Meanwhile…: September, 1963

JOURNEY INTO MYSTERY #96

jim96“The Mighty Thor Defying the Magic of Mad Merlin!”
Plot: Stan Lee
Script: Robert Berns
Art: Joe Sinnott
Letters: Art Simek

IN A NUTSHELL
When Magician Merlin awakens and seeks power, only Thor stands in his way. They battle in Washington DC with Merlin using national monuments as weapons, which Thor is unwilling to destroy. However, at every turn, Thor cleverly defuses the situation, and in the end convinces Merlin that he, Thor, is a greater magician, able to assume multiple identities. Defeated, Merlin agrees to return to his coffin and never threaten humanity again.

WHAT’S HOT
MUTANT. Turns out Merlin is not a magician, he’s a mutant, with powers of teleportation, levitation, and hypnosis. This issue came out the same month as the premiere issue of The X-Men. Was the idea to plug the new title?

THANKS, BRO! For some inexplicable reason, Loki tells Thor the truth about what Merlin’s been up to. Loki remains imprisoned in Asgard where, though he apparently is unable to sit down, he can “watch” events on earth in his mind. Well, he might be uncomfortable, but at least he’s not bored…

JFK. This time we actually get to see JFK, not just his forehead. We also see Carolyn, and a reference is made to “Macaroni” (her horse). In a cute bit of pop culture, Merlin dismisses JFK as the leader he is seeking, because “He looks too young!”

WHAT’S NOT
OH, JANE! Artist Joe Sinnott’s Jane Foster looks like my 3rd grade teacher. Not a pretty sight.

INSENSITIVE. During the lead-up story, in which Blake must desert his medical practice for an hour to rescue a busload of passengers from certain death, Jane tells Blake she made “lame” excuses to his patients while he was gone. Did she say…lame? Boy, she must be really pissed at him!

WIMPY WIMPY WIMPY. For someone who’s been stewing in magic and evil for a thousand years, hell bent on absolute power, Merlin gives up way too easily. When Thor reverts to Blake and claims these are only two of many identities he can assume, and that he is “ten times more powerful” than Merlin, the magician never even stops to question.

At this point, we can only surmise that though Merlin considers Thor an awesome and terrifying presence, this second manifestation as a lame earthling in a three-piece suit yielding a stick is just too much for him to bear. Who might this powerful creature manifest as next? Wally Cox? Phyllis Diller? No, Merlin’s not sticking around for that. He caves like a soufflé, obediently returning to his coffin.

jim96banner


STRANGE TALES #112

st112“The Human Torch Faces the Threat of the Human Bomb!”
Plot: Stan Lee
Script: Joe Carter
Art: Dick Ayers
Letters: Sam Rosen

IN A NUTSHELL
The Eel steals “Project X” from the lab of inventor Charles Lawson, and inadvertently activates an atomic bomb when he opens the package. With one hour until the bomb explodes, Torch tracks down the Eel, finally securing the bomb and flying it into the stratosphere in the nick of time. Torch absorbs the bomb’s energy into his own body, leaving him near death. But never fear: Reed rescues Johnny and cures him with a life-restoring ray.

WHAT’S HOT
DEVOTION. Sue hangs out at home wearing her FF uniform.

IRONY. The Eel decides not to press the lever, because there’s no telling what might happen, when in reality, NOT pressing the lever is what makes something happen.

GUEST APPEARANCE. One frame shows the Wizard (last seen in Strange Tales #110) begging to be let out of prison to pursue the Eel.

BIG ART. On top of page 10, we get a huge piece of art to show the scope of the explosion.

HEARTFELT EMOTION. When Thing believes Johnny is dying, he gets all choked up.

SELF-SACRIFICE. Torch is willing to risk his own life to save the lives of veterans who risked theirs. What a hero!

WHAT’S NOT
SELF-SACRIFICE. But, honestly…such excessively mature reasoning for a teenager…sounds forced, and doesn’t quite ring true.

MUNDANE LANGUAGE. While the Eel may have electric shock at his command, he obviously does not have command of the English language, running out of fancy words way too early in the story. Immediately after the Eel activates his “Electro-Actuator,” he returns to his lair, musing that a “special contraption” is causing metal plates to swing up into a prefabricated enclosure. Special contraption? Really? Professor Lawson, the inventor, fashions a unique “Transmito Globe” and “Aqua Attractor Gun.” Can’t the Eel do at least as well as that?

However, maybe it’s not the villain who’s to blame, so much as the writer. Because later in the story, Reed Richards revives Johnny with “a new ray.” A new…what? A “Ray”?? C’mon, now! We know Reed can do better than that! In comparison, the Eel’s “contraption” seems positively splendid.

COLOR? When Johnny decides to go after the Eel, his “Flame On!” is all white. Did someone forget to color in the word balloon, or is this meant to convey a lack of enthusiasm for the task at hand?

TALKY TALKY PART I. What is with the odd layout of the panel at the top of page 7? It’s 80% word balloon, with only the tiniest little picture of Thing at the bottom? Doesn’t this just draw attention to the fact that when danger is afoot, our heroes spend way too much time talking?

