipped vacuum cleaner.

HYPERSENSITIVITY. The Wasp is “hypersensitive to certain stimuli”? First I’ve heard of it. Well, wait…on the next page, Stan admits it might be partly due to simple “female intuition.” In this group, even a demi-power like female intuition can come in handy.

WHAT’S NOT
COFFEE CLUTCH. As the Avengers meet, Iron Man explains, “Even when there is no task before us, we still meet regularly to get to know each other better.” How horrid! This brings up every awkward and uncomfortable “getting to know you” session I’ve ever been forced to attend at church or work.

STUPID CRIMINALS. The Space Phantom feels a need to boast and brag, so reveals all his secrets to Rick Jones, then leaves. Hello!! I guess the Space Phantom hasn’t been paying close enough attention to know about the Teen Brigade—and in fact, later in the story, Jones uses his ham radio to relay his discoveries to Giant-Man.

PRONOUN AGREEMENT. As super villains will do from time to time (lots of times, actually), the Space Phantom refers to himself in the third person, but finishes the sentence in the first person. Observe: “How easy it is for the Space Phantom to sow the seeds of distrust and hatred among my victims!” Am I the only one a bit confused?

GIANT WASP. Okay, it’s not really a giant wasp, but while Janet is wasp-sized, she’s attacked by the Space Phantom disguised as a wasp, so the evil wasp is essentially the same size as her. Not a fan of insects in general, and this image strikes me as truly unnerving.

RUST. Another thing I didn’t know about our superheroes. Iron Man will rust in a rainstorm? Srsly? How can he be a superhero if he can’t go out in the rain?

SECRET IDENTITIES?
Iron Man and Thor are super concerned about maintaining their secret identities, yet Iron Man arranges for the Avengers to hold their clubhouse meeting at Stark’s industrial plant, and Thor leaves instructions to get in touch with Don Blake if he’s needed. Also, Rick Jones is a known friend to both Hulk and Bruce Banner, who never seem to be around at the same time. We shouldn’t need an Avenger whose superpower is super-intelligence to begin figuring out these secret identities. I wonder if any of them will hash out the identities of the others, then keep mum, out of a sense of propriety…to say nothing of fair play.

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FANTASTIC FOUR #20

ff20“The Mysterious Molecule Man!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

IN A NUTSHELL
The Watcher warns the Fantastic Four about the Molecule Man, who is a victim of an atomic accident and now “controls every molecule in the universe.” These powers are overstated, however, because after the team fights Molecule Man unsuccessfully, Reed surmises that this super villain cannot affect organic matter. Alicia covers the Four in plastic, so they appear to be statues. When Molecule Man attacks, the force feedback overwhelms him, and the Watcher quickly steps in to whisk away the Molecule Man.

WHAT’S HOT
YANCY STREET GANG. Not only do we finally get to see some members of the Yancy Street Gang, but they also help the Fantastic Four. Even though Thing is embarrassed by this turn of events, it keeps our heroes in the game.

THE WAND. It’s never really explained where the magic wand comes from, but in the end, it’s all that remains of the Molecule Man. Of course, he isn’t killed, just taken away by the Watcher, so there’s a good chance he’ll return. But even if he doesn’t, his powerful wand remains, and could play a part in future stories.

UNSTOPPABLE. We spend most of the story believing that Molecule Man has the ability to control “EVERY molecule in the universe.” His powers seem limitless, so midway through, with our heroes completely unsuccessful at containing him (never mind stopping him), we’re left wondering how in the world they’re going to get out of this mess. This is comic book drama at its best! Right? Not so fast, my friend! Read on…

WHAT’S NOT
CHEAT. The ability to “control EVERY molecule in the universe”? Well….not exactly true, is it? Late in the story, Reed surmises that “If he uses his power on organic molecules the force feedback is too painful for him to endure.” Thus, they are able to trick and weaken the Molecule Man, which the Watcher perceives as “Game over! You’ve won!” Pseudo science? Yes, but more significantly, this giant loophole finally allows our superheroes to emerge victorious. If not for this loophole, would they ever have found a way to defeat Molecule Man? I’m not so sure, and personally I feel cheated, having been fed vital misinformation.

YOU BREAK IT, YOU BUY IT. When Ben breaks a water pipe to attack the blue sphere, Reed says now they’ll have to repay the city. Really? The city would make them pay for damages incurred during a public service mission?

