TALES TO ASTONISH #49: Super-Size Me!

Published: November, 1963

Published: November, 1963

“The Birth of Giant-Man!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Don Heck
Letters: Sam Rosen

I always thought it comical to have a superhero the size of an ant. Of course, the further I got into the Ant-Man series, the more I became convinced there must indeed be great power in being small. Ant-Man can do all kinds of superhero stuff the normal-sized good guys can’t do, usually because he can move around without being noticed. You might compare his superpowers to those of Sue Storm, the Invisible Girl. Every villain is always on the lookout for those muscle-bound dudes in leotards, but nobody ever thinks to look for a girl, or for someone who’s itty-bitty. The element of surprise goes a long way in the Marvel Universe.

I’m sure this theme resonated big-time with the young readers of the earliest Marvel Comics. Those little boys probably felt fairly insignificant when looking up to their older brothers and cousins, playing high school football, driving jalopies, getting all the girls. Maybe they identified with the tiny Ant-Man, who did not let size stop him from achieving, and even exceeding, his goals.

Which makes me wonder why, now, we are heading in the completely opposite direction. Is Ant-Man changing because about this time his audience is changing? Now, more readers are those high school kids in jalopies, and even college kids in dorm rooms, and as every young man knows, “bigger is better.”

Could it be that simple? I don’t think so.

HOW MANY SUPERHEROES CAN DANCE ON THE HEAD OF A PIN?
Russ says that after the introduction of the Wasp, there was no need to have TWO tiny superheroes. If something needed to be done on the miniscule level, the Wasp was there to take care of it. And what’s more, she’s got that handy stinger to take her victims by surprise. And what has Ant-Man got? Well…ants. Even the winged ants that Ant-Man rides like a couple of bucking broncos are not that impressive.

tta49sizediffIt’s no accident that “The Birth of Giant-Man” happens immediately following the formation of the Avengers. If Pym has the scientific know-how to make himself really really small, surely he can also make himself really really big. And if something like this is bound to happen, now is the time. Pym and Van Dyne are playing with the big boys. I understand why the Wasp cannot become “big.” It would be too distracting, to have a giant-sized fully developed female in the group. No, best keep the little woman in her place.

So Ant-Man is chosen for the expanding role of Giant-Man, and why not? To keep the perspective issues in perspective, the giant is limited to a mere twelve feet, before he becomes “almost too weak to move,” and unable to support his own weight. Twice as big as the average man? Sure, there’ll be some awkward moments for the artists, but overall, it works.

TALL, BLONDE, HANDSOME, AND…WELL…TALL
It works for fighting villains, but this introduction of Pym as a giant also serves another, much more fascinating purpose. As we well know, there is no more flirtatious female in the Marvel Universe at this time than Janet Van Dyne. Her expressions of affection are largely reserved for her stoic partner, Henry Pym. She’s completely enamored, and not at all shy about making her feelings known. Pym tolerates her “femaleness,” and occasionally scolds her for not being “serious-minded,” but on rare occasions we have glimpsed the depths of his feelings for his spunky sidekick.

Pym doesn’t know how good he has it. Jan’s an attractive, self-assured young woman who isn’t afraid of anything, and is completely devoted to him. He takes her for granted, likely imagining she’ll always be there. He probably doesn’t think about it this way, but in fact he’s “stringing her along,” believing that nothing will ever shake her commitment to him.

But then, in the first issue of The Avengers, enter the mighty Thor! And Jan is all…WOO HOO! Hey, handsome! Where have you been all my life? She’s uttered a few of those Mae West type comments about other attractive men before, but none of them were as bulkily good-looking as Thor, and none of them were GODS. Pym is right to feel threatened. There’s no way he could know about Thor’s preoccupation with the lovely Jane Foster, so he has to assume that if Thor should make a play for his faithful little Wasp, there would be nothing little old Ant-Man or Henry Pym could do about it.

Though Pym has this super-smart scientific brain, he’s still enough of a bozo to think that the best way for him to hold on to the female in his life (without actually having to make any kind of a commitment, of course) will be to out-do Thor. By offering something the mallet-swinging long-haired Asgardian cannot: enormous SIZE! Surely Jan will be impressed with that, right?

Twelve feet?

Hey, I also like my men tall, but honestly…enough is enough already!

