AMAZING SPIDER-MAN ANNUAL #1: All Together Now!

Published: September, 1964

Published: September, 1964

“The Sinister Six!”
Script: Stan Lee
Art: Steve Ditko
Letters: Sam Rosen

And now we present: Amazing Spider-Man Annual #1! It’s 72 pages long, and cost 25 cents back in 1964, but those kids sure got their money’s worth with this one. The feature story alone is 41 pages, and so characteristically wordy, that by the time I finished, I didn’t have the strength to go on with the rest of the book. So it took me a couple of days to get through this. Whew! Here are a few observations.

THE SINISTER SIX
Spidey fights six of his most famous villains in this one. Six! Count ‘em! Six! Electro, Kraven, Mysterio, Sandman, Vulture and Doctor Octopus.

However, because each villain so egotistically believes that HE will now be able to defeat Spider-Man on his own (even though he hasn’t been able to do it in the past), the battles take place sequentially, rather than all at once. Once it’s all over, even Spider-Man admits that if they hadn’t each been so eager to get the glory, and had teamed up against him, they might have won. Woulda, coulda, shoulda. Too late now. The six are toast, and we may have to wait until the next Annual to see if, once they all get out of prison, they’ll have any better luck tackling the Amazing Spider-Man.

I’M READY FOR MY CLOSE-UP, MR. DITKO!
asmann1vultureRuss tells me this Annual is famous for two things. One: six full page pics of Spidey dealing with each of his opponents in turn. It’s easy to say which one is my least favorite. It would have to be Spidey’s portrait with the Vulture. First of all, the Vulture continues to underwhelm me as a villain, and in this shot, Spidey is clearly in control of the action.

However, picking a favorite is not so easy. For me, it’s a toss-up between Mysterio and Electro.

There’s so much going on in both these pin-ups. I love the colors in Mysterio’s portrait, and the breaking glass. Best of all, you get that odd sensation that Mysterio’s cape clasps are his eyes. Russ has told me that as a kid he was convinced the ornamentations on Mysterio’s costume were actually his misplaced eyeballs, and you can really see that here. It’s weird and eerie.

asmann1mysterio asmann1electro

As for Electro, can’t you just feel the power of the electricity in all those jagged yellow and orange points? And Electro himself looks totally beaten (or should I say “whopped“?) as Spidey lands a full swing punch to his spiky mask. In both pictures, only one of four feet are on the ground, giving a sense of action, motion, excitement. It’s great storytelling in a single panel.

For comparison’s sake, here are the other three full page portraits:

asmann1vill3

If anyone wants to make a case for any of these being the best, please do! I’d love to hear which of these most appeal to other Marvel fans.

BE OUR GUEST! BE OUR GUEST!
The other thing that gives this first Spider-Man Annual its place in comics history is the wide variety of guest stars. Almost every Marvel superhero of the day shows up, and for most, it’s more than a cameo appearance—there are plenty of speaking parts! Torch and Spidey go through their standard teenage rivals routine for more than a full page, and Captain America and Reed Richards confer via video chat when Spider-Man goes missing.

CLUELESS
It’s always fun when characters pop into each other’s stories, but for amusement, nothing beats Aunt May’s completely clueless commentary when she and Betty Brant are kidnapped by Dr. Octopus.

asmann1mayBetty clearly understands that it’s not acceptable to be held against your will, even if your host is serving coffee and Danish pastries, but Aunt May keeps acting like she’s at a tea party. Until Spider-Man shows up to rescue them. Then she makes note of the stark contrast between their well-spoken, most charming host, and the “villainous-looking” Spider-Man in his “perfectly ghastly outfit,” who doesn’t even knock when he enters the room. I DO declare!

In the end, poor Aunt May has to admit, “I’m afraid I don’t understand ANY of this!” That’s okay, Aunt May. What you don’t know can hurt you…but not if you live in the same universe with your friendly neighborhood Spider-Man!

THE SECRETS OF SPIDER-MAN
After this lengthy entertainment, we move on to “The Secrets of Spider-Man,” a feature which might as well be called “The Science of Spider-Man.” Basically, it’s a re-hashing of all of Spider-Man’s fantastic abilities, most of which we already know inside and out, but I did pick up a few more interesting tidbits.

For instance, did you know…?