JOHNNY CAN’T READ? Johnny asks “Reed, what exactly are molecules?” I know we have to get this information to the readers, some who may still be in grade school, making paper airplanes during science lessons rather than paying attention to the teacher, but it’s hard to imagine that high school Johnny would ask this question. Unless maybe his academic career is absolutely littered with paper airplanes?

PRIME DIRECTIVE. SIGH… I’m not a big fan of The Prime Directive when it rears its obtrusive head on Star Trek, and even less when the Watcher reminds the FF that his kind are forbidden to interfere with people on other planets. But…by visiting people on other planets to provide information they would not know otherwise, isn’t that interference? And later, the Watcher says he could not interfere with the battle, “But now that you have won” he is able to take away the Molecule Man, restore the Baxter Building, and undo everything the Molecule Man did. Maybe I use a different dictionary than they do on the Watcher’s planet, but in my book, EVERYTHING he does in this story is interference.

DUH… If everyone in NY is looking for the FF, wouldn’t someone be keeping an eye on Thing’s girlfriend? Yet, when they go to Alicia’s apartment, they are safe.

ALSO…How is it that magnets can pull apart Mr. Fantastic?

ALTERNATE APPROACH
Everyone in this story is taking the wrong approach to Molecule Man. Early on, it should be clear to the authorities, and the FF, that it will be next to impossible to defeat a villain who controls “EVERY molecule in the universe.” (Of course, once you change the meaning of the word “every,” EVERYTHING changes…) It should have occurred to someone to bring in a super-team of psychologists to study and analyze the Molecule Man’s issues and motivations, in hopes of convincing him to use his powers for good, not self-serving evil. They might not be able to stop him from doing evil, but perhaps someone could stop him from wanting to do evil. We’ve all heard that absolute power corrupts absolutely, but for most of this story, it appears the only hope the good guys have is in converting this powerful villain. Someone should have at least tried.

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JOURNEY INTO MYSTERY #98

jim98“Challenged By the Human Cobra!”
Script: Stan Lee
Art: Don Heck
Letters: Art Simek

IN A NUTSHELL
When Dr. Blake travels to Bombay to forget his love for Jane Foster, he learns that Dr. Shecktor’s assistant has been transformed by the bite of a radioactive cobra. The Human Cobra arrives in America, where he demands control of a chemical plant. Thor appears and they battle. The Cobra eludes Thor and shows up at Dr. Andrews office, taking his new nurse Jane Foster as hostage. Thor rescues Jane, but the slippery Cobra escapes again. Disillusioned by Andrews’ willingness to cooperate with a super villain, Jane returns to work for Dr. Blake.

WHAT’S HOT
JANE COMES TO HER SENSES. When Dr. Andrews agrees immediately to assist the Cobra in order to save his own life, Jane is appalled. After Thor rescues her from the Cobra, “in less time than it takes to tell,” she leaves Andrews and begs Blake to take her back. He of course is only too willing, and order is restored to the universe.

BY ODIN’S BEARD! In the accompanying Tale of Asgard, Odin battles Ymir, King of the Ice Giants. We’ve often heard Thor swear by the beard of Odin, but in this story, Odin swears by his own beard.

WHAT’S NOT
EMPLOYMENT SCREENING. Dr. Shecktor’s assistant is named Klaus, which sounds foreign enough for us to feel certain he will shortly be up to no good. Maybe Shecktor hasn’t read enough Marvel Comics to recognize which names indicate potential super-villiandom, but he should have at least realized that no good was likely to come out of hiring an ex-con to assist him in dangerous experiments.

FATHERLY ADVICE. Odin summons Thor to give him the advice, “Forget all about the girl you love.” Gee, thanks a lot for that great bit of advice, Dad. I’ll just go right ahead and do that little thing.

CHANGE OF HEART? At the end of the story, why does the narrator suggest that Odin arranged events so Blake and Jane can work together once again? We began with Odin advising Thor to forget Jane…so why would he now watch their reunion with a satisfied smile? Surely Odin must realize Thor is only going to keep pestering him with requests to be allowed to marry his mortal heartthrob.

TALKY TALKY. Thor chides the Cobra for talking too much about his powers, but interestingly, if you dissect their conversation, you’ll notice the Cobra’s bragging goes on for 30 words, while Thor employs 34 words to scold him. Who needs chiding now?