DECISIONS, DECISIONS…
I say Pym is a bozo, and perhaps he is…but Stan Lee is NO bozo. Threatened by the mighty Thor, Pym has two choices. One: he can confess his love to Jan, at which point they will promptly get married, and like any good married couple in the 1960’s, she’ll have to give up her career and stay home to have babies.

Nah…that’s not really going to work out so well, is it? The spunky Wasp would be reduced to a blandly domestic role, nagging Pym about why he has to go out and fight crime when Junior would like to go to the park with Daddy. tta49moonlightMarriage and children would take all the fun out of their relationship. Right now, Pym and Jan are in an odd and oddly appealing courtship. There’s so much anticipation about what might end up happening with them. Once it happens though, it’s all over. Remember Cybil Sheppard and Bruce Willis in Moonlighting? When they finally kissed, it was the kiss of death for the show. So, let’s just not go there, okay?

The second option for Pym is to act like any other human male facing the threat of an unspoken competition with a romantic rival, and use all the resources at his command to become (literally) bigger and (hopefully) better, than his challenger. In nature, when trying to woo a female, the peacock struts his feathers, the lowly lizard puffs out his neck. Playing up his best features, Pym instinctively does at least as well as any self-respecting peacock.

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WITH GREAT SIZE COMES…A WHOLE BUNCH OF OTHER COOL STUFF
Oh! And in addition to all that, did I happen to mention: We now have GIANT-Man. We have a superhero whose superpower is that he’s a GIANT, very big, very strong, and certainly intimidating. Giant-Man can go places and do things that Ant-Man cannot. He has a unique skill set that may prove to be the envy of even Iron Man, Hulk and that muscle-bound long-haired Thor. Being able to change size almost at will gives him fabulous opportunities to get out of sticky situations, as well as come to the rescue of his fellow man, his secret heartthrob, and his new superhero buddies.

eraseravatarSo there’s all that going on, which is really what this story is all about. But in case you might be interested, let me quickly mention that there’s also this villain called the Living Eraser. Ho hum…He’s easily dealt with and almost beside the point. The real point is that Henry Pym has taken a decisive action so that it will be a long time before anybody even thinks about erasing him from the world of superheroes, the scientific community, or from the life of the one woman he’s not ready to admit he’s madly in love with.

ux2avatarWhat a monumental moment in Marvel Comics! Pym is bigger, better and stronger than ever. But join me next time in the Marvelous Zone, when we continue the recent trend of strength in numbers. Should be X-citing!

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TALES OF SUSPENSE #47: Toot That Horn!

Published: November, 1963

Published: November, 1963

“Iron Man Battles the Melter!”
Script: Stan Lee
Pencils: Steve Ditko
Inks: Don Heck
Letters: Sam Rosen

We recently watched an excellent documentary, “With Great Power,” about Stan Lee’s part in building the Marvel empire. Among other things, I learned that before comics were “told in the marvelous Marvel manner,” writers and illustrators often did not receive any credit. Since I’ve been reading Marvel from the early 1960’s, I’ve seen plenty of instances of the creators tooting their own horn. In FF #10, Stan and Jack actually feature themselves as characters in their own story! And now, on the cover of Tales of Suspense #47, the names Lee, Ditko and Heck are prominently displayed, “above the fold line.”

Turn the page, here’s the splash, and there are the creators’ names once again, at the top. Furthermore, on the splash we read that this 18-page EPIC is “Another great classic-to-be from the Marvel Age of Comics!” Boy, Stan sure did know how to sell it, didn’t he? If he excelsiorrealtyhadn’t been so good as a comic book writer, I’m sure he could have made a killing in real estate.

But getting to our st—excuse me, EPIC—we find that Tony Stark has recently exposed the shoddy production values of competitor Bruno Horgan, resulting in Horgan’s loss of government contracts. Even as Horgan vows revenge on Stark, he accidentally discovers a “melting beam.” Affixing the beam to the chestplate of a super-villain costume, he assumes the masked identity of the Melter, now ready to attack Stark’s plant.

Not only can the Melter destroy the military equipment coming out of Stark’s factory, putting Stark’s military contracts in jeopardy, but worse, Iron Man is absolutely useless against this metal-melting villain. “How can I fight him,” Iron Man wonders, “when I dare not face him?”

SECRET IDENTITY WOES
tos47doubtsI don’t know what terrifies Stark more—the loss of government contracts, or the possibility that the Melter may expose Iron Man’s identity. For some Marvel heroes, secret identity is no big deal. The FF revel in their celebrity, and later, Giant-Man and the Wasp will entertain members of their fan club. But Stark reasons that if he should be identified as the man behind the iron mask, it would be open season on Tony Stark.