TALKY TALKY PART II. When Torch has the bomb and reflects that it will explode in a “split-second,” his thought balloon goes on to include 38 additional words of detailed explanation of how he’s going to prevent the bomb from damaging the veteran’s hospital and the general populace. Of course, this is a thought balloon, not a word balloon, so a point could be made that thoughts happen faster than words. But a point could also be made that people don’t generally think through and explain every single detail TO THEMSELVES before they take action. There’s no internal story reason for this, but externally, it sure does serve a purpose.

TRIVIA
This story was written by “Joe Carter.” Real name: Jerry Siegel. Siegel, along with Joe Shuster, created DC superhero, Superman. Interestingly, both Superman creators attended GLENVILLE High School in Cleveland, Ohio. Glenville? Hmmm…

st112banner


STRANGE TALES ANNUAL #2

stann2“Human Torch, On the Trail of the Amazing Spider-Man!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Steve Ditko
Letters: Art Simek

IN A NUTSHELL
When the Fox frames Spider-Man for the theft of a Leonardo da Vinci painting, Spider-Man teams up with Human Torch to catch the thief. Sometimes at odds, sometimes working as a team, the two visit several of the Fox’s lairs, finally locating him, his men and the stolen artwork.

WHAT’S HOT
SELL IT, STAN! The cover details a Spider-Man vs. Human Torch encounter and informs us that “This long-awaited epic-length thriller is only one of the many wonderful features within these unforgettable pages.” Whoa! How many loaded words can you fit into one sentence?

PETER! WHAT BIG MUSCLES YOU HAVE! When Spider-Man creates an ice-silicone webbing to hold Torch, he goes shirtless to test it, revealing a muscular physique. Spider-Man is usually drawn by Steve Ditko, but Jack Kirby obviously has a different take on the character.

DOUBLE DOSE OF TEEN EGO. On their own, Spider-Man and Human Torch each have an incredible amount of teenage ego, but together, their verbal sparring is extremely entertaining.

  • Here, hot-head! You’re fightin’ a big-time operator now!
  • Just try ‘n’ STOP me, loud-mouth!
  • Heck, I can’t do ALL the thinkin’ for you!
  • What do you use for a MEMORY, Torch? Did you forget about my SPIDER SENSE??

WHAT’S NOT
THE FOX. What kind of villain is this? An old man with a monocle, a cigarillo, gloves and a hat? A sophisticated criminal? And what is his claim to fame? That he’s “clever as a fox”? Or is this a riff on the caped crusader’s felonious fowl from the Distinguished Competition?

CIRCUMSTANTIAL EVIDENCE. I guess we have to move the story along quickly, but when the cops find a spider web under the frame of the stolen picture, they jump to the conclusion that Spider-Man committed the crime. Hunh! Are there no spiders in art museums?

SPIDER-MAN THIS…SPIDER-MAN THAT… Johnny gets all hot under the collar when he sees that Spider-Man is getting more press than Torch. But wait! Isn’t it usually BAD press for Spider-Man? Why be jealous for that?

WELL, THAT COULD HAVE GONE BETTER…
The first time Torch and Spider-Man met, it wasn’t under the best of circumstances, and things start out no better the second time around. A number of pages are devoted to the confrontation between the two teen superheroes. This goes on for so long, we almost forget the Pengu– I mean, the Fox is the true villain!

However, Peter uses his ingenuity to calm Johnny down enough to listen to his plight. Eventually, the boys settle into a mutual, yet reluctant respect for each other’s crime-fighting styles. “Y’know, you handle those webs of yours pretty smooth for a guy who can’t fly!” Torch concedes, to which Spider-Man replies, “And you fly pretty good yourself—for a guy with no webs!”

stann2banner


TALES OF SUSPENSE #45

tos45“Iron Man and the Icy Fingers of Jack Frost!”
Plot: Stan Lee
Script: Robert Berns
Art: Don Heck
Letters: Sam Rosen

IN A NUTSHELL
When Tony Stark’s race car crashes, Happy Hogan saves his life. Grateful, Stark employs Happy as a chauffeur/bodyguard. At the plant, Stark fires Professor Shapanka for attempting to steal secret formulas. Several weeks later, Shapanka emerges as Jack Frost, a criminal with the power to deep freeze his opponents. However, Iron Man handily melts this bad guy with a blast from a miniature furnace. Happy Hogan realizes his boss Stark “needs a heap of protecting.”

WHAT’S HOT
STARK’S RESUME. Add to Stark’s list (billionaire industrialist playboy, etc.): race car driver!

GROUCHY STRANGER. Happy Hogan is the “grouchy stranger” who pulls Stark out of the car wreck. Points for irony and philanthropy.

CURRENT EVENTS. Stark’s plant is in Flushing, Long Island. We see the World’s Fair, which will be Stark’s “next door neighbor in ’64.” I went to that World’s Fair! I was seven and my sister was five and I remember the pretty summer dresses we wore to the Fair.

ARROWS. In the middle of a unique page layout, green arrows instruct the reader how to proceed. Kudos for creativity with page layouts.

TRIANGLES. Happy likes Pepper (though I can’t figure out why). Pepper likes Tony. Right now there doesn’t seem to be any chance either of them are going to get what they want, but it’s fun that a potential love triangle has been set up the moment Iron Man gets his supporting cast.

