AVENGERS #1: And There Came a Day…

Published: September, 1963

Published: September, 1963

“The Coming of the Avengers!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Sam Rosen

The cover is fantastic! What a treat it must have been for the readers of the day to see all these superheroes on the same cover, and not only that, but Hulk is back, after an absence of several months.

And there’s ol’ Loki, bragging, “Bah! I’ll destroy you ALL!” A bold statement, but for anyone who’s been paying attention, it’s clear Loki hasn’t got a snowball’s chance in hell. He hasn’t been able to destroy Thor, so what makes him think he can destroy them ALL? The battle is won before it’s begun, but since we can see all the players, we know the sparring will be a ton of fun.

SOAPBOX
Now, before we go any further, let me step into my role as Female Advocate of the Marvel Universe and mention how unfair it is that Wasp is not listed on the top of the cover, and also is not pictured in the upper left, along with the other Avengers. Why not? The only explanation I can surmise is that we are supposed to assume that when you have Ant-Man, the Wasp will naturally come along for the ride, sort of like a bothersome kid sister.

But then, you know what happens when we…assume

Nowadays, my grown-up son and daughter tell me that when they were little, I used to make blanket statements about “You kids,” which really only applied to one of them, and invariably the other one would feel wounded and insulted. Yes, it’s true: It’s not fair to group people, whether it’s kids, superheroes, or entire ethnicities. And Wasp is certainly no second-class citizen; she contributes to the action, even going so far as to pin the “Avengers” moniker on the group. So I repeat: Not fair to exclude her mention on the cover!

But at least Wasp is pictured, and also listed on the splash, though grouped with Ant-Man. I repeat: kid sister. What does she have to do to get her own billing? Not be small? Not be FEMALE? Could you imagine the cover excluding Thor or Iron Man? That would never be tolerated! So why is it okay to exclude the Wasp?

Well, I’m getting off my soapbox now, so we can get on with our story.

OLD ENEMIES
Immediately we find the first villain this team of superheroes must fight is Thor’s old enemy, Loki. Brother against brother—a plot twist that only increases the drama.

a1trollAs if we need an increase in drama when so many superheroes meet on one stage! I’m awestruck by the action and activity going on at every turn. Page by page, you’re switching from Ant-Man and Wasp aggravating the Hulk, then to Thor dragging Loki back to earth magnetically attached to Mjolnir, and now back to Iron Man taking his best shot at Hulk. It’s one thing after another, as we travel from the Asgardian Isle of Silence, to an earthly circus tent, then back to Asgard, where the subterranean trolls are acting up.

Each superhero has a different power, and Stan doesn’t skip a beat in toggling the action from the mystical to the technological, from magic and trickery to displays of sheer brute strength.

ME…MISS…HULK…
Seeing that sheer brute strength of the Hulk in this issue, I surprised myself with the realization of how much I missed him. Sure, he’s a strong guy who “picks things up and puts them down,” but in him, more than any other character (with the possible exception of Spider-Man), we have the angst of the misunderstood hero. In Hulk’s case, you might even say “anti-hero.”

Oh, the poor dear! He only wants to be left alone, but when humanity is threatened, he steps in to help, and of course his acts of good will are misconstrued. Loki didn’t have to work his mischievous trickery on this one. The train engineers and newspaper reporters see what they want to see and hear what they want to hear: Hulk…BAD!!

Hulk Battles a Foul-Mouthed Train

Hulk Battles a Foul-Mouthed Train

Why does the newspaper report that Hulk tried to derail the train? The engineers see that Hulk is on the track, and immediately after that, they’re safe. Where is logic? Where is reason? Hulk didn’t try to kill you, he just saved your lives! But nobody wants to subscribe to that interpretation. Why does everyone always assume the worst about the Hulk? Because he’s big? Because he’s ugly? Because he’s green? Or is it because stories about big ugly green bad guys will sell more newspapers than stories about big ugly green heroes?

BACKFIRE!
Loki rejoices that “the humans will still think he tried to slay them…the hunt will be on!” hoping news of this event will bring Thor into the open. The Teen Brigade gets wind of the story—remember them? Teenager Rick Jones and his band of clean-cut do-gooders use their ham radio to send a signal to the Fantastic Four. Of course they have no idea that Loki is involved, but it’s interesting that their first thought is to contact not Thor or Iron Man or even Spider-Man, but the Fantastic Four. We’ve already seen that the FF utilize PR more than any other superheroes, and even in their non-hero personas they enjoy a certain level of notoriety (Reed, the famous scientist, Sue, the socialite appearing on the Molly Margaret McSnide Show). Heck, they’ve even appeared in a Hollywood film!