What? Like it’s not already open season on Stark? Isn’t he one of the wealthiest men in the country? Wouldn’t he already have gobs of jealous haters, opportunists who speculate that kidnapping Tony Stark would be a good way to rake in a ton of ransom money? We don’t need to play the Iron Man card in order to peg billionaire industrialist playboy Tony Stark as “most likely to suffer harm at the hands of unscrupulous criminals.”

WHO’S GUARDING WHOM?
In his position, Stark ought to have a bodyguard. And he does have a bodyguard. No, I’m not talking about Iron Man. He recently hired Happy, former boxer, not only as chauffeur, but also as bodyguard. However, I’m not convinced Happy is doing such a bang-up job in either of those capacities. As for chauffeur, though, it’s hardly Happy’s fault. In this story, when Stark needs to hurry to Washington for a meeting, Happy happily offers the Rolls or the Jag, but Stark declines both, choosing instead to fly to the Capitol as Iron Man—faster, less traffic, and no chance of a flat tire. Happy rightly wonders what he’s supposed to be doing as a chauffeur.

tos47happypepperBut what of Happy’s bodyguarding duties? Where is Happy at the beginning of the story, when Stark is inspecting the damaged equipment at his plant, and the Melter first attacks? A bodyguard at this point would have been useful. But instead of guarding the boss, Happy is hanging out with Pepper Potts. In fact, we never see Happy unless Pepper is also in the picture. He’s always in her office, by her side. Sure, we understand he’s got a crush, but this is no excuse for shirking his duties. If Happy is a bodyguard, then Pepper Potts has nothing to worry about. The boss Tony Stark, though, doesn’t enjoy the same level of protection.

OUTSMART
Distressed by the confounding problem of how to beat a villain who can melt metal, Stark reasons that he still has the most powerful weapon known to man—A BRAIN—and the next time the Melter and Iron Man meet, the tables are turned. When the Melter cannot affect Iron Man, he runs away, confounded. Stark, of course, has tricked the Melter by wearing an “Iron Man” suit composed entirely of aluminum.

tos47getawayWith the Melter out of the way, production resumes at Stark Industries, but the question remains…was the Melter destroyed, or did he escape? “For,” Iron Man reasons, “if he ever should return, I may not be able to trick him this way again.”

Though the tale ends happily, with everyone getting back to business, I feel uneasy about the fate of the Melter. The last time we see him, he’s still alive. And with superheroes like Iron Man populating the Marvel universe, the Melter’s superpowers are too good to be used up in only one issue, even if it is an 18-page EPIC. My best guess? We’ll see this fellow again. However, I wonder if Stark will always be carrying a backup aluminum suit in his handy attaché, just in case the Melter makes an unexpected appearance.

tta49avatarSpeaking of the unexpected, an exciting new development awaits us next time in the Marvelous Zone. And unlike Stan’s bold horn-tooting in the early part of this issue, I can say without hyperbole that next time we meet, our hero is BIGGER and better than ever!

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MARVELOUS MOVIES: THOR: THE DARK WORLD (2013)

thor-the-dark-world-posterA long time ago, in this very same galaxy, I had the grand idea to write a mid-month Marvel movie review each and every month. Well, you know how things like that go. Real Life creeps in, and there simply isn’t enough time to do everything you want to do. Between this blog, our Dark Shadows podcast, and my newest obsession, Whimsieville (which, by the way, did you know? Whimsies are Marvel Comics fans too!), movie reviews have not been on the top of my priorities list. But I couldn’t let this one slip by without a murmur. So here we go!

Last night Russ and I had the privilege to be among the first people in the country to see the newest Marvel movie, Thor: The Dark World. I’m assuming we were among the first, because the official release date is today, November 8th, but our local theater was showing it last night at 8pm. Ignoring that old cliché about looking a gift horse in the mouth, we simply got our tickets, stood in line, sat down and enjoyed the show.

And I do mean enjoyed! I know I sound like a gushing fangirl, but honestly, as hard as I try, I can’t think of anything bad to say about this movie. Sequels sometimes suffer in the shadow of the original, but not so here. Unencumbered by the need to tell a backstory, we begin immediately with an ancient Asgardian legend (okay, that was kind of a “backstory”), but then pick right up with Jane Foster. It’s been two years since Thor left Jane, promising to return, and now, amid a plethora of strange occurrences involving shoes and automobiles, the two are reunited.

