Meanwhile… : December, 1965

X-MEN #15

“Prisoners of the Mysterious Master Mold!”
Script: Stan Lee
Layouts: Jack Kirby
Pencils: Jay Gavin
Inks: Dick Ayers
Letters: Artie Simek

IN A NUTSHELL
The X-Men climb a hill to put themselves out of range of the Sentinels’ rays. Beast, Iceman and Angel launch an attack on the fortress, but the Sentinels capture Beast and Iceman. The Sentinel Master Mold coerces Bolivar Trask into using a psycho probe on Beast to learn the X-Men’s secrets. While under the probe, Beast reveals that their mission is to protect humans. Meanwhile, Cyclops, Marvel Girl and Angel infiltrate the fortress and free Iceman, but they are eventually all captured.

WHAT’S HOT
NO, I INSIST…AFTER YOU! I love how all the X Men are so intent on protecting Professor X while he prefers they protect themselves.

Later in the story, X sends his “astral image” to help Hank. If he’s always had this power, do the others know about it? If they did, they might not have been so intent on assisting him. But if he’s always had this power, why haven’t we seen it before? Or have we? Why didn’t he use it to protect himself from falling into the abyss? Or was that why he was encouraging the X-Men to pay attention to their own safety rather than his?

LOGIC. You’ve got to hand it to the Sentinels. It takes some pretzel logic to get around to convincing themselves of the best way to fulfill their purpose—“We can only guard the human race by becoming its master! Humans are too weak, too foolish to govern themselves!” But actually…this kind of makes sense.

BEAURACRACY TO THE RESUCE! The whole operation of the Sentinels is slowed down when they consult the Section Leader before they can move forward. If not for the slowly plodding Sentinels seeking out further guidance, the X-Men may not have ultimately fared so well.

WOKE. Bolivar Trask experiences that eye-opening moment when he realizes that everything he had so ardently devoted himself to his entire lifetime is misguided and a lie. And this has the power to help him do a 180. I only hope he holds true to his newfound sensibilities for the exciting conclusion in the next issue.

STORYTIME. Now that we’ve heard Beast’s backstory, are there likely to be others?

WHAT’S NOT
DEFINING OUR TERMS, PART 1. As I began reading this story, I wondered, Is the mysterious “mold” what grows on cheese and bread, or is it like something you use to make jello look more appealing?

DEFINING OUR TERMS, PART 2. Oh! Okay! So it IS a jello mold (or the mold used in production of any kind of plastic or metal gizmos). But then…why is the Master Mold so big? Shouldn’t he be the same size as all the other Sentinels? Hmmm… Maybe I’m not yet understanding some new definition of “mold.”

“LITTLE LADY.” Why does Scott ask Angel to fly Jean to a place of safety? Sure, they’re about to go into battle and he doesn’t want her to be hurt, but this shows a complete lack of faith in her superpowers. If I were Jean, instead of being grateful for his concern, I’d be insulted by his condescension.

“I’ve spent years drumming it into you—NOTHING is impossible!”
— Professor X

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STRANGE TALES #139

“The Brave Die Hard!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Joe Sinott
Letters: Artie Simek

IN A NUTSHELL
HYDRA hynotizes Fury in a failed attempt to learn SHIELD’s secrets. Meanwhile, as Tony Stark oversees the test-launch of the braino-saur to disable HYDRA’s betatron bomb, Dugan and Gabe launch the search for Fury. Back at HYDRA HQ, the Supreme Hydra’s daughter helps Fury escape. The Supreme Hydra releases the Hydra Hunter to recapture them. Just as things are at their grimmest, a SHIELD strike force arrives. In response, the Supreme Hydra orders the deadly Tiger Division to attack.

WHAT’S HOT
SELF-REFERENTIAL. I’m intrigued by the clever cover. It appears Doctor Strange is looking at the splash for the Nick Fury story in the Strange Tales issue where he himself will later show up. There are some minor differences between the cover and the splash, but no doubt what he’s looking at. The page Strange is perusing is enormous, which makes me wonder if within the comic book world all comic books are this large, or did Strange use magic to increase the size so he didn’t have to go look for his reading glasses? So many questions. Mind officially blown.

GADGETS AND GIZMOS. This high-tech spy story has all the toys: a Mechanical Helper, Image-Inducer, Braino-saur, and energy compressed food that resumes its form when exposed to air. Welcome to the genre!

WHAT’S NOT
LARGE, GRANDE, SUPER, MEGA? Sometimes he’s called Imperial Hydra, sometimes Supreme Hydra. Which is it? Or…are there in fact two competing leaders of Hydra, each wearing identical outfits from the “HydraЯUs” catalog? I don’t really believe that, but this discrepancy makes me think of the various Starbucks drink sizes (Tall, Grande, Venti, Trenta) and wonder which of “Imperial” or “Supreme” is more supreme…or imperial…

EMPTY PROMISE. I know through the MCU that Hydra will in fact continue way past this particular issue of Strange Tales, so I’m interested in seeing how the Narrator gets out of promising “The Long-Awaited End of Hydra” as a tease for the next story.