So it’s no surprise that in a time of great need, the first impulse would be to call upon “America’s most colorful super-combo” (Fantastic Four #17, August 1963). But do we call upon them because they’re colorful…or because there are so many of them? And each with a unique power? Hmmm…could it be that diversity of powers is what’s most needed at a time like this? Hmmm…could it be the world is ready for another group of do-gooders?

a1gathering

When the Teen Brigade attempts to contact the FF, Loki panics, diverting the radio waves to Don Blake. However, unbeknownst to him, those radio waves also reach scientist Henry Pym and millionaire industrialist playboy Tony Stark. And you know these guys cannot resist a chance to battle the Hulk.

What I most enjoy about this development is the delicious irony. You could say it’s Loki who is ultimately responsible for the Avengers. Now, I’ve no doubt that if it hadn’t happened this way, all these superheroes would have found a way to join forces at some point in the future. But that’s a story for an alternate universe. In the universe we’ve got, we can say a great big “Thank you very much!” to Loki, the God of Mischief, for having such a strong hand in the creation of the Avengers. I’m sure Loki is kicking himself in the pants for this one.

JEALOUS MUCH?
So! The gang’s all here, ready to fight the incredible Hulk and relieve the world of a major menace, but Wasp can’t seem to keep her mind on business. “Henry!” she exclaims. “Did you see that GORGEOUS THOR?! How can I ever make him notice me?” This is funny on so many levels. First, the obvious: if you want him to notice you, Wasp, you’ll have to be a little bigger than a wasp! Secondly, why is Janet asking Henry, “How can I ever make him notice me?” Doesn’t she have a fairly firm crush on Henry? Or, now that the mighty Thor has made an appearance, has her fickle heart flipped?

You know, I’m just thinking of something…Henry immediately responds to Janet’s question with an annoyed, “Stop acting like a love-sick female!” but do you think maybe he’s a little put out by her sudden interest in Thor? And how about this: did Janet perhaps make that remark about the gorgeous Thor, simply to get Henry jealous? And if so…did it work?

Oh, and by the way, when Wasp meets Iron Man, she decides he’s “hideous.” Of course, she has no idea who’s under that Knight in Shining Armor façade. If she did, she’d be a little less brash with the insults, potentially giving old Henry two rivals to worry about.

Comic Book Nerd Alert!

Comic Book Nerd Alert!

FIGHT! FIGHT! FIGHT!
But moving on with our story, as you can imagine, everyone gets to fight in a variety of spellbinding situations. I won’t go into details here, except to reiterate that the action is non-stop, and no amount of talking is going to do it justice—just go read the book!! In the end, Loki is captured, the gang decides they work pretty well together and ought to meet up for future crime-fighting gigs. All agree, and when someone says they need a name, Wasp suggests “The Avengers.” Again, all agree. So! The little girl who couldn’t even rate a billing on the marquee is ultimately the one who dreams up the name that will become a best-selling title for Marvel Comics and nearly fifty years later, the third highest grossing film in history.

I’ve said it before, and I’ll say it again: you go, girl!

IT’S HULK TIME!
Now, I’ve got one more comment about the Avengers, and then it’s time to close up this lengthy post. All our heroes do well in this story, and Wasp does indeed name the Avengers, a1imtbut it’s Hulk at the end who offers the biggest surprise. “I’m sick of bein’ hunted and hounded!” he declares. “I’d rather be with you than AGAINST you! So, whether you like it or not, I’m joining!”

What a great moment for Hulk! He’s been on the wrong side for too long, an unconventional superhero, so often misunderstood, indeed hunted and hounded. You really can’t blame him for being sick of it. But now, to throw his lot in with the other superheroes, perhaps at last he can gain some respectability. And finally get some rest! This was the wisest thing Hulk could have done under the circumstances. I’m not sure if the others (and the world) will readily accept him in this new role. Perhaps we’ll learn more about that in our next issue of The Avengers. One thing for sure: with all these superheroes and strong personalities coming together, this title is a keeper.

ff18avatar5In our next story, some throwaway villains make an encore appearance, after receiving a major makeover. Never thought we’d butt heads with these guys again! Join me next time, here in the Marvelous Zone!

Want to read this comic on your computer? Marvel has a scan!
Want to own this story? Buy the Masterworks!
Posted in Avengers | Leave a comment

AMAZING SPIDER-MAN #4: Problems, Peter? Suck It Up!

Published: September, 1963

Published: September, 1963

“Nothing Can Stop the Sandman!”
Script: Stan Lee
Art: Steve Ditko
Letters: Sam Rosen

I’ve been somewhat disappointed in the quality of Marvel’s villains of late. Even Doctor Doom, who is on the top of my list, has seemed wimpy, always managing to run away and live to fight another day, rather than socking it to the Fantastic Four. I haven’t seen much of Spider-Man yet—can this really be only the fifth story?—but so far he’s spent more time fighting common thugs than other superhero. In fact, that’s what he’s doing at the start of this story, trying to capture some bank robbers. Previously, Dr. Octopus showed potential as a real threat. But now…! NOW we have Sandman, and at last Marvel has created a villain it will be hard to contain.