WHAT’S NOT
PICAYUNE. In one panel, the word classic is split as “class-” one line and “ic” on the next. Again I say…if you have room for the dash, you certainly can manage to squeeze in two letters, especially if one of them is “I.”

PEPPER POTTS. Can’t figure her out. We know that eventually she’ll be an attractive young lady with her eye on Mr. Stark, but right now she’s pictured as dour and freckle-faced. Or are those acne scars? And what is that outfit she’s wearing, and why is she wearing the exact same thing “weeks later”? Is she a cartoon character, always appearing in the same clothing? What are we supposed to make of her?

TOO MUCH INFO! Another thing I can’t figure out about Pepper: She meets Happy and takes an instant dislike to him, yet immediately reveals that she has a secret crush on the boss, and is planning to marry him. If she wants to keep her secret crush a secret, is it really wise to blab it to someone with whom she’s exchanged less than eight word balloons?

OUCH! Stark describes his Iron Man costume as “cramped” and “painful.” That’s just not cool. But I guess it shows how devoted he is to do-good-ing.

ANIMAL EXPERIMENTATION. Also not cool, but it’s done by the villain, so it works. I certainly hope Stark doesn’t test his inventions on defenseless animals.

HOLD ON! Shapanka is trying to break into the vault to get the formula for the tiny transistors. So, why does Iron Man lock him in the vault? Even if there’s no chance he can sneak out the formula, he might have the opportunity to commit it to memory.

GETTING AWAY WITH CRIME PART I. Why does Stark let the thief go? And why does Shapanka fixate on “getting back” at Stark? He should be glad he didn’t get sent to prison! Okay, Shapanka’s excuse is that he’s as crazy as a bag of hammers, but Stark has no excuse for letting that looney go free. At the very least, he should have used some of his resources to keep an eye on him.

tos45banner


TALES TO ASTONISH #47

tta47“Music to Scream By”
Plot: Stan Lee
Script: H.E. Huntley
Art: Don Heck

IN A NUTSHELL
While out for a night on the town, Ant-Man and Wasp capture musician Trago, who has stolen money from his employer. The employer sends him to India, where he meets Ghazandi, who teaches him how to hypnotize animals and people with his horn. Trago returns to New York to use his powers to loot banks, but Ant-Man and Wasp put a stop to his plans. By bending Trago’s trumpet, Ant-Man causes new notes to be played, which wipe Trago’s memory clean. He returns to the New York jazz scene and no one remembers any of this.

WHAT’S HOT
TITLE. Music to Scream By. Sounds so poetic, like a horror story, or film noir (directed by Fritz Lang, starring Joan Bennett and Edward G. Robinson).

KORR & FOSS. Ant-Man’s winged ants that he uses for transportation now have names. So it seems both Ant-Man and Iron Man are beefing up their supporting casts in the same month.

NIGHT ON THE TOWN. Both Henry and Janet look so sophisticated on their jazz club date.

CHRONOLOGY. The story begins, then there is a lapse of several months before it picks up again. Russ has been telling me for a while that there will be stories that fit inside other stories, but I don’t think I’ve run into that—until now! Wonder what Ant-Man and the Wasp were up to during those months in the middle…

BIBLE QUOTING. Wow. At the end of the story, Pym is thinking about Korr the ant, who sacrificed himself to protect his humans. And then, this comic book, written and illustrated by a talented bunch of Jewish men, quotes from the New Testament: “Greater love hath no one than this, that he lay down his life for his friends.”

WHAT’S NOT
GETTING AWAY WITH CRIME PART II. Just like in the Iron Man story, when someone is found committing a crime, the kind-hearted victim lets them off easy, with devastating results. In the end, Ant-Man causes Trago’s horn to play notes that wipe his memory clean, so he reverts to being “just another jazz trumpeter.” We’re expected to believe there’s no need for punishment, since he was “hypnotized,” and “not in his right mind,” when he committed his acts of evil. But I beg to differ! When Trago met the Indian master Ghazandi, he begged to learn the notes that would hypnotize humans. He was not hypnotized at that point, and made this request with evil intentions.

BTW/WTF? When the hypnotic music starts, Pym’s immediate reaction is “We’ve got to reduce our size!” How is THAT going to help?

tta47banner


sgtf3

Posted in Ant-Man, Human Torch, Iron Man, Meanwhile, Sgt. Fury, Strange Tales, Tales of Suspense, Tales to Astonish, Thor, Wasp | 1 Comment

X-MEN #1: Excelsior!

Published: September, 1963

Published: September, 1963

“X-Men”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Paul Reinman
Letters: Sam Rosen

With the advent of the Avengers barely out of our rear-view mirror, it’s natural to want to draw comparisons between these two teams of Marvel superheroes. Who do I like better now? That’s easy to say. Who will I end up liking better? No way to know that yet. Or is this like asking a parent which child they love better? Each has its peculiar charms.

With the Avengers we have a conglomeration of existing, mature superheroes, but the X-Men are mere TEENAGERS. In some ways, that’s good news for readers, since we can all imagine what happens when you put a bunch of teenage boys together…and give them superpowers. Then, introduce a pretty redhead into the mix and VOOM! Soap opera elements multiply exponentially.