“I wanted to give her the WORLD…and now she BETRAYS me!”
— Imperial Hydra


“Beware…! Dormammu Is Watching!”
Script: Stan Lee
Art: Steve Ditko
Letters: Artie Simek

IN A NUTSHELL
Strange confronts Dormammu and Mordo and insists that he be taken to the Ancient One, but they only comply when Strange reveals that he received no help from Eternity. Undaunted by their situation, the Ancient One assures Steven that there are forces at work that he cannot fathom, and they will yet overcome their enemies. Mordo challenges Strange to ultimate combat, and Dormammu forces the white-haired girl to watch. Strange’s astral self separates from his physical body, confusng Mordo. Outraged, Dormammu prepares to enter the battle himself.

WHAT’S HOT
EMOTIONS, PART 1. The art is good. I especially like the facial expressions on every character, clearly revealing their feelings and concerns about the epic battle. Even the relatively formless face of Dormammu is ablaze with rage.

EMOTIONS, PART 2. Strange humiliates Mordo by making him fall for a simple ruse. This makes Mordo feel like an idiot, and his injured pride and emotions make him lash out even more recklessly. The same weekend I read this story, I watched a football game where multiple times players reacted to pushing and shoving with retaliatory pushing and shoving, causing 15-yard penalties for their team. The smart player (or villain) corrals and contains their emotions, so the victory can still be won. In the heat of battle, emotions are not always your friend.

WHAT’S NOT
HUH? Doctor Strange devises a “smoke and mirrors” plan to confuse and distract Mordo—but it also confused and distracted me! I was given no warning on the top of page seven, that the “spirit” that separates from Strange’s physical form was not simply his astral body. It sure looked like his astral body! It’s not until the middle of page eight that the wiser-than-Mordo Dormammu exclaims in exasperation “It never EXISTED! It was created by a spell!” Which means I’m just as much a “bumbling fool” as Mordo. And by the way…why was Mordo not ready for this possibility? How was he so easily tricked? How can he be both so powerful AND so stupid? How can he be as stupid as ME—who had to go back and read all of this over a second time before I caught on to what was happening. Personally, I like my comics to be straightforward and easy to follow. The Doctor Strange title sometimes makes you have to work too hard.

“Waste not your energy on words! Let the deed be done!
The time for gloating comes after the victory!
Attack, Mordo—Attack!”

— Dormammu

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TALES OF SUSPENSE #72

“The Sleeper Shall Awake!”
Script: Stan Lee
Layouts: Jack Kirby
Art: George Tuska
Letters: Sam Rosen

IN A NUTSHELL
Cap finishes his tale of his previous adventures to his fellow Avengers, but later that night, he is haunted by images and memories of his past battles with the Red Skull. He recovers a long-buried memory of the Skull’s threat to bury three Sleepers that will one day awaken and revive the Third Reich. Later, in Bavaria, General von Kimmer awakens the first Sleeper, just as Cap parachutes from a plane to land nearby. His efforts to stop the robot are ineffective. Meanwhile, Skull agent Erica Wolfmann plans to awaken the second Sleeper.

WHAT’S HOT
PRELUDE TO A ROMANCE? As the only woman on the team, Wanda has elected herself Cap’s Emotional Guardian, protecting him against Hawkeye’s verbal jabs. Combined with her recent comments in Avengers about how much she misses seeing him work out in their private gym, and I have to wonder what’s brewing inside her pretty little head.

WHAT’S NOT
OH NO! NOT THE NAZIS AGAIN! We’ve just finished a nine-issue WWII run, and it felt good to see the present-day Avengers on the splash. But then, we go right back to the past. It’s 20 years later, but we’re still fighting Nazis! In the last panel, the Narrator says this story is in response to requests for more Cap stories in the “present,” but I feel cheated, as I imagine those 1965 readers also may have also felt.

1945 CALLED AND THEY WANT THEIR COMPUTER BACK. The robot is described as a “computer”—a computer that has been jiggled awake after 20 dormant years! If you had a 20-year-old computer, would it still work? And even if you could juice it up, would be efficient? The 1960’s may not have been very cognizant or demanding of computers, but from our current perspective, it seems highly unlikely this robot computer from the past could really be that much of a threat. Therefore…

THE RIGHT MAN FOR THE JOB. Why is Cap fighting this robot computer? Where is Iron Man? Cap knows nothing about technology, but Stark/Iron Man could surely put this heap of metal on the scrap heap by the bottom of page two. But then…oh yeah…where’s the story?