SAVVY SANDMAN
Apparently Sandman has been around for a while, since everyone seems to know all about him as we begin this story. Channel 17 News is nice enough to fill us in on the particulars: ex-con Flint Marko escaped from jail and hid at an atomic device testing center, where a nuclear test explosion caused a mutation that gives him the ability to turn himself into sand at will.

asm4sandmanBut wait! There’s more! In this first story alone, we learn that Sandman can also:

  • Harden any part of his body at will
  • Turn his finger into a key
  • Slip under doors
  • Jump from buildings and not get hurt

As questioned on the cover, “How can Spider-Man defeat a foe who cannot be injured?” With the ability to move about in places inaccessible to the average human, Sandman can basically do anything he wants and not get caught. In other words: a very powerful super-villain.

And Sandman has this going for him as well: unlike Doctor Doom, whom we recently identified as a “noble” villain, there’s no nobility clinging to Sandman. He’s a thug. Whether as Flint Marko or the nebulous Sandman, this villain is not striving for nuances of poetry and irony in his acts of evil; he’s just a bad dude, doing bad stuff.

In addition to lacking that pesky little super-villain trait of nobility, we also notice that as a common criminal, Sandman is not exceptionally bright. And from what I’ve gleaned thus far in my readings of Marvel comics, asm4schoolthe Marvel Universe is not much different than the real world when it comes to the average IQ of your garden variety criminal.

Sandman chooses a high school, in the middle of a school day, as a good place to hide out. Seems stupid, right?? Well, that was my first thought. But then again…hold on…let’s think this through.

Does Sandman have the intelligence to reason, “Nobody would ever think I would be STUPID enough to hide out in a high school, so that’s what I’ll do”?

Is he taking a chance on “hiding in plain sight”? Is this really the height of stupidity or instead, the height of intuitive, creative thinking?

Either way, it works, because this plot development puts our superhero and super-villain in close proximity before too many pages go by.

PETER’S PROBLEMS
But before Peter goes into full scale battle mode with the Sandman, he’s got his own problems to deal with. Early in the story, before he realizes the criminal he’s chasing is Sandman, he says, “It’ll be duck soup for me to get him!” Ah! There’s that cocky attitude we’ve seen so often from Peter Parker!

But after his encounter with Sandman, troubles start to pile up. Not only does Spider-Man not secure the criminal, but his mask gets torn, and he can’t continue, since apparently the biggest tragedy that could happen to Spider-Man would be the loss of his secret identity.

asm4identity

One of the downfalls of having a secret identity is that when your mask gets torn, there’s no aunt or girlfriend to help you sew it back together. Peter, who’s “no cotton-pickin’ seamstress!” has to repair the mask on his own, and it takes all night.

As if that wasn’t bad enough, the next morning Aunt May babies Peter and makes him carry an umbrella to school, even though it’s not raining. Flash Thompson bullies him about his galoshes.

Peter has tried repeatedly to get a date with Liz, and she finally accepts, but Spider-Man duties force him to cancel the date, and then Liz won’t even talk to him. (However, later, in the middle of all the commotion, Liz worries about Peter. So that door is still open: Does she, in fact, actually like the dorky wallflower, Peter Parker?)

In class, daydreaming about his Spider-Man duties and dilemmas gets Peter in trouble with his teachers, and he is assigned the “glamour boy” job of carrying old bottles to the boiler room.

One of those dilemmas is that he needs money for experiments to improve his webbing, but J. Jonah Jameson will not give an advance payment for his photographs. And to make asm4vacuummatters worse, Jameson ends up lecturing Peter about “You teenagers.” Jeez! I’m sure that was not the high point of Peter’s day.

The real high point, of course, comes several hours later when Spider-Man captures Sandman in the janitor’s king-size vacuum cleaner—and incidentally, my spider sense started tingling the moment I saw that super-duper sucker-upper, didn’t yours?

Then, after Spider-Man has captured Sandman, the ever-resourceful Peter reasons “it can’t be unethical” to re-create the fight so he can get those pictures to sell to Jameson. That’s exactly what he does, but the fact that he reasons this through (“It’s like shooting a re-take of a movie!”) indicates he’s experiencing a moral dilemma about this trickery.