Each Avenger has a particular talent, but each talent springs from a different source. In most cases, it’s science gone wrong (or right), but with Thor, we’re dealing with a deity. Most Avengers celebrate and enjoy their powers, but Hulk merely tolerates it.

With the X-Men, however, though each has a different power, it all springs from the same well: genetic mutation. So, even though the X-Men are all different from society at large, and different from each other in regard to their unique manifestations of mutant power, on the most elemental level, they are all the same.

ux1intro

And if their classification as “mutants” binds them together, so much more their devotion to Professor X. In fact, the first thing we learn about the X-Men is that no matter what else might be happening, these young men revere and respect their leader. Each calls him “Sir!” and all fall over themselves to please him. This is probably a good thing, because such an intent focus on teamwork and respect for leadership assures they will be a force for good and not evil. Could you image four young men with such powers being surly and uncooperative?

And soon enough, we soon learn how dangerous mutant powers can be in the hands of evil, when we meet one of the great Marvel villains—Magneto!

The first half of our story serves as a “Getting to Know You,” showing off the X-Men’s powers, and introducing Jean Grey as the first female X-Man. ux1flirt(Though it may be more politically correct to say “X-Person,” I don’t think that phrase has the same oomph as “X-Men.”)

However, once we meet everyone one and firmly establish that superpowers don’t prevent these four young men from getting all googly in the presence of a pretty girl (who can take care of herself just fine, thank you very much), we finally get to the meat of the story.

Magneto, resplendent in red and purple, feels the time has come “to make homo sapiens bow to homo superior” and he’s willing to put metal to the pedal to back up his statement. He interferes with an army rocket launch and makes his presence knows with a message in the sky: “Surrender the base or I’ll take it by force!” Then, as politely as possible, he signs his threatening note with a pleasantly scripted “Magneto.”

ux1skywriteSo now everyone knows who he is…but in fact, no one yet knows who he is. Until he struts into the military base and uses magnetism to round up, control and blow away his opponents.

Enter the X-Men, thrown into their “baptism by fire,” as Prof. X calls it. They suit up and arrive on the scene. The officer in charge feels like “a danged fool,” but agrees to give them fifteen minutes.

Fifteen minutes is even less than the X-Men need! Working together like the Alabama offensive line, all traces of horseplay now mutated into a singular purpose, they thwart Magneto until he finally flies away, proclaiming, “You haven’t defeated me YET! I can still escape you!” Well, correct me if I’m wrong, but isn’t “I can still escape you,” more or less the same as defeat?

ux1eyesBut escape Magneto does, for he who fights and runs away, lives to fight another day. We know we’ll see much more of Magneto. I just wonder if in the future we’ll see more of him than that red suit, purple cape, and two crazy blue eyes.

In their colorful uniforms, the X-Men look more like a team than the Avengers. Even though Beast has those big hairy feet, and Angel has wings, and Cyclops has his visor and Iceman has, well…ice, he still wears X-Men boots, and the uniform identifies them as a group. ux1pouredNot to be excluded, X-Man Marvel Girl, also wears the uniform, though as the boys observe, “Wowee! Looks like she was POURED into that uniform!”

The X-Men may also end up functioning more like a team than the Avengers, because each knows his place, and is subservient to the leader. With the Avengers, I wonder if we might find all these smart guys and super-egos bumping into each other in an attempt to take charge.

With the X-Men, it’s hard to imagine any of Professor X’s young charges challenging him. The Professor exudes a quiet authority from his wheelchair. He need only speak, or merely THINK, and every X-Man is instantly at his command. I’m reminded now that at in college, I once had a professor of Greek origin, whose impossibly long last name began with the letter X, and insisted all his students refer to him by a shortened version of his name. At the time, I thought it merely a convenience, but now I wonder if he was perhaps a fan of Marvel Comics, and enjoyed the tongue-in-cheek fun of having his students call him “Professor X.”

ux1xavierAlso, at the end of the first Avengers story, Hulk decides to join the group, “whether you like it or not,” because he’s “tired of being hunted and hounded.” I suspect Hulk’s journey from misunderstood hero to full-fledged team player is going to be rocky one.

Don’t think we’ll have those kinds of problems with the X-Men.

No, with the X-Men, I suspect we’ll most likely see the fellas bickering about who Marvel Girl likes best, and a continuation of the tomfoolery that punctuates their training sessions.

ux1movieAnd I hope we’ll see a quick return of Magneto, along with an expansion of the cast. I guess you could say I’ve been spoiled by the X-Men movies (which, over a decade ago, served as my introduction to Marvel comics). I’m looking forward to meeting more of my favorites, and lots more personal interactions between the characters.

I’m fairly confident we’ll also experience a deepening of the “shunned by society” theme that so identifies what the X-Men are all about—extraordinary kids who exemplify exquisite nobility in exacting justice as they excalate above society’s petty prejudices, exceeding our expectations in setting an excellent example for all cognizant beings, mutant and non-mutant alike.

Now THAT’S what I call being a superhero!

Want to read this comic on your computer? Marvel has a scan!
Want to own this story? Buy the Masterworks!
Posted in X-Men | Leave a comment

FANTASTIC FOUR ANNUAL #1: But Wait! There’s More!

