FANTASTIC FOUR #18: If at First You Don’t Succeed…Send the Super-Skrull!

Published: September, 1963

Published: September, 1963

“A Skrull Walks Among Us!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Art Simek

Last time, I talked about how the world was ready for a new group of heroes, with complementary superpowers, and so we got the Avengers. When your villain has many avenues of attack, you need an arsenal to defeat him. Well, this time, our team with the arsenal meets a villain who has “all the powers of the Fantastic Four, PLUS STILL MORE!” Because with only the powers of the Four, it would be an even match, and in an even match, you know who would win. But, with “plus still more” powers, we open the door for the possibility that the villain may get the upper hand, if not in the end, at least at some point in the battle.

Okay, I’m convinced. Here’s my twelve cents.

Except…wait! What do I read here on the cover? It’s a Skrull? You mean those goofy little green men from outer space who were so effortlessly tricked into spending the rest of their lives as cows, because they “hate being Skrulls! We’d rather be ANYTHING else!” You mean those spineless crybabies of the galaxy, currently mooing in a field? But this Skrull is no ordinary Skrull, he’s a Super-Skrull. Sort of like a product that’s “new and improved.” That’s our Super-Skrull. I see on the cover the Super-Skrull can indeed turn himself into a “Torch,” so I’m willing to give him a chance.

I’m still in. Let’s go.

As mentioned previously, the FF enjoys a bonanza of PR, for when we catch up with them at the beginning of this story, they’re huddled around the television, enjoying a newscast about…themselves! As always, we have some comedy shenanigans before the actual story gets underway. Thing busts up the furniture when his TV appearance is ff18icbminterrupted by a dog food commercial, but the funniest part is Reed and Sue heading off for a swim in Hawaii, traveling aboard their new “Experimental Passenger Intercontinental Ballistics Missile.”

While Reed dons his spacesuit, Sue is ready for the beach, wearing a bathing suit AND her space travel boots, carrying her space helmet. I ask you: where else are you going to see a get-up like this?

And then, when Reed asks Thing to keep an eye on Johnny for a few days, Thing sarcastically replies, “Look, Great White Father—” and proceeds to give Reed a piece of his mind. Not to be outdone, the narrator chimes in with, “And so, with the Thing’s tender farewell ringing in their ears…”

Yes to comedy.

Okay, now the story can finally get underway! We meet the Skrull King in a galaxy far, far away, plotting revenge against “that accursed foursome” while his yes-man ponders how in the world they ever managed to triumph over the “trained Skrulls” from Fantastic Four #2. Obviously the yes-man hasn’t read FF #2, but the Skrull King has, because his Royal Highness immediately dismisses those events with, “Bah! That is past history!”

Like any good obsessed, all-powerful despot, the Skrull King has emptied the entire treasury and devoted the full scope of Skrull scientific talents to the development of a single “Super-Skrull.”

The Skrull equivalent of Captain America?

Super-Skrull demonstrates that his powers exceed those of the accursed foursome—he can stretch further, lift more weight, and possesses an anti-matter fire-ball that can destroy anything. One thing he does not have, however, is an imagination, for when “flaming on” like the Human Torch, he parrots Johnny’s catch phrase —“Flame On!” (In fact, later, Johnny remarks, “All you Skrulls are good for is COPYIN’ people!”) The Super-Skrull alludes to a power beyond invisibility, but he’s in too much of a rush to offer details, so he hurries off on his mission, leaving the King, and us, wondering…

ff18panicBack on earth, another comedy bit—the FF mobbed in a department store—quickly turns to serious business as a news broadcast reports a spaceship in Times Square. If you’re not convinced that this is serious business, check out the expressions Jack Kirby puts on our heroes’ faces.

The Super-Skrull plants the Skrull flag, while the leader on the home planet instructs his assistant to “adjust the focus” on the viewing device. (Did you ever imagine a viewing device so technologically advanced you could view what’s going on at the street level on another planet…yet, you would still have to manually adjust the focus?)

Johnny, Reed and Thing each fight the Super-Skrull and are defeated. Sue laments that she feels “so helpless—so useless!” but Reed assures her “with all our bluster, we haven’t achieved any more than you!”