However, even after Spider-Man has saved the day by capturing Sandman in the industrial vacuum cleaner, Jameson is still convinced that Spider-Man’s the bad guy! There’s nothing Spider-Man or Peter Parker can do to change his mind, and unfortunately, Jameson has the power of the press behind him, so the general public remains divided on the Spider-Man love.

asm4popular

Poor Peter. He does everything he possibly can to help his fellow man, and is this all the thanks he gets? A neurotic with delusions of grandeur? “Give me the Human Torch any day!” Such insults!

Understandably, Peter is plunged into a crisis of faith. Why does he do it? Is he “really some sort of a crack-pot”? Should he stop being Spider-Man? Well, you know the answer to that one: a big resounding NO! He will go on, nobly, praying that some day the world will understand.

It’s easy to see why Spider-Man was such a big hit with the kids. Every teenager thinks he is misunderstood and under-appreciated. Surely a strong sense of identification existed between Spider-Man and his readers, back when the original comics appeared, and even extending into present times. But truth be told, no teenager, no person of any age or any era, is more misunderstood and under-appreciated than poor Peter Parker…the noble Spider-Man!

JAMESON’S JIBES
So this story has been a huge peek into the mind of the hapless teenage superhero, but I can’t leave here today without making at least a few passing comments about that shady journalist you love to hate, J. Jonah Jameson.

asm4hrrmphFirst: What a crotchety old geezer! Jameson actually says “Hrrmph!” when he arrives in his office and is bid a “Good morning!” Take a close look. Honestly: “HRRMPH!”

Then: The cops tell Jameson the school had been evacuated due to a vicious criminal on the loose, but when it’s all over, Jameson says to Peter, “So you were hiding in the school, eh? Good boy!” He shows no concern whatsoever for Peter’s safety, he’s only interested in getting the “pix,” no matter what the risk. Hard-boiled newspaperman? Or giant, self-centered SOB?

Oh! And what a great boss, right? When Peter apologizes that he didn’t have time to develop the exclusive pictures of Spider-Man and Sandman in the battle that is the biggest news story of the day, Jameson says, “Don’t worry about it! I’ll take the cost of developing out of your pay!”

I’m thinking SOB.

Finally, Jameson thinks how cool would it be if somehow Sandman and Spider-Man were the same person. He plans to run their “pix” side by side, with the words “Are they the same man?” I ask you: what kind of journalism is this???

It’s encouraging to see that the police are apparently just as aggravated with Jameson as I am. You get the sense that eventually things will sort themselves out in the Spider-Man storyline, justice will be served, and Jameson will get what’s coming to him. I don’t know how long that might take, but I’m looking forward to it. In the meantime, Spider-Man will go on protecting the unappreciative public.

a1avatarAnd next time in the Marvelous Zone, we’ll meet a new group of old favorites who, if they can’t protect the earth, you can be damned sure they’ll avenge it!

Want to read this comic on your computer? Marvel has a scan!
Want to own this story? Buy the Masterworks!
Posted in Spider-Man | 3 Comments

Meanwhile…: August, 1963

JOURNEY INTO MYSTERY #95

jim95“The Demon Duplicators!”
Plot: Stan Lee
Script: Robert Berns
Art: Joe Sinnott
Letters: Sam Rosen

IN A NUTSHELL
Jealous scientist Prof. Zaxton destroys Dr. Blake’s super android, then kidnaps Jane Foster, forcing Blake to help him create a duplicating machine. The duplicator creates physical copies with opposite personality. An evil duplicate pursues Thor, but cannot overcome him as Mjolnir will only grant Thor’s power to one who is “worthy.” Zaxton duplicates himself to confuse Thor, then carelessly falls off the building with his diabolical invention. Thor lets the duplicate live, as he can be an asset to humanity.

WHAT’S HOT
HANDSOME HERO. New artist Joe Sinnott depicts Thor as quite a handsome fellow! However, sadly, in the grand tradition of 1960’s Marvel Comics, female character Jane Foster is still not looking her best.

SMARTY-PANTS. Dr. Blake, the medical doctor, invents powerful androids in his spare time. Is there anything this guy can’t do?

FAVORED SON. The story begins and ends with Thor visiting Asgard to assist with a drought. Would Loki do the same? I doubt it. In fact, Loki probably caused the drought! No wonder Odin prefers Thor to Loki!

WHAT’S NOT
TOUCHY CONTROLS. Simultaneously twisting all the dials on the remote for Blake’s android—either purposely or by accident—creates an atomic explosion. And I thought it was bad when an errant click on my computer translated Wikipedia to Russian!

ABSENT-MINDED PROFESSOR. Super-scientist Zaxton is smart enough to deliberately blow up an android, but not smart enough to realize that when the thing blows, he’ll be destroyed just like everyone else. “Luckily, Thor was there…”

CATS! Zaxton recklessly makes multiple copies of an alley cat. Like the population of stray animals is not already out of control, we have to have mad scientists contributing to the problem?

