This is always my least favorite part of the Marvelous Awards, as I prefer to keep my thoughts on all things positive, lovely and enlightening. And there is nothing positive or lovely about Marvel villains…though sometimes their characteristics and behavior can be very enlightening, as we consider all the evil that is in the world. As they say, Art Imitates Life, so as unpleasant as this task may be, it behooves us to now give our attention to the villains of Marvel, in hopes that by understanding them, we may also be brought to a better understanding of all that is both wrong, and right, in the world.
And so…let us begin!
VILLAIN TEAM-UP
Villain team-ups are always so much fun, because you can inevitably count on the members turning on each other. There is additional fun inherent in these three nominees, but I’ll get to that in just a moment.
In the category of Villain Team-Up, the nominees are…
The Frightful Four
Mister Fear and his “partners”
Masters of Evil
And the Award goes to…
Each of these have amusing reasons to be the winner of this Award, but ultimately the Award this year is going to the Frightful Four. The Masters of Evil have appeared before, so they’re almost like old friends, a cozy warm blanket; we already know they are incapable of beating the Avengers. And I was particularly impressed by the way Mr. Fear chose Ox and Eel based on their inferior qualities; are we really likely to see anything good from this selection process? But the Frightful Four is quite a colorful cast of characters! Sandman is still Sandman, but Paste-Pot Pete has reinvented himself as the Trapster; but no matter what he calls himself, he can never really throw off the stench of all that PASTE. Medusa has all that lovely hair, and Wizard is your classic egomaniac leader-wannabe. I can’t wait to see what kind of personal interactions we’re likely to see from this motley crew!
UNEASY ALLIANCE
As mentioned in the last Award, villains don’t really know how to play nice with each other, and this year’s nominees do a stellar job of illustrating the foibles of a Villain Alliance.
In the category of Uneasy Alliance, the nominees are…
Loki and Absorbing Man
Mole Man and Red Ghost
Mandarin and Swordsman
And the Award goes to…
Mandarin & the Swordsman, for hitting so many bullet points in this textbook example. A close runner-up is found in Loki & Absorbing Man, who perfectly illustrate the constant struggle for power in any villain alliance by literally struggling to maintain an object of immense power. Mole Man & Red Ghost are pretty much there simply for comic relief as they personify the inevitable.
ROBOTS
A staple of science fiction since the Industrial Age, Marvel has always taken full advantage of the robot’s creepy potential. They are both like us…and yet, nothing like us, a hollow, shadowy representation of the human condition. As I said…creepy.
In the category of Robots, the nominees are…
Sentinels
Sleeper
J. Jonah…Jameson?
And the Award goes to…
The Sentinels, because there are so many of them. Sort of like an infestation of cockroaches. Though I must admit, both the Sleeper and the Jameson robot have that “creep” factor going on. Nazi threat or Jameson’s crazed leering face? Which one is more likely to keep you up at night? (For me, it’s the cockroaches.)
GIANTS AMONG US
There’s a reason why LITTLE Red Riding Hood has to deal with the BIG Bad Wolf—because BIG is often monstrously scary! When Marvel makes a villain literally larger than life, it’s not by accident.
In the category of Giants Among Us, the nominees are…
Leader’s Android
Master Mold
Mole Man’s Minotaur
The Stranger
And the Award goes to…
All these nominees have not only their size, but something else going for them as well. Mole Man’s Minotaur is…well, an ugly scary violent minotaur, and the Leader’s Android, with his huge pink feet crushing the military, evokes the Imperial Walkers of The Empire Strikes Back (which, as I’m writing this Award, I am also viewing, with much delight, on Disney+). But the Award goes to Master Mold, because while all Sentinels are giants, as the leader of the Sentinels, he is in fact a giant among giants! And of course, as a super-logical robot, there’s no reasoning with him. Large and in charge, Master Mold beats his competition hands down. (And you can only hope he does not put that huge hand down on you, or you could be…toast!)
UGLIEST VILLAIN
Look the part. Presentation is key.
In the category of Ugliest Villain, the nominees are…
Comrade Bulski
Red Skull
Seaweed Man
Demon Witch Doctor
And the Award goes to…
The Red Skull. Because he looks like a human being…that’s been turned inside out. (And also because I can’t help but remember Hugo Weaving’s performance in the MCU!)
INTERFERING ALIENS
The pickings were slim when I went in search of aliens in 1965 Marvel comics. Oh, for the days of the Skrulls, the Toad Men and the Stone Men of Saturn! I’m so desperate, I would even settle for the Infant Terrible.
In the category of Interfering Aliens, the nominees are…
The Stranger captures Magneto to study mutations
The Froma deduce all earthlings must be like Iron Man
The Kallusians abduct the only doctor who can save Wasp
And the Award goes to…
The Stranger. As mentioned, alien appearances have really waned this year. We know very little about the Kallusians, and the Froma’s greatest superpower seems to be jumping to conclusions. But the Stranger wisely describes himself as someone whose power “is greater by far than you can even imagine!” This dramatic sense of mystery bubbles him to the top of this very short list.
RIDICULOUS VILLAINS
Let’s be honest. Comic book villains (and heroes too, for that matter) are basically ridiculous. If they weren’t, if their experiences were tame and sane, why would we bother looking at them? A certain amount of “ridiculousness” is inherent in the genre, but on occasion, some characters take their ridiculousness to the next level. That is what we celebrate in this next Award.
In the category of Ridiculous Villains, the nominees are…
The Ani-Men
Stilt-Man
The Clown and his Masters of Menace
And the Award goes to…
The Ani-Men. I was ready to grant this Award to the Clown and the Masters of Menace…until I took a good look at the Ani-Men. I quickly realized that though the Clown and the Masters of Menace exactly personify the circus atmosphere that is in so many ways the definition of “ridiculous,” the institution of the Circus is in fact a well-respected tradition. Not only that, the schtick for each one of them is also part of their employment. The Ani-Men, however, are way out in left field. While so many villains (and superheroes) personify particular animals or insects, the sight of these four middle-aged men costuming themselves with dreams of approximating the attributes of certain members of the animal kingdom, frankly, seems a little sad and silly. And Wally Wood’s rendition of their sad-sack expressions only adds to the pathos. And their ridiculousness.