  • Spider-Man is probably the world’s greatest authority on the subject of webs and their creation
  • He can life 40 times his own weight
  • He can jump three stories with a single spring
  • He is easily the greatest balancer of any human being on earth
  • His webbing disappears into nothingness after one hour
  • Only Daredevil has more highly developed senses

I especially like the bit about the webbing disappearing after one hour. It never occurred to me to ask what happens to all that nasty webbing lying around after a fight. Sort of like Buffy’s vampires going “Poof!” in a cloud of smoke, no body or bones to clean up, that webbing trick is awfully convenient. Leave it to scientific high school genius Peter Parker to figure out a way to make a substance that’s so strong it can support the weight of a full grown man to ALSO have the handy-dandy property of delayed disintegration.

This short feature is also a great way to “toot the horn” for the artist. “Marvel’s merry madmen are exceptionally proud of Steve Ditko’s superb portrayal of Spider-Man in action,” but I am exceptionally proud of Marvel’s merry madmen for this:

asmann1secrets

We always known the artwork works, but now we know why it works. Any questions? I didn’t think so. Let’s move on!

A GALLERY OF SPIDER-MAN’S MOST FAMOUS FOES
Next we take a quick peek at Spider-Man’s villains, and sadly, this gallery of ne’er-do-wells is nowhere near as impressive as it could be. It’s an odd conglomeration of the powerful and the pedestrian.

The Burglar? Yes, he shot Uncle Ben, but other than that, has little to recommend him as a villain. Nice detail in his pin-up, though, with a couple of rats and broken bottles.

Next, it’s the Chameleon, the Vulture, the Terrible Tinkerer. We seem to be descending rapidly into the pit of “ho-hum” villains, but pick up again rapidly with Dr. Octopus, Sandman and Doctor Doom. We don’t usually think of Doom as a Spider-Man villain, though they did butt heads briefly in ASM 5. Doom’s inclusion on this list seems to be a marketing ploy for the Fantastic Four Annual, also hitting newsstands this month.

The Lizard, the Living Brain, the Enforcers. See what I mean? But also: Electro, Mysterio, Green Goblin and Kraven. My main impression, coming to the end of this feature, is that Spider-Man villains are like a box of chocolates—you never know what you’re gonna get.

A LITTLE BIT OF THIS, A LITTLE BIT OF THAT
And I guess in an Annual, you never know what you’re going to get, because after all these villains, we see “Peter Parker’s Favorite Heel and Heart-Throb,” highlighting Peter’s work colleagues J. Jonah Jameson and Betty Brant.

peterhouseIt’s only one page, then on we go to “Peter Parker’s Classmates,” which pokes fun at Flash Thompson and suggests “there are more great athletes who ARE good students, than aren’t!” (Surprisingly, no editor’s note directs us to the latest edition of Daredevil, the Man Without Fear!)

A Guest Star Page finishes up this hodgepodge of single page features, but not before we’re treated to a detailed map of Peter Parker’s house. I always love a good map, and this one reveals how Spider-Man secretly gets in and out through an attic window. Aunt May, seen here in her rocking chair, knitting, is clueless, as usual.

HOW STAN AND STEVE CREATED SPIDER-MAN!
Finally we have this tongue-in-cheek compilation of the foibles that go into creating a comic book. On one level, it’s a string of jokes, but it does make you wonder how much of the aggravation expressed in these word balloons was perhaps a little too close for comfort. Best line, by “Ditko”: If all the web-lines I’ve drawn were laid end to end, they STILL wouldn’t be enough to fit around Lee’s swelled head!!

asmann1ditkoIn the end, the first issue is completed, and with a sigh of relief, Ditko plans to sleep for a week. Not so fast, my friend! You know there’s a half-dozen or so new comic mags in your “To Do” box. If this little feature accomplishes anything, other than giving readers a few good laughs, surely it reveals the breakneck pace at which this work was done. I come away with a new appreciation for the Marvel Bullpen’s grace under pressure.

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TALES OF SUSPENSE #57: The Circus of Emotions

Published: September, 1964

Published: September, 1964

“Hawkeye, the Marksman!”
Script: Stan Lee
Art: Don Heck
Letters: Sam Rosen

Themes of lust, revenge and, most of all, jealousy, fuel this latest Tale of Suspense, coming to us directly from the pristine offices of Stark Industries, and, of all places, the circus! But then this is the not the first time a circus has figured prominently in Marvel comics, and surely it will not be the last. There’s no more likelihood of that happening than of all these characters suddenly getting their emotions under control, making intelligent decisions, and effecting positive change in their lives. No, I think we’ll let Stark and company continue to perform for us in their three-ring circus for as long as they like, so we can enjoy the inevitable melodrama.