Published: 1963

Published: 1963

“Sub-Mariner versus the Human Race!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

Now here’s something new—it’s called an “Annual” and it runs 72 pages, rather than a comic book’s standard 36 pages. For all this comic book splendor, readers of the day were asked to shell out more than twice as much money: a full 25 cents! Were they getting their money’s worth? Let’s review the contents of this first Fantastic Four Annual, then you decide for yourself.

NAMOR
On the cover we find reference to four different features, as well as clear pictures of Sub-Marinar, Spider-Man and Doctor Doom. Well, you’ve got my attention. This looks to be grand, and as we turn the first page, we find that it is. After the full page splash for “Sub-Mariner Versus the Human Race!” we are invited to King Namor’s coronation ceremony regally presented on a two page spread showing us all the splendor of Atlantis.

yes we know

Yes, we know, the sea serpent doesn’t line up. The printing process in 1963 required a gutter between the two pages, and a case could be made that the serpent WOULD line up, if we retained the gutter. The down side, though, is that other elements would then be out of kilter. We simply had to make the aesthetic decision: do we retain the gutter, or close it up? We think it looks better as one huge panorama, the first of its kind for Marvel. –Russ

Last time we saw Namor, he was still looking for his people. Now he’s found them, and they welcome him back with open arms. I don’t remember ever before seeing a two page spread, but given the occasion, it’s entirely appropriate.

I know Namor is supposed to be a bad guy, but I can’t help feeling happy for him. He’s finally found the thing he’s been looking for all this time, and feels restored to his proper place in the universe. Maybe now he can be content and stop picking on the surface dwellers?

Not a chance. The ceremony isn’t even over, and already he’s planning his attack upon the human race. He captures the FF, only to send them back with an important message: as King of the Sea, shoepoundhe will allow no ships or aircraft to trespass his domain. Reed convenes the United Nations and conveys the gravity of the situation, but the delegate from Russia responds with a hearty “Bah! Capitalistic lies!” and a bit of shoe-pounding on the table.

After they get this guy calmed down, Atlantean expert “Dr. G. W. Falton” provides a detailed history of the fabled kingdom and its “homo mermanus” race. (No, you haven’t forgotten them from 8th grade biology class. Like that troublesome “chromosomatic gland,” this is another science fact fiction found only in Marvel comics.)

Dr. G. W. Falton paints a very pretty picture of the the history of Atlantis, and of Sub-Mariner’s background in particular, only…there is no Dr. G. W. Falton! We have been listening to an expert, however, for Falton rips off his disguise, and guess what? It’s Sub-Mariner himself, startling everyone, and declaring war on the human race before hurrying back to his undersea kingdom.

ffann1fightensuesSoon, the Atlanteans invade, wearing water-filled helmets to keep them alive until victory is won. Reed gets one look at a helmet and immediately deduces a solution. He fashions a huge “complex electronic device.” Sadly, this contraption is not given a proper name, like “Electromagnetic Evaporator Ray Gun,” but no matter—it gets the job done, evaporating the water from every soldier’s helmet, forcing a mass retreat back to the ocean.

Sub-Mariner quickly decides that ONLY Mr. Fantastic could be responsible, and hurries to the Baxter Building. Fighting ensues, and Namor escapes with Sue as hostage.

ffann1heroWith much fanfare, the others rescue Sue, who is nearly drowned. They must trust Namor to deliver her to the nearest hospital. Namor’s people feel that he has betrayed them by saving a surface woman, so they abandon him. Poor Namor! From the highest high, to the lowest low, he ends this lengthy tale wondering, “Is there NEVER to be a place for me?”

Not to worry, I’m sure there will always be a place for Namor, the Sub-Mariner, King of the Sea, in the pages of Marvel Comics. These stories are just too good! And I haven’t even gotten to the best parts yet! One of the most fun aspects of these Sub-Mariner stories is the romantic triangle between Reed, Sue and Namor. Each time these three appear together, there’s further development, further angst. And this time, we are introduced to two new players, creating yet another romantic triangle.

Enter Lady Dorma, an Atlantean babe with blue skin and high cheekbones who considers Namor her true love. As the story begins, she is delighted that Namor has returned, envisioning a future where she is queen, ruling the undersea realm side by side with her king. The moment I saw Lady Dorma, I knew there would be trouble. As expected, she is not at all pleased when she figures out that her man is in love with another woman. And not only another woman, but a surface-dweller! Brrr…

ffann1gooddormaffann1baddormaDorma begins the story as the gentle and beautiful woman you see here on the left, but by the time she learns about Namor’s attraction to Sue Storm, she looks like this:

To complicate matters further, Warlord Krang is interested in Lady Dorma, and apparently they’re engaged—at least if “pledged to become the bride” means the same thing in Atlantis as it does on the surface world. But Dorma wastes no time throwing over her Warlord for the newly returned king…and ffann1krangcan you blame her? Emotions aside, Krang is rather hideous. His heart must be in the right place, though—the place Namor’s heart should be, completely intent upon the safety and well-being of the kingdom, not half given over to the protection of a…a…SURFACE GIRL!!

This title has opened up a whole new world, full of interesting characters. Frankly, I was disappointed when I got to the end and found out the entire civilization had deserted their King. I certainly hope this is not the last we see of Warlord Krang and Lady Dorma. They have some unfinished business with Namor, and—don’t spoil me, but, it would be a shame if the momentum of this new love triangle is not picked up at some time in the future.