I WONDER
Blake explains that it is against Thor’s code to harm a human being except in self-defense, and that’s why he can’t force Zaxton to reveal Jane’s location. So…I guess according to Thor’s code, as long as it’s someone other than himself that’s in danger, there’s little he can do. That hardly seems heroic…

Blake displays some questionable ethics in another area as well. While he draws the line at duplicating human life, he apparently has no problem creating an android that can be duplicated and used as a super soldier to destroy human life. Why is it okay to destroy life, but not to create it?

The android is able to work out “the world’s most complicated mathematical problem” because Blake gave it an IQ of 375! Two questions: What is Blake’s IQ, and can God make a rock that He can’t lift? One comment: too bad the answer to the world’s most complicated mathematical problem appears only as squiggly lines. It would have been nice if new artist Joe Sinnott had let us in on that little secret.

Barrooommm! There it is again! Time for a drink after a long, hard day of writing and illustrating comics!

jim95banner


STRANGE TALES #111

st111“Fighting to the Death with the Asbestos Man!”
Plot: Stan Lee
Script: Ernie Hart
Art: Dick Ayers
Letters: Sam Harold

IN A NUTSHELL
Professor Orson Kasloff, foremost analytical chemist in the world, plots to destroy the do-gooder Human Torch in order to gain the respect of the criminal underworld. He creates an asbestos suit and triumphs over Torch in their first fight by dropping Johnny into a moat filled with a flame-quenching chemical. However, second time around, Torch wins, by attacking his opponent’s surroundings, rather than the menace himself. Defeated, Kasloff confesses to the police, and is carted off to jail.

WHAT’S HOT
NO SECRETS. I guess Johnny’s identity as Torch is no longer a secret in this title, as a letter addressed to “Human Torch” comes directly to the Storm household. Good. That secrecy stuff just wasn’t making a whole lot of sense.

REAL GANGSTERS. Or at least gangsters who talk the way we expect real gangsters to talk. Blackie Barker, king of the underworld (is that an official title?) tells his driver to “Step on it!” and coos to Asbestos, “We’re gonna GO places, you an’ me!”

SISTERLY ADVICE. Sue encourages the despondent Johnny and makes him realize there’s another way to defeat Asbestos. If it weren’t for her, would Johnny have ever emerged from his funk and come up with a plan?

CULTURAL REFERENCE. Kasloff thinks he should be as rich as Croesus…who is that? I had to run to my Encyclopedia Britannica (well…Wikipedia).

WHAT’S NOT
BAIT AND SWITCH. Fighting to the death is promised on the splash, but never delivered. Nobody dies. Not that I’m being morbid, but I’m reminded of the Buffy “Inca Mummy Girl” episode, where Xander says, “Typical Museum trick. Promise human sacrifice, deliver old pots and pans.”

DUH? Johnny looks up “asbestos” in his chemistry book. Excuse me? WHY? He’s already run into this stuff in previous adventures, and his bedroom is even MADE of it. As Torch’s single Achilles’ heel, Johnny should have completed his research before this.

STORYHOUNDS. The press guys get all excited about their “scoop” of Asbestos Man bringing down Torch, even though Torch is the hero of the city who has cut crime in half. Even back in the 60’s the press is portrayed as grubby slimy storyhounds who don’t care about right or wrong, as long as they get their name on the front page. And a “bonus.”

CROSS-TITLE THREAT? Kasloff has invented a liquid solvent that melts steel and iron. Iron Man had better watch out…or has Tony Stark already anticipated this development and invented a counter-potion?

UNBELIEVABLE!
Kasloff realizes he’s heard of Torch as “THE nemesis of the criminal underworld!”—as if there are no other superheroes who can deal with the criminal underworld. Never mind Thor, Iron Man, Spider-Man, Ant-Man, etc. It’s not even noted that Torch is one-quarter of the fabulous Fantastic Four.

Where does all this take place? Presumably somewhere close to suburban Pleasantville, yet Kasloff is able to find “an old castle, far from any other habitation, yet in a rural area close to town.” Househunters on HGTV couldn’t have better luck fulfilling their “must have” wish lists!

Kasloff invites the press to his secluded castle to witness him fighting and destroying the city’s #1 crimefighter. Why would he want the press reporting who he is and where he lives? His plan is to destroy Torch to win the admiration and cooperation of the underworld. Wouldn’t you engage in this sort of illegal activity in private? Or, if you must have an audience, at least you don’t do it in your own front yard so the police know exactly where you live.

st111banner

“Face to Face with the Magic of Baron Mordo!”
Script: Stan Lee
Art: Steve Ditko
Letters: Terry Szenics

IN A NUTSHELL
The Master’s former pupil, Baron Mordo, poisons the Master in order to coerce the most closely guarded secrets of black magic from him. Realizing his mentor is in danger, Strange travels via spirit image to battle the evil Mordo. After reviving the Master with a wave of pure energy from his enchanted amulet, Strange tricks Mordo into returning to his physical body, then he himself escapes, fearing the next time he and Mordo meet, it will be a fight to the death.