We spend the entire movie toggling back and forth between Asgard and Earth, with occasional pitstops at some of the less scenic locations in the Nine Realms. We’ve got a bit of pseudo-science going on here. Don’t try to understand it, just suspend your disbelief and enjoy the ride.

lokithorI’m not going to rehash the plot, because it would be difficult to do so without revealing spoilers, and I’m a big-time anti-spoiler girl. But I will tell you this much: a couple of times at least, your jaw will drop. Have fun.

For delightful continuity, all our old favorites are still with us—Jane’s intern Darcy is in fine comedic form, and Eric Selvig puts in more than an appearance (as he spends portions of the movie in various stages of undress). The stoic Odin the All-Father, Frigga (the All-Mother?), and Heimdall all have more to do this time around. And of course what would a Thor movie be without good ol’ Loki?

Oh, Loki! I know he’s the villain and I shouldn’t like him, but he’s so irresistibly mischievous! Some good sibling rivalry stuff goes on between him and Thor, and it’s well played. Yes, Loki is a villain, yet we feel for him, we care about him, we root for him and want things to turn out well for him. (Well, you might not, but I did.)

maleWhat’s new in this outing are the real villains, The Dark Elves, who most fervently desire to plunge the universe into darkness. They’re marvelously creepy-looking, espcially their leader, Malekith. I also appreciate that they don’t speak English, so we have to follow subtitles. Their voices are as disturbing as their appearance. Wouldn’t want to meet these guys in a dark alley.

asgardSome of the scenery is absolutely gorgeous, a far cry from the Rainbow Bridge as first depicted in Journey into Mystery #85. The entire film is drenched in EPIC, while at the same time stopping now and then to tell a joke or two. Top it all with a hefty dose of Romance with a capital R, and Thor: The Dark World has something for everyone.

one-does-not-simply-leave-a-marvel-movieAs we all know, one does not simply leave a Marvel movie before the end of the credits, but here’s a word of advice: REALLY, don’t leave before the end of the credits. There are two extra scenes, and you won’t have the full experience until the theater lights come back up.

Oh, and look for Stan the Man. Yep, he’s in here too, with good-humored self-deprecation, enjoying himself as usual.

Word is that in a couple of weeks, the Marvel’s Agents of SHIELD TV show is going to reference something from this theatrical release. I can’t wait to see how that’s all going to tie together. And if you call yourself a fan of the Marvel Universe, even to the slightest degree, no matter how busy you are, put Real Life on hold for a couple of hours and run, don’t walk, to your local theater to see Thor: The Dark World.

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Meanwhile…: October, 1963

FANTASTIC FOUR #19

ff19“Prisoners of the Pharoah[sic]!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Sam Rosen

IN A NUTSHELL
The Four travel to ancient Egypt in Doctor Doom’s abandoned time machine, seeking a fabled cure for Alicia’s blindness. Turns out Pharaoh Rama-Tut is a time-traveler, with a ray gun that saps their will. When Thing reverts to Ben Grimm, he grabs the gun, and eventually all are restored, but Rama-Tut escapes in his time machine. A huge vial of radioactive “Optic Nerve Restorative” cannot make the trip back to the present, but Alicia appreciates their efforts, and above all, is glad they’re all safe.

WHAT’S HOT
♫…K-I-S-S-I-N-G…♫ In the very first panel of the story, Johnny suggests Thing and Alicia might elope. Guess things are getting serious for the one who can’t see and the one who looks best unseen.

CHRONOLOGY PART 1. Reed is intrigued by a gap in ancient Egyptian history. He reminds me of my sweetie, Russ, who strives to provide a complete chronology of the Marvel Universe.

CHRONOLOGY PART 2. The gang travels to Doom’s destroyed castle, which was blown up over a year ago in FF #5. How convenient that the events of that story provide an opportunity for this story! Now there’s chronology at work!

THE RESTLESS DESPOT. I absolutely love Rama-Tut explaining why he left the comfort and security of the future: “I come from the glorious age of enlightenment, the century of peace and progress…the ultimate in civilization and culture! AND I HATED IT!” Jeez! Some people are never happy…

THING’S INFLUENCE. The way the ancient Egyptians see it: “The monstrous one has the strength of a thousand demons!” Yeah! And he looks like one too!