FEMME FATALE
In literature (and comics!), a femme fatale is an alluring woman who uses her charms to drag a man into a bad situation. The nominees below have all done their damage, but only one can win the Award for Femme Fatale.
In the category of Femme Fatale, the nominees are…
Countess de la Spirosa
Princess Python
Debbie Harris
And the Award goes to…
Princess Python. Both Debbie Harris and the Countess enact their schemes due to their romantic entanglements—Debbie has been complicit in the plans of the Organizer because she believed herself in love with him, while Countess Spinoza is exacting revenge on Tony Stark, by whom she feels slighted. But Princess Python, as a member of the Masters of Menace very deliberately uses her feminine wiles in hopes of unmasking Spider-Man, reasoning he would then be beholden to her (and, by extension, beholden to the Masters of Menace). Watch out, Spider-Man! Don’t let yourself be taken in by the charms of this slithery snake-woman!
GLOATING VILLAIN
Who doesn’t love a good gloat? And no one does it better, than a Marvel super-villain!
In the category of Gloating Villain, the nominees are…
Scorpion
Baron Mordo
Mandarin
Titanium Man
And the Award goes to…
While all of these are great gloats, I’m going to have to give this one to Mordo for his extreme and poetic imagery. A lot of meat on the bones of all these gloats, but with Mordo’s “crush him like a flea” simile, he adds a splash of tabasco!
KARMA IS A BITCH
Super-villains always have big ideas and big plans. Their downfall often occurs because their big egos cannot allow for the possibility of slip-ups or defeats. Careful what you wish for, oh, super-villain!
In the category of Karma Is a Bitch, the nominees are…
Molecular Ray is reversed, shrinking Stilt-Man
Absorbing Man turns to helium and floats away
Bolivar Trask is captured by the Sentinels he created
The Leader dons the Watcher’s Ultimate Machine and immediately zonks out
And the Award goes to…
Boliver Trask in X-Men, for creating the Sentinels that ultimately turn against him with an exclamation of logic: “We can only guard the human race by becoming its master.” How many times have we seen this in sci-fi shows and movies? It’s amazing that nearly sixty years ago, Stan Lee was ringing the warning bell on AI. The question now is: will we heed this cautionary tale?
So! Now we’ve seen what the villains of 1965 have to offer. But what are they up against? Do the heroes of 1965 have what it takes to meet these wicked women and felonious fellows head-on? (You understand, I’m sure, that’s a rhetorical question…) Of course, they do! And we’ll find out so much more about our superheroes when next we meet, for the continuing adventures of the Marvelous Awards!
Welcome to the 3rd Annual Marvelous Awards! As always, it has taken us a while to get here, but that is only because such a great amount of thought and consideration goes into this panoramic view of what has gone on during a single year in Marvel Comics. This is a very busy universe, and 1965 has been a very busy year! And so, without further ado, let us begin…
SUPPORTING CHARACTER AWARDS
Throughout literary history, protagonists have always enjoyed relationships with supporting characters. Listening to Sherlock Holmes babble to himself on a constant basis, rather than explain his reasoning to Dr. John Watson, might soon get tiresome—for us, as well as for him. When the going gets tough, Samwise Gamgee is more than a friend to Frodo, he’s a lifesaving inspiration. Harry Potter has best friends Ron and Hermione, as Buffy enjoys the assistance and camaraderie of Xander and Willow.
In some cases, though, the support may outshine the main character; for instance, who do you most remember from Happy Days, Richie Cunningham, or the Fonz? In other cases, the line is even more blurred; who’s really in charge here, Wooster, or Jeeves?
Love ’em, hate ’em, or entirely indifferent, there’s no denying supporting characters play a vital role in the stories of our heroes. And Marvel Comics is no exception.
With that said, let us proceed through our first batch of Awards, for the Most Outstanding Supporting Characters in Marvel Comics, 1965!
MOST SUPPORTIVE CHARACTER
Superheroes do not exist in a vacuum. As powerful as they are, they can’t always do it all on their own. As the Beatles once said, “I get by with a little help from my friends.”
In the category of Most Supportive Character, we present for your consideration some of Marvel superheroes’ best friends.
Balder
Happy Hogun
Karen Page
Dorma
And the Award goes to…
Happy Hogan. These are all good nominees, but after much reflection, the winner is clear. As touching as we find the gals’ support, that support is heavily peppered with a hefty dose of romantic self-interest. And while Balder is Thor’s devoted friend, he is also a hero in his own right, routinely going above and beyond; supporting a friend is in his job description. Happy, on the other hand, is merely the chauffeur, an employee, a regular guy. Nothing requires him to jump into the arena with Iron Man—nothing, that is, except a germ of suspicion that his friend Tony Stark may, in fact, actually be Iron Man. But he doesn’t yet know that for sure. So Happy’s devotion travels a long way on only a dribble of steam, at great risk to his own safety. Not to mention what helping Stark might do to his own romantic interests with Pepper! He is utterly selfless. And that is why this year, Happy Hogan is the most supportive supporting character.
LEAST SUPPORTIVE CHARACTER
On the other hand…not all supporting characters are actually supportive. Some are downright antagonistic!
In the category of Least Supportive Character, the nominees are…
Senator Harrington Byrd
Major Glenn Talbot
Flash Thompson
And the Award goes to…
Major Glenn Talbot. From the moment he was introduced as a supporting character, Talbot has been a thorn in Bruce Banner’s side, always willing to believe the absolute worst about our brilliant scientist. His slimy attentions towards Betty Ross are the icing on the cake of this very frosty relationship. Senator Byrd probably thinks he’s doing the right thing (haven’t we all seen heartfelt politicians that are simply misguided?) and Flash is, frankly, an immature jerk. (Maybe he only needs to grow up?) But Talbot is old enough and smart enough to know better. And yet still…this is what we get from him.
SUSPICIOUS MINDS
Suspicion is the seasoning of so much drama! Which characters are happiest to pepper the pot to the fullest advantage?
In the category of Suspicious Minds, the nominees are…
Balder
Happy Hogan & Pepper Potts
J. Jonah Jameson
And the Award goes to…
Happy Hogan and Pepper Potts. You see what I did there? I sort of gave away the Award with the phrase “happiest to pepper the pot.” But the Award does not go to Happy and Pepper simply to make a literary point, but rather because their sustained disdain and suspicions about Iron Man’s role in the disappearance of their beloved boss creates such extreme tension in the office. Have you ever had to work, day in and day out, with someone you were not sure you could trust? Toxic work environment? I rest my case.