It all begins when Happy asks Iron Man to ask Stark to put in a good word for him with Pepper (“She hasn’t given me a DATE in weeks!”). We don’t see Iron Man’s reaction to this bold request, but one panel later, Stark reflects that he has no right to be jealous because Happy wants to date Pepper. After all, he reasons, “a man like me,” (transistor powered chest devise, injured heart, could die at any moment, yada yada…) “can’t very well allow ROMANCE to enter his life!”

Stark is, of course, a notorious womanizer, so I have to wonder about his definition of “romance.” He frequently takes Veronica Vogue out for dinner, and perhaps back to his place to “look at his etchings,” but apparently, in his eyes, that’s NOT romance. Yet, if he were to go on even one date with Pepper, a woman he actually has feelings for, that would be…romance.

It’s refreshing to see that Stark appears to have at least some concept of the difference between lust and love.

THE COMEDY OF ERRORS
tos57adateLast time we visited with Tony Stark, he made an amusing Freudian slip in calling his date “Pep-” instead of Pamela, and I think Dr. Freud would have some fun with this one as well. Trying to be a good buddy, Stark approaches Pepper with Happy’s request, but how does he start the conversation?

“Pepper, I have something to ASK you! It’s about a DATE…”

tos57happyNow, what in the world is Pepper supposed to think? “A DATE??” she exclaims expectantly before throwing her arms around her hunky boss.

Of course, that’s exactly the moment Happy shows up, and you know what he’s thinking. Betrayed. Stark tells Pepper he needs to explain, but instead, he allows himself to be hoodwinked by her misinterpretation, and that evening, Tony Stark takes Pepper Potts out on an actual date.

Only it’s not a romantic date. Oh, no. Unable to trust himself, Tony takes Pepper to the most unromantic place he can think of—the circus.

So now, here’s our romantic triangle: Stark is jealous because Happy wants to date Pepper, Happy’s jealous because Stark is actually dating Pepper, and Pepper is jealous because Pamela never had to trudge through elephant manure on her dates with Tony Stark.

But wait! Here’s someone new, who’s also about to become jealous. At the circus we meet Hawkeye, less than wowing the crowds with his unerring marksmanship. (“Get that bum off the stage and bring on the dancin’ girls!”) When a carnival ride goes out of control, Iron Man saves the day and steals the show. Yea, Iron Man!

tos57hawkeyeOh, how Hawkeye would love some of that attention! So he gets this brilliant idea: he’ll become a superhero! After all, how hard could it be? Fashion a costume, create some super-cool weapons, and he’s in business. Right?

Seems easy in theory, but on his very first do-gooding gig, Hawkeye tries to stop a jewel thief, and when the thief drops the bag, in a Spider-Man-esque turn of bad luck, two cops discover Hawkeye leaning over the loot. But rather than standing up straight, puffing out his chest and explaining himself in a deep, manly voice, he panics and makes a run for it.

As fate would have it, he runs right into the arms of the Black Widow. She’s impressed with Hawkeye’s “adventurous and powerful appearance,” and he’s impressed with Black Widow’s…well, everything. He’s in love. Or really, only lust, but that’s good enough; it will get the job done.

The job Black Widow puts before Hawkeye is a plan to defeat Iron Man, and after the incident at the circus, he’s only too happy to oblige. It’s the proverbial killing of two birds with one stone: not only will he get his chance to impress the hot chick, he’ll also have his revenge against that shiny showoff, Iron Man.

Okay. Got it all straight? Are we ready for the fight scene now? No, not yet. While all this is going on, Stark’s been mulling over his sub-par outing with Pepper and decides he wants to take her out for a more “glamourous evening.” Could it be he’s finally coming to terms with his true feelings? Well, sort of. Almost. But not quite. Because even as he’s on the brink of self-realization, he chides himself for sounding like “a fella in LOVE.” Even within the confines of his own thought balloon, he refers to Pepper as “that fabulous female,” once again reducing her to an alluring alliteration, rather than thinking of her as a real person.

JEALOUS MUCH?
But at least he’s making some progress, right? However, when he returns to the office, with every intention of asking Pepper out on a more romantic date, he walks in on Happy, asking Pepper out to the drive-in! Oh, could the timing be any worse?

And could Pepper have possibly chosen a worse time to decide to make Tony JEALOUS? She gladly gives Happy a date, and also sticks it to Tony, with “I’d be delighted to go to the movie with you, Happy! It’s certainly more romantic than being walked all over Coney Island with an ice cream cone!”

Ouch.

Well, Stark deserves that one, but Pepper should really have more sense. Doesn’t she pay attention at movies? Doesn’t she read P.G. Wodehouse? This “make him jealous” strategy almost never works, and very often, it completely backfires.