“I just told it as it happened!”
— Captain America


“Hoorah for the Conquering Hero!”
Script: Stan Lee
Pencils: Don Heck
Inks: Mickey Demeo
Letters: Artie Simek

IN A NUTSHELL
The Countess de la Spiroza, still stung by Tony’s treatment, engages the services of the Mad Thinker to help her discover Iron Man’s true identity, believing that will serve as proper revenge against Stark. The Thinker sends his android to capture Stark, but Tony tricks the Thinker into opening his booby-trapped briefcase. He changes into Iron Man in the confusion and defeats Thinker. Later, Pepper reports that something has happened to Happy in the hospital.

WHAT’S HOT
ESCAPE ROUTE. Stark has a secret staircase hidden beneath the floor in his office. Hot because…well…secret escape route.

HOLY TRANSISTORS, IRON MAN! A scientific man like Stark swears differently than the rest of us. “What in the name of a thousand transistors is that?” Even Robin with his “Holy this!” and “Holy that!” was never this linguistically innovative.

WHAT’S NOT
YOU’RE FIRED? How did the giant android get past all those security guards without being seen?

GET OVER YOURSELF! The Thinker is really annoying with all his down-to-the-second calculations and predictions. He’s so egotistical, he can’t admit to being even the slightest bit wrong. The Thinker makes me think of PeeWee Herman falling off his bicycle and proclaiming, “I meant to do that!”

UNCLE SAM WANTS YOU! A new corner of the Marvel Universe opens up as Senator Byrd plans to order Stark to reveal Iron Man’s identity, since “Iron Man is too powerful to be serving Tony Stark alone!” Up until this issue, though supervillains are always seeking to gain control of superheroes, we haven’t yet seen the government flex its muscles in an attempt to corral those powers for national defense. Right or wrong, this is the first crack in the dam that eventually will flood into to the Sokovia Accords and Civil War.

“Tony Stark loves you too much to want you to return that love!”
— Iron Man

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DAREDEVIL #11

“A Time to Unmask!”
Script: Stan Lee
Pencils: Bob Powell
Inks: Wally Wood
Letters: Sam Rosen

IN A NUTSHELL
After “rescuing” Debbie from her “kidnappers,” Daredevil learns that Debbie was reluctantly helping the Organizer out of love for him, but now she realizes that the Organizer is insane. With Debbie’s help, Daredevil defeats the Ani-Men and uncovers the Organizer’s true identity: Abner Jonas, the party’s mayoral candidate. Afterwards, Matt and Foggy are faced with financial difficulties and no prospective clients. Realizing the need for the firm to downsize, Matt reluctantly announces that he’s leaving the partnership.

WHAT’S HOT
FOGGY LESS FOGGY. I greatly enjoyed this more intimate glimpse into Foggy Nelson—his ambition, jealousy, past and present love life. Superheroes are not the only interesting characters in Marvel comics!

WE INTERRUPT THIS PROGRAM…When the political superhero drama is suddenly picked up on live TV, I found it amusing when a random viewer observes, “It’s too early for Agents of SHIELD!” Was that an actual show at that time in the Marvel Universe? Or did he somehow prophetically mean it was 48 years too early for Agents of SHIELD?

BATTLE OF THE THOUGHT BALLOONS. On the last two pages, the soap opera is taken to epic proportions as each member of the Nelson & Murdock LLC office romance says one thing aloud while anxiously wondering what all these quickly unfolding events can possibly mean.

WHAT’S NOT
UNLIKELY #1. The Organizer reasons if the Reform party knocks off their election opponent, their candidate will automatically win. If that were true, I’m sure someone would have tried it already. I’m reminded of the infamous words of the esurance commercial, “That’s not how it works! That’s not how ANY of it works!”

UNLIKELY #2. The police decide the people have a right to witness the meeting between the Frogman and the Organizer, not having any idea what’s likely to happen. Nowadays, TV news will provide coverage of live, unscripted and potentially explosive events, but I’m not aware of any time when law enforcement is willing to take such liberties.

CHILDHOOD TRAUMA REVIVED. The live TV feed interrupts Gunsmoke. Which brings up one of the most distressing moments of my pre-teen years, when my grandparents visited one Monday evening and I was forced to miss an episode of The Monkees as my grandfather commandeered the only TV in the house to watch Gunsmoke. Decades later I realize this was not actually the most devastating thing that could possibly happen to a ten-year-old girl, but to this day, I vividly recall the anger and angst of that evening.

ABANDON SHIP. If Matt has saved up enough money to travel the world, why hasn’t he used it to pay the overdue office rent?