In the category of The Natives Are Restless, the nominees are…
Asgardian Mariners
Atlanteans
Lichtenbadans(?) Lichtenbadites(?) Lichtens(?)
And the Award goes to…
The Asgardian Mariners, for an out and out MUTINY! So much fighting, by so many able-bodied and pissed off sailors, in such an enclosed, inescapable arena! The situation is intense, and you have to love the artistic depiction of utter commotion. CLANG! KRAK!
BEST SIDEKICK
Right-hand man. The indispensable guy in the sidecar. And perhaps most importantly, a partner in amusing banter.
In the category of Best Sidekick, the nominees are…
Bucky
Rick Jones
Dum Dum Dugan
And the Award goes to…
Bucky. Dum Dum is part of a “team,” and no one beats Rick Jones for sheer devotion, but the Award goes to Bucky for devotion, teamwork, AND a fearless willingness to employ his skills, such as they are, with the same determination as Captain America himself.
LADY IN WAITING
My unique perspective from 2023 has acquainted me with all these ladies, long before I actually met them in the comics. So I have long been awaiting them in print. But who most of all? And who makes the most dramatic entrance?
In the category of Lady in Waiting, the nominees are…
Gwen Stacy
Mary Jane Watson
Crystal
And the Award goes to…
Mary Jane Watson, because of how often and how skillfully the writers have teased her arrival. I imagine the readers of the day were more excited than Peter Parker himself to finally meet her. And the flower in front of her face? Well played!
MOST AMAZING ANIMAL
The ASPCA approves this next Award, for the most amazing animal in Marvel Comics, circa 1965.
In the category of Most Amazing Animal, the nominees are…
Zabu
Shazana’s Pet
Fenris, the Asgardian wolf
And the Award goes to…
Shazana’s pet. Doctor Strange is able to communicate with the creature, which is pretty amazing in and of itself. But I most love the Dr. Seuss-ish presentation of this poor little odd-looking other-worldly royal pet.
LOVESICK FEMALES
What fun would Marvel Comics be without a beautiful bevy of lovesick females? Little boys who have not yet gotten their twelve-year-old molars might still read such stories…but not me!
In the category of Lovesick Females, the nominees are…
Pepper Potts pines for Tony, whom she believes has died
Betty Brant falls into the throws of despair when she believes she has lost Peter forever
Lady Dorma decides life would not be worth living without her beloved Prince Namor
And the Award goes to…
Betty Brant. Because the pounding on the door is so dramatic. Nice work, girl, taking the soap opera to the next level!
ODIN’S FASHION PARADE
We couldn’t get through these Supporting Characters awards without at least some mention of Odin. This year, my fascination with the Asgardian monarch centered mainly upon his wardrobe.
In the category of Odin’s Fashion Parade, the nominees are…
Odin’s Golden Go-Go Boots
Odin’s Battle Armor
Odin’s Bathrobe and Slippers
And the Award goes to…
Odin’s Battle Armor. Everything in me wants to choose the bathrobe and slippers for their odd juxtaposition of coziness and absurdity, but ultimately Odin’s battle wear wins the day. The horns, cape, and enormous sword are all over the top. But what is that white thing on his headpiece? I haven’t yet figured it out, but it sparks the imagination. (If anyone has any ideas, please post in the comments below. Thanks!)
DAMSEL IN DISTRESS
What good would superheroes be, if they didn’t get to rescue the occasional damsel in distress? This tried-and-true literary staple always graces the pages of Marvel Comics in superb fashion.
In the category of Damsel in Distress, the nominees are…
Debbie Harris, Foggy’s old girlfriend
Jane Foster, as “Thor Bait” of the Enchantress and the Executioner
The White-Haired Girl, imprisoned by Dormammu
And the Award goes to…
Jane Foster. Debbie is only faking it, and though the white-haired girl is at the mercy of a most formidable super-villain, she has shown enough spunk in the past to convince us that somehow she’ll get out of this. On the other hand, Jane Foster is the quintessential “Damsel in Distress,” as if the role is somehow melded into her DNA.
DUDE IN DISTRESS
Despite the long history of the phrase, Damsels are not the only ones who might end up in Distress. We live in an equal opportunity world now! So how do the dudes do, when faced with distress?
In the category of Dude in Distress, the nominees are…
Rick Jones, dramatically kidnapped by Zemo
Foggy Nelson, beaten senseless when he foolishly decides to play the hero
The unconscious Bucky, marked for experimentation by a mad scientist
And the Award goes to…
Bucky, of course! Foggy is no victim; he made his bed, now he has to lie in it. As for Rick Jones, isn’t he always being taken as “bait” to lure the superheroes into the villain’s clutches? Yes, Jones is a mere “boy,” as is Bucky (though you would never know it based on the mature rendition of him in his perfectly tailored green suit), but he’s been through this schtick enough times by now that rather than cry out, “Oh, no! Poor Rick!” our immediate reaction is more likely, “Oh, no! Not this again!” But poor little Bucky looks so small and helpless lying there on that table. He needs a hero to rescue him, and…wait! Is that Captain America crashing through the door?
Well, having just considered all these damsels and dudes in distress at the hands of our merciless villains has raised my hackles at the Marvel super-villains. But at the same time, there is much to admire about their gumption and ingenuity. We’ll consider the Marvel villains of 1965 in greater depth next week, when we meet again for these Marvelous Awards! See you then!
THE FUNNY PAGES
Growing up in Floral Park, New York, in the 1960’s, every day I would visit my family’s Long Island Press to read “the funny pages.” There I followed Peanuts, Family Circle, Beetle Bailey, and my personal favorite, Nancy. (Mary Worth also owned some real estate here, but since there was nothing funny about her story, I skipped it—though years later, my appreciation for soap opera now fully developed as a college student, I again took up a morning ritual with my roommates of visiting the “funny pages” to find out the latest in the saga featuring the sage old woman.)
“Funny pages” were my introduction to the world of comics. As a pre-teen, I knew my younger brother read “comic books,” but fully understood this was something meant for boys only, not for me. I don’t recall ever seeing an actual comic book in my brother’s mess of a room, but assumed they existed somewhere in the heap, because on more than one occasion, my mother expressed her approval by saying, “Well, at least he’s reading something.” Though that always stuck with me, I never experienced any desire to find out what comic books were all about.