But enough about them. Let’s get back to Hawkeye.

THE SORTA SUPERHERO
I have to admit, as I began reading, I was a bit confused about Hawkeye. The narrator describes him as “one of the most startling arch-villains of all time!!” but the Hawkeye I know (Jeremy Renner in the Marvel Cinematic Universe) is one of the good guys. Well, that’s okay, because in the MCU, Black Widow is also one of the good guys. In these early comics, however, she too is on the wrong side of the law. I’m sure tons of stuff will happen to both of them, causing their loyalties and motivations to vacillate like one of those tall smiley-faced wind puppets that encourage you to buy a car…or visit the circus.

But here’s the confusing part for the readers of 1964: Hawkeye is wearing purple and blue. These colors may be near each other on the light spectrum, but in the Marvel Universe, they’re on opposite sides of the eternal battle between good and evil. What’s going on here? Didn’t Hawkeye get the superhero memo on proper dress attire? Oh, that’s right. He’s freelancing it, hasn’t joined the superhero union yet. Hawkeye wisely chooses cowl and boots, (and perhaps not so wisely, a giant “H” on his forehead), but he hasn’t yet tuned into the subtleties of color. It’s almost like the creators want the readers to be confused about his intentions.

Hawkeye doesn’t start out wanting to be a villain. He wants to be a superhero, and get the same respect as the other superheroes. However, even though there’s nothing wrong with wanting respect, we have to ask: is that the best foundation for a superhero career? Hawkeye’s self-centered motivations are less than noble. And can we really have superheroes who are less than noble? Isn’t that an oxymoron?

I’m reminded of Han Solo’s famous speech from the original Star Wars, when he first meets Princess Leia: “I’m not in this for you, sister. I’m in it for the money. I expect to be well paid.” Well, Hawkeye’s kind of like that. He’s not in it for money, but like Solo, his reasons are less than pure. In fact, his desperate attempt to gain respect and notoriety is even less wholesome and more pathetic than Solo’s honest self-evaluation. Solo is a mercenary, and he knows it. Hawkeye’s intentions may be honorable, but his motivation is entirely self-serving.

Being found by the cops with a bag of stolen goods probably wouldn’t have been enough to permanently set him down the wrong path. He simply panicked. But why? Because he hasn’t been through Superhero Training 101, where he would have learned that the first rule of being a superhero is… DON’T PANIC!! tos57panicIf Hawkeye wasn’t so consumed with envy, he might have asked Iron Man to mentor him. Totally different outcome.

Let’s admit it: Poor Hawkeye needs all the help he can get. He has no scientifically or divinely appointed superpowers; he’s just a good shot. Without training or mentoring, or even a subscription to Fantastic Four comics, about this time he’s probably realizing that putting on a costume and grabbing a quiver full of sharp arrows is merely the preamble to the superhero gig. Running from the cops was a stupid mistake. He still has a lot to learn. He can be forgiven.

I DID IT ALL FOR LOVE
But here’s where he can’t be forgiven. At least not yet. Falling in almost immediately with the “daring, dazzling, dangerous Black Widow,” he lets himself be carried away on a tidal wave of lust and revenge. Add that to his ample inferiority complex and stewing pool of jealousy and what do you get? A perfect recipe for disaster.

So now at last we come to the part of the story that all little boys wait for. At Black Widow’s behest, Hawkeye sneaks into Stark Industries, and he and Iron Man fight. Pages 13 through 17 are all about the fighting. An arrow with a rusting agent temporarily puts the tin man in jeopardy, but the end result is that one of Hawkeye’s arrows bounces off Iron Man’s armor, injuring the Black Widow.

tos57whathaveidoneHawkeye is mortified, and runs off with his belusted fallen comrade, hoping to get her to the doctor before the fog rolls in. Of course I jest in calling her “belusted.” Hawkeye is completely convinced it’s much more than that. “She has to live!! She has to be MINE!! She’s the only one I’ve ever loved!!” It seems peculiar that he has developed such a deep devotion to Natasha in so short a time, but perhaps this life-or-death traumatic experience will bind them together as nothing else could.

Yet, I have to wonder…

If Black Widow lives (and I feel pretty certain she does), will she disdain Hawkeye for his inability to defeat the dreaded Iron Man? Or, will she be impressed by his devotion, and love him in return? Or, will she merely continue to use him for her own evil purposes?

Also…

Will Hawkeye get himself one of those handy-dandy “Don’t Panic” buttons, or at least sign up for some superhero correspondence courses? Perhaps he’ll buy himself a packet of Ritz dye so he can make a clear proclamation regarding his position in the Marvel Universe?