“When it comes to affairs of the heart, I really AM a blind man!”
— Matt Murdock

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Posted in Captain America, Daredevil, Doctor Strange, Hulk, Iron Man, Meanwhile, Sgt. Fury, SHIELD, Strange Tales, Tales of Suspense, X-Men | 2 Comments

FANTASTIC FOUR #45: Fantastic Four 45

Published: December, 1965

“Among Us Hide…The Inhumans”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Joe Sinnott
Letters: Artie Simek

One thing I’ve always appreciated in literature and entertainment is the concept of irony, and Marvel Comics is no exception. So it does not escape my attention that in this issue, which introduces the IN-Humans, the spigot of human emotion is turned on full blast.

We start with Dragon Man, who is at the center of so much of this emotion. Dragon Man is not one of the Inhumans, but because he is a robot, he should therefore be free from human emotion. Yet he is tamed by Sue because he has the mentality of a child—and who is more emotional than a child? Despite the fact he is a robot, we are presented with the idea that Dragon Man, essentially, sees Sue as the mother he never had (and what could be more emotional than that?)

THING AND DRAGON MAN
On one level, I see Dragon Man as more of a pet than a child (a pet that wears underwear). When Thing first interacts with Dragon Man, he shows impatience, as one might with a dog that will not heel, but finally realizes how alike he and Dragon Man are. They are both large, ugly, and misunderstood. Thing feels sorry for Dragon Man; he empathizes with him. Dragon Man reminds Thing of himself; since he is now perpetually “Thing,” never again to appear as Ben Grimm, he no longer feels human. Yet the irony is that he feels this sorrow, this empathy, this self-pity, proving beyond a doubt his true humanity.

BREAK UP AND REBOUND
Next we visit Johnny and Doris, that volatile teenage couple who at last appear to be breaking up for good. When Johnny decides to call her to say “Hi Dorrie…honey!” he learns that Dorrie now has a new boyfriend. This should be an emotional blow for Johnny, yet he doesn’t care.

So…what’s happening here? What is Stan telling us? Is he implying that Johnny is an emotionally repressed male, minimizing his response to devastating personal news? A little bit of sour grapes, maybe? Or is Johnny at last delighted to throw off the Dorrie Evans baggage, looking forward to a more exciting romantic rendezvous with a new conquest? Either way, how absolutely human!

If Stan is indeed finally writing out Doris, I’m no more broken up about it than Johnny. I never understood what he saw in her, and I’m glad he is at last free to move on.

And teenage stud Johnny wastes no time testing the waters! He’s barely hung up the phone with Doris when he glimpses the beautiful Crystal and is instantly enamored. Well, she is quite striking, lurking in alleyways with her mane of long red hair and slinky white dress. I don’t blame Johnny for being intrigued, even before he learns of her supernatural tendencies.

But here’s where things could get interesting. In the last several issues, it seemed some sparks were beginning to fly between Torch and Medusa, and now we learn that the beautiful Crystal is actually Medusa’s younger sister, and a much more appropriate match for Johnny. How awkward! Is this the beginning of a love triangle? A love triangle where two of the points are not “human” at all, but rather “Inhuman”? This may all be taking place merely in my imagination, and Marvel may not go anywhere with it, but at this moment I see so much delightful potential for very human soap opera.

AUDIENCE REACTION
But how exciting was all this for the readers in 1966? Sure, in this issue there’s a lot of new information coming all at once, not only about a whole stable full of new characters, but also an entirely new wing of the Marvel Universe. In Dark Shadows, the inhabitants of Collinwood were forever wandering into the West Wing for spooky adventures, but what if someone had suddenly decided to pry open the door to the South Wing and…KABOOM! Even more crazy things going on in that house that no one ever suspected! It’s like that. I imagine it might have been overwhelming for the readers of 1966 to get so much new information all at once, but I’ve no doubt they were not complaining.

THE INHUMANS
But this issue is all about the Inhumans, and once again, through the quirky passage of time, I’m meeting “new” Marvel characters I already know, thanks to the MCU. So even on a first read, I’m way ahead of the 1966 audience — though perhaps not as far ahead as you would imagine. So I preface my following impressions with the apology that I only watched the Inhumans TV series once, six years ago, and even at the time, it was not my favorite thing ever done by Marvel. With that in mind, here we go:

MEDUSA
Oddly, 1966 comic book Medusa is actually far more compelling than the character from the TV show, since she gets to keep all that living hair from which her power springs. I understand how difficult and expensive it would have been for a TV show to do her hair in an effective way that wasn’t laughable, so cutting off all her hair at the start of the series made good production value sense, if not good story sense. But I like her hair. I wish I had her hair (well, sort of…) There’s some thinking that whenever a female character on TV goes from long hair to short hair, it spells the beginning of the end for the show. So cutting off all of Medusa’s really cool hair early in the first episode should have been a warning sign that this was not going to be the best thing Marvel had ever done…

CRYSTAL
Crystal is drawn quite nicely here, and I see why Johnny is attracted to her (especially after having been tethered to Doris for so long.) I haven’t seen enough of her yet in the comics to make any real comparisons to the Crystal of the TV series, but of course I was delighted to see her pet dog, Lockjaw.