WHAT’S HOT
LOCATION, LOCATION, LOCATION! Baron Mordo’s hidden castle is “in the heart of Europe,” where castles should be! The world makes sense once again.

INSTANT ACCESS. Dr. Strange can tell the Master is in trouble because he does not answer a summons via the enchanted amulet. How many times have you worried about someone you cannot reach by phone? And hasn’t that problem only gotten worse with the advent of cell phones? Basically, the enchanted amulet serves as a cell phone, decades before cell phones are invented.

ENERGY. A wave of pure energy comes from the amulet, reviving the master. Hey, this black magic stuff is awesome! Sometimes wish I had an enchanted amulet at the end of a long day.

WHAT’S NOT
SUPERLATIVE. How can Mordo be “THE most dangerous menace of our time”? Doesn’t that bold proclamation weaken and negate the claims we’ve heard about all the other super-villains? They can’t all be the most dangerous. And if I had to choose one super-villain that was “THE most dangerous,” it certainly wouldn’t be Mordo.

ARCH-FOE. What? Is the phrase “arch enemy” not good enough?

FISTICUFFS. Even though Strange and Mordo are in their “spirit images,” they engage in a physical battle to settle their differences, even though they have all the power of black magic at their command. Why??

BREAKING THE FOURTH WALL. In the last panel of the story, Strange looks at the camera and says, “In time to come, let us peer behind the enchanted veil together,” presumably inviting the reader to further adventures. Generally, I’m a big fan of breaking the fourth wall, so I’m not really sure why this bothers me. Maybe I just feel Dr. Strange is too talented, dignified and mysterious to engage in this simple parlor trick?

EMPTY WORDS?
At the end of the story while discussing Mordo with the Master, Strange reveals, “I feel that death waits for…the one who loses the next encounter.” Yeah, yeah, yeah. Is that anything like “Human Torch fighting to the DEATH with the Asbestos Man!” from earlier in this same issue? More hyperbole? For someone as attuned to the mystical world as Dr. Strange, you’d think his intuition would serve him better than this.

Of course, having read only this one story, there is no way to predict how many more times Baron Mordo will appear, but I happen to know (from Russ) that we’ll be seeing lots more of Doctor Strange’s arch-foe. So, since he poses a continuing threat in the Marvel Universe, I’ve evaluated him for my Villain Valuation chart, but he comes up squarely in the middle, neither in the Top 10 or the Bottom 10, so he doesn’t appear on the chart at the moment, but as I meet more villains, that could change. Also, as we run across him in future stories, he may present himself as more (or less) of a foe to be reckoned with. I feel like I’ve only glimpsed the tip of the iceberg in this first story.

st111bbanner


TALES TO ASTONISH #46

tta46“When Cyclops Walks the Earth!”
Plot: Stan Lee
Script: Ernie Hart
Art: Don Heck
Letters: Sam Rosen

IN A NUTSHELL
Henry and Janet vacation in Greece, where they discover a Cyclops terrifying the local residents is really a robot controlled by aliens who plan to colonize Earth. By adjusting the aliens’ electronic impulses, Ant-Man prevents the robot from doing further damage, while Wasp rescues the captured fishermen.

WHAT’S HOT
MAKES SENSE TO ME. When Pym determines that the mysterious bright lights mesmerizing the Cyclops are really from space ships, he tells Wasp, “This is all beginning to tie together now!” Only a science nerd like Pym could find out there are aliens in the mystery mix, and think it all makes sense.

HE KNOWS HER… Already, Ant-Man knows Wasp well enough to suppose that when she goes off to do her own thing, it’s possible she’s only pretending she didn’t hear him.

…AND HE LOVES HER. When Ant-Man considers the possibility that the Wasp may be killed by the Cyclops, he laments, “Without her, I…I can’t picture my life!” Still early in their relationship, but a lot is already happening!

WHAT’S NOT
MISNOMER PART 1. Early in the story, we hear that Henry’s new partner is “Janice.” Wait! Isn’t her name Janet?

MISNOMER PART 2. Henry calls Wasp “My eager little beaver.” Sorry…that’s just wrong.