And even more questions:

Will Pepper read P.G. Wodehouse and finally realize that elaborate schemes to make your crush jealous almost always backfire? Will Stark ever ask Pepper out for that “glamourous evening”? And if so, what will she wear? More curiously though, just how cozy did Pepper allow Happy to get with her at the drive-in?

tos57lastpicAs our story closes, Iron Man reverts to handsome Tony Stark in the privacy of the night shift’s skeleton crew at the factory. He ponders his co-workers enjoying a murder mystery (and perhaps each other) at the drive-in. “Nothing more I can do now,” he decides, “except wait for morning.” Which confirms my suspicions that the way these superheroes manage to juggle career, love life and superhero exploits all within the same 24 hour day that you and I have is because…they never sleep!

Well, that’s okay with me. It leaves more time for not only their marvelous superhero exploits, but also for the topsy-turvy developments in their personal lives, which are so much fun—if not for them, at least for us.

THE WATCHER’S POWER
tos57thumbThe Watcher deals harshly with the glib, unsuspecting space pirates targeting planet T-37X, because it just so happens that T-37X is the Watcher’s home planet, and thereby excluded from his directive to never interfere with “other races.” He can do anything he wants to anyone who comes messing around on his home turf.

So…okay, he got out of this one legally—but we won’t be able to use this excuse again.

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TALES TO ASTONISH #59: Adjustments

Published: September, 1964

Published: September, 1964

“Enter: The Hulk”
Script: Stan Lee
Pencils: Dick Ayers
Inks: Paul Reinman
Letters: Art Simek

Here’s what happens: Giant-Man wants the not-so-jolly green giant to rejoin the Avengers, so he and Wasp travel to New Mexico. The Human Top follows, eager to exact his revenge on Giant-Man. Top finds the Hulk, who’s acting very hulkish, and settles him down just long enough to explain that Giant-Man is in the vicinity.

This instantly sets Hulk on the warpath against Giant-Man. They meet and fight in the evacuated town streets, but General Ross is also on the warpath, and fires a missile at them. Hulk catches the missile, saving Giant-Man’s life. Hulk reverts to Banner, and Betty is glad.

Lots of old familiar faces, with plenty of recurring themes, yet perhaps Marvel is setting the stage for something new…a revival for the Hulk? Well, before we can even consider that possibility, let’s take a look at what happens when you combine a giant, a hulk and a top.

OPTIMISM SUPREME VS. PESSIMISM DELUXE
As the story opens, Giant-Man can’t stop thinking about the Hulk. He feels sorry for him. It’s actually sweet how he keeps thinking if only he can find Hulk, he could persuade him to rejoin the Avengers. Giant-Man’s heart is as big as his…well, everything else. Is this an expression of the idealism of the 1960’s, or is Henry Pym really that naïve? Still, it’s good to see someone in Hulk’s corner for a change.

But perhaps there’s something to this. Maybe all Hulk really needs is a friend? Someone to support him and believe in him? Let’s stop and think about this for a moment. If you were large and mean and green, and nobody liked you, you’d be a little depressed too. In fact, listen to what Hulk says when he thinks he’s about to be pulverized by a missile:

tta59missile

Oh, my…You really gotta feel sorry for the poor guy. Would it boost his green-esteem, if he knew he was getting his own comic mag feature back, as soon as next month? Apparently many readers liked the Hulk a whole lot more than he likes himself. Too bad he doesn’t realize what an amazing creature he is.

However, here’s what strikes me as most amazing of all: for a bulky, hulky, lumbering sort of overgrown fellow, Hulk gets off that entire self-deprecating speech within microseconds of catching the missile with a mighty “Whoom!” He may be big, but he’s not slow. The boy has skills.

I ASKED YOU NOT TO DO THAT!
And it may be that Hulk is actually a little quicker at catching missiles than Pym is at “catching on” when it comes to women. As they set off on their adventure, Giant-Man suggests to Wasp that he can “think” her back to normal size. She replies with a hearty, “Henry J. Pym!! I ASKED you not to DO that!”

So! It appears Jan is no more on board with this “mentally shrinking the little woman” magic trick than I was when it first came to light. Good to know she’s standing up for herself, but isn’t Pym a bit of a jerk to suggest it, even after she’s made her position clear?