I have a special place in my heart for Lockjaw, first, because despite being mainly a “Cat Person,” I also love dogs (who says you can’t be a “Cat Person” and a “Dog Person” at the same time?), but also because several years ago when I visited my daughter in Seattle, we went to the Museum of Pop Culture and I was delighted to find a life-sized model of Lockjaw as part of their Marvel exhibit. (Unless in our retirement Russ and I start attending comic-cons, this may be the only picture I’ll ever have of myself with a Marvel character!)

KARNAK
Honestly, I didn’t remember much about Karnak right off the bat, until Russ and I started talking about the series, and then bits and pieces started coming back to me. The character hadn’t made that big of an impression on me while watching the series…and he hasn’t yet made an impression on me in the comics either. Mostly, I’m wondering if the Johnny Carson bit about Carnac the Magnificent came before or after this character in Marvel, and is there any connection?

TRITON
Triton also did not make a big impression on me in the show, and so far I’ve seen so little of him, except to recognize him by his scales. Of all the monsters and villains from Universal Studios and beyond, I’ve always been the biggest fan of Dracula, and least impressed by the Creature from the Black Lagoon. (Though I found the movie The Shape of Water strangely poetic and haunting.) Maybe Triton will grow on me? (Like algae??)

BLACK BOLT
We don’t see Black Bolt until the final panel of this story, but they’ve all been talking about him enough to leave no doubt he is the leader of these Inhumans, and most formidable. The final image of Black Bolt is indeed powerful and impressive, leaving the reader from 1966—or even me, with my unique perspective—anxious to see what he is likely to bring to this new wing of the Marvel Universe.

GORGON
Oh yes, and let’s not forget Gorgon, now making his second appearance, having been introduced in the previous issue of Fantastic Four, before the concept of “Inhumans” was ever mentioned. In that issue, in a shroud of mystery, Gorgon appears to be the bad guy, pursuing Medusa, who is desperately trying to avoid him. Now we have greater clarity on that situation, proving once again that in Marvel Comics (as in life), everything is not always as it initially seems. I vaguely remember Gorgon from the TV series as someone with a killer instep, but beyond that, he did not make much of an impression. He struck me as more of the strong, silent type, a fighting machine, less chatty, less emotional. So that’s probably why he didn’t make that much of an impression on me. And you know me, I’m all about the emotion—human, or Inhuman, as the case may be.

So I like the idea of this entirely new race of beings. I like the family atmosphere, the loyalty, commitment and purpose of the group, as well as the potential for exciting new storylines. Of one thing, however, I’m already certain: no matter how often we’ll hear them referred to as “Inhumans,” the personalities and interactions between these Inhumans will surely lead to at least as much (if not more) expression of human emotion as any other characters we’ve met so far.

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AMAZING SPIDER-MAN #31: Where Do We Go From Here?

Published: December, 1965

“If This Be My Destiny…!”
Script: Stan Lee
Art: Steve Ditko
Letters: Sam Rosen

As this post goes to press, I find myself on the cusp of some big changes, as today is the first day of my Retirement. At the same time, Russ is also preparing to hand over administration of the Marvel Chronology Project—which he began so many years ago that it actually pre-dates the internet! So it’s only natural that in reading this issue of Amazing Spider-Man, my thoughts are all about how Peter Parker’s life is changing. Though all these changes (for me, Russ, and Peter) may be somewhat bittersweet, none are of a negative nature. So I’m not feeling sympathy, but rather a whimsical sense of empathy.

We recently saw Peter Parker graduate from high school, and now he moves on to college. I find this astonishing, because since I started reading Marvel comics, which began way back in 1961 when the Four were zapped by cosmic rays, aside from the acquisition of superpowers, so little has fundamentally changed for any of these characters.

FIRST IMPRESSION

I first met Harry Osborne in 2002’s Spider-Man as Peter’s best friend, the son of an industrial tycoon…who also happens to be the Green Goblin. No telling how that’s going to play out in the 1960’s comics, but this Harry appears more a professor than student, with his bow tie and receding hairline. Again, this might be one of those “looking across the gulf of time” situations, but give me James Franco any day!

From my viewpoint, Peter Parker has been in high school for over four years, though surely he was not a freshman when I first met him. Of course, I’ve seen this literary suppression of time before. The Simpsons shine as a most dramatic example, with Bart in fourth grade for over 30 years, during which Marge has not once changed her hairstyle, and only rarely worn a different dress. The Marvel Comics Universe of the 1960’s certainly feels less cartoonish than that, but still asks us to employ great flexibility regarding the passage of time.