PLAYING WITH HISTORY, PART 1. Rama-Tut’s time machine is the Sphinx. Hey, when you’re writing comic books, you can take any historical liberties you want.

PLAYING WITH HISTORY, PART 2. Wait!! Is Rama-Tut the descendent of Doctor Doom? And if so, is he too good a character to only appear once?

WHAT’S NOT
HOW’S THAT SPELT? Once again, (as we recently saw in Tales of Suspense #44) the word pharaoh is misspelled “p h a r o a h.”

WHO’S THERE? Reed as a peeping Tom, stretching downwards from the top of the building to look into Alicia’s window is just…well…CREEPY…

BANG BANG. According to Rama-Tut’s account of the future, two thousand years from now, they’ll still be making Westerns. Ugh. Not my favorite genre. Even if I might get to watch it in “3-D stereovision.”

HELLO!! REMEMBER ME??
As the story begins, I’m thinking, “Why don’t they take Alicia with them into the past, since she’s the one they’re trying to help?” Then, as the story ends, I’m thinking, “Ah ha! Now I understand.”

If they had brought Alicia with them, perhaps they could have administered the potion in ancient Egypt, and the effects may have remained with her as she traveled back to 1963. And if they didn’t, perhaps Alicia and Thing could remain in ancient Egypt, where she has her sight, he enjoys periodic sunbaths as Ben Grimm, and the rest of the time, they can rule the land together. After all, with the departure of Rama-Tut in his time machine, and Thing’s reputation as “the monstrous one with the strength of a thousand demons,” he might be a shoo-in for the recently vacated position of all-powerful Pharaoh.

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JOURNEY INTO MYSTERY #97

jim97“The Mighty Thor Battles the Lava Man”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Don Heck
Letters: Art Simek

IN A NUTSHELL
Don tries to express his feeling for Jane, but things don’t go well. As Thor, he agonizes over Odin’s refusal to allow him to marry her. In Asgard, Loki realizes that the time to strike is now, and he raises the Lava Man from the volcanic pits to the surface. Thor snaps out of his funk long enough to battle the Lava Man and send him back to the center of the earth. Blake returns to his office, eager to patch things up with Jane, but it’s too late. She’s decided that Don Blake is not the guy for her, and goes to work for another doctor.

WHAT’S HOT
SOAP. I love that Lava Man is merely the window dressing. Insert any garden-variety easily-defeated villain as Thor’s distraction, and the reason for this tale still stands: the battle is not against Lava Man, it’s Thor’s inner tug-of-war between duty and love.

LANGUAGE. Always poetic Thor describes Loki’s laughter as “sinister chortles,” and considers Lava Man “a foe worthy of my mettle.” And just in case Odin doesn’t realize how serious he is about Jane Foster, Thor presents his petition as “I CRAVE permission to marry a mortal.”

WHAT’S NOT
ILLITERATE VILLAIN. Thor’s poetic prose sounds even more flowery when pitted against Lava Man’s “Your words is as futile as your deeds.” Oh, really? IS they now? Sounds to me like Lava Man’s been taking speech lessons from the Hulk. In addition to dismissing the surface-dwellers as “puny humans,” and referring to Thor as “the costumed one,” he also emotes one very strong, expressive “Bah!

ALL THE BETTER TO SEE YOU WITH? When Odin appears at Thor’s bidding, he’s wearing spectacles. Did Thor interrupt him in the middle of a good book…or perhaps balancing his checkbook?

OH, SPOILT ONE! Disappointed that Odin does not grant permission to marry Jane Foster, Thor whines, “He has never refused me before!” This sounds like a spoiled brat who’s used to always getting his own way.

PRIORITIES, PLEASE? It’s appalling that Thor would even CONSIDER giving up his godhood for romantic love. Yes, I know history and literature are adrift in such nonsense, but…c’mon! This is THOR, man! He’s a GOD. Right? I don’t know about you, but I hold my gods to a higher standard.

THAT WOLF! When Jane announces she’s going to work for Doctor Basil Andrews, Blake exclaims, “That wolf who has always tried to date you!” Oh…so is that what wolves do? They try to get dates…?

DON’T FORGET TO ALLITERATE! Stan often used alliteration as a way to remember the first and last names of his huge cast of characters (Bruce Banner, Peter Parker, etc). Here Dr. Andrews’ given name is Basil when Jane mentions him on page 6, but during his cameo appearance on the last page, he’s referred to as Dr. BRUCE Andrews! Was a Hulk story also in the works at the same time? Maybe Stan should have reached into his bag of tricks and called that wolf Dr. ANDREW Andrews.