That’s what I thought at first, but then I realized this may be Stan’s attempt at putting this unfortunate development to rest…permanently! In a single panel, he acknowledges this superpower exists, and that Jan is displeased. I’d say she’s putting her little foot down in a big way. So hopefully that’s the last we’ll hear of that.

tta59dollOf course, these were my thoughts after reading the main story. Imagine my surprise when I got to the special feature “Let’s Learn About Hank and Jan,” and discovered that this ability to “instantly alter the size of his gorgeous partner-in-peril” is being touted as one of Giant-Man’s superpowers! Now which is it? We can’t have it both ways. We can’t have Wasp insisting, “I told you not to do that!” and still have him doing that.

I can only come up with one explanation, so let’s try this out: Stan gives Giant-Man this superpower in Tales to Astonish #58. After that, he writes “Let’s Learn About Hank and Jan” for TTA 59. It’s all laid out, ready to go to the printer. In the meantime, something happens before he writes the main story for TTA 59. Maybe Gloria Steinem sends him a nasty letter? Maybe his wife reads #58 and says…”What the…?!! Uh…c’mere, honey, we have to talk.”

I guess it doesn’t matter how it happened, as long as we don’t have to hear about it again. If you know, please don’t spoil it for me. Looking forward to things NOT happening in Marvel comics is almost as good as looking forward to the things that do happen.

MAKEOVER!
In his second appearance, the Human Top doesn’t do much, but he’s looking better than ever. First, we see him as Davy Cannon, sitting up in bed on an enormous pillow, reading the newspaper and smoking a cigarillo. What a great image!

tta59inbedThe Top has figured out that his “old stupid costume” (an oversized green turnip) made him too easy to recognize, so as many super-villains are doing these days, he gives himself a makeover. Instead of spinning around in brilliant green, he now spins around in shiny gray…or is it white? Well, that’s a little less obvious than before. As long as he sticks to the city streets or sandy desert and doesn’t go into the countryside.

I don’t know if we’ll see the Human Top again. I’m guessing we will, because it’s really hard to get rid of these mediocre villains, especially when they’re not apprehended by the police and sent to prison, no matter how short their sentence might be.

ME HULK…ME EMO
But this story is not about Top. It’s about HULK. He’s back, in a big way, he’s totally emo, but maybe he’s not as bad as everybody thinks he is. Betty hasn’t lost her enthusiasm for Robert Bruce Banner, and her dad is still exclaiming “Bah!” at the thought of his only daughter dating a scientist. And Banner is still having an awful time controlling those mood swings. There’s so much good soap opera left in these characters!

A BANNER BY ANY OTHER NAME…WOULD SMELL AS SWEET?
I really got a chuckle over the attempts to clean up yet another small mess. Care is taken to TWICE mention that Banner’s full name is Robert Bruce Banner. We can only assume that, by this time, it had been brought to Stan’s attention that he mistakenly called the scientist Bob Banner in Fantastic Four #25. Here, the name Robert Bruce Banner makes for a nice cover story. Yeah…right…ROBERT Bruce Banner…that’s the ticket

tta59brucenerdOf course, scientist Banner looks nerdier than ever here, giving credence to General Ross’ displeasure with his only daughter taking up with the guy, rather than (as Ross puts it) any of the “hundreds of rugged, husky military men” at his command.

But how memorable would Betty be if she hooked up with a rugged, husky military man? Her pitiful attachment to nerdy science boy Banner is just about the only thing that makes her interesting. Well, that…and her insistence on wearing high heels in the desert.

THE FUTURE IS…NOW!
I need a little set-up on my next point.

I can’t remember a time in my life when I wasn’t aware of a pop culture figure called the Incredible Hulk, and I guess I always suspected he was a comic book character, but I had no idea if he belonged to Marvel or DC, because frankly, it’s only been in the last ten years or so that I’ve become aware there’s a difference between “Marvel” and “DC.” I don’t know what I thought before this, except to say that, well…I actually didn’t think much about comic books at all.

Back in those days, with only a vague understanding of what the Hulk was all about (didn’t that My Favorite Martian guy play him on some TV show?), the giant green guy with bixbyanger management issues interested me even less than the average superhero or super-villain. I mean, he gets mad, he gets green, he destroys things. Big deal.

I went into my first issues of Marvel Comics with this attitude about Hulk, but was quickly surprised to find the character had so many layers, and such a rich and varied supporting cast of characters. Over several issues, Hulk went from being one of my least favorite characters ever to…well, if not one of my favorite characters, I can at least say I found his story fascinating.

I was disappointed, therefore, when the Hulk title went away after only six issues. I felt there was too much good storytelling left in this situation, and that his immense (no pun intended) popularity decades later had to be based on more than a long career of guest appearances. Also, when I recently helped Russ organize his comics collection, I noticed many books with HULK on the cover. So I’ve known for some time that he would someday be coming back to his own book. But when?