Confident of victory, the Super-Skrull retreats to allow the FF time “to return to their headquarters and spend a sleepless night fearing my next move!” However, given the advantage of time, Reed discovers the source of power rays beamed to Earth from the First Quadrant, and determines to stop those rays—to which Sue once again replies, “Oh, Reed—if only you COULD!” Jeez…I guess some people will never learn!

Arrangements are made to meet the Skrull on lonely Crater Island, where the three men distract the Skrull so invisible Sue will have a chance to fasten Reed’s “jammer,” cutting off his power source. However, the Super-Skrull now reveals his additional power—irresistible hypnotism! While the three are hypnotized (“I must stand here and TAKE it—for the sake of SUE! It’s her only chance!”), Sue installs the jammer, then trips the Skrull before he can attack her. The others spring back into action, and the Skrull is imprisoned in a sealed crater.

ff18kingSo. A second appearance by the Skrulls. I must admit, this one proved more fearsome than the last. However, despite all the advantages of the Super-Skrull, in the end it was Reed’s ingenuity and a bit of old-fashioned trickery that got the job done. At the end of the story we do not return to the Skrull planet to see the King pitching a fit because all the planet’s resources have now been wasted on yet a second confrontation with the Fantastic Four. Too bad; I would have liked to see that.

Somehow I feel quite sure this is not the last we’ll see of the Skrulls. Currently, the Super-Skrull has premiered at the very top of my Super-Villain Valuation Chart, but I wonder where we’ll go from here. Next time, will there be a Super-Duper Skrull? Or perhaps…a Stupendous Skrull? One thing I’ve discovered about Marvel Comics—without fail, stakes will rise, powers will escalate and there’s always something to look forward to.

ffann1avatar2And I look forward to meeting with you here in the Marvelous Zone next time, when not only are the stakes higher, but also the eyebrows, in a story that’s bigger and better than anything we’ve seen before!

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AVENGERS #1: And There Came a Day…

Published: September, 1963

Published: September, 1963

“The Coming of the Avengers!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Dick Ayers
Letters: Sam Rosen

The cover is fantastic! What a treat it must have been for the readers of the day to see all these superheroes on the same cover, and not only that, but Hulk is back, after an absence of several months.

And there’s ol’ Loki, bragging, “Bah! I’ll destroy you ALL!” A bold statement, but for anyone who’s been paying attention, it’s clear Loki hasn’t got a snowball’s chance in hell. He hasn’t been able to destroy Thor, so what makes him think he can destroy them ALL? The battle is won before it’s begun, but since we can see all the players, we know the sparring will be a ton of fun.

SOAPBOX
Now, before we go any further, let me step into my role as Female Advocate of the Marvel Universe and mention how unfair it is that Wasp is not listed on the top of the cover, and also is not pictured in the upper left, along with the other Avengers. Why not? The only explanation I can surmise is that we are supposed to assume that when you have Ant-Man, the Wasp will naturally come along for the ride, sort of like a bothersome kid sister.

But then, you know what happens when we…assume

Nowadays, my grown-up son and daughter tell me that when they were little, I used to make blanket statements about “You kids,” which really only applied to one of them, and invariably the other one would feel wounded and insulted. Yes, it’s true: It’s not fair to group people, whether it’s kids, superheroes, or entire ethnicities. And Wasp is certainly no second-class citizen; she contributes to the action, even going so far as to pin the “Avengers” moniker on the group. So I repeat: Not fair to exclude her mention on the cover!

But at least Wasp is pictured, and also listed on the splash, though grouped with Ant-Man. I repeat: kid sister. What does she have to do to get her own billing? Not be small? Not be FEMALE? Could you imagine the cover excluding Thor or Iron Man? That would never be tolerated! So why is it okay to exclude the Wasp?

Well, I’m getting off my soapbox now, so we can get on with our story.

OLD ENEMIES
Immediately we find the first villain this team of superheroes must fight is Thor’s old enemy, Loki. Brother against brother—a plot twist that only increases the drama.

a1trollAs if we need an increase in drama when so many superheroes meet on one stage! I’m awestruck by the action and activity going on at every turn. Page by page, you’re switching from Ant-Man and Wasp aggravating the Hulk, then to Thor dragging Loki back to earth magnetically attached to Mjolnir, and now back to Iron Man taking his best shot at Hulk. It’s one thing after another, as we travel from the Asgardian Isle of Silence, to an earthly circus tent, then back to Asgard, where the subterranean trolls are acting up.