BOREDOM. Janet’s bored because everything is quiet and there’s no crime to fight, so she gets grouchy. Correct me if I’m wrong, but isn’t the whole point of crime-fighting to put an END to crime? So if there’s no crime, wouldn’t that indicate a certain level of SUCCESS? Why is she grumpy about being successful? Perhaps she’s so quickly become an adventure addict?

ASSUMPTIONS. Ant-Man assumes that because Cyclops’ eye is so huge, his vision must be “extremely keen.”

AND MORE ASSUMPTIONS! At the first little kink in their diabolical plan, the aliens exclaim, “We must escape this accursed planet!” Haven’t we seen this before—aliens that make assumptions and give up way too easy?

tta46banner

Posted in Ant-Man, Doctor Strange, Human Torch, Meanwhile, Strange Tales, Tales to Astonish, Thor, Wasp | Leave a comment

TALES OF SUSPENSE #44: All the Time ’n’ the World

Published: August, 1963

Published: August, 1963

“The Mad Pharaoh!”
Plot: Stan Lee
Script: Robert Berns
Art: Don Heck
Letters: Sam Rosen

Boy, that Tony Stark sure does lead the jet-setting life! First, he travels to Egypt, to help an archaeologist pal locate King Hatap’s tomb, and later, when Iron Man excavates the tomb and the evil Hatap is revived from suspended animation, the “Mad Pharaoh” uses a “golden charm” to travel back in time to ancient Egypt, taking Tony Stark with him! So, in this story, Stark does it all, traveling through both space…and time!

I dare any jet-setter to beat that feat!

In ancient Egypt, Stark dons his Iron Man suit, fights the Romans, and saves the queen, Cleopatra. In the commotion, Hatap accidentally falls on a sword. Grateful and impressed, Cleopatra asks Iron Man to stay and rule with her. He’s tempted by her beauty, but ultimately declines the offer, instead returning to his jet-setting world of technological wonders and adoring beautiful babes.

GIRLS! GIRLS! GIRLS!
tos44cleoIf you ask me, Stark was simply being polite when he engages in his moment of indecision—-“Gee that’s Cleopatra sure is a looker! Maybe I oughta stay!” Sure, she’s a looker, sporting those cat eyes and classic high cheekbones, but in my mind, it’s a toss-up who’s more attractive: Cleopatra… or the shapely present-day belly dancer on page 3!

tos44bellyAs mentioned before, the artists of Marvel Comics in these early days do not seem entirely skilled in the artistic depiction of attractive women. I say “do not seem,” because I have to wonder: are they indeed not skilled, or did they simply not take the time to put their full effort into drawing pretty girls? How many awful Jane Fosters have we seen? How many smudgy-faced Sue Storms? Our first view of Pepper Potts—I can’t even tell if we’re supposed to think she’s good looking!

But I sense all this is getting ready to change, and cite this shapely belly dancer as perhaps a first step in that direction. This is, by far, the most provocative image I’ve yet run across in Marvel Comics. Here is a woman who is not only attractive, but also exudes sexuality. As the 1960’s readership continues to shift from little boys to young men, I predict we will see more images like this. Young men won’t be content with scary, creepy aliens—they also want to ogle hot babes! And even if we don’t immediately get a plethora of hot babes, hopefully we are entering an era when the depictions of women will be given the same respect and attention to detail as everything else on the page.

tos44tonyCase in point: In this issue, there’s yet one more toss-up. Best looking of the bunch: Cleopatra, the belly dancer, or Tony Stark? If you ask me, Stark wins this one, hands down. You could say he has to be the most attractive, because nobody wants to look at a nebbishly plain hero. Besides, isn’t it a lot more fun when your millionaire playboy looks like Rock Hudson, David Niven, or…dare I say it…Robert Downey Jr.?

So, artist Don Heck offers us an extremely rugged and good-looking hero. I just have one question: why does the colorist insist on giving his hair red highlights? Don’t tall, dark and handsome leading men generally have blue highlights?

MOVIE PROMO?
Though this is the August 1963 issue of Tales of Suspense, two months earlier the Elizabeth Taylor movie Cleopatra premiered in American movie theaters. It makes me wonder if Marvel is promoting the movie, having fun with pop culture, or simply trying to cash in with reference to an existing property?

I talked with Russ, and he explained that comic books were always dated several months into the future, so the books could remain on newsstands as long as possible. So this issue, taylorcleodated “August,” would have actually been available as early as May or June—right before the movie came out! Do we have our answer? An unashamed promotional tie-in?

On the cover, as Iron Man rescues Cleopatra, she’s smiling, looking nothing like a damsel in distress. And that’s probably because this scene never actually happens in the story. Cleopatra knows it’s just a photo op, and like any beautiful celebrity, she’s making the most of it. Almost makes you wonder why they didn’t try to get Liz Taylor to pose for the shot.