For as long as I’ve been reading Marvel comics, time has felt like it’s standing still, or moving very slowly, and I’ve been lulled into a comfortable, complacent stupor to which I’ve had no objection. But then, in the space of a couple of months, several things started happening to wake me up: The Avengers have progressed to an entirely new roster; Reed and Sue, after years of “Will they or won’t they?” have actually tied the knot; and now high schooler Peter Parker has graduated and is off to his first day at Empire State University.

Suddenly, this all feels so much more real than it did before.

MOVIN’ ON UP
I’m looking forward to seeing what happens in Peter’s college career. It begins with a bang when, on page six, we are treated to a montage of first day activities and jitters, complete with old characters, new friends, and multiple challenges. I always love a good montage, and behind this one I can’t help hearing The Jeffersons” theme.

Not only is Peter now in a new situation, but he’s also acquiring a new cast of supporting characters. In addition, we may see some changes in his relationships with the people from his past. But one thing that seems unlikely to change (and this provides a comforting note of consistency) is his relationship with Flash Thompson.

In the middle of this college montage, I literally chuckled when Flash gets off a quick “Drop dead!” upon seeing his old pal Peter Parker. I previously noted that Flash seems stuck in the past, stalking former girlfriend Liz Allan, rather than embracing the exciting co-ed opportunities of college life. I wouldn’t be surprised if we don’t actually see a lot of change in Flash; after all, juvenile stupidity is at the core of his character.

Unlike Flash, Peter is well-adjusted and intelligent enough to accept the growth process available to him in his new surroundings. But I wonder if the same will be true of Spider-Man? In the action-packed intro (which plays like a James Bond pre-credits sequence), Spidey spends a good deal of time fighting thugs…as he always does. And making snide remarks…as he always does.

Is this going to continue? Will Spider-Man also evolve and mature, or forever act out as the flippant unflappably annoying foe that he is to the criminal element? Only time will tell…

INTRODUCING…GWEN STACY!
Through Marvel movies and interactions with fans, I’m aware that Peter Parker will someday meet a girl named Gwen Stacy. And that day is now. Continuing the cinematic mood set forth in the action-packed prequel, Gwen and Peter have a cute/awkward “meet,” which, even if I didn’t already know there will be history between them, alerts me to be on the lookout for further romantic developments.

But… Hello!! Whatever happened to Mary Jane? I know she also will eventually become part of Peter’s life, but the audience of the day must have been thinking Marvel had simply dropped Mary Jane and was setting Peter up with this new flame, a beautiful blonde to rival Liz Allen.

FIRST IMPRESSION

I know Gwen Stacy from the The Amazing Spider-Man (2012). Russ has commented that Emma Stone as Gwen Stacy was impeccable casting. Trusting his judgement as much as I trust the track record of Marvel movie casting, I will not dispute. Gwen doesn’t look too bad in closeups, but her behavior here hasn’t yet won my heart (as it has Russ’s), and honestly…I can’t stop anxiously waiting to learn more about Mary Jane!

CULTURAL CONFUSION
There’s always been a slight disconnect in these early Marvel Comics I’ve never quite been able to pin down. Unable to attract the new guy’s attention, Gwen fumes, “Peter Parker is the only boy I’ve met who hasn’t given me a tumble!” Whoa! Is there something about Gwen I haven’t yet learned? Or is this another of those cultural confusion moments where the meaning of a phrase has changed over the last fifty years?

Likewise, new character Harry Osborne calls Gwen “Doll,” which also sounds odd. Did college guys really talk like that in the 60’s? Or does Harry think it’s groovy to emulate the gangsters of film noir? More likely, Harry’s language is just another example of middle-aged men writing young people the way they remember, from back in their glory days. (Or am I simply looking across the gulf from the 1960’s to the 2020’s?)

SOPHISTICATED STORYTELLING & THE MASTER PLANNER
During these first years of Marvel superhero comics, the audience has been evolving from little boys, to high school kids, to, in many cases, even college students. As Peter grows up and goes to college himself, will the audience also mature? And if so, will that audience demand more sophisticated storytelling?

Perhaps, however, in an effort to have more sophisticated storytelling, Marvel has gone too far with the Master Planner. I understand the wish to evoke an air of mystery regarding the villain’s identity, but I spent most of the issue wondering if I’m supposed to already know who he is. After all, we’ve had villains named Mastermind, the Puppet Master, the Crime-Master, Master Mold… Am I simply being my usual forgetful self, unable to figure it out? It’s not until we get to the last page that the Master Planner reveals that he and Spider-Man have not met before, so I finally feel better about myself.