Each superhero has a different power, and Stan doesn’t skip a beat in toggling the action from the mystical to the technological, from magic and trickery to displays of sheer brute strength.

ME…MISS…HULK…
Seeing that sheer brute strength of the Hulk in this issue, I surprised myself with the realization of how much I missed him. Sure, he’s a strong guy who “picks things up and puts them down,” but in him, more than any other character (with the possible exception of Spider-Man), we have the angst of the misunderstood hero. In Hulk’s case, you might even say “anti-hero.”

Oh, the poor dear! He only wants to be left alone, but when humanity is threatened, he steps in to help, and of course his acts of good will are misconstrued. Loki didn’t have to work his mischievous trickery on this one. The train engineers and newspaper reporters see what they want to see and hear what they want to hear: Hulk…BAD!!

Hulk Battles a Foul-Mouthed Train

Hulk Battles a Foul-Mouthed Train

Why does the newspaper report that Hulk tried to derail the train? The engineers see that Hulk is on the track, and immediately after that, they’re safe. Where is logic? Where is reason? Hulk didn’t try to kill you, he just saved your lives! But nobody wants to subscribe to that interpretation. Why does everyone always assume the worst about the Hulk? Because he’s big? Because he’s ugly? Because he’s green? Or is it because stories about big ugly green bad guys will sell more newspapers than stories about big ugly green heroes?

BACKFIRE!
Loki rejoices that “the humans will still think he tried to slay them…the hunt will be on!” hoping news of this event will bring Thor into the open. The Teen Brigade gets wind of the story—remember them? Teenager Rick Jones and his band of clean-cut do-gooders use their ham radio to send a signal to the Fantastic Four. Of course they have no idea that Loki is involved, but it’s interesting that their first thought is to contact not Thor or Iron Man or even Spider-Man, but the Fantastic Four. We’ve already seen that the FF utilize PR more than any other superheroes, and even in their non-hero personas they enjoy a certain level of notoriety (Reed, the famous scientist, Sue, the socialite appearing on the Molly Margaret McSnide Show). Heck, they’ve even appeared in a Hollywood film!

So it’s no surprise that in a time of great need, the first impulse would be to call upon “America’s most colorful super-combo” (Fantastic Four #17, August 1963). But do we call upon them because they’re colorful…or because there are so many of them? And each with a unique power? Hmmm…could it be that diversity of powers is what’s most needed at a time like this? Hmmm…could it be the world is ready for another group of do-gooders?

a1gathering

When the Teen Brigade attempts to contact the FF, Loki panics, diverting the radio waves to Don Blake. However, unbeknownst to him, those radio waves also reach scientist Henry Pym and millionaire industrialist playboy Tony Stark. And you know these guys cannot resist a chance to battle the Hulk.

What I most enjoy about this development is the delicious irony. You could say it’s Loki who is ultimately responsible for the Avengers. Now, I’ve no doubt that if it hadn’t happened this way, all these superheroes would have found a way to join forces at some point in the future. But that’s a story for an alternate universe. In the universe we’ve got, we can say a great big “Thank you very much!” to Loki, the God of Mischief, for having such a strong hand in the creation of the Avengers. I’m sure Loki is kicking himself in the pants for this one.

JEALOUS MUCH?
So! The gang’s all here, ready to fight the incredible Hulk and relieve the world of a major menace, but Wasp can’t seem to keep her mind on business. “Henry!” she exclaims. “Did you see that GORGEOUS THOR?! How can I ever make him notice me?” This is funny on so many levels. First, the obvious: if you want him to notice you, Wasp, you’ll have to be a little bigger than a wasp! Secondly, why is Janet asking Henry, “How can I ever make him notice me?” Doesn’t she have a fairly firm crush on Henry? Or, now that the mighty Thor has made an appearance, has her fickle heart flipped?

You know, I’m just thinking of something…Henry immediately responds to Janet’s question with an annoyed, “Stop acting like a love-sick female!” but do you think maybe he’s a little put out by her sudden interest in Thor? And how about this: did Janet perhaps make that remark about the gorgeous Thor, simply to get Henry jealous? And if so…did it work?

Oh, and by the way, when Wasp meets Iron Man, she decides he’s “hideous.” Of course, she has no idea who’s under that Knight in Shining Armor façade. If she did, she’d be a little less brash with the insults, potentially giving old Henry two rivals to worry about.