FRIENDS AND VILLAINS
Villain Hatap makes a brief appearance in this comic, and will never be seen again (if you don’t believe me, check the Chronology Project), so I won’t waste a lot of time on him, except to say, “He lives, he lives again, he meets Iron Man, he dies.”

However, I do want to say something about Tony Stark’s archaeologist “friend,” Paul. Sadly, Paul doesn’t seem to have a lot of confidence in his amazing friend. “Gosh, Tony…” he says, “If only you COULD” get Iron Man to help with the dig. Why does he doubt? If they’re really friends, doesn’t Paul know Iron Man is Stark’s bodyguard, and by extension, his employee? And shouldn’t he realize that when your billionaire boss tells you to do something, “Well…let me think about it,” is probably not the most likely response?

We’ve seen this kind of doubting response from Sue Storm, when Reed is about to do something fantastic, and I’ve lamented that there’s just no good reason for it. I’d like to think that if I lived in the Marvel Universe in the company of the super-smart and superheroes, I’d have a little more confidence that anything is possible.

ENGLISH 101
Now, I will apologize beforehand, but my inner “Grammar Nazi” is going to make a brief appearance.

tos44sacredOn the cover, Pharaoh is misspelled “P H A R O A H.” Not that big a deal, since most people don’t know how to spell Pharaoh, anyway. Be honest: would you have noticed, if I hadn’t mentioned it?*

Okay, one more: Splitting the word “sacred” in the middle so it reads as “Sack Red.” I’ve long been a contender that if you have enough room to put the “dash” when splitting a word, you might as well squeeze in the rest of the word. In this case, there’s no question the words could have been better arranged in the balloon.

TIME TRAVEL ISSUES
Now on to more integral aspects of the story. How about that whole “time travel” business? Guess Iron Man doesn’t adhere to the pesky Prime Directive. He jumps right in to affect history, with little regard to whether or not a fly he swats in ancient Egypt will result in Earth being ruled by the Martians. Perhaps not as responsible as one would like their hero, but certainly a lot more fun!

I may have mentioned before that time travel stories really boggle my mind, and this one is no exception. Some questions arise:

• How did Hatap learn about Stark, and how “brilliant” he is? How does he even know it’s the 20th century and he’s been suspended for 2,000 years? The only plausible explanation is that after being awakened, he lurked around listening to the workers. But that’s not explained, so it leaves us wondering if he comes by this knowledge by some form of sorcery, or by simple eavesdropping.

• If Hatap has the time-traveling “golden charm” when he awakens in 1963, why didn’t he use it in the past? And if he didn’t have it in the past, how does he know about it when he awakens?

tos44chariot
• The “golden charm” transports Hatap and Stark to the past via a “non-existent” chariot of time. Even as they’re traveling, Stark muses, “I know I’m under some occult hypnotic spell,” which indicates he doesn’t believe this is really happening, but immediately follows up with, “We are traveling through time.” Well…which is it? Hypnosis, or the reality of time travel?

• At the end of the story, when Stark is returned to 1963, Paul points out a hieroglyphic that shows Cleopatra embracing a golden-armored figure. Was that image always there, indicating that Iron Man has always gone back to save the day, or were the hieroglyphics altered after his latest adventure?

THE NOBLE HERO
I’m noticing a trend in these Iron Man stories, where the villain threatens that if Stark will not assist in his evil plan, innocent people will die. So Stark agrees, but of course he always has something up his sleeve…or should I say, in his attaché case!

smallvilleI’m not much of a Superman fan, but when we recently watched the Smallville series, I noted that Clark Kent/Superman/Red-Blue Blur would never actually kill the bad guy, but somehow the villain always managed to get himself killed. Same thing here: Hatap stumbles as he tries to catch the “golden charm” that slips out of his hand. But, it slipped out of his hand because Iron Man sprayed it with oil! Iron Man goes so far as to shout, “Hey! Watch out!” but still, Hatap manages to fall on an upturned sword, presumably killing himself. Technically, Iron Man does not actually kill Hatap…but without Iron Man’s “assistance,” Hatap would not have died.

So, Iron Man serendipitously gets the job done without actually having to damage his reputation as a noble hero. The villain is no more, and Iron Man/Tony Stark remains a true Renaissance Man of honor and heart.

asm4avatarNot so much next time, when a younger, more impulsive hero finds he must bend and break the rules in order to capture a villain who can be neither bent nor broken. Join me again soon for more surprises and fun, right here in the Marvelous Zone!


*I’ll be honest, as well: I didn’t notice “pharaoh” was misspelled, either; Russ pointed it out.

Want to read this comic on your computer? Marvel has a scan!
Want to own this story? Buy the Masterworks!
Posted in Iron Man, Tales of Suspense | 4 Comments