KIDS’ STUFF
Said younger brother was also an aficionado of Saturday morning cartoons, so I indirectly became familiar with the classic tune, “Spider-Man! Spider-Man! Does whatever a spider can!” Iconic bits tend to stick with me, so I was also familiar with the classic narration, “Faster than a speeding bullet! Able to leap tall buildings in a single bound!!” I vaguely remember watching black and white Superman adventures on TV, but my main interest was in plucky gal reporter Lois Lane taking complete ownership of her job while dressed to the hilt.
At the time, even I knew that Clark Kent was supposed to look nerdy in his horn-rimmed glasses, but honestly…there was something about his appearance that intrigued me even more than that of his muscle-bound, cape-wearing alter ego. (Since then, I have always had a thing for a man in horn-rimmed glasses. Remember Rudolph the Red-Nosed Reindeer Christmas special? My favorite elf was not Herbie, but rather the tall skinny elf that struck me as comedian Steve Allen.)
But I digress. My point is that in my formative years, I had very little knowledge of comics. If I’d ever heard the terms “DC” or “Marvel,” it flew right over my head. As far as I was concerned, all comics came from the same place—a place that barely intersected with my personal universe.
In the late 1960’s, I occasionally caught an episode of Batman but did not watch it religiously. In my lofty nine-year-old opinion, this was nothing more than stupid, silly boy stuff. For “wacky,” I preferred Green Acres, and if I needed a dose of the fantastic, give me Bewitched any day. Even The Flying Nun was better than Batman!
As much as I had enjoyed Bill Bixby in My Favorite Martian, when I followed his career into the 1970’s The Incredible Hulk, I was disappointed. I understood Hulk to be a character from the comics my mom was so glad my brother had been reading, but the premise and execution of this show was laughable. In the late 1960’s, I became infatuated with Bobby Sherman in Here Come the Brides, and the die was cast. A decade later, neither Bill Bixby nor Hulk, as Incredible as he might be, proved capable of capturing my attention.
X MARKS THE SPOT
Fast forward to the year 2000. After a couple decades of personal business—graduating college, getting a “real job,” getting married, having babies—my teenage kids were now dragging me off to see some movie called X-Men. My favorite Star Trek captain was appearing as someone called Professor X, and Hugh Jackman’s portrayal of a powerful but damaged man was absolutely compelling. Again, I had a vague sense that this had something to do with “comics,” but still wouldn’t have known Marvel from DC if they’d both walked up and introduced themselves.
But that movie was the beginning of my real education into the world of comics. Full stop. Turning point. Batman, Superman, Spider-Man, Hulk—get out of my way! Here was story-telling, here was drama, here was excitement. Mind officially blown. I decided I wanted more of this.
A few years later, after many a celebrity crush, when Bobby Sherman had long ago been replaced many times by various compelling young actors, I now became enamored of handsome Welshman Ioan Gruffudd. It began when, through some fluke, I brought home the Hornblower mini-series from our local library. It further manifested with me now dragging my kids off to the movies in 2005 to see Fantastic Four.
Still not knowing the difference between Marvel and DC.
But later that same year, I met Russ. And everything changed. Not only for me personally, but also for my woefully inadequate understanding of comics.
Turns out, though Russ is a comics guy in general, his heart belongs to Marvel, rather than DC. For many years I did not actually read any of the comics he so loves, but I listened and learned. I began to develop a rudimentary understanding that Superman and Batman were part of the DC Comics universe, and Hulk and Spider-Man (I was not yet familiar enough with him to call him “Spidey”) were part of Marvel.
“I AM IRON MAN”
And then Iron Man came out in 2008. And this time it was my husband rather than my kids dragging me off to the theater. I had no idea who Iron Man was, or what, specifically, he did. But I learned quickly. And again, I say: Mind Officially Blown.
And when a very cool looking eye-patched, trench-coated Samuel L. Jackson mysteriously appears in Tony Stark’s living room after the end of the movie and says, “I’m here to talk to you about the Avengers initiative,” I had no idea what was going on, but Russ gasped, and shortly after, explained to me that something big was getting ready to happen, something we had never seen in movies before.
I don’t remember if at that time, he used the phrase “Marvel Cinematic Universe,” but what he described caused me to contemplate…Well, I’d seen and loved all the Lord of the Rings movies, as well as the Pirates of the Caribbean series. This was called a “franchise,” wasn’t it? Was this Marvel franchise going to be bigger and better than those?
Little did I know.
It took years for the Marvel Cinematic Universe to develop, but as it did, I was also sharpening my own sensibilities about the world of comics. I could now look back at my meager experiences in TV and movies and began to develop a sense of critical thinking about what worked best for me. Marvel…or DC? Hmmm…let’s see…
DC VS. MCU
First in line, 1978’s Superman, which of course was a lot of fun at the time, and Christopher Reeve as Superman was inspired casting—so what’s not to like? In fact, my main memory of this movie, beside the wonderful song spoken by Margot Kidder’s Lois Lane, was that for the first time in memory, I heard my mother express an interest in a movie star, she thinking Reeve exceptionally handsome. It’s not always that your mother comes out as a fan-girl, so this is another thing about my mother that has stuck with me down through the years.
The subsequent Superman movies did not make as big of an impression on me—and this was part of my education in the fact that sequels rarely live up to the original. I believe that Gene Hackman’s portrayal of villain Lex Luthor was at least partially meant as comedy or camp, but I found him ludicrously over the top. Was this meant to echo the tone of the 1966 Batman TV series?
But speaking of Batman, let’s go there. I don’t have strong memories of any of these movies, except for superstar Arnold Schwarzenegger as some guy whose power is ice-based, and the alluring Uma Thurman as Poison Ivy. Batman and Robin themselves were nowhere near as interesting. Yet…even as I’m writing this, I’m discovering that George Clooney starred in this particular Batman outing! George Clooney!! And I don’t even remember that! From my fan-girl point of view, it must be a pretty bad movie if I can’t even remember George Clooney.
But then I began to notice a strange thing with the Batman sequels. Each seemed darker than the one before. Batman’s origin story in the first film was much more tragic than Superman’s, and artfully told, but that dark tone soon began to dominate all the movies. Not only were the villains, shall we say, less goofy and much more truly villainous, but the violence also grittier.