Comic Book Nerd Alert!

Comic Book Nerd Alert!

FIGHT! FIGHT! FIGHT!
But moving on with our story, as you can imagine, everyone gets to fight in a variety of spellbinding situations. I won’t go into details here, except to reiterate that the action is non-stop, and no amount of talking is going to do it justice—just go read the book!! In the end, Loki is captured, the gang decides they work pretty well together and ought to meet up for future crime-fighting gigs. All agree, and when someone says they need a name, Wasp suggests “The Avengers.” Again, all agree. So! The little girl who couldn’t even rate a billing on the marquee is ultimately the one who dreams up the name that will become a best-selling title for Marvel Comics and nearly fifty years later, the third highest grossing film in history.

I’ve said it before, and I’ll say it again: you go, girl!

IT’S HULK TIME!
Now, I’ve got one more comment about the Avengers, and then it’s time to close up this lengthy post. All our heroes do well in this story, and Wasp does indeed name the Avengers, a1imtbut it’s Hulk at the end who offers the biggest surprise. “I’m sick of bein’ hunted and hounded!” he declares. “I’d rather be with you than AGAINST you! So, whether you like it or not, I’m joining!”

What a great moment for Hulk! He’s been on the wrong side for too long, an unconventional superhero, so often misunderstood, indeed hunted and hounded. You really can’t blame him for being sick of it. But now, to throw his lot in with the other superheroes, perhaps at last he can gain some respectability. And finally get some rest! This was the wisest thing Hulk could have done under the circumstances. I’m not sure if the others (and the world) will readily accept him in this new role. Perhaps we’ll learn more about that in our next issue of The Avengers. One thing for sure: with all these superheroes and strong personalities coming together, this title is a keeper.

ff18avatar5In our next story, some throwaway villains make an encore appearance, after receiving a major makeover. Never thought we’d butt heads with these guys again! Join me next time, here in the Marvelous Zone!

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AMAZING SPIDER-MAN #4: Problems, Peter? Suck It Up!

Published: September, 1963

Published: September, 1963

“Nothing Can Stop the Sandman!”
Script: Stan Lee
Art: Steve Ditko
Letters: Sam Rosen

I’ve been somewhat disappointed in the quality of Marvel’s villains of late. Even Doctor Doom, who is on the top of my list, has seemed wimpy, always managing to run away and live to fight another day, rather than socking it to the Fantastic Four. I haven’t seen much of Spider-Man yet—can this really be only the fifth story?—but so far he’s spent more time fighting common thugs than other superhero. In fact, that’s what he’s doing at the start of this story, trying to capture some bank robbers. Previously, Dr. Octopus showed potential as a real threat. But now…! NOW we have Sandman, and at last Marvel has created a villain it will be hard to contain.

SAVVY SANDMAN
Apparently Sandman has been around for a while, since everyone seems to know all about him as we begin this story. Channel 17 News is nice enough to fill us in on the particulars: ex-con Flint Marko escaped from jail and hid at an atomic device testing center, where a nuclear test explosion caused a mutation that gives him the ability to turn himself into sand at will.

asm4sandmanBut wait! There’s more! In this first story alone, we learn that Sandman can also:

  • Harden any part of his body at will
  • Turn his finger into a key
  • Slip under doors
  • Jump from buildings and not get hurt

As questioned on the cover, “How can Spider-Man defeat a foe who cannot be injured?” With the ability to move about in places inaccessible to the average human, Sandman can basically do anything he wants and not get caught. In other words: a very powerful super-villain.

And Sandman has this going for him as well: unlike Doctor Doom, whom we recently identified as a “noble” villain, there’s no nobility clinging to Sandman. He’s a thug. Whether as Flint Marko or the nebulous Sandman, this villain is not striving for nuances of poetry and irony in his acts of evil; he’s just a bad dude, doing bad stuff.

In addition to lacking that pesky little super-villain trait of nobility, we also notice that as a common criminal, Sandman is not exceptionally bright. And from what I’ve gleaned thus far in my readings of Marvel comics, asm4schoolthe Marvel Universe is not much different than the real world when it comes to the average IQ of your garden variety criminal.

Sandman chooses a high school, in the middle of a school day, as a good place to hide out. Seems stupid, right?? Well, that was my first thought. But then again…hold on…let’s think this through.