But I’m not the only one figuring things out too late! In the early scenes, the Master Planner’s minions are surprised to see Spider-Man, and the Master Planner himself exclaims “Spider-Man! I never expected that I’d have to contend with HIM!” Apparently the Master Planner has contingencies all the way up to Plan G, yet was never able to anticipate possible interference by your friendly neighborhood Spider-Man? Well then…he’s not really much of a “master planner,” is he?

On the plus side, I really enjoyed the intermingling of the old with the new. There’s nice connective storyline tissue as just about everybody from Peter’s life makes at least a cameo appearance. It reminds me of the old Hollywood studio contract players, when any actor could appear in any movie at any time. This week, everybody works!

The Narrator ends with a hospital scene “hook” virtually guaranteeing we will learn the nature of May’s illness in the next issue, and also promising we will finally learn the identity of the Master Planner. Oh boy! With all that to look forward to, and so many questions about college man Peter Parker’s love life, who isn’t coming back?

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Posted in Spider-Man | 3 Comments

AVENGERS #23: Pictures and Words

Published: December, 1965

“Once an Avenger…”
Script: Stan Lee
Pencils: Don Heck
Inks: John Romita
Letters: Sherigail

I always enjoy reading the credits on the splash, and here noticed new name John Romita as the “dazzling delineator.” Romita…Romita? I remembered often hearing that name lauded in the Land of Marvel, so I asked Russ for further details. What most jumped out at me is Romita’s background in romance comics.

Yes! I like it. I like it a lot.

In the past, I’ve noticed that some of the female characters in these 1960’s Marvel superhero comics are not as attractive as they could be. At first, I wondered if this was simply a generational style difference, but then I read some Millie the Model and Patsy Walker comics and realized the women in these stories are a lot prettier than the average superhero gal. So! It IS possible to have attractive women in comics in the 1960’s. (And by the way, in this sampling of Romita’s work, the guys don’t look so bad either!)

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I guess it just wasn’t a high priority in the superhero arm of Marvel Comics. At least not in the beginning, when the audience primarily consisted of little boys with dimes and pennies in their pockets. Hormones had not yet kicked in enough for them to give two hoots about these sub-par female depictions. But now high school and college kids have been reading these comics for quite a while, and you’d think they would have a much greater interest in seeing beautiful women. It only makes sense…

So: is Romita the right man at the right time? I have high hopes that his experience in depicting female characters will move this needle in the right direction.

QUESTIONABLE FASHION CHOICES
However, having said all this, and despite all his previous works in the Romances, I must say I find some of his fashion choices questionable.

Though Princess Ravonna is very nicely drawn, I have misgivings about her outfit. Why does she wear a clear shield over her eyes? Was Romita simply looking for some odd, otherworldly fashion accessory to separate her from Patsy and Millie? Or is this just me, looking backwards from 57 years in the future? (Case in point: Uhura’s go-go boots and mini skirt?)

And while we’re at it: What is it with Kang’s boots? Did Romita’s background of drawing women in fancy outfits lead him to dress Kang in those ridiculously tall boots? They must be unbearably hot and uncomfortable! Or, is it for protection, like armor? What is the purpose? Those crazy boots are a distraction, drawing me out of the story, making me question either the artist or the character…or both.

FRAIL?
But now, let’s put in a good word for Wanda. She looks especially pretty in this comic. Which is why I don’t understand why the Narrator describes her as a “frail-looking beauty”? I’m sorry, but despite any other artistic shortcomings, no artist has ever portrayed Wanda as “frail.” Even if some others have not done a great job with her face and hair, her frame has always looked, shall we say, “robust.” The Narrator misses the boat on this one.

TROUBLE WITH THE NARRATOR
But that’s just the beginning of my troubles with the Narrator. In comics, art helps the story along, but ultimately the writer bears the burden. And sometimes the writer pushes that burden on to the shoulders of the thankless Narrator. As much as I appreciated the art in this issue, I often found myself at odds with the Narrator. His job is to set the scene and provide exposition, but I found many of his comments simply confounding.

IT’S…COMPLICATED… First, the Narrator tells us Kang is “in a far distant century.” Then “A short time later, back in the 20th century…” And again, “At that moment, centuries away…” Phrases like this blow my mind! It’s hard enough for me to keep track in time travel stories, but when time and space references are nonsensically mixed, my finite mind gets lost. At that very moment, and in this very place.

HEY! A LITTLE HELP HERE… So while the Narrator offers too much confusing and conflicting information at one point, later, when most needed…crickets! I’m missing the assistance of Helpful Stan as Kang the Conqueror declares he wants to “make them pay for the humiliating defeats I have suffered at their hands!” This is exactly where I’m looking for a little yellow box to remind my plot-challenged brain when and how this humiliation took place, because honestly, reading all these different comics with all these different stories and villains, some rise to the top, but they can’t all be at the top, and anything that happened with Kang…sorry, I simply don’t remember.