HORSEPLAY
So I look forward to that, but right now, I’ve got some bones to pick with our “surface dweller” heroes. We start with a good dose of FF-Nonsense, as we usually do, with some horseplay between Johnny and Ben that gets out of hand—fire, water, busting down doors, you know the routine.

Sigh. I’ve got to say…I’m really getting tired of this. Okay, Johnny’s a teenager, so some horseplay might be expected, but what the hell is Ben thinking? Or is he thinking? When those cosmic rays altered his physique, was he also touched in the head? Or has he always been this infantile? The two of them act like they’re ten years old, and there’s no excuse for that.

ffann1horseplay

In the end, their horseplay ruins all of Sue’s expensive, “original exclusive” dresses. Ben/Thing at least apologizes, but his explanation that “It was an accident,” just doesn’t cut it. Why doesn’t he take responsibility for his bad behavior? Why doesn’t Johnny? And why does Reed feel he has to comfort the crying Sue with “I’ll make it up to you, honey”? There’s no reason Reed should have to make up anything—he didn’t do anything wrong!

But, wait! Yes, he did. As the leader of this group, he should have put his foot down a long time ago, rather than allowing these two imbeciles to continue to misbehave. He’s got this giant scientific brain, yet he doesn’t seem to understand the first thing about human interaction.

And then! To make matters worse, Reed does what no parent should ever do: he actually REWARDS the bad behavior with, “I think we’ve been working too hard! We need a VACATION!”

What??? Did I hear right? Johnny and Ben destroy Sue’s property, and as a result, everyone gets to go on a VACATION? At this rate, Johnny and Ben will never stop acting like jackasses. Pardon my language, I’m really mad about this.

But wait! There’s more! To make this whole ridiculous situation even worse, just before Reed suggests the vacation, Sue actually APOLOGIZES to the “boys” for getting so emotional. Again I say…WHAT?? Why in blazes is Sue apologizing? “Oh, I’m sorry, boys, for being such a FEMALE. Can you ever forgive me?” She didn’t do anything except have a perfectly legitimate reaction, and yet she feels compelled to apologize. At best, this is an outrageously chauvinistic portrayal of women in the 1960’s. At worst, Sue’s got some major self-esteem issues.

TYPE A PERSONALITY
But let’s get back to Reed and his proposed vacation. In the last issue, didn’t he and Sue just go on vacation to Hawaii? Of course, that wasn’t a real vacation, it was just an opportunity to test drive the Intercontinental Ballistic Missile Station Wagon.

And this isn’t a real vacation, either. Sea monsters have been spotted in the middle of the Atlantic, and Mr. Fantastic wants to investigate. Leave it to a science nerd like Reed Richards to think that taking a cruise to find sea monsters is a “vacation.” Does this guy never relax? Can you say…Type A personality?

Later in the story, when Namor catapults the four from the depths to the middle of the Atlantic Ocean, and drowning seems a real possibility, Reed takes time to explain the science that got them there. To which Thing replies, “What an egg-head! Reed, if they ever strapped ya in the electric chair, you’d probably be explainin’ how the blamed thing works while they pulled the switch!”

’Nuff said.

Of course, the others continue to display their defining personality characteristics as well. For instance:

When Reed is injured and must give detailed instructions on the Electromagnetic Evaporator Ray Gun, Sue exclaims, “Let’s just PRAY that it works!” once again indicating her lack of faith in Reed’s ability to get the job done. I’m starting to think Reed should be looking for a girlfriend who’s a little more supportive.

When Ben’s blind girlfriend invites herself on the “Vacation to Sea Monsters,” Ben keeps making references to sight—“You’re a sight for sore eyes…wouldn’t let you out of my sight…” Really, Ben…could you BE any more insensitive?

ffann1liljohn

And Johnny, of course, is still chasing girls. I’m just not sure why he’s referring to himself in the third person here, and especially baffled why he would call himself “Little Johnny.” Hmmm…let’s not go there…

NAMOR
But enough of this! Let’s get back to Sub-Mariner, because the more I write, the more I’m liking him better than the heroes in this tale.

WE’RE NOT AS DIFFERENT AS YOU MIGHT THINK…PART 1:
As Dr. G. W. Falton, Namor reveals his origins. In 1920, a blast from a ship rocks Atlantis, and Princess Fen surfaces and falls in love with the ship’s captain. As a result of this union, Namor is born, “possibly the first known mutant of our time…the only true human amphibian on earth.”

Now this brings up a question: Is Namor a mutant, or a hybrid? Apparently he has characteristics of both his father and mother; he can breathe air, he can breathe water. His skin appears to be human flesh (not blue), yet he has wings on his feet that allow him to fly. He’s the perfect blending of the two races, like a Ford Fusion, that can run on either gas or electricity.

Incidentally, I was baffled by the fact that when the water is drained from the Atlanteans’ helmets they must immediately retreat to the ocean, as if they will die within moments. In the story about Sub-Mariner’s parents, wasn’t his mother able to breathe air for up to five hours? Why are the current Atlanteans not as hearty and capable? Perhaps some…mutation?