Does Sandman have the intelligence to reason, “Nobody would ever think I would be STUPID enough to hide out in a high school, so that’s what I’ll do”?

Is he taking a chance on “hiding in plain sight”? Is this really the height of stupidity or instead, the height of intuitive, creative thinking?

Either way, it works, because this plot development puts our superhero and super-villain in close proximity before too many pages go by.

PETER’S PROBLEMS
But before Peter goes into full scale battle mode with the Sandman, he’s got his own problems to deal with. Early in the story, before he realizes the criminal he’s chasing is Sandman, he says, “It’ll be duck soup for me to get him!” Ah! There’s that cocky attitude we’ve seen so often from Peter Parker!

But after his encounter with Sandman, troubles start to pile up. Not only does Spider-Man not secure the criminal, but his mask gets torn, and he can’t continue, since apparently the biggest tragedy that could happen to Spider-Man would be the loss of his secret identity.

asm4identity

One of the downfalls of having a secret identity is that when your mask gets torn, there’s no aunt or girlfriend to help you sew it back together. Peter, who’s “no cotton-pickin’ seamstress!” has to repair the mask on his own, and it takes all night.

As if that wasn’t bad enough, the next morning Aunt May babies Peter and makes him carry an umbrella to school, even though it’s not raining. Flash Thompson bullies him about his galoshes.

Peter has tried repeatedly to get a date with Liz, and she finally accepts, but Spider-Man duties force him to cancel the date, and then Liz won’t even talk to him. (However, later, in the middle of all the commotion, Liz worries about Peter. So that door is still open: Does she, in fact, actually like the dorky wallflower, Peter Parker?)

In class, daydreaming about his Spider-Man duties and dilemmas gets Peter in trouble with his teachers, and he is assigned the “glamour boy” job of carrying old bottles to the boiler room.

One of those dilemmas is that he needs money for experiments to improve his webbing, but J. Jonah Jameson will not give an advance payment for his photographs. And to make asm4vacuummatters worse, Jameson ends up lecturing Peter about “You teenagers.” Jeez! I’m sure that was not the high point of Peter’s day.

The real high point, of course, comes several hours later when Spider-Man captures Sandman in the janitor’s king-size vacuum cleaner—and incidentally, my spider sense started tingling the moment I saw that super-duper sucker-upper, didn’t yours?

Then, after Spider-Man has captured Sandman, the ever-resourceful Peter reasons “it can’t be unethical” to re-create the fight so he can get those pictures to sell to Jameson. That’s exactly what he does, but the fact that he reasons this through (“It’s like shooting a re-take of a movie!”) indicates he’s experiencing a moral dilemma about this trickery.

However, even after Spider-Man has saved the day by capturing Sandman in the industrial vacuum cleaner, Jameson is still convinced that Spider-Man’s the bad guy! There’s nothing Spider-Man or Peter Parker can do to change his mind, and unfortunately, Jameson has the power of the press behind him, so the general public remains divided on the Spider-Man love.

asm4popular

Poor Peter. He does everything he possibly can to help his fellow man, and is this all the thanks he gets? A neurotic with delusions of grandeur? “Give me the Human Torch any day!” Such insults!

Understandably, Peter is plunged into a crisis of faith. Why does he do it? Is he “really some sort of a crack-pot”? Should he stop being Spider-Man? Well, you know the answer to that one: a big resounding NO! He will go on, nobly, praying that some day the world will understand.

It’s easy to see why Spider-Man was such a big hit with the kids. Every teenager thinks he is misunderstood and under-appreciated. Surely a strong sense of identification existed between Spider-Man and his readers, back when the original comics appeared, and even extending into present times. But truth be told, no teenager, no person of any age or any era, is more misunderstood and under-appreciated than poor Peter Parker…the noble Spider-Man!

JAMESON’S JIBES
So this story has been a huge peek into the mind of the hapless teenage superhero, but I can’t leave here today without making at least a few passing comments about that shady journalist you love to hate, J. Jonah Jameson.

asm4hrrmphFirst: What a crotchety old geezer! Jameson actually says “Hrrmph!” when he arrives in his office and is bid a “Good morning!” Take a close look. Honestly: “HRRMPH!”