ROMANTIC CONFUSION
At one point, it becomes crystal clear that both Blake and Jane are aware they have the hots for each other, even though neither will say so. “I think I know what it is that you’re trying to say,” Jane tells Blake, and he responds, “Oh Jane…my darling…” That’s good enough for me…how about you?

Clearly, they like each other. Now, I understand Thor won’t go against his father’s wishes, but what’s up with Jane? She tells Blake, “I know how I feel about you…and…I won’t take the chance…of saying ‘yes’ to a man who is too weak to speak his mind.” Huh?? So she likes him…but she doesn’t want to like him? Hey! I’m a girl, and this drivel doesn’t make sense to me.

Jane has no idea how romance works. At the end of the story, when she appears with Dr. Andrews’ arm around her shoulder, she chides Blake with, “A woman wants a MAN…not a timid mouse! And so, I’m leaving…” and Andrews adds, “Don’t worry, Blake—you’ll find another nurse!” And I’m left shaking my head, because I’m not sure all the characters are on the same page. Are we discussing romantic love…or employment? Jane seems to be confusing the two, and Andrews, “that wolf,” is happily playing right along.

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STRANGE TALES #113

st113“The Coming of the Plantman!”
Plot: Stan Lee
Script: Joe Carter
Art: Dick Ayers
Letters: Sam Rosen

IN A NUTSHELL
A freak lightning strike gives a bitter gardener the power to control all plant life. With dreams of conquering the world, Plantman begins by commanding the shrubbery to subdue the Human Torch. However, in the end, Torch uses his firepower to drain moisture from all the plants, which then attack their unbearable master.

In other news, Johnny courts Doris Evans, who is not a fan of the Human Torch and has no problem saying so.

WHAT’S HOT
“PLANTS OUTNUMBER PEOPLE BY THE BILLIONS.” There’s a good idea for a villain here—Man Vs. Nature, that kind of thing. In the right hands, controlling all plant life could be a truly awesome and terrifying superpower. However, I was neither awestruck nor terrified by the nameless gardener who dubs himself “Plantman.” He doesn’t seem very intelligent, focused or organized.

First of all…Plantman? Really? He couldn’t come up with a better name than that? Then he jumps right into “Today the city, tomorrow the world!” without a clear-cut plan of how to accomplish it, other than “Destroy Torch!!” I hope Marvel will revisit this idea, tantalizing us with an overzealous horticulture professor who’s nursing an obsessive concern for the environment…rather than a common gardener who’s pissed off because he got fired.

WHAT’S NOT
DORIS EVANS. The cover invites us to “Meet the Torch’s newest girl friend, lovely Doris Evans!” A mention on the cover makes me wonder if she’s going to be around for a while. I hope not. What a pill! Doris is cold, insulting (calls Torch a “fiery nitwit”), and unappreciative of Johnny’s special talents.

What does he see in her? Well, he himself has to admit, if she “wasn’t so doggone pretty…” Dot dot dot…So I guess Doris is supposed to be attractive, though you would never know it from Dick Ayers art. Still, even if she was a looker, there are plenty of beautiful babes who wouldn’t mind getting hot and heavy with Torch. Why doesn’t he hook up with one of them? Or would that be too easy? After all, he is a superhero…maybe he can’t resist a good challenge?

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TALES OF SUSPENSE #46

tos46“Iron Man Faces the Crimson Dynamo!”
Plot: Stan Lee
Script: Robert Berns
Art: Don Heck
Letters: Art Simek

IN A NUTSHELL
Russian scientist Professor Vanko dons his Crimson Dynamo armor to destroy Tony Stark’s industrial plants across America. When he and Iron Man meet at Stark’s main facility, the two battle until Stark deceives Vanko with a doctored recording of the Russian “leader” planning to kill him. Not really deceptive, though—turns out those were the leader’s intentions exactly! Stark persuades Vanko to defect and offers him an upper-level management position at Stark Industries.

WHAT’S HOT
LOYALTY. Both Pepper and Happy agree to stick with Tony, even when the chips are down. We’re seeing the beginnings of a strong supporting cast.

DEFECTION. Now that Vanko has defected, maybe the “Crimson” in his uniform could represent not Communism, but…a newfound obsession with Alabama’s college football team, the Crimson Tide??