Worst of all, when I say “tone” I do indeed mean tone, as it struck me that so many scenes were so dark, I could barely see them! This has always been a pet peeve of mine. If everybody is dressed in black and gray in the middle of the night and I can’t even tell what I’m looking at, then why the heck am I wasting my time sitting in this movie theater?
However, besides the dark tone, and the inexplicably forgettable George Clooney, there was a single dramatic event that sealed my fate regarding the Batman movies.
Before The Dark Knight was released in 2008, we received the devastating news that Heath Ledger had died of a drug overdose. I remember reading a theory that as a method actor, going so deeply into the disturbing role of the Joker may have contributed to his death. I don’t know how true this is, but it’s another one of those things that has always stuck with me. So sickened was I by learning of the senseless death of such a delightful young actor, that I lost any desire to see The Dark Knight. And to this day, I refuse to see any more Batman movies.
CASTING CONUNDRUMS
But, wait. I can’t let this drop. Let’s go back a moment to the George Clooney Batman. That happened…and I can’t remember? Maybe it’s because he spent most of his time behind the mask? Or maybe because I equate Batman with Michael Keaton? Or, hold on…is it Christian Bale? Val Kilmer? No, wait! Didn’t I hear it was Ben Affleck? At some point, I think….Robert Pattinson?
What the heck is going on here?
DC has gone through a long list of actors portraying both Batman and Superman (Christopher Reeve, Brandon Routh, Henry Cavill…) and that might also contribute to my inability to connect with these characters. Marvel on the other hand, has always had impeccable and consistent casting. Whether you’re watching Iron Man 1, 2 or 3, or Avengers 1, 2 or 3, Tony Stark always looks like Robert Downey Jr., and you’ve been through so much with him already, you can’t help but have a vested interest in what happens next. (The only casting misstep was Edward Norton as Bruce Banner, but once Mark Ruffalo got on board, it’s been smooth sailing all the way!)
As time went on, and Russ and I continued to enjoy the developing Marvel Cinematic Universe, the contrast between these two superpowers grew even more distinct. Where DC movies were twisting into a downward spiral of darkness and violence, Marvel sustained the action with occasional stabs of humor. In the same way a “sense of humor” is often cited as a desirable personality trait in a significant other, it also goes a long way in recommending one movie studio over the other.
And not only does Marvel punctuate action with humor, but it also fills its universe with three-dimensional characters, another admirable achievement I did not find so much in the DC offerings I happened to see. For example, Loki: love him, or hate him? Don’t get me started!
And what about Hulk? The Banner/Hulk dichotomy at first glance appears merely two-dimensional, but even when he is purely Hulk, you are never quite sure if he is villain or hero. And then, Marvel morphs him into Professor Hulk, with his fancy talking and horn-rimmed glasses, and I’m more convinced than ever that Ruffalo is perfect casting, and surprise even myself in finding this big green guy so attractive. How do they do that?? (And would my mother be appalled, or agree?)
OUT OF THE DARKNESS
In general, the MCU is much brighter, more optimistic and tons more fun. Both universes overwhelm with spectacle, but Marvel makes you care about the characters before sending them into a life-or-death battle. Sometimes that can be a gut-wrenching, unpleasant experience, but that comes with the territory. I’m willing to abide it, as long as I am also being immersed and entertained at the same time.
For me, the DC movies have largely devolved into a bunch of dark and somber scenes where things get blown up and “fighting ensues.” To be fair, though, DC has lately provided some more palatable fare, which I’ve actually found quite refreshing.
Shazam offered a lot of the humor I appreciate in Marvel movies; but though I enjoyed the lighthearted tone while in the theater, honestly, I can’t now remember a single specific joke. In contrast, so much from the MCU has become so entwined in my cultural consciousness that the smiles continue long after the lights have come up. (For instance, I can no longer hear the word “shawarma” without thinking of the Avengers after-credits scene. Can you?)
Without question, Jason Momoa is the most interesting looking human being on the planet, and Aquaman stunned with gorgeous underwater scenes, a feast for the eyes. The sibling rivalry between Aquaman and his half-brother is Shakespearean in scope…yet somehow I prefer the conflict between Thor and Loki (“He’s adopted.”)
And kudos to DC for bringing us the first strong female superhero in a title role with the perfectly cast Gal Gadot in Wonder Woman. Yet as cool as she is, I get a much bigger kick out of Natasha “Are you kidding? I’m working!” Romanoff.
So, even though I enjoy these DC movies, almost as soon as I get home, I’m asking, “When is the next MCU movie coming out?”
TV PARTY TONIGHT
As the saying goes, “What goes around, comes around,” and in the last decade or so, both DC and Marvel have experienced a renaissance on the smaller screen—and this time, I’m paying attention! In 1993 I took no interest in Dean Cain and Teri Hatcher portraying Lois and Clark, but in the early 2000’s, Russ convinced me to watch Smallville—all ten seasons of it! I confess, it was not difficult to keep my eye on handsome Tom Welling as Clark Kent, but though the storylines were sometimes a bit confusing and convoluted, I believe this series, with its over-the-top teenage drama, was elemental in my developing a strong love of soap opera.
DC ruled the TV 2000’s with further soap operatic offerings like Supergirl, Flash, Legends of Tomorrow—all of which I have watched with varying levels of interest. The only one I could not stick with was Arrow, which after several seasons fell into the black hole that had turned me away from Batman and Superman. My pet peeve was once again activated by the exceptional number of dark scenes in dark alleys, as well as a darkness of storyline, with very few moments of humor. And though I may like soap opera more than the average person, I discovered that when coupled with confusing, convoluted storylines, I just can’t stay interested.
It seems Marvel was a few years behind DC in its television offerings. First came Agents of SHIELD…which I liked very much at the time, but when I look back at it now, my feelings are not as positive. I loved the characters and their relationships, but the storylines were sometimes more complicated than I would like. Remember, I was not trained in comic books from my youth, unlike Russ and others of our generation who have spent decades honing their mental muscles for complex storytelling. I tried to keep up, but sometimes my simple brain got lost along the way. But I guess I enjoyed it as much as I was able.