AHHH…YOU FIGURE IT OUT… So I’m a little baffled and frustrated with this story, and at one point I’m feeling the Narrator is in the same place. On page 14 he inexplicably gives up and invites the readers to “write your own caption.” Huh?

BRAGGING RIGHTS. Finally, the Narrator tidies up this tale by crowing about how one day you, the reader, will be “bragging about it to your children.” I don’t yet know how well this particular narrative stands the test of time against the thousands of other Marvel stories handed down through the decades, so it’s hard to judge how true this might be.

On the plus side, however, I just saw Quantamania, where Kang makes his second appearance in the Marvel Cinematic Universe. Those who thought him troublesomely villainous in the Loki Disney+ series had not yet begun to guess what a menace this guy will be. Apparently, you can kill him, but…so what? An alternate version will just appear in any universe at any time. He’s worse than Michael Myers!

So yeah…Kang is big news, and any iteration of him is likely to cause mayhem, but if I’m not mistaken, “bragging” is reserved for great feats that you yourself have accomplished—not the activities and accomplishments of others. (Well, unless they’re your kids, then go ahead, brag all you want.) But the simple act of reading this story is not a feat worth bragging about.

However, that being said, I understand the enormity of the thought the Narrator is trying to convey. I simply think he chose the wrong word. But when you’re telling a story, words are your tools, and if you don’t use them right, your story will needlessly suffer. Just saying…

FUDGED OVER. Anyway, let’s get back to the story. At one point, Cap arrives on the scene via the “Recreater,” and someone named “Smiley” helpfully provides an editor’s note to remind us that this is the “accursed instrument which Iron Man once used to probe recent past.” (Incidentally, the word “the” appears to be left out—see my nitpicky previous comment about words being tools that need to be used properly. But let’s not quibble…)

Stan plainly admits they can’t remember exactly when Iron Man used this accursed instrument to probe recent past, only that it was “issues ago.” Which leaves me asking: If the editor can’t remember, why should we? Unless…we’re not actually expected to remember? Because they are so busy trying to confuse us? In order to cover up a gigantic plot hole?

The Recreater may have pointed Cap in the right direction, but remember, this direction is “in a far distant century,” and on a far distant planet. How exactly did Cap get there? No explanation is given, and I guess the writer hoped we would all be so busy trying to figure out when we last saw Iron Man using the Recreater that we wouldn’t think to ask the more pertinent question of how this amazing instrument was able to effortlessly transport Cap to the exact time and place he needed to be.

IT’S NOT PERSONAL, IT’S JUST BUSINESS
So Kang wants revenge on “the Avengers,” even though almost all the individual members have changed. He feels he’s been humiliated by “the Avengers” and just wants to restore his dignity by putting this group in their place. At first, this seems juvenile and illogical, but then I remember…football. Every week, we root for and against certain football teams, not based solely upon the threat they pose to our team this season, but because we are still harboring grudges from previous years—even though those players and even coaches are long gone. So I’ll give this to Kang. Perhaps illogical and petty, but somehow oddly…dare I say it?…human.

HOW THE MIGHTY HAVE FALLEN
Also oddly human, the way Steve Rogers applies “sweet lemons” to his current situation. In his quest to forget the Avengers, Rogers contemplates that he is now “useful again” by working as a sparring partner for a boxer. Being an Avenger wasn’t “useful”? (And the Avengers are asking… “So! What are we?Chopped liver??”)

It’s hard to believe our outstanding hero would think this way, unless he was totally drunk on that sweet lemonade. And I wonder: if he only knew how much Wanda missed the sight of him working out in their private gymnasium, would that change his attitude?

Well, it doesn’t matter, because in the end, Captain America does indeed return to assist the Avengers, and it looks like all might be put right, once again.

More next time, I’m sure.

BULLISH ON ROMITA
But enough about the Narrator, the writer and the writing! Let’s finish up with a few more positive words about John Romita. First impression: He is a welcome addition to the Bullpen. I’ve read about Stan Lee inviting Romita to a three-hour lunch, offering him whatever he wanted, and not letting him leave until he agreed to come on board. I applaud Stan’s effort, but wonder “Why?” Why was he so determined to get Romita on the team? Did he just need a new hire, or was a conscious decision made that the female characters needed to look better?

History tells us that over the next 50-plus years, the art of Marvel will improve. They tell us evolution takes a long time, but here I’m seeing it right before my very eyes. Is the Romita Effect a fluke, a serendipitous side-effect of a good hire, or is everything in the 1965 Marvel Universe now gearing up to take off at full speed?

More next time, I’m sure.

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Posted in Avengers | 3 Comments