Then: The cops tell Jameson the school had been evacuated due to a vicious criminal on the loose, but when it’s all over, Jameson says to Peter, “So you were hiding in the school, eh? Good boy!” He shows no concern whatsoever for Peter’s safety, he’s only interested in getting the “pix,” no matter what the risk. Hard-boiled newspaperman? Or giant, self-centered SOB?

Oh! And what a great boss, right? When Peter apologizes that he didn’t have time to develop the exclusive pictures of Spider-Man and Sandman in the battle that is the biggest news story of the day, Jameson says, “Don’t worry about it! I’ll take the cost of developing out of your pay!”

I’m thinking SOB.

Finally, Jameson thinks how cool would it be if somehow Sandman and Spider-Man were the same person. He plans to run their “pix” side by side, with the words “Are they the same man?” I ask you: what kind of journalism is this???

It’s encouraging to see that the police are apparently just as aggravated with Jameson as I am. You get the sense that eventually things will sort themselves out in the Spider-Man storyline, justice will be served, and Jameson will get what’s coming to him. I don’t know how long that might take, but I’m looking forward to it. In the meantime, Spider-Man will go on protecting the unappreciative public.

a1avatarAnd next time in the Marvelous Zone, we’ll meet a new group of old favorites who, if they can’t protect the earth, you can be damned sure they’ll avenge it!

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Meanwhile…: August, 1963

JOURNEY INTO MYSTERY #95

jim95“The Demon Duplicators!”
Plot: Stan Lee
Script: Robert Berns
Art: Joe Sinnott
Letters: Sam Rosen

IN A NUTSHELL
Jealous scientist Prof. Zaxton destroys Dr. Blake’s super android, then kidnaps Jane Foster, forcing Blake to help him create a duplicating machine. The duplicator creates physical copies with opposite personality. An evil duplicate pursues Thor, but cannot overcome him as Mjolnir will only grant Thor’s power to one who is “worthy.” Zaxton duplicates himself to confuse Thor, then carelessly falls off the building with his diabolical invention. Thor lets the duplicate live, as he can be an asset to humanity.

WHAT’S HOT
HANDSOME HERO. New artist Joe Sinnott depicts Thor as quite a handsome fellow! However, sadly, in the grand tradition of 1960’s Marvel Comics, female character Jane Foster is still not looking her best.

SMARTY-PANTS. Dr. Blake, the medical doctor, invents powerful androids in his spare time. Is there anything this guy can’t do?

FAVORED SON. The story begins and ends with Thor visiting Asgard to assist with a drought. Would Loki do the same? I doubt it. In fact, Loki probably caused the drought! No wonder Odin prefers Thor to Loki!

WHAT’S NOT
TOUCHY CONTROLS. Simultaneously twisting all the dials on the remote for Blake’s android—either purposely or by accident—creates an atomic explosion. And I thought it was bad when an errant click on my computer translated Wikipedia to Russian!

ABSENT-MINDED PROFESSOR. Super-scientist Zaxton is smart enough to deliberately blow up an android, but not smart enough to realize that when the thing blows, he’ll be destroyed just like everyone else. “Luckily, Thor was there…”

CATS! Zaxton recklessly makes multiple copies of an alley cat. Like the population of stray animals is not already out of control, we have to have mad scientists contributing to the problem?

I WONDER
Blake explains that it is against Thor’s code to harm a human being except in self-defense, and that’s why he can’t force Zaxton to reveal Jane’s location. So…I guess according to Thor’s code, as long as it’s someone other than himself that’s in danger, there’s little he can do. That hardly seems heroic…

Blake displays some questionable ethics in another area as well. While he draws the line at duplicating human life, he apparently has no problem creating an android that can be duplicated and used as a super soldier to destroy human life. Why is it okay to destroy life, but not to create it?

The android is able to work out “the world’s most complicated mathematical problem” because Blake gave it an IQ of 375! Two questions: What is Blake’s IQ, and can God make a rock that He can’t lift? One comment: too bad the answer to the world’s most complicated mathematical problem appears only as squiggly lines. It would have been nice if new artist Joe Sinnott had let us in on that little secret.