Agent Carter proved much more fun for me than SHIELD. Spanning two seasons instead of seven, the storyline was more concise, and I love the retro vibe. The clothes, the cars, the music! I liked seeing a young Howard Stark, and Jarvis is such a wonderful character, so poignantly played by another of my favorite actors, James D’Arcy.
Later, Netflix gave us Daredevil. Like some of the DC shows and movies, this series also has its “dark” moments…yet somehow different. I can’t really put my finger on it. Was it that I cared more about the characters? Or did I appreciate the big-screen production values on the smaller screen? In the first episode, there is a fight in a hallway. It’s a brutal encounter, much more violent than I generally care for, but somehow I could not look away. The action just kept coming and coming…and slowly I began to realize, This is one long take. A bold choice! Compelling. I was hooked.
Later in Netflix we moved on to Jessica Jones, Iron Fist, Defenders. Not all of these were my favorite shows ever, but I recognized how well they were done. (I also especially liked that there were usually only about eight episodes, not eight seasons, so even if they weren’t the best show ever, I was willing to make the short-term commitment. And after I made the commitment, more often than not, I was glad I’d stayed for the duration.)
THE MARVELOUS MOUSE
And now at last we come to the most current stage of Marvel on the small screen, with Disney offering a plethora of miniseries stretching the gambit of characters and genres. This wave started strong with WandaVision, still my favorite, though others like The Falcon and the Winter Soldier did not interest me as much, mainly because it was too action-heavy for my liking. And while I’m a big fan of Oscar Isaac, Moon Knight was just too out there. For the same reason, I was disappointed in Loki. Of course She-Hulk was TOO much fun, and I’m hoping to see more of that. (Oh! And one more thing: even though Modok did not run on the Disney Channel, it still needs to be mentioned for its high entertainment value.)
A SOAP OPERA WHERE A FIGHT BROKE OUT
You’ll notice that as I approach the end of this post, it’s all about Marvel, very little DC. I believe there are still plenty of DC offerings out there, but as I am now in my 60’s, not my 20’s, I am painfully aware that I only have so many more years left for reading and watching, so why would I waste them on entertainments that do not adequately capture my attention? As someone once said, “Eat dessert first!” It might not actually be good nutritional advice but makes total sense, when filling your leisure hours.
Going back to the beginnings, I haven’t read much in the way of the old printed DC comics, but my understanding is that, basically, good guys fight bad guys, and the good guys win. Period. Mostly. Whereas, after only a few years of reading Marvel Comics, I’m most enchanted by the personal stories of these superheroes who have real relationships and real-life problems. In regards to the movies and TV shows from both comic houses, DC may be catching up to Marvel in this area, but still, at least for me, they have not yet perfected this aspect of their storytelling.
In addition to comic-based TV shows, Russ will sometimes choose a documentary about Marvel. I always love a good documentary, and the history of Marvel is fascinating. We were recently watching Icons Unearthed, and this whole question of Marvel vs. DC was discussed at length. I was most taken by Jeph Loeb, Marvel writer and Head of Marvel Television, who said, “Marvel Comics were intended to be a soap opera where a fight broke out.”
BINGO! That does it for me! If Marvel and DC got into a fight, there’s no surprise which contender gets my prize.
In her final years, my mother had no patience for entertainment that was overly dramatic, stressful, violent, dark or serious. “When I go to the movies,” she said, “I want to be entertained!” Well, so do I. Maybe in my old age, I’m turning into my mother, after all? However, I’m not quite “old” yet, and at least so far, I’m still willing to put up with a bit of violence, a bit of stress, and a little darkness—as long as ultimately, I’m getting a compelling, interesting well-told story with characters I care about. As I age, that may change, and I may only be able to handle the drama inherent in a cozy mystery or old re-runs of Murder, She Wrote. But for the moment, Marvel fits the bill for me, better than DC.
PINK BOX
OMG! This is an excessively big pink box. I almost think there should be a dozen doughnuts in here, somewhere…
My previous post brought my Marvel Comics reading to the end of 1965, and you know what that means…time for the 3rd Annual Marvelous Awards! These Awards are time-consuming to prepare, so I might not be back for a while. But now that I am retired with more time on my hands, I’m hoping my absence will be only a matter of months.
Meanwhile, I have big news! This blog is moving to a new home, and we’ll soon have the place cleaned up and ready to move in. Be sure to join me next time at www.marvelouszone.com.
Why the big move? After 25 years at the helm of the Marvel Chronology Project, Russ will be retiring this summer, and handing over the keys to Daron Jensen (aka Col_Fury), to carry the flame. That means a new home for our other projects, so the time seemed right for the Marvelous Zone to spread its wings.
You can follow the link above to bookmark the new location, or better yet, sign up for email notifications over on the right, so you won’t miss any new posts, and most importantly, won’t miss the upcoming fabulously stupendous 3rd Annual Marvelous Awards!
Thanks to all my readers for your continued patronage over the years, and I hope to see you again soon at marvelouszone.com!
“Prisoners of the Mysterious Master Mold!”
Script: Stan Lee
Layouts: Jack Kirby
Pencils: Jay Gavin
Inks: Dick Ayers
Letters: Artie Simek
IN A NUTSHELL
The X-Men climb a hill to put themselves out of range of the Sentinels’ rays. Beast, Iceman and Angel launch an attack on the fortress, but the Sentinels capture Beast and Iceman. The Sentinel Master Mold coerces Bolivar Trask into using a psycho probe on Beast to learn the X-Men’s secrets. While under the probe, Beast reveals that their mission is to protect humans. Meanwhile, Cyclops, Marvel Girl and Angel infiltrate the fortress and free Iceman, but they are eventually all captured.
WHAT’S HOT
NO, I INSIST…AFTER YOU! I love how all the X Men are so intent on protecting Professor X while he prefers they protect themselves.
Later in the story, X sends his “astral image” to help Hank. If he’s always had this power, do the others know about it? If they did, they might not have been so intent on assisting him. But if he’s always had this power, why haven’t we seen it before? Or have we? Why didn’t he use it to protect himself from falling into the abyss? Or was that why he was encouraging the X-Men to pay attention to their own safety rather than his?
LOGIC. You’ve got to hand it to the Sentinels. It takes some pretzel logic to get around to convincing themselves of the best way to fulfill their purpose—“We can only guard the human race by becoming its master! Humans are too weak, too foolish to govern themselves!” But actually…this kind of makes sense.