WHAT’S NOT
OVERSTATING THE CASE. Yeah, we all know that Commies are no-good-niks, but this story’s portrayal of the unnamed Russian leader is over the top. Fat, ugly, self-centered, deceitful, insulting, and viciously ambitious—he MUST have a little doggie at home that he showers with kisses and generous helpings of pirogies and paskha, because nobody could possibly be this evil without wearing a costume. I wonder if the readers of the day felt the same.

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TALES TO ASTONISH #48

tta48“Ant-Man and the Wasp Defy the Porcupine!”
Plot: Stan Lee
Script: H.E. Huntley
Art: Don Heck
Letters: Sam Rosen

IN A NUTSHELL
Hank designs a burglar-proof security system for a new bank, but he doesn’t count on disgruntled scientist Alex Gentry, who uses a weaponized porcupine suit to rob the bank. Ant-Man sets out to capture Porcupine, but he’s trapped in a slippery tub of water. The Wasp rallies the ants for a rescue, then they all work together to clog the Porcupine’s quills with liquid cement. However, the Porcupine manages to escape and vows to strike again.

WHAT’S HOT
PORCUPINE?? On the cover we read that the “Dreaded Porcupine” is “a super-villain you’ll never forget!” Perhaps, but we may be remembering him for all the wrong reasons. When Gentry reviews inventory for his new super-villain identity, the inclusion of “liquid cement” reminds me way too much of Paste Pot Pete, so I can’t take him seriously. But Gentry’s description of a porcupine as “nature’s perfect fighting machine…that WEARS its weapons” really does make sense, if you think about it. So goofy as the whole idea seems, I’m going thumbs up on this one.

LIGHT BANTERING. The narrator begins by noting “light bantering,” between the leads, and we later see some cute moments at the bank opening, when under-the-weather Janet chides Henry with “Stop sounding so much like a…a husband!” and “I thought you were going to hold my hand, but I see you only wanted to feel my pulse!” We end the story with Henry providing medicine, but Janet is mad it’s not “Furs…jewelry…or perhaps…a RING??” These two seem to be getting quite comfortable in their unique, if sometimes uneasy, relationship.

BE MY GUEST! The “guest room, behind the lab” looks bigger than our entire house.

WHAT’S NOT
AND THE NAME OF OUR STORY IS… On the cover, we’re promised “Ant-Man and the Wasp Battle the Porcupine,” but as soon as we turn the page, it’s “Ant-Man and the Wasp DEFY the Porcupine.” Not really a big deal, because from the outset we’re certain our little heroes will both battle and defy the villain, but it would be nice to have some consistency. I mean, how would you feel if you bought the Dickens classic A Tale of Two Cities, and when you turned to the first page saw that you were about to read “A Story of Two Cities”? It’s not a biggie, but still, it’s easy enough to get it right…so why not?

WISHY WASHY. As Gentry introduces us to his porcupine suit, he muses that he thinks it’s the ultimate in weaponry. Huh?? Shouldn’t super villains be supremely confident?? To be fair, six panels later he’s convinced he’s about to become the king of the criminal world. So he may start slow, but eventually he catches on.

INCONSPICUOUS? Sure, the Porcupine has an arsenal at his disposal, but in that get-up, how can he ever make the first move? He’s hardly inconspicuous. Even in an overcoat, he’s too likely to be mistaken for the Thing, and be hounded for autographs.

EMPTY PROMISES. Pym builds a bank vault that is supposedly burglar-proof, but a guy in a costume breaks in before the bank president can finish his opening speech. I wouldn’t hire Henry Pym as head of my Security Innovations department, any time soon.

FOCUS. As the Porcupine pulls more and more bank robberies, he grows concerned that Ant-Man and the Wasp might soon be on his trail. Why does he not worry about the FF, or Spider-Man, or Thor or Iron Man? Are these little guys the only superheroes in town?

NORMAL FEVER? When Janet recovers from her illness, the narrator expresses it as “her fever normal again.” Are there normal fevers and abnormal fevers?

CAN ANTS SWIM? Why would Ant-Man be in peril in the bathtub? It’s described as “slippery,” which would explain why he can’t get out, but why can’t he stay afloat?

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Posted in Ant-Man, Fantastic Four, Human Torch, Iron Man, Meanwhile, Strange Tales, Tales of Suspense, Tales to Astonish, Thor, Wasp | 1 Comment