Barrooommm! There it is again! Time for a drink after a long, hard day of writing and illustrating comics!

jim95banner


STRANGE TALES #111

st111“Fighting to the Death with the Asbestos Man!”
Plot: Stan Lee
Script: Ernie Hart
Art: Dick Ayers
Letters: Sam Harold

IN A NUTSHELL
Professor Orson Kasloff, foremost analytical chemist in the world, plots to destroy the do-gooder Human Torch in order to gain the respect of the criminal underworld. He creates an asbestos suit and triumphs over Torch in their first fight by dropping Johnny into a moat filled with a flame-quenching chemical. However, second time around, Torch wins, by attacking his opponent’s surroundings, rather than the menace himself. Defeated, Kasloff confesses to the police, and is carted off to jail.

WHAT’S HOT
NO SECRETS. I guess Johnny’s identity as Torch is no longer a secret in this title, as a letter addressed to “Human Torch” comes directly to the Storm household. Good. That secrecy stuff just wasn’t making a whole lot of sense.

REAL GANGSTERS. Or at least gangsters who talk the way we expect real gangsters to talk. Blackie Barker, king of the underworld (is that an official title?) tells his driver to “Step on it!” and coos to Asbestos, “We’re gonna GO places, you an’ me!”

SISTERLY ADVICE. Sue encourages the despondent Johnny and makes him realize there’s another way to defeat Asbestos. If it weren’t for her, would Johnny have ever emerged from his funk and come up with a plan?

CULTURAL REFERENCE. Kasloff thinks he should be as rich as Croesus…who is that? I had to run to my Encyclopedia Britannica (well…Wikipedia).

WHAT’S NOT
BAIT AND SWITCH. Fighting to the death is promised on the splash, but never delivered. Nobody dies. Not that I’m being morbid, but I’m reminded of the Buffy “Inca Mummy Girl” episode, where Xander says, “Typical Museum trick. Promise human sacrifice, deliver old pots and pans.”

DUH? Johnny looks up “asbestos” in his chemistry book. Excuse me? WHY? He’s already run into this stuff in previous adventures, and his bedroom is even MADE of it. As Torch’s single Achilles’ heel, Johnny should have completed his research before this.

STORYHOUNDS. The press guys get all excited about their “scoop” of Asbestos Man bringing down Torch, even though Torch is the hero of the city who has cut crime in half. Even back in the 60’s the press is portrayed as grubby slimy storyhounds who don’t care about right or wrong, as long as they get their name on the front page. And a “bonus.”

CROSS-TITLE THREAT? Kasloff has invented a liquid solvent that melts steel and iron. Iron Man had better watch out…or has Tony Stark already anticipated this development and invented a counter-potion?

UNBELIEVABLE!
Kasloff realizes he’s heard of Torch as “THE nemesis of the criminal underworld!”—as if there are no other superheroes who can deal with the criminal underworld. Never mind Thor, Iron Man, Spider-Man, Ant-Man, etc. It’s not even noted that Torch is one-quarter of the fabulous Fantastic Four.

Where does all this take place? Presumably somewhere close to suburban Pleasantville, yet Kasloff is able to find “an old castle, far from any other habitation, yet in a rural area close to town.” Househunters on HGTV couldn’t have better luck fulfilling their “must have” wish lists!

Kasloff invites the press to his secluded castle to witness him fighting and destroying the city’s #1 crimefighter. Why would he want the press reporting who he is and where he lives? His plan is to destroy Torch to win the admiration and cooperation of the underworld. Wouldn’t you engage in this sort of illegal activity in private? Or, if you must have an audience, at least you don’t do it in your own front yard so the police know exactly where you live.

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“Face to Face with the Magic of Baron Mordo!”
Script: Stan Lee
Art: Steve Ditko
Letters: Terry Szenics

IN A NUTSHELL
The Master’s former pupil, Baron Mordo, poisons the Master in order to coerce the most closely guarded secrets of black magic from him. Realizing his mentor is in danger, Strange travels via spirit image to battle the evil Mordo. After reviving the Master with a wave of pure energy from his enchanted amulet, Strange tricks Mordo into returning to his physical body, then he himself escapes, fearing the next time he and Mordo meet, it will be a fight to the death.

WHAT’S HOT
LOCATION, LOCATION, LOCATION! Baron Mordo’s hidden castle is “in the heart of Europe,” where castles should be! The world makes sense once again.

INSTANT ACCESS. Dr. Strange can tell the Master is in trouble because he does not answer a summons via the enchanted amulet. How many times have you worried about someone you cannot reach by phone? And hasn’t that problem only gotten worse with the advent of cell phones? Basically, the enchanted amulet serves as a cell phone, decades before cell phones are invented.