BUT WAIT! THERE’S MORE!
Well, I’ve given more than enough attention to this main story, but that’s not the only attraction in this Annual. When you buy a DVD, you get the feature film, and also a bunch of “extras,” and “behind the scenes” documentaries. Briefly, here are a few “DVD extras” from this first Annual:

The Fabulous Fantastic Four Meet Spider-Man! This six-page vignette re-tells a portion of a story that appeared in Amazing Spider-Man #1. It’s pretty much the same as before, but some of the fight scenes have been expanded. I guess some people like that kind of thing, but for me, I gloss over that part with “And then they fight,” or “Fighting ensues,” so this tale didn’t do anything for me.

However, I did find it amusing that on the title page, the editor informs us that this story is appearing “By special arrangement with Spider-Man magazine.” Uhh…correct me if I’m wrong, but it’s all Marvel Comics, right? So, where’s the “special arrangement”? Stan and Jack looked at each other said, “Hey! Let’s rehash that old story, and add in a few more details, ya think?” And it was done.

Questions and Answers About the Fantastic Four. Now, this was an entertaining bit that offered all kinds of details about our heroes. Most of it we already know, but the write-up on Sue really floored me. I had no idea her hobbies included cooking and reading romantic novels! (I also had no idea that “cosmetics” was a hobby.)

Most alarming of all is the question “If she marries, would she leave the F.F.?” Really now…why should she? I guess back in the day, once a woman got married, she left the work force. But I hardly think what Sue does as a super-heroine can be considered a “job” in the usual sense of the word. How would being married affect her ability to participate in the foursome?

ffann1realsue

Yes, we know, the picture’s not straight. Back in the 60’s, sometimes the publishers weren’t as careful as they should have been to cut the corners of every panel at 90° angles. No matter which way we cut it, at least two sides are going to slant.
–Russ

But then…ahh! It suddenly occurs to me. Of course, as soon as Sue gets married, she would be expected to start popping out babies. After all, that’s a woman’s “real” job, isn’t it? But it does beg the question…if Sue and Reed were to have children, what would they be like? And what kind of trouble could those youngsters get into, turning invisible and slipping into all the hard-to-reach places? Nothing would be safe! I don’t know, maybe Sue and Reed do eventually get married and have children. If you know, don’t tell me! I want to be surprised when it happens.

A Gallery of the Fantastic Four’s Most Famous Foes! Eleven foes grace this gallery, each given a full page write-up. I don’t know if the purpose is to entice new readers into tracking down and reading past issues, or were they just trying to fill space. Either way, looking at these characters makes me realize how far I’ve come. I have no idea how much further I have to go, but I’m sure this retrospective is just the tip of the iceberg.

ffann1skrullIf you’ve been reading along with me all this time, you know that I pretty much consider the Skrulls a huge joke. So I found it extra funny when their gallery page describes them as “a band of the most dangerous menaces earth had ever faced.”

We’re told that the Miracle Man (remember him?) “seemed stronger than the Thing, more brilliant than Mister Fantastic, more powerful than the Human Torch, and more elusive than the Invisible Girl!” At least here, we temper the praise with the word “seemed.” The Incredible Hulk also makes an appearance in this gallery, though by the time this Annual hits the newsstands, Hulk has already made his giant about-face, aligning himself with the newly-created Avengers.

One more feature: a full-page diagram of Inside the Baxter Bldg, detailing all the rooms, labs and inventions which go into making the Fantastic Four ffann1baxterso…well, fantastic. I love maps and diagrams, and this one is no exception. Marvel provided similar diagrams in issues 3 and 6, but that was quite a while ago, and now that readers know the FF better, perhaps this is a good time for review. And just to be sure further review will not be needed, a bold suggestion is made to “Save for future reference!”

Little girls had their Barbie dolls and dreamhouses, but what about little boys? They’ve got this detailed diagram of Fantastic Four headquarters. Marvel-themed toys and playsets won’t come along for at least another thirty years, so until that happens, this two-dimensional representation and a good dose of imagination will have to suffice.

ux1avatarAnd coming up soon, a good dose of imagination when Marvel marks the spot in comic history with an exciting new title. So join me next time for more fun in the Marvelous Zone!

Want to read this comic on your computer? Marvel has a scan!
Want to own this story? Buy the Masterworks!
Posted in Fantastic Four | 9 Comments

FANTASTIC FOUR #18: If at First You Don’t Succeed…Send the Super-Skrull!

Published: September, 1963

Published: September, 1963

“A Skrull Walks Among Us!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

Last time, I talked about how the world was ready for a new group of heroes, with complementary superpowers, and so we got the Avengers. When your villain has many avenues of attack, you need an arsenal to defeat him. Well, this time, our team with the arsenal meets a villain who has “all the powers of the Fantastic Four, PLUS STILL MORE!” Because with only the powers of the Four, it would be an even match, and in an even match, you know who would win. But, with “plus still more” powers, we open the door for the possibility that the villain may get the upper hand, if not in the end, at least at some point in the battle.

Okay, I’m convinced. Here’s my twelve cents.