With each guest appearance since the Hulk title went away, I’ve found myself more and more intrigued with the intricacies of Bruce Banner’s split personality. Then this issue of Tales to Astonish not only features Hulk in another one of those guest appearances, but also promises a “Big Surprise Announcement.” Could this be it? At last? My hopes were high.

tta59houseadAnd sure enough…that’s it exactly! “Starting next ish, the incredible Hulk will appear regularly as the second starring feature in Tales to Astonish!” I’ve been anticipating this for a while, and I can’t tell you how delighted I am that it’s finally happening! Imagine that: some big green guy that likes to smash things, and me, a mere girl, who a short time ago barely knew the difference between Mister Fantastic and Mister Freeze, happy to see a character like Hulk moving up in the world.

Of course this means Wasp will have to curtail her community service of telling tales to orphans and veterans, but honestly, I don’t think anyone’s complaining.

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FANTASTIC FOUR #30: How I Spent My Summer Vacation

Published: September, 1964

Published: September, 1964

“The Dreaded Diablo!”
Script: Stan Lee
Pencils: Jack Kirby
Inks: Chic Stone
Letters: Art Simek

This story grabbed me almost from the start. I say almost, because it grabbed me on the splash, not the cover. On the cover, we see the villain, dealing with all four Fantastics with one dramatic flourish of his arms. Yeah, that’s good, I suppose, but…Diablo? Really? He has the horns, but the obligatory purple and green of his costume does not suggest a demon. What’s going on here? Thing looks sort of odd. Is he sick? Or being healed? I want to know more, so I turn the page.

TRAVEL TO EXOTIC PLACES…
Now I’m interested. First, because the narrator tells us the FF are on vacation, and I know from past experience that any time superheroes take a vacation, mayhem ensues. Their vacations are not like ours. If skiing in Aspen, they’ll encounter the Abominable Snowman. If traveling to the tropics, you can bet they’ll have a run-in with some mad Commie dictator. They may start off with sand and surf, but end up saving the world.

But then it gets even better. Forget the tropics! The FF have chosen to holiday in scenic Transylvania. A big fan of Dark Shadows and all vampire lore, I’m immediately intrigued by this odd location. Actually, I’m sort of disappointed we didn’t run into an actual vampire here in Transylvania. But then it’s only 1964, and Dark Shadows has not yet cast its first shadow on Dan Curtis’ imagination, so Marvel still has plenty of time to jump on that bandwagon. But you’ve got to admit, getting out of NYC and into this crazy, overgrown forest, and gothic abandoned castle—oh, what fun!

I wonder who picked this travel destination. My first thought is Reed. He’s just enough of a Type A workaholic personality, and certainly smart enough, to figure out that if you vacation in Transylvania, there’s a higher than average probability something dangerous is going to happen. Your superhero services will be required, allowing you the welcome respite of putting your “vacation” on hold so you can get back to the kind of high energy activities that truly interest you the most.

And of course that’s exactly what happens.

OH, THE ANGST!
The four find an abandoned castle in the middle of a spooky overgrown forest. Along comes the Mayor of Transylvania (or actually “mayer of this territory,” but then, hey…we’re in Transylvania, who are we to quibble with local government structure? Or spelling?). The mayor tells the unnerving tale of Diablo, an evil alchemist, sealed up within this castle these many years, who may or may not have discovered the secret of prolonging human life, and therefore may or may not still live to menace society, should some unwitting soul ever be tricked into letting him escape.
ff30gorgeous
Thing is that unwitting soul. Retiring to bed that evening, he sinks into a pit of despair, once again doubting Alicia’s love. “How could ANYONE miss an ugly creep like ME??” In the last issue of FF, Thing and Alicia professed their undying devotion to each other, so I thought that was all settled. But I guess there are some things even the love of a good woman can’t overcome.

And Diablo is no fool. He takes one good look at Thing, recognizes the ironically weak link in the chain, and knows immediately what he needs to do to get this guy on his side. He lures Thing to his castle, and the moment Thing frees him with one mighty clobber of his rocky arms, Diablo offers Thing a sip of a potion that makes him…well, if you believe Thing, he’s now “gorgeous,” but I have to stop here for that old platitude: “Beauty is in the eye of the beholder.” Sure, Thing looks better, marginally more human, but by no stretch of the imagination is he gorgeous.