ENERGY. A wave of pure energy comes from the amulet, reviving the master. Hey, this black magic stuff is awesome! Sometimes wish I had an enchanted amulet at the end of a long day.

WHAT’S NOT
SUPERLATIVE. How can Mordo be “THE most dangerous menace of our time”? Doesn’t that bold proclamation weaken and negate the claims we’ve heard about all the other super-villains? They can’t all be the most dangerous. And if I had to choose one super-villain that was “THE most dangerous,” it certainly wouldn’t be Mordo.

ARCH-FOE. What? Is the phrase “arch enemy” not good enough?

FISTICUFFS. Even though Strange and Mordo are in their “spirit images,” they engage in a physical battle to settle their differences, even though they have all the power of black magic at their command. Why??

BREAKING THE FOURTH WALL. In the last panel of the story, Strange looks at the camera and says, “In time to come, let us peer behind the enchanted veil together,” presumably inviting the reader to further adventures. Generally, I’m a big fan of breaking the fourth wall, so I’m not really sure why this bothers me. Maybe I just feel Dr. Strange is too talented, dignified and mysterious to engage in this simple parlor trick?

EMPTY WORDS?
At the end of the story while discussing Mordo with the Master, Strange reveals, “I feel that death waits for…the one who loses the next encounter.” Yeah, yeah, yeah. Is that anything like “Human Torch fighting to the DEATH with the Asbestos Man!” from earlier in this same issue? More hyperbole? For someone as attuned to the mystical world as Dr. Strange, you’d think his intuition would serve him better than this.

Of course, having read only this one story, there is no way to predict how many more times Baron Mordo will appear, but I happen to know (from Russ) that we’ll be seeing lots more of Doctor Strange’s arch-foe. So, since he poses a continuing threat in the Marvel Universe, I’ve evaluated him for my Villain Valuation chart, but he comes up squarely in the middle, neither in the Top 10 or the Bottom 10, so he doesn’t appear on the chart at the moment, but as I meet more villains, that could change. Also, as we run across him in future stories, he may present himself as more (or less) of a foe to be reckoned with. I feel like I’ve only glimpsed the tip of the iceberg in this first story.

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TALES TO ASTONISH #46

tta46“When Cyclops Walks the Earth!”
Plot: Stan Lee
Script: Ernie Hart
Art: Don Heck
Letters: Sam Rosen

IN A NUTSHELL
Henry and Janet vacation in Greece, where they discover a Cyclops terrifying the local residents is really a robot controlled by aliens who plan to colonize Earth. By adjusting the aliens’ electronic impulses, Ant-Man prevents the robot from doing further damage, while Wasp rescues the captured fishermen.

WHAT’S HOT
MAKES SENSE TO ME. When Pym determines that the mysterious bright lights mesmerizing the Cyclops are really from space ships, he tells Wasp, “This is all beginning to tie together now!” Only a science nerd like Pym could find out there are aliens in the mystery mix, and think it all makes sense.

HE KNOWS HER… Already, Ant-Man knows Wasp well enough to suppose that when she goes off to do her own thing, it’s possible she’s only pretending she didn’t hear him.

…AND HE LOVES HER. When Ant-Man considers the possibility that the Wasp may be killed by the Cyclops, he laments, “Without her, I…I can’t picture my life!” Still early in their relationship, but a lot is already happening!

WHAT’S NOT
MISNOMER PART 1. Early in the story, we hear that Henry’s new partner is “Janice.” Wait! Isn’t her name Janet?

MISNOMER PART 2. Henry calls Wasp “My eager little beaver.” Sorry…that’s just wrong.

BOREDOM. Janet’s bored because everything is quiet and there’s no crime to fight, so she gets grouchy. Correct me if I’m wrong, but isn’t the whole point of crime-fighting to put an END to crime? So if there’s no crime, wouldn’t that indicate a certain level of SUCCESS? Why is she grumpy about being successful? Perhaps she’s so quickly become an adventure addict?

ASSUMPTIONS. Ant-Man assumes that because Cyclops’ eye is so huge, his vision must be “extremely keen.”

AND MORE ASSUMPTIONS! At the first little kink in their diabolical plan, the aliens exclaim, “We must escape this accursed planet!” Haven’t we seen this before—aliens that make assumptions and give up way too easy?

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