BEAURACRACY TO THE RESUCE! The whole operation of the Sentinels is slowed down when they consult the Section Leader before they can move forward. If not for the slowly plodding Sentinels seeking out further guidance, the X-Men may not have ultimately fared so well.
WOKE. Bolivar Trask experiences that eye-opening moment when he realizes that everything he had so ardently devoted himself to his entire lifetime is misguided and a lie. And this has the power to help him do a 180. I only hope he holds true to his newfound sensibilities for the exciting conclusion in the next issue.
STORYTIME. Now that we’ve heard Beast’s backstory, are there likely to be others?
WHAT’S NOT
DEFINING OUR TERMS, PART 1. As I began reading this story, I wondered, Is the mysterious “mold” what grows on cheese and bread, or is it like something you use to make jello look more appealing?
DEFINING OUR TERMS, PART 2. Oh! Okay! So it IS a jello mold (or the mold used in production of any kind of plastic or metal gizmos). But then…why is the Master Mold so big? Shouldn’t he be the same size as all the other Sentinels? Hmmm… Maybe I’m not yet understanding some new definition of “mold.”
“LITTLE LADY.” Why does Scott ask Angel to fly Jean to a place of safety? Sure, they’re about to go into battle and he doesn’t want her to be hurt, but this shows a complete lack of faith in her superpowers. If I were Jean, instead of being grateful for his concern, I’d be insulted by his condescension.
“I’ve spent years drumming it into you—NOTHING is impossible!” — Professor X
“The Brave Die Hard!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Joe Sinott
Letters: Artie Simek
IN A NUTSHELL
HYDRA hynotizes Fury in a failed attempt to learn SHIELD’s secrets. Meanwhile, as Tony Stark oversees the test-launch of the braino-saur to disable HYDRA’s betatron bomb, Dugan and Gabe launch the search for Fury. Back at HYDRA HQ, the Supreme Hydra’s daughter helps Fury escape. The Supreme Hydra releases the Hydra Hunter to recapture them. Just as things are at their grimmest, a SHIELD strike force arrives. In response, the Supreme Hydra orders the deadly Tiger Division to attack.
WHAT’S HOT
SELF-REFERENTIAL. I’m intrigued by the clever cover. It appears Doctor Strange is looking at the splash for the Nick Fury story in the Strange Tales issue where he himself will later show up. There are some minor differences between the cover and the splash, but no doubt what he’s looking at. The page Strange is perusing is enormous, which makes me wonder if within the comic book world all comic books are this large, or did Strange use magic to increase the size so he didn’t have to go look for his reading glasses? So many questions. Mind officially blown.
GADGETS AND GIZMOS. This high-tech spy story has all the toys: a Mechanical Helper, Image-Inducer, Braino-saur, and energy compressed food that resumes its form when exposed to air. Welcome to the genre!
WHAT’S NOT
LARGE, GRANDE, SUPER, MEGA? Sometimes he’s called Imperial Hydra, sometimes Supreme Hydra. Which is it? Or…are there in fact two competing leaders of Hydra, each wearing identical outfits from the “HydraЯUs” catalog? I don’t really believe that, but this discrepancy makes me think of the various Starbucks drink sizes (Tall, Grande, Venti, Trenta) and wonder which of “Imperial” or “Supreme” is more supreme…or imperial…
EMPTY PROMISE. I know through the MCU that Hydra will in fact continue way past this particular issue of Strange Tales, so I’m interested in seeing how the Narrator gets out of promising “The Long-Awaited End of Hydra” as a tease for the next story.
“I wanted to give her the WORLD…and now she BETRAYS me!” — Imperial Hydra
“Beware…! Dormammu Is Watching!”
Script: Stan Lee
Art: Steve Ditko
Letters: Artie Simek
IN A NUTSHELL
Strange confronts Dormammu and Mordo and insists that he be taken to the Ancient One, but they only comply when Strange reveals that he received no help from Eternity. Undaunted by their situation, the Ancient One assures Steven that there are forces at work that he cannot fathom, and they will yet overcome their enemies. Mordo challenges Strange to ultimate combat, and Dormammu forces the white-haired girl to watch. Strange’s astral self separates from his physical body, confusng Mordo. Outraged, Dormammu prepares to enter the battle himself.
WHAT’S HOT
EMOTIONS, PART 1. The art is good. I especially like the facial expressions on every character, clearly revealing their feelings and concerns about the epic battle. Even the relatively formless face of Dormammu is ablaze with rage.
EMOTIONS, PART 2. Strange humiliates Mordo by making him fall for a simple ruse. This makes Mordo feel like an idiot, and his injured pride and emotions make him lash out even more recklessly. The same weekend I read this story, I watched a football game where multiple times players reacted to pushing and shoving with retaliatory pushing and shoving, causing 15-yard penalties for their team. The smart player (or villain) corrals and contains their emotions, so the victory can still be won. In the heat of battle, emotions are not always your friend.
WHAT’S NOT
HUH? Doctor Strange devises a “smoke and mirrors” plan to confuse and distract Mordo—but it also confused and distracted me! I was given no warning on the top of page seven, that the “spirit” that separates from Strange’s physical form was not simply his astral body. It sure looked like his astral body! It’s not until the middle of page eight that the wiser-than-Mordo Dormammu exclaims in exasperation “It never EXISTED! It was created by a spell!” Which means I’m just as much a “bumbling fool” as Mordo. And by the way…why was Mordo not ready for this possibility? How was he so easily tricked? How can he be both so powerful AND so stupid? How can he be as stupid as ME—who had to go back and read all of this over a second time before I caught on to what was happening. Personally, I like my comics to be straightforward and easy to follow. The Doctor Strange title sometimes makes you have to work too hard.
“Waste not your energy on words! Let the deed be done! The time for gloating comes after the victory! Attack, Mordo—Attack!” — Dormammu
“The Sleeper Shall Awake!”
Script: Stan Lee
Layouts: Jack Kirby
Art: George Tuska
Letters: Sam Rosen
IN A NUTSHELL
Cap finishes his tale of his previous adventures to his fellow Avengers, but later that night, he is haunted by images and memories of his past battles with the Red Skull. He recovers a long-buried memory of the Skull’s threat to bury three Sleepers that will one day awaken and revive the Third Reich. Later, in Bavaria, General von Kimmer awakens the first Sleeper, just as Cap parachutes from a plane to land nearby. His efforts to stop the robot are ineffective. Meanwhile, Skull agent Erica Wolfmann plans to awaken the second Sleeper.