COBRA
The jury is still out on the Cobra. First, it’s difficult to believe his cobra attributes are organic, not just a costume. Snakes are disgusting and frightening, but are the powers of a snake combined with human intelligence enough to stymie our current stable of superheroes? The Cobra ultimately escapes, so perhaps we’ll meet him again; maybe I’ll be more impressed on the next outing.

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STRANGE TALES #114

st114“The Human Torch Meets Captain America”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Sam Rosen

IN A NUTSHELL
When thieves steal a car from the antique auto show, special guest Captain America thwarts the crime, not only refusing Torch’s assistance, but also stealing his thunder. Captain America later helps the thieves break out of prison, and during the ensuing chase, Torch captures the thieves, and also unmasks Captain America to reveal he is actually the criminal known as The Acrobat. In other news, Johnny’s love affair with Doris begins to cool off.

WHAT’S HOT
“BUY ME” COVER. An unbelievable situation is set up on the cover. Before you even turn the first page, you know you have to find out why all-around good guy Captain America is at odds with the Human Torch.

CAPTAIN AMERICA. He’s baa-a-a-ck! Captain America is “one of the most powerful superheroes of the past.” With hindsight, we are aware he’s once again going to be a major player in the battle between good and evil, but readers in 1963 had no way of predicting this.

THIS IS A TEST. THIS IS ONLY A TEST. Thankfully “Cap” has not really turned to the dark side, and in the end, Stan lets us know this has only been a test to see if readers might be interested in seeing a resurgence of this iconic hero. “As usual,” Stan writes, “your letters will give us the answer!” I love it when the readers are included in the decision-making processes of the Marvel bullpen, but in this case, I feel relatively certain Stan and company were already mapping out (the real) Captain America’s return, with or without the readers’ vote of approval.

WHAT’S NOT
STUPID CRIMINALS. The thugs who steal the car from the antique auto show are surprised when Torch comes after them. “Hey! We didn’t figure on this!” Hello! If you’re committing a crime in Glenville, you’ve got to be pretty stupid not to consider the possibility that Torch will get involved.

LINOLEUM. When Johnny gets mad about Doris’ interest in Captain America, he accidentally flames on and burns the linoleum. I don’t know what troubles me most about this scene—Johnny being unable to control his flame, or Doris’ preoccupation with linoleum. Either way, this uneasy couple has got to go. I still don’t understand what he sees in her, and she obviously has no appreciation for his unique talents.

TRUE TO CHARACTER
Johnny’s main concern is not that he was ineffective as a crime-fighter, or even that his girlfriend is mad at him, but that Captain America “stole the spotlight.” This is not the way a superhero should be thinking, yet it’s entirely believable, coming from this headstrong teenage boy. It sometimes seems the superheroes of Marvel’s Silver Age are portrayed as human beings first, and almost incidentally, as superheroes in their spare time. It’s great to humanize our heroes, but maybe it’s time for a good dose of Captain America, as a template of what a superhero should be.

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“The Return of the Omnipotent Baron Mordo!”
Script: Stan Lee
Art: Steve Ditko
Letters: Sam Rosen

IN A NUTSHELL
Mordo tricks Dr. Strange into a castle, immobilizing him with a spellbinding candle vapor. Strange projects a plea for help, and a beautiful young woman hears and obeys, arriving at the castle to break the spell. Strange recognizes that this woman possesses a dormant talent for sorcery, and when Mordo arrives, he says the same. After Strange vanquishes Mordo in a titanic battle in a mystic dimension, the young woman wishes to become his disciple, but Strange declines…for now, saying it will be too dangerous for her until Mordo is permanently out of the picture.

WHAT’S HOT
POTENTIAL DISCIPLE. Somehow, I never thought of Dr. Strange connecting beautiful young women, never mind beautiful young women who want to be his disciple. In the same way that Wasp infused the Ant-Man series with a good dose of spunky electricity, this story opens up the possibility for an exciting future alliance.

WHAT’S NOT
OR NOT. Probably not going to happen, though, at least not for a long, long time. We’ve just begun our journeys with Dr. Strange, and Baron Mordo has been set up as his arch enemy. Arch enemies are not that easily disposed of. Still, I’m hoping a time will come when Strange once again encounters the beautiful young sorceress-in-waiting.

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sgtf4
Posted in Avengers, Fantastic Four, Human Torch, Meanwhile, Sgt. Fury, Spider-Man, Strange Tales, Thor | 6 Comments

X-MEN #2: Snapshots from a Superhero Yearbook

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Published: November, 1963

“No One Can Stop the Vanisher!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Paul Reinman
Letters: Sam Rosen

X-Men is a relatively new title, and in the spirit of being bold and adventurous, I’m subjecting my blog to a temporary “mutation.”