Except…wait! What do I read here on the cover? It’s a Skrull? You mean those goofy little green men from outer space who were so effortlessly tricked into spending the rest of their lives as cows, because they “hate being Skrulls! We’d rather be ANYTHING else!” You mean those spineless crybabies of the galaxy, currently mooing in a field? But this Skrull is no ordinary Skrull, he’s a Super-Skrull. Sort of like a product that’s “new and improved.” That’s our Super-Skrull. I see on the cover the Super-Skrull can indeed turn himself into a “Torch,” so I’m willing to give him a chance.

I’m still in. Let’s go.

As mentioned previously, the FF enjoys a bonanza of PR, for when we catch up with them at the beginning of this story, they’re huddled around the television, enjoying a newscast about…themselves! As always, we have some comedy shenanigans before the actual story gets underway. Thing busts up the furniture when his TV appearance is ff18icbminterrupted by a dog food commercial, but the funniest part is Reed and Sue heading off for a swim in Hawaii, traveling aboard their new “Experimental Passenger Intercontinental Ballistics Missile.”

While Reed dons his spacesuit, Sue is ready for the beach, wearing a bathing suit AND her space travel boots, carrying her space helmet. I ask you: where else are you going to see a get-up like this?

And then, when Reed asks Thing to keep an eye on Johnny for a few days, Thing sarcastically replies, “Look, Great White Father—” and proceeds to give Reed a piece of his mind. Not to be outdone, the narrator chimes in with, “And so, with the Thing’s tender farewell ringing in their ears…”

Yes to comedy.

Okay, now the story can finally get underway! We meet the Skrull King in a galaxy far, far away, plotting revenge against “that accursed foursome” while his yes-man ponders how in the world they ever managed to triumph over the “trained Skrulls” from Fantastic Four #2. Obviously the yes-man hasn’t read FF #2, but the Skrull King has, because his Royal Highness immediately dismisses those events with, “Bah! That is past history!”

Like any good obsessed, all-powerful despot, the Skrull King has emptied the entire treasury and devoted the full scope of Skrull scientific talents to the development of a single “Super-Skrull.”

The Skrull equivalent of Captain America?

Super-Skrull demonstrates that his powers exceed those of the accursed foursome—he can stretch further, lift more weight, and possesses an anti-matter fire-ball that can destroy anything. One thing he does not have, however, is an imagination, for when “flaming on” like the Human Torch, he parrots Johnny’s catch phrase —“Flame On!” (In fact, later, Johnny remarks, “All you Skrulls are good for is COPYIN’ people!”) The Super-Skrull alludes to a power beyond invisibility, but he’s in too much of a rush to offer details, so he hurries off on his mission, leaving the King, and us, wondering…

ff18panicBack on earth, another comedy bit—the FF mobbed in a department store—quickly turns to serious business as a news broadcast reports a spaceship in Times Square. If you’re not convinced that this is serious business, check out the expressions Jack Kirby puts on our heroes’ faces.

The Super-Skrull plants the Skrull flag, while the leader on the home planet instructs his assistant to “adjust the focus” on the viewing device. (Did you ever imagine a viewing device so technologically advanced you could view what’s going on at the street level on another planet…yet, you would still have to manually adjust the focus?)

Johnny, Reed and Thing each fight the Super-Skrull and are defeated. Sue laments that she feels “so helpless—so useless!” but Reed assures her “with all our bluster, we haven’t achieved any more than you!”

Confident of victory, the Super-Skrull retreats to allow the FF time “to return to their headquarters and spend a sleepless night fearing my next move!” However, given the advantage of time, Reed discovers the source of power rays beamed to Earth from the First Quadrant, and determines to stop those rays—to which Sue once again replies, “Oh, Reed—if only you COULD!” Jeez…I guess some people will never learn!

Arrangements are made to meet the Skrull on lonely Crater Island, where the three men distract the Skrull so invisible Sue will have a chance to fasten Reed’s “jammer,” cutting off his power source. However, the Super-Skrull now reveals his additional power—irresistible hypnotism! While the three are hypnotized (“I must stand here and TAKE it—for the sake of SUE! It’s her only chance!”), Sue installs the jammer, then trips the Skrull before he can attack her. The others spring back into action, and the Skrull is imprisoned in a sealed crater.

ff18kingSo. A second appearance by the Skrulls. I must admit, this one proved more fearsome than the last. However, despite all the advantages of the Super-Skrull, in the end it was Reed’s ingenuity and a bit of old-fashioned trickery that got the job done. At the end of the story we do not return to the Skrull planet to see the King pitching a fit because all the planet’s resources have now been wasted on yet a second confrontation with the Fantastic Four. Too bad; I would have liked to see that.

Somehow I feel quite sure this is not the last we’ll see of the Skrulls. Currently, the Super-Skrull has premiered at the very top of my Super-Villain Valuation Chart, but I wonder where we’ll go from here. Next time, will there be a Super-Duper Skrull? Or perhaps…a Stupendous Skrull? One thing I’ve discovered about Marvel Comics—without fail, stakes will rise, powers will escalate and there’s always something to look forward to.

ffann1avatar2And I look forward to meeting with you here in the Marvelous Zone next time, when not only are the stakes higher, but also the eyebrows, in a story that’s bigger and better than anything we’ve seen before!

Want to read this comic on your computer? Marvel has a scan!
Want to own this story? Buy the Masterworks!
Posted in Fantastic Four | Leave a comment