But Thing is hooked, signed on the dotted line. He’ll serve Diablo for one year, then get the remainder of the potion, which will complete his transformation into one gorgeous human FF30blastyouhunk of manhood. Which, he feels, will somehow permit him to marry Alicia—whom, you’ll remember, is blind, and will never see how “gorgeous” he has become, and by the way, loves him just the way he is.

Go figure.

THERE AND BACK AGAIN
So, we’re all set now for the super-villain shenanigans! With Thing as his bodyguard/assistant, Diablo bursts upon the world scene, offering miracle potions that do everything from fertilizing deserts to granting immortality. He’s the man of the hour…until Reed Richards discovers that these miraculous cures are only temporary. Then it all falls apart.

Thing reverts to his customary “full ugly” and is forced to exclaim, “Reed was RIGHT all the time!” He turns on the evil Diablo, who immobilizes him with fumes. Diablo fights the other three with his “Stun Shower,” which releases a high pressure spay of chemicals to incapacitate one’s enemies. Of course, ff30showerif the Invisible Girl happens to be your enemy and can get to the flexible hose in time, it’s just as easy for the “Stun Shower” to incapacitate your own army. When you think of it, this is an extremely dangerous device. I only wish it had a more imposing name that did not include the word “shower.”

Eventually Diablo gets the upper hand and encases all four superheroes in “escape-proof cylinders.” From which Thing quickly escapes. To make a long story short, as Thing fights Diablo, the others also escape their escape-proof cylinders, making it safely out of the crumbling castle. Torch fuses the wreckage together so Diablo can never menace mankind again.

So there you have it: “How I Spent My Summer Vacation…in TRANSYLVANIA.” On one level, a cautionary tale about the dangers of traveling abroad; on another, a wonderfully emotional tribute to Thing’s inner angst. However, even though his participation in these events is almost perfunctory, my most fascinating observations are about Reed. He doesn’t do anything spectacular (just the usual scientific genius stuff, accompanied by a healthy dose of do-gooder), but several of his actions here solidify for me who this Reed Richard really is.

THE WORLD ACCORDING TO REED RICHARDS
First, there’s this: Always a stickler for going by the book, though circumstances are dire, Reed insists they can’t attack Diablo until he actually breaks a law. And so they wait, and wait, sitting on their hands. Then, suddenly, when Diablo’s cures prove to be short-lived, the U.N. decides the villain’s sole aim has all along been nothing short of world conquest. With the U.N.’s declaration behind them, Reed declares NOW is the time to act.

Never mind the U.N.’s drastic jump in logic from “hoaxer with defective products” to “super-villain seeks to destroy mankind,” (though admittedly, the name “Diablo” comes down squarely in the second column). Still, I have to ask: what law has been broken? Shoddy workmanship? LYING?? Is that illegal? Reed seems to think so. At least if the U.N. is selling it, Reed’s buying.

THE WORLD ACCORDING TO REED RICHARDS PART II
You know that old saying about what’s good for the goose? Well, it cracks me up that Reed instructs Sue not to talk, so Johnny can concentrate on accomplishing the task at hand…then immediately follows his command with an 18-word explanation about why she needs to keep quiet!

In the next panel, Johnny gives up, exclaiming, “It’s no use!” I have to wonder if Reed’s chatterboxing caused Johnny to lose his concentration.

AND ONE MORE THING ABOUT REED
Last time I noted that Reed felt compelled to instruct Sue to use her force field to provide a layer of protection, as if Sue couldn’t think of that herself. But early in this story, nobody ff30itsmehas to tell Sue to deploy her force field to help her brother, and later she also encloses herself to protect against the rushing troops. And she thinks of this all on her own!

Of course, Reed doesn’t appear to be anywhere in the vicinity while these two incidents take place. However, on page 21, Reed is back to his commandeering self, once again instructing Sue on how to use her superpowers. I’m starting to think this has nothing to do with a 1960’s sexist view of a girl’s ability to use her superpowers, and everything to do with Reed Richards’ controlling personality.

MORE FOUR!
This was a simple yet fun story that yielded much in the way of understanding the psyches of our favorite four. Heck! I didn’t even get to mention my observations about Torch. When voices are heard behind the wall, Torch immediately exclaims, “That means it’s time for the Torch to Flame On!” Which leads to the obvious question: why do voices behind a wall automatically lead to the need to flame on? Is Torch exceptionally paranoid, or is he just looking for any excuse to show off?

ff30torchPersonally, I think Torch enjoys being a bit of a show off.

And we’ll get to see more of Torch’s show-off-ism, and everyone else’s quirky personality traits a little later this month, because it’s time for another FF Annual! So I’ll leave you now, to ponder the marvels of the Marvelous Zone, while I get back to my reading.

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