If Professor Xavier’s School for Gifted Youngsters had a yearbook, here are some of the photos you might see from the freshman class.

Hopefully this will be quick and easy to read, for as they say, “A picture is worth a thousand words.”

When you’re done, let me know what you think of this experimental format.

ux2angelfanAs the X-Men rush back to Professor Xavier’s School for Gifted Youngsters, Angel is accosted by a group of female admirers. Is there some reason Angel is being singled out by the ladies at this point, or would they have grabbed any available X-Man? Either way, it’s only the second issue, and already the X-Men have fans.

ux2angelsaveWhen Marvel Girl comes to Angel’s rescue by sweeping away his groupies with her telekinetic powers, the effort weakens her, and Angel comes to her rescue. I wonder if this is a hint that Angel is going to assert himself as the “Ladies Man” of the group. Though all the X-Men flirt with Marvel Girl, calling her “Gorgeous,” “Beautiful,” and “Little Lady,” Angel is the one who takes her in his arms, proclaiming, “Fear not, fair damsel!” Very gallant, no? His name alone (Warren Worthington, The Third) is enough to clue you in that he’s a refined gentleman. This is a new type of character in the Marvel Universe, and one that bears watching.

ux2vancostI love this bit, where the Vanisher informs the police officer that there’s no law against wearing a costume—“and you know it!” Nah nah nah nah nah!! Thinks he’s pretty slick, huh? Cool superpower, by the way, but I don’t understand the costume.

ux2dangerAs the X-Men get ready to take on the Vanisher, they train in the “Danger Room.” The idea of a Danger Room sounds like just the thing for a group like this. It doesn’t look very exciting here, but apparently there are all kinds of panels that pull back to reveal hidden dangers – as Stan is likely to explain: suddenly, surprisingly, unexpectedly!! We’re seeing a lot of training exercises for the X-Men, and this gives us a good opportunity to become familiar not only with their powers, but also their personalities.

ux2duncanGuess Reed Richards (and Henry Pym, and Bruce Banner) are not the only good guys using their brainpower for scientific inventions. Here, Special Agent Fred Duncan wears Professor X’s “Psionic Headband” so they can communicate by “brain impulses.” Why they couldn’t just pick up a telephone, I don’t know. But the Psionic Headband goes in the “Cool Gadgets” column.

Incidentally, I have no idea who Special Agent Fred Duncan is, but the fact that he’s given a first and last name makes me suspect this may not be the last we see of him.

ux2cutheadNow there’s just no excuse for this. Glancing at current-day comics, I notice they are a lot less “talky” than the books of the 1960’s. A comic today might be read in five to ten minutes, but depending on your reading proficiency, a 1960’s comic could take you fifteen to thirty minutes to read, because there are SO MANY WORDS. Here’s an excellent example of just too many words. Whenever you’ve got to cut off heads in order to present the dialog, it’s time to edit the script.

ux2deskHere’s a mystery: these guys are guarding the secret plans, which are left out on top of the desk. Why not put them in a DRAWER? Wouldn’t the need to open a drawer slow down the villain at least a little?

This is probably the funniest thing I’ve seen in Marvel comics to date. The Vanisher makes a demand of ten million dollars, specifying that it has to be TAX FREE. Guess he feels pretty confident about his ability to deal with police officers, armed guards, X-Men and the FBI, but he doesn’t dare ruffle the feathers of the IRS!!

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ux2vanscareWhen nobody else can put the Vanisher in his place, we get a further demonstration of the remarkable powers of Professor X. He may be confined to a wheelchair, but “The Power of the Human Brain” is the most magnificent power of all. And he says we all possess that power. Well, I don’t know if I completely agree with him about that. We may all have potential to use our brains more than we do, but I doubt everyone has the potential to equal the cerebral achievements of Professor X. And a good thing, too, because a world full of Professor X’s would be a pretty scary place.

st114iconThe world is already a scary enough place, as we’ll see in two weeks, when we run into Lizards and Cobras and shape-shifting Phantoms from Space, oh my! To say nothing of superheroes who aren’t exactly what they seem to be. Lots to cover, when we meet again in the Marvelous Zone!

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Posted in X-Men | 3 Comments