WHAT’S HOT
PRELUDE TO A ROMANCE? As the only woman on the team, Wanda has elected herself Cap’s Emotional Guardian, protecting him against Hawkeye’s verbal jabs. Combined with her recent comments in Avengers about how much she misses seeing him work out in their private gym, and I have to wonder what’s brewing inside her pretty little head.
WHAT’S NOT
OH NO! NOT THE NAZIS AGAIN! We’ve just finished a nine-issue WWII run, and it felt good to see the present-day Avengers on the splash. But then, we go right back to the past. It’s 20 years later, but we’re still fighting Nazis! In the last panel, the Narrator says this story is in response to requests for more Cap stories in the “present,” but I feel cheated, as I imagine those 1965 readers also may have also felt.
1945 CALLED AND THEY WANT THEIR COMPUTER BACK. The robot is described as a “computer”—a computer that has been jiggled awake after 20 dormant years! If you had a 20-year-old computer, would it still work? And even if you could juice it up, would be efficient? The 1960’s may not have been very cognizant or demanding of computers, but from our current perspective, it seems highly unlikely this robot computer from the past could really be that much of a threat. Therefore…
THE RIGHT MAN FOR THE JOB. Why is Cap fighting this robot computer? Where is Iron Man? Cap knows nothing about technology, but Stark/Iron Man could surely put this heap of metal on the scrap heap by the bottom of page two. But then…oh yeah…where’s the story?
“I just told it as it happened!” — Captain America
“Hoorah for the Conquering Hero!”
Script: Stan Lee
Pencils: Don Heck
Inks: Mickey Demeo
Letters: Artie Simek
IN A NUTSHELL
The Countess de la Spiroza, still stung by Tony’s treatment, engages the services of the Mad Thinker to help her discover Iron Man’s true identity, believing that will serve as proper revenge against Stark. The Thinker sends his android to capture Stark, but Tony tricks the Thinker into opening his booby-trapped briefcase. He changes into Iron Man in the confusion and defeats Thinker. Later, Pepper reports that something has happened to Happy in the hospital.
WHAT’S HOT
ESCAPE ROUTE. Stark has a secret staircase hidden beneath the floor in his office. Hot because…well…secret escape route.
HOLY TRANSISTORS, IRON MAN! A scientific man like Stark swears differently than the rest of us. “What in the name of a thousand transistors is that?” Even Robin with his “Holy this!” and “Holy that!” was never this linguistically innovative.
WHAT’S NOT
YOU’RE FIRED? How did the giant android get past all those security guards without being seen?
GET OVER YOURSELF! The Thinker is really annoying with all his down-to-the-second calculations and predictions. He’s so egotistical, he can’t admit to being even the slightest bit wrong. The Thinker makes me think of PeeWee Herman falling off his bicycle and proclaiming, “I meant to do that!”
UNCLE SAM WANTS YOU! A new corner of the Marvel Universe opens up as Senator Byrd plans to order Stark to reveal Iron Man’s identity, since “Iron Man is too powerful to be serving Tony Stark alone!” Up until this issue, though supervillains are always seeking to gain control of superheroes, we haven’t yet seen the government flex its muscles in an attempt to corral those powers for national defense. Right or wrong, this is the first crack in the dam that eventually will flood into to the Sokovia Accords and Civil War.
“Tony Stark loves you too much to want you to return that love!” — Iron Man
“A Time to Unmask!”
Script: Stan Lee
Pencils: Bob Powell
Inks: Wally Wood
Letters: Sam Rosen
IN A NUTSHELL
After “rescuing” Debbie from her “kidnappers,” Daredevil learns that Debbie was reluctantly helping the Organizer out of love for him, but now she realizes that the Organizer is insane. With Debbie’s help, Daredevil defeats the Ani-Men and uncovers the Organizer’s true identity: Abner Jonas, the party’s mayoral candidate. Afterwards, Matt and Foggy are faced with financial difficulties and no prospective clients. Realizing the need for the firm to downsize, Matt reluctantly announces that he’s leaving the partnership.
WHAT’S HOT
FOGGY LESS FOGGY. I greatly enjoyed this more intimate glimpse into Foggy Nelson—his ambition, jealousy, past and present love life. Superheroes are not the only interesting characters in Marvel comics!
WE INTERRUPT THIS PROGRAM…When the political superhero drama is suddenly picked up on live TV, I found it amusing when a random viewer observes, “It’s too early for Agents of SHIELD!” Was that an actual show at that time in the Marvel Universe? Or did he somehow prophetically mean it was 48 years too early for Agents of SHIELD?
BATTLE OF THE THOUGHT BALLOONS. On the last two pages, the soap opera is taken to epic proportions as each member of the Nelson & Murdock LLC office romance says one thing aloud while anxiously wondering what all these quickly unfolding events can possibly mean.
WHAT’S NOT
UNLIKELY #1. The Organizer reasons if the Reform party knocks off their election opponent, their candidate will automatically win. If that were true, I’m sure someone would have tried it already. I’m reminded of the infamous words of the esurance commercial, “That’s not how it works! That’s not how ANY of it works!”
UNLIKELY #2. The police decide the people have a right to witness the meeting between the Frogman and the Organizer, not having any idea what’s likely to happen. Nowadays, TV news will provide coverage of live, unscripted and potentially explosive events, but I’m not aware of any time when law enforcement is willing to take such liberties.
CHILDHOOD TRAUMA REVIVED. The live TV feed interrupts Gunsmoke. Which brings up one of the most distressing moments of my pre-teen years, when my grandparents visited one Monday evening and I was forced to miss an episode of The Monkees as my grandfather commandeered the only TV in the house to watch Gunsmoke. Decades later I realize this was not actually the most devastating thing that could possibly happen to a ten-year-old girl, but to this day, I vividly recall the anger and angst of that evening.
ABANDON SHIP. If Matt has saved up enough money to travel the world, why hasn’t he used it to pay the overdue office rent?
“When it comes to affairs of the heart, I really AM a blind man!” — Matt Murdock